A Teen Titans: Damian Knows Best Review – A Return to Glory?

TITLE: Teen Titans, Vol. 1: Damian Knows Best
AUTHOR: Benjamin Percy
PENCILLERS: Jonboy Meyers, Diogenes Nieves, Khoi Pham
COLLECTS: Teen Titans #15Teen Titans Rebirth #1
FORMAT: Softcover
PUBLISHER: DC Comics
PRICE: $16.99
RELEASED:
June 14, 2017

By Rob Siebert
Editor, Fanboy Wonder

The Teen Titans have had a pretty awesome run on television over the last decade and a half. The comics, on the other hand? They’ve been a mixed bag. But this new Teen Titans series under the DC Rebirth banner offered yet another fresh start for one of the most iconic and prolific superhero teams in all of comics. A chance to make the Teen Titans great again!

I wouldn’t call Damian Knows Best a great book. But these still manage to be the best Teen Titans comics we’ve gotten in several years. Since 2011 at the very least.

In the wake of his 13th birthday, Damian Wayne, a.k.a. Robin, summons his own team of young heroes to combat a threat from his past. Damian’s grandfather, Ra’s al Ghul, has sent his own team of young assassins after the Boy Wonder. Their mission? Either bring Damian back into the League of Assassins or kill him. But as his new teammates are about to find out, Damian isn’t one to make things easy.

Damian should have been on the Teen Titans a long time ago. That last really good Teen Titans story I alluded to above? It sees Damian barge in and briefly anoint himself team leader. Why it took so long to get him back on the team is beyond me. Sticking a character as abrasive as Damian in a team environment is a natural source for tension and conflict. Making it a team of adolescents ups the ante even more. It’s an update this book has desperately needed since…well, 2011.

Perennial team members Starfire, Beast Boy, and Raven are back. I’ve lamented previously about how the series can’t move away from them, presumably because DC wants to match the cartoon show. Plus, they’re synonymous with the iconic Wolfman/Perez era. Swapping one or two of them out for newer characters might open the door for even more new possibilities. That’s what a relaunch is supposed to be about, after all. We at least get a little of that with the inclusion of Kid Flash.

However, Ben Percy does a commendable job turning up the teen angst with most of our heroes. The common theme among them is the feeling they don’t belong anywhere. Like so many young people, they feel isolated.. That commonality that makes them feel like they belong together, instead of being lumped together for no real reason (other than editorial mandate). The opening sequence with Beast Boy is one of the character’s best in quite some time. As he behaves in his typical animated and boisterous fashion, the narration captions highlight his inner turmoil, most notably over the “death” of Tim Drake. Throw in how wonderfully drawn and colored the whole thing is, and you’ve got a knock-out intro.

That’s one of the things DC has failed to do with Teen Titans for so many years: Really amp up the teen element effectively, making this book considerably different from Justice League and the other team books out there. Need an example? Look what Mark Waid is doing in Champions. All those characters feel like teenagers trying to find their way in the world and blaze a new trail that’s different from the previous generation’s. Teen Titans doesn’t have that rebellious streak to it. But having these characters feel young and a little less sure of themselves is damn sure a step in the right direction.

Most of the Demon’s Fist characters are forgettable. They’re led by Damian’s cousin Mara. Despite being fairly forgettable herself, she has a strong origin story. She trained alongside Damian growing up, competing with him but never quite besting him. Damian was intended to lead the Demon’s Fist, but Mara took over in his absence. If you subscribe to the idea that all of Batman’s villains represent a distorted mirror image of him, then Mara would be the equivalent for Robin.

Jonboy Meyers was supposed to be the regular artist for Teen Titans. He made it through issue #1 before leaving due to “creative differences.” That’s a damn shame. Meyers breathed so much new life into this series, giving us an Anime-inspired expressiveness, and thus a sense of fun the book has sorely lacked for a long time. Make no mistake about it, the guy knows his way around a superhero action sequence. I’ll specifically cite the Kid Flash pages from the Rebirth issue as evidence.

Diogenes Nieves has the unenviable job of tagging in for Meyers in issue #2. To his credit, the transition goes about as smooth as you could ask. He gives us a couple of gorgeous pages of a rainy rooftop scene between Damian and Talia al Ghul. Still, the little quirks in Meyers’ art are still sorely missed. The same, sadly, can be said for when Khoi Pham takes over on issues #3-5. Objectively, he’s a fine artist. When it’s time for our team to rise up in issue #5, Pham nails it. It’s just that Meyers has that certain flair. Starting with it and then taking it away doesn’t do the book any favors.

