Weekly Comic 100s: Star Wars, Bad Mother, Disaster Inc., and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Star Wars #5
AUTHOR: Charles Soule
ARTISTS: Jesus Saiz, Arif Prianto & Dan Brown (Colorists), Clayton Cowles (Letterer). Cover by R.B. Silva & Guru-eFX.
RELEASED:
August 5, 2020

This new Star Wars series hasn’t been doing it for me thus far. It had Luke and Lando go back to Cloud City for a really stupid reason. It’s about to give Luke a yellow lightsaber right after he lost his father’s. Now in this issue he meets yet another Force user, who I assume is going to serve as a mentor. Even though adding another person in that role dilutes the impact of Obi-Wan and Yoda.

In exploring the year between Empire and Jedi, I’m starting to think we should have kept Shadows of the Empire as canon.

TITLE: Bad Mother #1 (of 5)
AUTHOR: Christa Faust
ARTISTS: Mike Deodato Jr., Lee Loughridge (Colorist), Dezi Sienty (Letterer)
RELEASED:
August 5, 2020

Bad Mother feels a little bit like Taken if the lead role were gender-swapped. Granted, April Walters doesn’t have that “particular set of skills.” But the cover certainly suggests a big attitude change is coming. I’m expecting something cathartic and suitably gory out of this one.

I’m definitely excited to see what Mike Deodato Jr does with this material, as he fares quite well here. There’s one exception, though: Based on the cover and the first page, I thought April might be pregnant. Whoops.

TITLE: Disaster Inc #2
AUTHOR: Joe Harris
ARTISTS: Sebastian Piriz, Carlos M. Mangual (Letterer). Cover by Andy Clarke & Jose Villarrubia.
RELEASED:
August 5, 2020

The industry hiatus caused by COVID-19 did no favors for Disaster Inc. It took me a decent amount of time to re-familiarize myself with the real-life disaster it’s based on. But once you start to pick up momentum in that respect, you fall back into it.

We get to explore our setting a little bit in this issue, which is nice. We also dive into some samurai folklore, which obviously lends itself to our monster/killer. All in all, a solid sophomore issue with some great art and colors by Sebastian Piriz.

TITLE: Giant-Size X-Men: Nightcrawler
AUTHORS: Jonathan Hickman, Alan Davis
ARTISTS: Davis, Carlos Lopez (Colorist), Clayton Cowles (Letterer). Cover by Davis & Edgar Delgado.
RELEASED:
August 5, 2020

These Giant-Size X-Men titles are a little misleading. I come into them hoping for something tightly focused on the title character. But with the Magneto one, and now this Nightcrawler issue, that’s proving not to be the case. This is less about Kurt and more about the three other mutants that are with him.

This issue takes us back to the mansion in Westchester, which has apparently been abandoned for so long it’s being overrun by friggin’ vegetation. (Not to mention some aliens.) You’re telling me that thing wouldn’t sell? It’s the X-Mansion, for cryin’ out loud!

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: TMNT Double-Feature, Wonder Woman #759, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Teenage Mutant Ninja Turtles #107
AUTHOR: Sophie Campbell (Story), Ronda Pattison (Script), Kevin Eastman & Tom Waltz (Story Consultants)
ARTISTS: Nelson Daniel, Pattison (Colorist), Shawn Lee (Letterer). Variant cover by Eastman.
RELEASED:
July 29, 2020

The Turtles have an “old days” moment here where they head down to the sewers and fight a bunch of Mousers. It’s just a couple of cutesy lines. But it does serve as a reminder of just how different this series is from the standard TMNT status quo. Instead of four Turtles striking from the shadows, we’ve got five Turtles living openly in a town full of mutants.

As they roam the sewers, the Turtles mix it up with what basically amounts to an undersea monster. It’s played like a horror movie. Kinda fun.

