Category Archives: Comic Books/Graphic Novels

Astonishing Art: Orange is the New Black by Victoria Haigh

By Rob Siebert
Fanboy Wonder

I’m currently zipping through the final season of Orange is the New Black, as I imagine a great many people are. I’m not finished yet, but thus far they seem to be going out on a pretty heavy emotional  note. Several of them, actually.

Today I happened to look up Beth Dover, the actress that plays the Linda Ferguson character, on Instagram. One of her posts led me to Victoria Haigh, an amazing fan artist with an obvious love for the show. Dover used the image at left on her page, which reminds me a lot of the ensemble images Kevin Maguire does.

For an added dose of astonishment, check out Haigh’s web site. You’ll find not only more Orange, but lots of Kate McKinnon, and she’s certainly no stranger to superheroes!

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

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Astonishing Art: Fatherhood Edition, by Pena Nezuki

By Rob Siebert
Fanboy Wonder

Three days ago, my daughter was born. I’m not yet sure what I’ll refer to her as on this site. My wife has been Mrs. Primary Ignition. So…Li’l Primary Ignition, maybe?

Naturally, emotions are running high. I spotted this piece by Puna Nezuki on Father’s Day. It smacked me in the feels then. But now…

What makes the image for me, outside of the quality of the character renderings, is the variance between young Splinter and old Splinter. The former standing up straight and tall in his early days of parenthood. The latter with a bit of a hunch, facing old age, but able to look around at a job well done.

Thankfully, I only have one to look after, as opposed to four. I’m also not raising them in a sewer. Truth be told, Splinter might be the most overlooked father in all of pop culture.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Panels of Awesomeness: Joker in the Court

By Rob Siebert
Fanboy Wonder

***WARNING: The following contains a spoiler for Batman: The Long Halloween. If you haven’t read it, run (do not walk) and do so right this minute.***

THE ISSUE: Batman: Dark Victory #7

CREATORS: Jeph Loeb (Author), Tim Sale (Artist), Gregory Wright (Colors) Heroic Age (Colors), Richard Starkings (Letters)

RELEASED: June 2000

THE SCENE: In an underground “courtroom” setting, Batman’s enemies try to ascertain the identity of the “Hangman” killer. The Calendar Man takes the stand as Two-Face prosecutes.

WHY IT’S AWESOME: After recommending The Long Halloween to a friend, I recently took the time to re-read the pivotal entry into the Batman mythos, along with its sequel, Dark Victory. While Jeph Loeb and Tim Sale’s work might be my favorite take on Batman and his world, I came away realizing Dark Victory wasn’t quite as good as I remembered. While it’s nowhere near bad, and it’s still great to be in that Loeb/Sale world again, it’s a sequel that doesn’t live up to the original.

Odd as it may seem, this page is my favorite in the entire book. Specifically because of that last panel, in which the Joker lets out a tiny “Ha.”

In the scene, Julian Day, a.k.a. the Calendar Man is about to reveal the true identity of the Holiday killer from The Long Halloween, whom the world believes to be Alberto Falcone. But Day knows the truth. And without spoiling too much from the book, Harvey Dent has a very personal investment in the truth not getting out. So he pulls a gun on the Calendar Man before he can get out a name. Then the Joker laughs.

I’m not sure if Julian Day knew the truth or not. Hell, even Batman never knew. But to me, that one little word bubble with those two little letters reveal one hell of an untouched detail: The Joker knows. I don’t know how he knows, but I suspect it may have something to do with his appearance in Harvey and Gilda Dent’s new home in The Long Halloween. It would certainly explain the way he behaves toward Two-Face in Dark Victory.

I also love the way this panel is colored. The ultimate evil standing off in the shadows. Laughing. Because he knows your dark and dirty little secret. Most likely because part of that awful, unthinkable evil that resides in him, now resides in you too.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Astonishing Art: Joker(s) by Gabriel Soares

By Rob Siebert
Fanboy Wonder

Naturally, there’s been plenty of buzz over the new Joker trailer. From where I’m sitting, it actually looks pretty good. Keep your expectations low with these DC movies, folks. Then at least you won’t be disappointed…

As it happens, the high visibility of the trailer gives me a chance to spotlight an artist I’ve had my eye on for awhile: Gabriel Soares. A 3D cartoonist from Brazil, Soares puts a lot of great detail into his work, while still keeping things in that exaggerated cartoon realm. Even if it’s only slightly so. To illustrate, I’ve included his takes on the Jack Nicholson, Heath Ledger, and Jared Leto Jokers.