Thankfully, one constant in the book is colorist Jim Charalampidis, who brings a valuable consistency to the series despite the changing artists. These pages look a touch darker than I might have expected. But it’s still the beautiful blaze of color you’d hope to see from a superhero team book like this.

It’s been quite awhile since I picked up Teen Titans on a consistent basis. This new series changed that. Did Damian Knows Best make Teen Titans great again? No. But it made the series good again. That’s more than you can say for any other book to bear it’s name in the last several years. Now, here’s hoping things stay good for quite some time. These characters, and this series deserve at least that much.

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A Go Go Power Rangers #1 Review – Scaling the Palace Walls

TITLE: Go Go Power Rangers #1
AUTHOR: Ryan Parrott
PENCILLER: Dan Mora
PUBLISHER: BOOM! Studios
PRICE: $3.99
RELEASED: July 26, 2017

By Rob Siebert
Editor, Fanboy Wonder

There’s a reason it’s taken 20 years for us to get quality Power Rangers comic books. So many of today’s creators grew up with the show and have a special fondness for it. As such, this campy TV show that so many have dismissed as mindless fluff is now being shown an unprecedented amount of love and respect. You can see it in both the broad strokes and the smaller details.

Case in point, the first few pages of Go Go Power Rangers #1 takes us back to the events of the show’s premiere episode, “Day of the Dumpster.” The climactic point in the episode sees the Megazord take on Rita Repulsa’s henchman Goldar for the first time. In the end, Goldar retreats. He insists, “This isn’t over! I’ll be back!” With that, he throws his forearm horizontally across his chest and vanishes.

There’s a panel on one of those early pages that depicts that same line and pose (shown below). As a lifelong PR fan, little things like that make me so happy. It shows me our creative team is as passionate about this as I am. You don’t always get that with a licensed book like this. But when you do, it can be a beautiful thing.

Spinning out of the success of BOOM’s Mighty Morphin Power Rangers title, Go Go Power Rangers kicks off at the tail end of “Day of the Dumpster.” Our five young heroes are adjusting to their new lives as superheroes. But before the battle lines are completely drawn in this ongoing battle with Rita, the Rangers take the fight straight to her doorstep. To save the astronauts that accidentally freed the evil empress, our heroes storm her moon palace head on. They wanted a fight. Now they’ve got one.

Go Go Power Rangers is apparently aiming to be more character-focused than its sister series, with a stronger balance between teenage drama and superheroics. This issue has an extremely positive indicator in that respect. Unlike virtually every other PR story from BOOM!, Go Go Power Rangers gets Zack right.

For some reason, both MMPR and Justice League/MMPR have often portrayed the Black Ranger as a sort of introspective brooder. I understand tweaking these characters for a modern audience. But that approach is the polar opposite of the Zack character. He was always warm, fun-loving, and enthusiastic. Ryan Parrott is the first writer I’ve seen at BOOM! who really taps into the spirit of Zack. I give him credit for that. But I can’t help but wonder why it took this long…

We also get an early morning scene with Jason training before school. It’s designed to give us a little bit of Jason’s background, and that’s all well and good. But I just like seeing him be so tireless and hardworking. It’s similar to what Kyle Higgins and Rod Reis were so successful with on their portion of MMPR Annual 2016.

This issue introduces us to a character named Matt Cook (shown below). He’s in the circle of friends with Jason and the others. But he obviously has no idea they’re superheroes. Matt also happens to be Kimberly’s boyfriend. By all indications he’s a good egg like the others. I almost feel sorry for him. He’s clearly about to be boxed out of the group. Sorry, dude. We can’t all be Tommy Oliver.

As a kid, I always wondered why the Rangers never took the Wizard of Oz approach and attacked Rita at her palace. It looks like this opening story is going to show us why. Mind you, it’s not simply an ambush. They’re trying to rescue the two astronauts we saw in “Day of the Dumpster.” In over two decades, it never occurred to me that those two could have been captured. It seems really obvious in retrospect.

When the team teleports directly in front of the palace, they’re met by an army (literally an army) of Putties. And of course, they later have Rita and Goldar to contend with. Dan Mora, along with colorist Raul Angulo, show us both the interior and exterior of the palace from a bunch of different angles. This includes the gloriously ludicrous neon “Bandora Palace” sign.