TITLE: TMNT Annual 2020
AUTHOR: Tom Waltz
ARTISTS: Adam Gorham, John Rauch & Michael Garland (Colorists), Shawn Lee (Letterer). Variant cover by Kevin Eastman and Fahriza Kamputra (Colorist).
RELEASED:
July 29, 2020

This annual mainly serves as a check-in with our villains. Most notably Shredder, who we haven’t heard much from since issue #100. They color his costume purple and silver, like the old cartoon. I won’t complain about that…

As the cover indicates, they’re doing a symbiosis story with Krang and Leatherhead. Yet another example of how this series continues to bring these characters into uncharted waters. Given how much has been done with the Ninja Turtles universe, it’s pretty amazing to see how much hasn’t been done.

TITLE: Wonder Woman #759
AUTHOR: Mariko Tamaki
ARTISTS: Mikel Janin, Jordie Bellaire (Colorist), Pat Brosseau (Letterer). Cover by David Marquez.
RELEASED:
July 28, 2020

So we’ve got Mariko Tamaki, who wrote Supergirl: Being Super, and Mikel Janin, one of the stars of Tom King’s Batman run. On paper, this new team should be great.

Their first issue is pretty ground level. Lots of flowery narration about what a hero is, what heroes do, etc. My only big problem is that Tamaki gives in to the temptation of putting Wondie in an everyday situation, shopping for furniture, and making it seem foreign to her. She’s been in “man’s world” for so long, yet she has no idea how to shop for furniture? Yeah, right.

TITLE: Darth Vader #3
AUTHOR: Greg Pak
ARTISTS: Raffaele Ienco, Neeraj Menon (Colorist), Joe Caramagna (Letterer). Cover by Inhyuk Lee.
RELEASED:
July 29, 2020

How many times have we seen Darth Vader cross paths with characters from the prequels and then get all feelingsy? Enough that I rolled my eyes when Captain Typho showed up in this issue.

However, as someone who read Queen’s Shadow by E.K. Johnston, I appreciated the inclusion of Sabe and another character from that book. It’s a nice little tie-in that doesn’t take anything away from the story being told here.

TITLE: Batman: The Adventures Continue #9
AUTHORS: Alan Burnett, Paul Dini
ARTISTS: Ty Templeton, Monica Cubina (Colorist), Joshua Reed (Letterer). Cover by Paolo Rivera & Joe Rivera.
RELEASED:
July 30, 2020

In this issue we finally get into Jason Todd’s origin story, his connection to Batman, etc. It’s not drastically altered from the comics. But it’s altered just enough to distinguish it. I liked what I saw.

Frankly, I hope they portray Jason Todd as having been with Batman for only a short time. In the DCAU I’d like to see him portrayed more as a tragically failed experiment than a lost son. Again, it would be different. But not so much that it’s unrecognizable. That’s the formula that seems to work best.

TITLE: Mighty Morphin Power Rangers #52
AUTHOR: Ryan Parrot
ARTISTS: Moises Hidalgo, Walter Baiamonte (Colorist), Katia Ranalli (Color Assistant), Ed Dukeshire (Letterer). Cover by Jamal Campbell.
RELEASED:
July 29, 2020

We’re still following Jason, Zack, and Trini, despite the events of this issue occurring after “The Power Transfer.” Not a bad thing, but not what I expected either. Especially since they’re getting their own book in a few months.

I’m not sure how I feel about the way Jamal Campbell posed Aisha on the cover. It’s like she’s showing off her butt or something…

We introduce a civilian character in this issue who worries about the holding the Rangers accountable for their actions. Sort of a “don’t trust the Power Rangers” mindset. Very curious to see where that goes.

TITLE: Batman/Superman #9
AUTHOR: Joshua Williamson
ARTISTS: Clayton Henry, Alejandro Sanchez (Colorist), John J. Hill (Letterer)
RELEASED:
July 28, 2020

In almost 20 years, I can count the number of Ultra-Humanite stories I’ve read on one hand. So this story is cool for me in that sense.

This issue, and this team, have a really nice energy. Joshua Williamson is often hit-or-miss. But he, Clayton Henry, and Alejandro Sanchez make for a winning combination with these characters. Not a perfect combination per se, but a winning one.