Soares’ work can be found on ArtStation, as well as his Instagram.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Panels of Awesomeness: Supergirl: Being Super

By Rob Siebert
Fanboy Wonder

THE ISSUE: Supergirl: Being Super #1

CREATORS: Mariko Tamaki (Author), Joelle Jones (Pencils), Sandu Floreau (Inks), Kelly Fitzpatrick (Colors) Saida Temofonte (Letters)

RELEASED: December 28, 2016

THE SCENE: In the opening pages of this out-of-continuity take on Supergirl, we meet Kara Danvers and her friends.

WHY THEY’RE AWESOME: I’m a sucker for body language and certain subtle visual cues. Comic books are, after all, a visual medium. I wasn’t even two pages into Supergirl: Being Super when I found one I absolutely love.

The book reestablishes the character as a modern American teenager. One of the book’s best attributes is establishes strong connections early on between Kara and her supporting cast, specifically her friends. One of those friends is Dolly Granger. 

What I absolutely adore here is how perfectly the art and the caption boxes are intertwined. The one on the left is our set-up, as we get this information about Dolly’s parents. Then we have the reveal of her hair, which beautifully points to her non-conformist streak without saying a single word. We probably don’t even need the caption on the right. But it’s a nice bit of garnish. Incidentally, it’s probably not an accident that the background is rainbow colored.

One of the book’s best attributes is how real and genuine Kara’s friendships feel. They work wonders in making this otherwise goddess-like character feel very down-to-Earth. Often it can be cumbersome to get those supporting characters established while still doing the business of the plot. But Dolly’s introduction is quick, seamless, and masterful.

For more Joelle Jones, check out Panels of Awesomeness: Catwoman #1.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

 

Astonishing Art: Pro Wrestlers By Nolan Harris

By Rob Siebert
Fanboy Wonder

It doesn’t take a doctorate to see that pro wrestlers and comic book characters have a lot in common. They’re flamboyant, colorful, expressive, often muscled to the point of ridiculousness. Most importantly, when they’re done right, they’re both a hell of a lot of fun.

Nolan Harris’ art captures this parallel about as well as you possibly can. Whether it’s the bright backgrounds, the little details he accentuates, or the occasional otherworldly element he adds (see Demon Balor), his work is a real joy to behold. And if you follow his Instagram, you know he’s really damn prolific. Lately, in addition to creating new content, he’s started “re-mixing” some of his old works. I’ve included six of my favorites here.

You can see more of Harris’ work, and also purchase prints, at his official site. Nolan is also the co-owner of Over the Line Art.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Epic Covers: Superman as an Angel

By Rob Siebert
Fanboy Wonder

Superman as a God figure. Superman as a stand-in for Christ. Superman as a saintly presence. It’s hardly a new idea. But slapping red angel wings on Big Blue really drives the point home, wouldn’t you agree?

Superman #659 was, in execution, a fairly unremarkable issue. But to this day, I absolutely adore the premise. Written by Kurt Busiek and Fabian Nicieza, it sees an elderly woman become convinced that Superman is an angel sent from heaven. She then takes it upon herself to sic him on Metropolis’ criminal element. Superman, of course, is simply trying to save this woman who continues to put herself in harm’s way. There’s a lot of meat on that bone, which makes me wish they’d done more with this idea than simply use it for a filler issue.

While Peter Vale and the artists do a fine job with the interior, it’s  Alejandro Barrionuevo’s cover that has always stuck with me. The combined elements do a tremendous job creating that element of divine grandeur you’d want for a story like this.

Many would-be readers cry that Superman isn’t relatable enough. This premise doesn’t do him any favors in that regard. But I love that they played with the idea a little bit.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.