I was very impressed with what Dan Mora showed us in MMPR Annual 2017, and I’m still impressed now. Mora’s teens are much more expressive and animated than we’re used to seeing in MMPR. But his action sequences also deliver that same epic, awe-inspiring feel we’re used to getting. He’s very balanced in that respect. And of course, he still draws an awesome Goldar. Also, his rendering of the Megazord is one of the best I’ve ever seen.

I’ve touched on this before, but it’s somewhat uncomfortable for me to see the teens “modernized.” Even in the continuity of the show, MMPR is set in the ’90s. So it’s always going to be weird seeing them use smartphones and sporting modern looks (shown below). I get that it comes with the territory, and I don’t place blame on anyone for it. But it still seems weird…

The only updated look I take a bit of exception to is Jason’s. Something about the longer hair and the jacket rub me the wrong way. I’m not in love with Trini’s new hairstyle either, but it’s somehow less grating. Also, I just noticed Trini’s wearing glasses in the image below. That’s different.

Nitpicking aside, I enjoyed Go Go Power Rangers #1 as much as I’ve enjoyed any issue of BOOM! Studios’ MMPR series. Maybe even a little more. I admit, as a reviewer I’m likely biased when it comes to these books. As a fan, I’m so proud of everybody at BOOM! for what they’ve given us. Proud and grateful.

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A Star Wars: Yoda’s Secret War Review – Size Still Matters Not

TITLE: Star Wars, Vol. 5: Yoda’s Secret War
AUTHOR: Jason Aaron, Kelly Thompson
PENCILLER: Salvador Larroca, Emilio Laiso. Cover by Stuart Immonen.
COLLECTS: Star Wars #2630Star Wars Annual #2
FORMAT: Softcover
PUBLISHER: Marvel
PRICE: $17.99
RELEASED: July 5, 2017

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

I’ve referred to the “Journal of Old Ben Kenobi” issues of Star Wars the highlight of the series thus far. I stand by that statement in terms of the one-off tales we got in issues #7, #15, and #20. But they went a little too far here. A five-issue story from the journal? Which features Yoda instead of Obi-Wan? I can understand the temptation to try it. But no. This falls in the “too much of a good thing” category.

As Luke Skywalker ponders a current predicament involving C-3PO being captured by the Empire, he opens Ben Kenobi’s journal and begins reading. Ben weaves a tale of a Jedi being called to a remote planet not on any star maps. A world inhabited only by children, who speak of a mysterious “stonepower.” Little does Luke know that the Jedi unraveling the mystery of this planet is Yoda, the former Grand Master of the Jedi Order who will soon continue his training in the ways of the Force.

Our artist for the main story is Salvador Larroca, whose work I’ve talked about in great detail previously. Long story short: His art is largely based on stills from the Star Wars movies, and it’s incredibly distracting. You want to be into the story, but the art keeps reminding you of scenes from Attack of the Clones, Revenge of the Sith, etc. It works for characters like Darth Vader or C-3PO, whose faces never change. But for just about everyone else it’s a problem. It’s a shame, because otherwise this is pretty good stuff. Edgar Delgado’s colors really capture the magic and wonder of the Star Wars Universe, especially once Yoda is sent on a question inside a mountain. And we get a big monster toward the end that’s are a lot of fun.

To his credit, Jason Aaron gets Yoda right. He’s not afraid to play with Yoda’s ironic size/power ratio. In issue #26, we see him walk into the lair of a bunch of space pirates to save a Force-sensitive child. As one might expect, they initially laugh him off. But he dispatches them, and gets a pretty good line in: “Something more precious than wealth have I brought you. … Wisdom.”

During our story, Yoda becomes the student of a boy named Garro, who teaches him about the stonepower. Seeing our little green friend as an apprentice instead of a master is always a fun role reversal. Star Wars fans obviously know that he instructs very young Jedi at the temple on Coruscant. So the fact that he’s on a planet full of child warriors is a great little twist. We get some cool visuals of Yoda and Garro with the glowing stones, and the blue light reflecting across the Jedi Master’s alien skin.

But despite what Yoda’s Secret War has going for it, it’s simply too long. They could have trimmed at least one issue off of this and been absolutely fine. In issue #29, we see Yoda face a rock monster that’s as tall as a building. That’s a great match-up, and a perfect illustration of the grand yet unassuming power this little guy possesses. In terms of a grand finale for a Yoda story, it’s tough to ask for more than that. But as we move through issue #29 and into #30, we jump back to present day and see Luke mix it up with an adult Garro. Thus, a story that was already starting to feel it’s length officially overstays its welcome. I understand the impulse to connect the story to Luke. But the reader already knows Yoda eventually trains him. It’s needless filler.