TITLE: Suicide Squad #7
AUTHOR: Tom Taylor
ARTISTS: Daniel Sampere, Juan Albarran (Inker), Adriano Lucas (Colorist), Wes Abbott (Letterer). Variant cover by Jeremy Roberts.
RELEASED:
July 28, 2020

Our Tom Taylor original characters get a new team name in this issue: The Revolutionaries. Not bad. I don’t know how much of a life they’ll have out from under the Suicide Squad name. But still, not bad.

For at least one issue, Taylor brings Floyd Lawton’s young daughter into the sandbox and gives her a a bow and arrow and a hero name: Liveshot. She almost reminds me of a kid version of the Kate Bishop Hawkeye. Interesting…

TITLE: Billionaire Island #2
AUTHOR: Mark Russell
ARTISTS: Steve Pugh, Chris Chuckry (Colorist), Rob Steen (Letterer)
RELEASED:
July 2, 2020

It seems that in addition to the absurdly rich, Billionaire Island is home certain rich, famous, and disgraced. We get an actual Kevin Spacey cameo in this issue. Yes, I wretched. But it’s also a funny little moment.

We haven’t gotten into the bloodshed yet. But the book does crank up the action a little bit with this issue. Something tells me it’s going to be worth the wait.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A Pulp Review – Just a Day at the Office

TITLE: Pulp
AUTHOR: Ed Brubaker
ARTISTS: Sean Phillips, Jacob Phillips
PUBLISHER:
Image Comics
RATED:
T
PRICE:
$16.99
RELEASE DATE:
August 4, 2020

By Rob Siebert
Prefers no pulp. But will still drink it.

Everybody loves a good comeback story. It’s inspiring. It’s hopeful. Lord knows we could use a good comeback story right about now. Like the old gunslinger who picks up his pistol one last time to do right, in the process reliving the glory days of his youth. Perhaps he even goes down swinging, fighting valiantly until the very end.

Pulp is like that. Sort of. Maybe. Much of it depends on how you see good guys and bad guys, and what the difference is between them.

Set in the ’30s with World War II in full swing, our main character Max Winters is an elderly man writing Western stories for the pulp magazines, barely making ends meet for he and his wife in the process. It’s a far cry from his youth, lived much like the characters he writes about. Max Winters was an outlaw. But the world has changed, it’s leaving him behind. Until a face from his past abruptly re-enters his life. After all this time, Max Winters might have to become an outlaw one last time…

The most interesting aspect of this book is the two very distinct eras it takes place in, separated by the Second Industrial Revolution. One one end, you’ve got the late 1800s in the American West. Cowboys, horses, six-shooters, stagecoach robberies, etc. On the other, you have New York City circa World War II. The effect is almost like time travel, as we see this cowboy simply trying to adjust and keep up in a big city. Heck, space travel, as it feels like a different world altogether.

On top of everything else, Max has a heart condition. So you can more or less see where Pulp is going. Combine that with all the lamenting, the bitterness, and the urge to pull one last job, and we get something very Brubaker-ish. Fans of Criminal and Kill or Be Killed will feel right at home here.

At this point, Brubaker and Sean Phillips have done so much together they’re almost their own noirish, pulpy, crime-ridden sub-genre. As with any highly established creative force, that works both for and against them. Readers know what to expect and are happy when you give it to them. But at the same time, how does Pulp make itself stand out among such an extensive catalog?

The answer, ultimately, is it doesn’t. Yes, there’s a certain novelty to seeing Phillips draw cowboys, and I like this twist on the “old gunslinger” story. But other than that, there’s nothing here that’s necessarily outside their usual wheelhouse.

If they’d stayed in the old west, perhaps it would be a different story. We’d get to see the Brubaker/Phillips give their gritty, moody spin on a Western. But it’s hard to say what we might have gotten there, as Pulp becomes a different book altogether. It definitely loses its old gunslinger hook.

