Tag Archives: MMPR

Astonishing Art: MMPR Cosplay by Arthur Lobato

By Rob Siebert
Fanboy Wonder

I’ve talked about nostalgic feels in this space before. Todays selections gave me the wannabe dad feels.

I stumbled across the Red Ranger piece yesterday, and traced it back to the Instagram page of Brazilian designer/illustrator Arthur Lobato. As the day went on, he followed it up with Pink and Black. Hopefully we get more in the near future.

These perfectly capture the kind of playful parent I want to be someday. Joy and fun radiate off each of them. The cartooning is also well done, and the colors really pop. The whole parent/child and Ranger/zord dynamic is really cute too.

My favorite of the three is the red one, simply because of the way the little boy is looking up at his dad. Here’s hoping I get to do a two-part Halloween costume with my kid someday…

Email Rob at PrimaryIgnition@yahoo.com, or follow Primary Ignition on Twitter.

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A Mighty Morphin Power Rangers, Vol. 3 Review – Lord Drakkon’s Wrath

TITLE: Mighty Morphin Power Rangers, Vol. 3
AUTHORS: Kyle Higgins, Steve Orlando
PENCILLERS: Hendry Prasetya, Jonathan Lam, Corin Howell.
COLLECTS: Mighty Morphin Power Rangers #912
FORMAT: Softcover
PUBLISHER: BOOM! Studios
PRICE: $16.99
RELEASED: June 7, 2017

***Need further detail? Check out our reviews of issues #9, #11, and #12.***

By Rob Siebert
Editor, Fanboy Wonder

For my own finicky reasons, I’ve been enjoying BOOM! Studios’ Mighty Morphin Power Rangers series with a strong sense of caution. I’m very wary of how this story about a dystopian alternate reality is going to end. But even with that caution, as a Power Rangers geek it’s impossible to deny the quality of what we see on these pages. These are easily the best MMPR stories ever seen on the comic book page.

Picking up where Vol. 2 left off, the Rangers are as close as they’ve ever been to a doomsday scenario. With help from the mysterious Black Dragon, Rita Repulsa has destroyed the Command Center, cut the teens off from both Zordon and their powers, gained control of the zords, and imprisoned Billy in her Dark Dimension. In a last ditch effort, the teens have regained access to the Morphin Grid using Tommy’s Power Coin. In the ensuing battle, Tommy and Billy are transported to an alternate universe. A decimated reality where Tommy did not join Zordon’s team of Rangers. Needless to say, both Tommy and the world at large look very, very different.

The big moment from issue #9, and perhaps this volume overall, is the introduction of Lord Drakkon. As one might surmise given the costume is an amalgamation of the Green and White Ranger suits, it turns out to be an evil version of Tommy. Drakkon’s world is darker than almost anything we’ve ever seen in Power Rangers lore, both literally and thematically. Angel Grove is in ruins, with destroyed zords laying out in the open. Giant statues of Rita and the Green Ranger stand in the city. Then in issue #12, one of the Rangers actually dies. It’s off panel, but still a pretty big deal considering this is all based on a kids show.

And yet, it’s impactful and it works. That’s a testament to this team taking the source material more seriously. To the uninitiated, I’m sure it seems silly. But if you grew up with Power Rangers, and still have a deep affection for it, there’s real value in showing respect to these characters and this world. The proof is in the sales receipts. Now we’re getting a second ongoing series and a Justice League team up.

Obviously, this story takes place pretty early into Tommy’s run as a Power Ranger, a la season one of the show. But Higgins, Prasetya, and the team go a little wild in this volume, taking advantage of the alternate timeline and throwing in elements from later in the series. We see Saba, the Thunderzords, the Tigerzord, the Falconzord, and even catch a glimpse of characters like Ninjor and the Phantom Ranger. It all looks tremendous, as Prasetya is far more in his element when he’s drawing the superhero action stuff. There’s a splash page of the Tigerzord in issue #12 (shown below) that’s particularly morphenomenal.

But these future elements are where my caution comes into play. Tommy and Billy are seeing all these things from their future. People have told me I’m being too picky about this, and maybe they’re right. But I stand firm in the idea that from Tommy and Billy’s perspective, seeing things like this taints the impact of events that happen to them later. Take the famous sequence in “White Light, Part 2” when Tommy is revealed as the White Ranger, and he’s told he will work alongside Saba and command the Tigerzord. This story implies that he’ll recognize both of them. It’s almost like he’s a kid who snuck a peak at his Christmas presents. He knows what he’s getting, so that moment of genuine surprise and discovery is tainted. I’m hoping a mind wipe is forthcoming for Tommy and Billy.

That being said, I take my hat off to Higgins and the BOOM! Studios team for caring enough about the Power Rangers universe to incorporate things like this. It’s part of why, tainted impact or not, these are the best PR comics ever created.

Issue #10 is an interlude focusing on Billy, with Jonathan Lam takes over the pencil, and Joana Lafuente on the colors. It zooms in on Billy’s anxiety and insecurities. It’s a natural direction to take, considering what the character was like on the show. It also serves as a nice follow-up to the scene we saw between Billy and Trini in issue #2. Lam’s pencils are sketchier, and a little more “Americanized” than Prasetya’s. But the transition isn’t as jarring as it might have been with a different artist.