We also have to endure the narrative convenience that, in telling this story, Ben Kenobi never identifies Yoda by name. This is a continuity hoop Aaron has to jump through so Luke doesn’t recognize Yoda’s name in The Empire Strikes Back. While I appreciate the attention to continuity, it’s just a little too convenient for my taste. Logically, why wouldn’t Obi-Wan use Yoda’s name?

We also get the obligatory scene at the end with Yoda on Dagobah, talking about how Luke will be ready soon. Again, needless filler.

Also contained in this book is Star Wars Annual #2, in which our creative team shifts to Kelly Thompson and Emilio Laiso. We meet a character named Pash Lavane on the planet of Skorii-Lei, which has been devastated by the war between the Empire and the Rebellion. While she’s an immensely talented former engineer, with the physique of an Amazon to boot, Pash opts to stay out of the conflict. But when she rescues Princess Leia from a stormtrooper attack, she’s irrevocably drawn in. She may have no choice but to pick a side.

I appreciate the story Thompson tells about how one can’t always stay neutral when it comes to what’s happening in their world at large. But what I came away thinking about was the Pash character herself. The juxtaposition of a big, muscled up character who’s also technically savvy is intriguing. Pash is almost the She-Hulk of the Star Wars universe. Laiso strikes a lovely balance, as he makes her both facially expressive and imposing in stature. Between Doctor Aphra and Sana Solo, Marvel hasn’t been shy about creating new strong female characters. Pash makes that list as well, and it’s a shame we haven’t seen her since this issue.

I’ve drifted in and out of Marvel’s main Star Wars series since its debut. As big a Star Wars geek as I’ve always been, this title has had trouble holding my attention. Sadly, Yoda’s Secret War is my latest exit cue. Hopefully I get a reason to return sooner rather than later.

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A Suicide Squad: Going Sane Review – The Harley Quinn Show

TITLE: Suicide Squad, Vol. 2: Going Sane
AUTHOR: Rob Williams
PENCILLER:
Jim Lee, Riley Rossmo, Sean Galloway, Stephen Byrne, Carlos D’Anda, Giuseppe Gamuncoli
COLLECTS: Suicide Squad #58Harley Quinn and the Suicide Squad April Fool’s Day Special #1
FORMAT: Softcover
PUBLISHER: DC Comics
PRICE: $16.99
RELEASED:
June 7, 2017

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

Suicide Squad, Vol. 2 should really be called The Harley Quinn Show. The story doesn’t revolve around her, but she’s clearly the star. We even learn that one of the characters is a Harley fangirl. DC obviously knows what side its bread gets buttered on…

Our main story picks up from where The Black Vault left off, with General Zod and the vault being held in Belle Reeve Penitentiary. But the vault, a gateway into the Phantom Zone, is effecting everyone in the prison. It’s pushing them to the brink of insanity, enticing them to kill. But it’s having the opposite effect on Harley Quinn. Her sanity is restored. Thus she may be the only one capable of saving the world from Zod.

Oddly enough, several years ago there was a Batman story called “Going Sane” that shares a similar concept with this book. The Joker thinks Batman is dead, so his sanity recedes and he tries to live a normal life. It’s not a great story. But the whole sanity reversal thing has a little more depth to it than what we get here, which is essentially the flick of a light switch.

I actually don’t have a problem with how they handle the whole sanity/insanity turn. But whenever Suicide Squad gets too Harley heavy, I have the same reaction to when a Justice League story lays it on too thick with Batman. “Over-Baturation,” if you will. That’s how Going Sane left me feeling. A team story where a specific character has an arc is one thing. Laying it on too thick is another.

What puts it over the top is that the one-shot Harley Quinn and the Suicide Squad April Fool’s Special is collected in this volume. I imagine they put it here, as opposed to Vol. 1, because the story goes with the whole going sane theme. It sees Harley trying to use her skills as a psychotherapist to redeem other supervillains, Most notably Man-Bat. It’s mostly fine on its own. But when paired with our main story, it’s too much Harley. To some, I’m sure that notion is blasphemous. I don’t care. Too much of anything is a drawback.