If you’re new to the Brubaker/Phillips world, then I’d absolutely recommend Pulp. Almost like a starter story or an appetizer. Let this wet your appetite, then look for one of the tentpoles. But for those of us who’ve been here before, it’s largely business is usual. Which is to say business is good. Nothing too surprising. Just a day at the office.

Special Thanks to Edelweiss for providing an advance review copy of Pulp.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Ranger Slayer, Joker War, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

DC’s decision to get in bed with Lunar Distribution is starting to feel like a mistake. Because out in my neck of the woods (the mid-west), it seems like Lunar is crapping said bed.

My local comic shop just went three weeks without receiving any product from DC. (Any DC books you’ve seen here in the last few weeks have been purchased digitally.) I’ve been going to comic shops for almost 20 years now and I’ve never see that happen. Not only is it unacceptable from a simple customer service perspective, but it couldn’t have happened at a worse time. Retailers are already being hit by the fallout from COVID-19. The least publishers can do is put the damn books in the stores…

Bad form, folks. Bad form.

TITLE: Power Rangers: Ranger Slayer
AUTHOR:
Ryan Parrott
ARTISTS:
Dan Mora, Raul Angulo (Colorist), Ed Dukeshire (Letterer)
RELEASED:
July  22, 2020

Not really my cup of tea. But if you were into Lord Drakkon’s dark alternate universe, or the “Coinless” Universe as it’s now called, you’ll be into this.

I was hoping for something more tightly focused on this alternate version of Kimberly. But the scope of this story is more about the Coinless Universe at large. Fair enough. I just wish they’d called this issue something different.

This issue gives us something I never thought we’d see, though in hindsight seems obvious for a universe like this: Ghost/Zombie Power Rangers. It was inevitable, I tell you!

TITLE: X-Men/Fantastic Four #4
AUTHOR:
Chip Zdarsky
ARTISTS:
Terry Dodson, Rachel Dodson & Ranson Getty (Inkers), Laura Martin (Colorist), Joe Caramagna (Letterer)
RELEASED:
July 22, 2020

This one ends on something of a whimper, rather than a bang. Which is to say it more or less ends the way you think it will, with Franklin ending up where you think he will.

Still, the appeal of a mini like this is to see characters from different books rub against each other. X-Men/Fantastic Four does that.

There’s also a curious little scene at the end with Reed Richards that I’m curious to see if they follow up on.

TITLE: Batman #95
AUTHOR:
James Tynion IV
ARTISTS:
Jorge Jimenez, Tomeu Morey (Colorist), Clayton Cowles (Letterer)
RELEASED:
July 21, 2020

We kick off with kind of a dumb “retroactive foreshadowing” scene with Batman and Alfred. “Good thing Alfred will always be here,” and all that. Lame.

It occurred to me during this issue that “Joker War” is just a sophisticated version of that New Batman Adventures episode, “Joker’s Millions. That’s not a knock. I’m just sayin’.

Now that Joker knows Batman’s secret, it’s extremely foreboding to see him messing around with movie theaters. Especially the one Thomas and Martha Wayne went to with Bruce before their murder…

TITLE: Shazam! #13
AUTHOR:
Geoff Johns
ARTISTS:
Dale Eaglesham, Michael Atiyeh (Colorist), Rob Leigh (Letterer). Variant cover by Julian Totino Tedesco.
RELEASED:
July 21, 2020

Well damn. If this book is ending in September, we’re not going to get a pay-off for this Superboy Prime stuff are we?

As the book really cranks up the father/son drama with Billy and his dad, I’m struck by just how great Dale Eaglesham has been on this title. It’s clean. It’s expressive. It’s versatile. He fits Shazam like a glove, to the point that this series has become one of my favorite takes on the character. Frankly, his work with Michael Atiyeh is worth the cover price on its own.

TITLE: Shazam!: Lightning Strikes #1
AUTHOR:
Dan Jurgens
ARTISTS:
Travis Moore, Nick Filardi, Marshall Dillon. Cover by Evan “Doc” Shaner.
RELEASED:
July  17, 2020

Now that the Shazam! book is ending, I’m particularly grateful to see the Big Red Cheese join DC’s line of digital-firsts.