The volume wraps up “The Ongoing Adventures of Bulk & Skull,” as Rita dupes the duo into controlling her latest monster. I’ve been a little tough on these in past reviews. The reality of it is, they’re hardly the highlight of the series. But they’re fine for what they are. Going forward, these backup stories shift to “The Ongoing Misadventures of Squatt and Baboo.” Ironic, considering Rita once called Bulk and Skull “a human Squatt and Baboo.”

Despite the apprehensions I have about this Mighty Morphin Power Rangers series, which admittedly are a little bit silly, the book is a great testament to the impact the show had on so many of us. Higgins, Prasetya, and everyone working on it has done great justice to it. I’m thankful we have so much more to look forward to.

Follow Primary Ignition on Twitter, or at Facebook.com/PrimaryIgnition.

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A Mighty Morphin Power Rangers: Pink #6 Review – The Feminist Ranger

MMPR: Pink #6, Daniele Di Nicuolo, coverTITLE: Mighty Morphin Power Rangers: Pink #6
AUTHOR: Brenden Fletcher and Kelly Thompson (story), Tini Howard (script)
PENCILLER: Daniele Di NIcuolo
PUBLISHER: BOOM! Studios
PRICE: $3.99
RELEASED: January 25, 2017

***WARNING: Spoilers lay ahead!***

By Rob Siebert
Editor, Fanboy Wonder

Ah, the letter. Given when this story is set, I didn’t think we’d get to address that. But here it is.

During Power Rangers Zeo, the season that succeeded Mighty Morphin Power Rangers, Tommy gets a letter from Kimberly. It’s essentially a Dear John letter, as she ends their long-distance relationship, saying she’s met someone else. This left a bad taste in the mouths of a lot of fans. Kim was rarely mentioned after actress Amy Jo Johnson left the series. When she returned for the Turbo movie, her relationship with Tommy was barely touched on. Thus, the long-standing relationship between two of the show’s most popular characters ended on a pretty sour note.

That letter turned out to be a piece of what MMPR: Pink is all about. In the end, it became about Kim being her own person and letting go of her old life. About moving on, and becoming a new kind of hero. Fans who’ve dreamt of seeing Kim and Tommy end up together may not be thrilled by that idea. But in the end, it’s pretty damn cool.

MMPR: Pink #6, 2017, Rangers arriveThe issue starts with Kimberly’s makeshift team of Rangers (Zack, Trini, and two civilians she enlisted in France) arriving to save Tommy and the active Rangers on a faraway planet. They arrive in Typhonis, a giant battle machine Goldar constructed using pieces of the destroyed Thunderzords. They also have Titanus and Tor the Shuttle Zord, which the Rangers have used previously. The use of words from previous seasons is cool fan service, though admittedly a little hokey. There’s an epic feel to seeing those old zords next to the Ninja Megazord in the final battle.

Last issue we learned Zack and Trini have become a couple. That’s completely out of the blue, considering how the characters were on the show. But it’s fine. It’s even intriguing in an opposites-attract sort of way. The only sad thing is I’m not sure we’ll ever see this explored more.

As far as I’m concerned, Daniele Di Nicuolo is welcome back in the Power Rangers sandbox any time. He’s a tremendous fit for the PR universe. His work is clean, dynamic, and compliments what we saw on the show very well. He also got pave some of his own ground with the makeshift Ranger suits, Kim’s Katniss Everdeen wardrobe, and the inner workings of the zords. Mind you, I still don’t understand why Zack’s costume has a hood. He’s already got a helmet! What does he need a damn hood for?

Nagging questions: We’re led to believe that Tommy and the active Rangers don’t know who came to their rescue. But Kim communicates with them through the cockpit of her zord, and there’s no indication that her voice is disguised. How do they not recognize her voice? Also, Zordon obviously sent them Titanus and Tor. Couldn’t they have just asked him who the mystery rescuers were?

mmpr-pink-6-motorcycleThere’s been a “life after the Power Rangers” vibe to Pink, which comes full circle at the end. Kim meets Zack and Trini at a cafe, and they talk about their next move, promising to do a better job of staying in touch. When we jump to a year later, we see she’s done just that, including Jason in the mix as well. I like that. Even with as deep a connection as they have, they drift in and out of contact like real people.

There’s obviously a strong feminist angle to Pink, and they hammer that home at the end. A year after the rescue, as Kim is writing the famous letter, she recognizes she and Tommy have very different lives. Not content to “be the woman in pink, at his side,” she sets out to forge her path independently and be her own hero. That ending does a lot of justice to the Kimberly character. It’s really remarkable how, without necessarily intending to, Amy Jo Johnson and the crew on MMPR created this strong female character that resonated with so many viewers. This whole story is essentially a love letter to that character and that performance.

Perhaps the most surprising element of Pink is that Kim and Tommy never speak. He’s never even aware she’s nearby. That’s a hell of a thread to leave hanging, and would make for a hell of a moment in a sequel. Just saying…

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