Going Sane is more or less a superpowered prison riot popcorn flick. I can get behind that. In a lot of ways, that’s what Suicide Squad should be. Aiding in the proceedings is that it’s all pencilled by Jim Lee. Thus, it’s got an added sense of epicness and gravitas. Lee, inkers Richard Friend and Sandra Hope, and colorist Jeremiah Skipper obviously make everybody look good. Harley in particular (see above). Skipper gets to have some fun with the lighting at various points. Most of this takes place in Belle Reeve. But they shake the scenery up with red and yellow sunlight generators, the purple glow that surrounds the Black Vault, the power going out, etc.

I can’t recall seeing Lee draw Man-Bat prior to the April Fool’s one-shot. But he makes him every bit as detail-rich and monstrous as you’d expect. We also see Batman, Joker, and the Justice League in that issue, bringing back plenty of memories from Hush and Justice League: Origin. Lee’s frequent collaborator Alex Sinclair colors that story, which ups the nostalgia factor in that regard.

One thing I still don’t understand: Why did Zod have to be so damn huge? They explained it by saying it had to do with how he came out of the Black Vaullt. At one point they have him clamped down on this giant contraption like he’s Doomsday or Bane. Later, he nearly crushes Captain Boomerang by simply falling on him. Was this an artistic choice so he’d look more imposing? I suppose it fits with the tone of the book. But you know what’s really imposing? A guy who can bend steel with his fists and melt flesh with heat vision. Take that into account, and it doesn’t really matter how tall you are, does it?

Also, Killer Croc and June Moon (Enchantress) apparently have sex in this book (shown above). So, there’s that. Their romance is actually a nice little addition to the book. In issue #5, Croc has what I would guess is his most romantic line ever: “I…want to eat everyone. I don’t want to eat you.” But much like with Hulk and Viv Vision, I can’t help getting caught up in the physical “mechanics” of it all. How does it even work? Do I even want to know? Probably not.

As was the case in Vol. 1, we get a bunch of character-centric back-up stories. This time we focus on a new character called Hack, as well as Killer Croc, and Enchantress. We also get a look at Killer Frost in preparation for Justice League vs. Suicide Squad.

The best of the bunch is the Killer Croc story, pencilled by Carlos D’Anda (shown below). We see Waylon Jones as a vulnerable young boy with a tragic skin condition. Rob Williams plays the sympathy card with Croc, as we often see with other Batman villains. But it’s as effective as always, especially with the big expressive eyes D’Anda gives Waylon.

Hack, a young woman who can transform herself into digital data, found herself inspired by Harley Quinn as she grew up impoverished in Africa. Like Harley with the Joker, Hack’s choice of role model was to her own detriment. The backup, illustrated by Stephen Byrne, is fine. Hack is intriguing, and as this book illustrates, her powers open up some interesting doors. But if you’ve read ahead, you know Suicide Squad doesn’t necessarily use her to her fullest potential.

The series loses a little bit of its momentum here. But Harley Quinn fans and comic art buffs will find something in Suicide Squad, Vol. 2: Going Sane. It’s not a creative highlight, but it’s at least worth a glance.

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A Mighty Morphin Power Rangers, Vol. 3 Review – Lord Drakkon’s Wrath

TITLE: Mighty Morphin Power Rangers, Vol. 3
AUTHORS: Kyle Higgins, Steve Orlando
PENCILLERS: Hendry Prasetya, Jonathan Lam, Corin Howell.
COLLECTS: Mighty Morphin Power Rangers #912
FORMAT: Softcover
PUBLISHER: BOOM! Studios
PRICE: $16.99
RELEASED: June 7, 2017

***Need further detail? Check out our reviews of issues #9, #11, and #12.***

By Rob Siebert
Editor, Fanboy Wonder

For my own finicky reasons, I’ve been enjoying BOOM! Studios’ Mighty Morphin Power Rangers series with a strong sense of caution. I’m very wary of how this story about a dystopian alternate reality is going to end. But even with that caution, as a Power Rangers geek it’s impossible to deny the quality of what we see on these pages. These are easily the best MMPR stories ever seen on the comic book page.

Picking up where Vol. 2 left off, the Rangers are as close as they’ve ever been to a doomsday scenario. With help from the mysterious Black Dragon, Rita Repulsa has destroyed the Command Center, cut the teens off from both Zordon and their powers, gained control of the zords, and imprisoned Billy in her Dark Dimension. In a last ditch effort, the teens have regained access to the Morphin Grid using Tommy’s Power Coin. In the ensuing battle, Tommy and Billy are transported to an alternate universe. A decimated reality where Tommy did not join Zordon’s team of Rangers. Needless to say, both Tommy and the world at large look very, very different.