What we get here is nice and kid-friendly. One of Billy Batson’s classmates is bragging about knowing Shazam. So Billy shows him up precisely the way you think he will. From there we segue into a fight with a villain.

Travis Moore’s Shazam looks a lot like Zachary Levi in the movie. I wonder if that’s intentional, or just how the character came out…

TITLE: Wynd #2
AUTHOR:
James Tynion IV
ARTISTS:
Michael Dialynas, Aditya Bidikar (Letterer)
RELEASED:
July 22, 2020

So far, this book feels a little bit like Saga for young people. It’s got whimsy and wit, but a lot less sex stuff.

After reinforcing some of the world-building they did last time, this issue cranks up the emotion with the prospect of separating Wynd from his adopted family. It’s very well done, and has me invested in not only Wynd, but his sister Oakley.

We also meet a character called “the Bandaged Man.” I really dig how he’s designed, though that may just be my love for Batman: Hush sneaking through.

TITLE: Action Comics #1023
AUTHOR:
Brian Michael Bendis
ARTISTS:
John Romita Jr., Klaus Janson (Inker), Brad Anderson (Colorist), Dave Sharpe (Letterer). Variant cover by Lucio Parillo.
RELEASED:
July 21, 2020

This is typically the part of “Weekly Comic 100s” where I complain about John Romita Jr. So here you go: I don’t like JRJR’s art here.

I just wonder if this book is getting over-crowded with Super-people. Remember, that’s part of what prompted the original Crisis on Infinite Earths. Superman didn’t feel as special because he had too many sidekicks, cousins, stringers, etc.

At the end of this issue Jimmy Olsen says, “Guess we’re not putting out a paper today.” That line should have had a lot more weight to it. If you’re a newsman, that’s blasphemy.

TITLE: Detective Comics #1023
AUTHORS:
Peter Tomasi
ARTISTS:
Brad Walker, Andrew Hennessy & Norm Rapmund (Inkers), Brad Anderson (Colorist), Rob Leigh (Letterer)
RELEASED:
July 21, 2020

A team-up between the Joker and the Court of Owls? Now that’s the stuff of nightmares.

Detective Comics hasn’t felt like a Tomasi book in awhile. There’s a certain refinement that’s missing. In particular, Batman is a little too talky for my taste.

In this issue, Batman performs brain surgery on Two-Face out in the streets of Gotham (Because why not?). The comic book science regarding how Harvey’s brain is being messed with is a little confusing. Not that I’d put too much stock in it. At the end of the day, he’s still Two-Face.

TITLE: Billionaire Island #1
AUTHOR:
Mark Russell
ARTISTS:
Steve Pugh, Chris Chuckry (Colorist), Rob Steen (Letterer)
RELEASED:
March 4, 2020

A brutally honest, unfiltered look at where our society may be going sooner rather than later. And in all honesty, a clever premise for a book. I was expecting things to get Survivor-esque right off the bat. But they’re taking the time to build to that.

The most unsettling part of this issue? Our lead villain puts his opposition (journalists, etc) into a giant hamster cage. Complete with an oversized water dispenser. The sad thing? That doesn’t even seem that far-fetched anymore.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Batman, Power Rangers, Magneto, and More!

By Rob Siebert
Fanboy Wonder

Been a rocky couple of weeks on the comic book front for yours truly. Wasn’t able to get to the shop a couple weeks ago. Then last week my local shop had a problem with Lunar Distribution, the company that now distributes DC in the wake of their split from Diamond. So there are still some holes left to be filled in my pull list. In the coming days, expect to see the most recent issues of Superman and Detective Comics, along with the final issue of Greg Rucka’s Lois Lane maxi-series.

But still, the train rolls along. I was even able to throw an issue of Batman: Gotham Nights in for good measure.