The big moment from issue #9, and perhaps this volume overall, is the introduction of Lord Drakkon. As one might surmise given the costume is an amalgamation of the Green and White Ranger suits, it turns out to be an evil version of Tommy. Drakkon’s world is darker than almost anything we’ve ever seen in Power Rangers lore, both literally and thematically. Angel Grove is in ruins, with destroyed zords laying out in the open. Giant statues of Rita and the Green Ranger stand in the city. Then in issue #12, one of the Rangers actually dies. It’s off panel, but still a pretty big deal considering this is all based on a kids show.

And yet, it’s impactful and it works. That’s a testament to this team taking the source material more seriously. To the uninitiated, I’m sure it seems silly. But if you grew up with Power Rangers, and still have a deep affection for it, there’s real value in showing respect to these characters and this world. The proof is in the sales receipts. Now we’re getting a second ongoing series and a Justice League team up.

Obviously, this story takes place pretty early into Tommy’s run as a Power Ranger, a la season one of the show. But Higgins, Prasetya, and the team go a little wild in this volume, taking advantage of the alternate timeline and throwing in elements from later in the series. We see Saba, the Thunderzords, the Tigerzord, the Falconzord, and even catch a glimpse of characters like Ninjor and the Phantom Ranger. It all looks tremendous, as Prasetya is far more in his element when he’s drawing the superhero action stuff. There’s a splash page of the Tigerzord in issue #12 (shown below) that’s particularly morphenomenal.

But these future elements are where my caution comes into play. Tommy and Billy are seeing all these things from their future. People have told me I’m being too picky about this, and maybe they’re right. But I stand firm in the idea that from Tommy and Billy’s perspective, seeing things like this taints the impact of events that happen to them later. Take the famous sequence in “White Light, Part 2” when Tommy is revealed as the White Ranger, and he’s told he will work alongside Saba and command the Tigerzord. This story implies that he’ll recognize both of them. It’s almost like he’s a kid who snuck a peak at his Christmas presents. He knows what he’s getting, so that moment of genuine surprise and discovery is tainted. I’m hoping a mind wipe is forthcoming for Tommy and Billy.

That being said, I take my hat off to Higgins and the BOOM! Studios team for caring enough about the Power Rangers universe to incorporate things like this. It’s part of why, tainted impact or not, these are the best PR comics ever created.

Issue #10 is an interlude focusing on Billy, with Jonathan Lam takes over the pencil, and Joana Lafuente on the colors. It zooms in on Billy’s anxiety and insecurities. It’s a natural direction to take, considering what the character was like on the show. It also serves as a nice follow-up to the scene we saw between Billy and Trini in issue #2. Lam’s pencils are sketchier, and a little more “Americanized” than Prasetya’s. But the transition isn’t as jarring as it might have been with a different artist.

The volume wraps up “The Ongoing Adventures of Bulk & Skull,” as Rita dupes the duo into controlling her latest monster. I’ve been a little tough on these in past reviews. The reality of it is, they’re hardly the highlight of the series. But they’re fine for what they are. Going forward, these backup stories shift to “The Ongoing Misadventures of Squatt and Baboo.” Ironic, considering Rita once called Bulk and Skull “a human Squatt and Baboo.”

Despite the apprehensions I have about this Mighty Morphin Power Rangers series, which admittedly are a little bit silly, the book is a great testament to the impact the show had on so many of us. Higgins, Prasetya, and everyone working on it has done great justice to it. I’m thankful we have so much more to look forward to.

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A Batman #25 Review – The Sad Clown

TITLE: Batman #25
AUTHOR: Tom King
PENCILLER: Mikel Janin
PUBLISHER: DC Comics
PRICE: $3.99
RELEASED: June 21, 2017

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

Not going to follow up on the whole marriage proposal thing, huh? Alright, I guess that’s one way to do it…

To be fair, we do kinda/sorta get an answer. “The War of Jokes and Riddles” is framed as a story being told by Bruce Wayne to Selina Kyle about his early days of Batman. You’ve got to figure if she’d said no, they wouldn’t be in bed together like we see them here. So, congratulations?

For the Joker, the unthinkable has happened. The Clown Prince of Crime has found his life suddenly devoid of humor. He can’t bring himself to laugh, or even smile. Conversely, the Riddler now finds all puzzles and quandaries have no thrill or meaning. The common cause? Batman. The Riddler proposes an alliance, but Joker responds with a gunshot that will ignite a war to decide who gets to kill the Dark Knight. A war with all of Gotham City in the crosshairs.

The Joker and the Riddler have similar mischievous, game-ish motifs, and obviously they’re both completely off the mental reservation. So they make natural rivals, in terms of one trying to outdo the other. Until now, that idea hasn’t been explored much in their near 70-year history of coexistence. So to see it played up as a big event like this is really cool. What’s more, the solicits make it look like they’re looping in most of the other major Batman villains. Almost like a Long Halloween type ensemble story. They’re diving head-first into the rogues gallery on this one.

Mikel Janin is back on the pencil, and he’s channeling his inner Brian Bolland. His Joker has a Killing Joke vibe to him. Nothing overt. The way he draws Joker’s face. The black suit he’s wearing, which is reminiscent of the Red Hood sequence in that book. The fact that this is a pretty dark and moody issue adds in that respect as well.

Janin’s take on Edward Nygma is a little bulky for my taste. Look at the lower panels in the image at right. Facially, he looks a little like John Cena, doesn’t he? He’s also more physically dynamic than we’re used to seeing. Early in the issue we see a cop questioning him in Arkham. He eventually leaps up in the air and slashes the guy’s throat. It’s almost a Matrix move.

King also has Riddler just recite riddles to himself. They’ll loosely connect to the situation he’s in, which justifies them to an extent. But it’s a trait I can’t remember seeing before. Not sure how I feel about it…

Still, Janin and Tom King respect the Riddler, just as Scott Snyder did during his run. There’s a really nice sequence where the Riddler escapes prison simply by saying the names of all the guards’ daughters. Answers, information, those are his currency. His power lies in his ability to be cunning and clever. And for a bit of charm, he’s got the classic green bowler hat on during the whole thing.

We get back to back two-page spreads in this issue, each a wide shot of the Joker’s office. The Riddler in one (shown below), Mr. J in another. It conveys a pretty big moment. Our first meeting of the two sides before the fighting begins. They’re also beautiful pages, Janin’s inks and June Chung‘s colors aligning perfectly to show us a gorgeous night in Gotham City. Though I can’t help but wonder how much this artistic choice had to do with the added page count for this “anniversary” issue.

There is one thing Batman #25 leaves unclear, perhaps purposely. In the office scene, the Joker shoots the Riddler at near point-blank range. He seems to hit him right in the gut, and we see a pool of blood. Yet Nygma is able to get to his feet and stumble away. Is he wearing a protective gimmick around his waste? Is the Joker using rubber bullets for some reason? What gives? The war should be over right here!

Tom King had a rocky start on Batman. The series is still a little rocky these days. But when this team is on, they’re really on. There’s nothing in here that damns “The War of Jokes and Riddles” from the get-go. But I’m not chomping at the bit to get to the next issue either. As a single issue, Batman #26 is fine. But for now, the story is still in the “Wait and See” column.

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Big Cass Goes Bad, Plus Ponderings From WWE Raw

By Rob Siebert
Editor, Fanboy Wonder

Let’s jump right to the main event this week, shall we? They went and did it. They turned Cass heel, revealing that not only has he been the one attacking Enzo, but that he’s been staging the attacks on himself. And why? Because Enzo’s supposedly been holding him back, and running his mouth too much.

I liked most of what they did here, especially how they looped Corey Graves in. I’m not sure what they’re trying to do with he and Kurt Angle. But between that and what we saw here, they’re turning him into an investigator of sorts.

Realistically, they could have turned Enzo. The fans have caught on to the fact that he can be damn annoying at times. But he’s also one of the best talkers in all of wrestling. The fans are still behind him because he’s got the God-given gift of gab. So if they had to turn one of them, they made the right choice with Cass. They even played the sympathetic card, with Cass essentially saying: “Nobody likes you because you’re annoying. And now I don’t like you either.”

Before the turn, they positioned Big Show as still having heat with Cass. So I imagine we’ll see Show vs. Cass at Great Balls of Fire, followed by a showdown between Cass and Enzo at Summerslam.

WWE is taking a risk here, which I commend them for. Ratings have been way down lately. Despite what they’d like you to believe sometimes, that matters. So a shake-up is merited. I just hope this is a shake-up that pays off. It seems like WWE has seen money in Cass since he came up from NXT. But he’s always been so tightly intertwined with Enzo. He’s achieved all this success in both NXT and WWE because he was with Enzo. Is he polished enough to go out there and deliver on his own? Sure, he’ll have some decent heat for the next few months. But what about after he’s done with Enzo? Who is Cass without his other half?

I’m hoping we like the answer we get…

Ponderings From Raw:

Roman Reigns announces he will challenge for the Universal Title at SummerslamSamoa Joe confronts Reigns, a brawl breaks out. Reigns was cocky here, which I actually liked. Better to have him show a little attitude than to just be reciting sanitized dialogue with no feeling behind it. And I loved the line: “You’ll never be Samoa Joe to me. You’ll always be just Joe.” Them is fightin’ words.

So…does this mean we’re getting Brock Lesnar and Roman Reigns at Summerslam? I can dig that. The rumor was that we’d get it at Wrestlemania. But I’m good with this, especially since we’ve already seen Lesnar and Reigns at a Wrestlemania.

However, I was also game for Reigns against John Cena. Another day, then…

The Hardy Boyz def. Luke Gallows and Karl Anderson. Not much interest in this one from me. They had me when Gallows and Anderson hit the Boot of Doom, and were seemingly about to get the pin. But other than that this just felt like filler. And let’s be honest: That’s what it was.

Goldust invites R-Truth to the premiere of “The Shattered Truth” next week. I lap up these Goldust promos, I really do. Hoping they hit this out of the park next week.

Finn Balor cuts Elias Samson off before he can sing. There’s something here with this “Drifter” gimmick. They’re getting there. The wrestling fan in me is dying for Samson to hit somebody with that guitar. Might not happen for awhile. But when it does, it’ll be great.

Finn Balor def. Bo Dallas. Balor later gets attacked by Samson. The early part of this match felt reminiscent of the last time they tried to push Bo a little bit, for all the good that did him. What exactly do they have to lose by putting him with Bray Wyatt? The two are legitimately siblings. Just go for it.

So I guess Balor has a new dance partner in Elias Samson. Wouldn’t have been my first choice. I’d have had him go with Ambrose, then put Balor with Miz.

Seth Rollins to be on the cover of WWE 2K18. Rollins cuts off Bray Wyatt before an attack. Yet another amazing commercial from the 2K folks. These things are more memorable than most Raw episodes.

Wasn’t a fan of Seth’s promo in front of the live crowd. Too white meat for my taste. “We can all get second chances,” and all that. Too syrupy for me.

So after a back and forth promo, Bray Wyatt comes to the ring, blows out his lantern, and immediately eats a cross body from Rollins. It’s amazing just how far this character has fallen. Again. Whenever he takes a step forward, it’s like he takes two steps back.

Akira Tozawa def. TJP, both Titus O’Neil and Neville watch from ringside. I’ll call it now: O’Neil accidentally costs Tozawa his inevitable title match with Neville. You can say what you want about how stale 205 Live is, but when Neville drops that belt it’s going to be a big deal.

Samoa Joe def. Roman Reigns after a distraction from the returning Braun Strowman. Strowman challenges Reigns to an Ambulance Match at Great Balls of FireReigns and Joe work well together. A real nice alpha male against alpha male dynamic. And it’s always very physical.

The announcers acted like it was a big thing when Joe kicked out of the Superman Punch. But when was the last time Reigns beat somebody with that move? It feels like he hits three or four of them each time he wrestles on pay per view.

Strowman had great entrance. A nice callback to the ambulance stuff he and Roman have done. Then he had to go and say, “I’ll see you at Great Balls of Fire pay per view.” Still, Strowman’s return is something to be happy about. WWE has done such a good job building him up that not having him on Raw has hurt the show.

Dean Ambrose ruins the Miz’s attempt at an apology to Maryse. Bo Dallas and Curtis Axel attack Ambrose. So does this mean Dallas and Axel are with Miz now? Hey, it did wonders for Damien Sandow. And it adds a little something extra to Miz’s presentation. Works for me.

Cesaro and Sheamus def. Titus O’Neil and Apollo Crews. Crews is so damn explosive out there. If they can find a way to get this guy over, they could have a real commodity on their hands. Make it happen, WWE.

A video package airs for Brock Lesnar vs. Samoa Joe at Great Balls of FireThese are always so damn great. Brock had the best line in this one: “I’m gonna go through Samoa Joe like a freight train. On fire.”

Emma comes after Alexa Bliss while she’s on commentary for Sasha Banks vs. Nia Jax. The match breaks down. Mickie James and Dana Brooke join the fight before Bayley cleans house. This seemed very rushed. Like they wanted to squeeze this in before the main event segment. At least Bayley looked fairly strong. She’s needed all the help she can get lately.

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