TITLE: Batman: The Adventures Continue #8
AUTHORS: Alan Burnett, Paul Dini
ARTISTS:
Ty Templeton, Monica Cubina (Colorist), Joshua Reed (Letterer)
RELEASED:
July 16, 2020

This one went by pretty quickly. But it does Azrael some nice justice. We put over the violent tendencies we saw all those years ago in the comics, while also tying yet another classic Batman villain into the story.

With few exceptions, Ty Templeton and the artistic team have been as consistent as you could hope for on this title. What we see is more or less what we remember from those old tie-in comics, and I’m not sure what more you could ask in that sense.

TITLE: Mighty Morphin Power Rangers #51
AUTHOR:
Ryan Parrott
ARTISTS: Moises Hidalgo, Walter Baiamonte (Colorist), Ed Dukeshire (Letterer). Cover by Jamal Campbell.
RELEASED:
July 15, 2020

Not a huge fan of Moises Hidalgo on this book. I usually like my MMPR art on the crisp, clean side. His has a little more of an exaggerated look. And as nitpicky as this is, I don’t enjoy the way he draws Tommy or Rocky’s hair.

As good as it got at various points, I’m very happy to see we’ve mostly moved on from “Necessary Evil.” We’ve got Zedd back, as well as Lord Drakkon. Yes, I’ve heard about the upcoming “split.” But hopefully we can enjoy ourselves in the meantime.

TITLE: Giant-Size X-Men: Magneto
AUTHOR: Jonathan Hickman
ARTISTS: Ramon Perez, David Curiel (Colorist), Clayton Cowles (Letterer). Cover by Ben Oliver.
RELEASED: July 15, 2020

In this issue, Emma Frost recruits Magneto to find her an island where she can set up a base. Fair enough. If you want somebody to find an island for you, Magneto’s not a bad choice. Good call, Emma.

But yeah…that’s about it. Certainly not worth the $4.99 cover price. Completely and utterly skippable.

TITLE: Batman #94
AUTHOR:
James Tynion IV
ARTISTS:
Guillem March, Rafael Albequerque, David Baron (Colors), Clayton Cowles (Letterer). Cover by Tony Daniel & Tomeu Morey.
RELEASED:
July 7, 2020

Not necessarily the strongest issue we’ve seen from Tynion and the crew thus far. But I will say that this issue goes a long way in creating that vibe of foreboding dread that comes when an event comic villain really ramps it up.

Batman #94 is, for my money, the first time we really start to deal with the ramifications of Alfred not being around. Lucius is treating an injured Batman, and at one point laments that he can’t be as focused or single-minded as Alfred was.

No offense Lucius, but we knew you weren’t gonna cut it.

TITLE: Teenage Mutant Ninja Turtles #106
AUTHORS: Kevin Eastman & Tom Waltz (Story Consulting), Sophie Campbell (Story), Ronda Pattison (Script)
ARTISTS: Nelson Daniel, Pattison (Colorist), Shawn Lee (Letterer).
RELEASED: July 15, 2020

This issue is refreshingly Turtle-centric. That sounds odd for a book called Teenage Mutant Ninja Turtles. But the TMNT have such a vast crew of supporting characters, it can work against them in that they feel lost in their own book. This issue gives us a chance to catch up.

Nelson Daniel is doing a fine job with the Turtles. I’ve said this before, but for some reason TMNT artists are make or break for me based on how they draw the bandanas in relation to the faces. Daniel does that very well.

TITLE: Something is Killing the Children #8
AUTHOR:
James Tynion IV
ARTISTS:
Werther Dell’Edera, Miquel Muerto
RELEASED:
July 8, 2020

This issue brings up an interesting question: How do you walk the line of good taste in a book about monsters eating and dismembering children? Or do you? If your book is already about that, do you just embrace the uncomfortable gore of it all?

Issue #8 shows us part of a dismembered corpse and a bloody shoe. As long as the art isn’t going for photorealism, I’d say that’s a nice balance. Werther Dell-Edera’s combination animated/painterly style works well with it too.

TITLE: Young Justice #16
AUTHOR: Brian Michael Bendis, David Walker
ARTISTS: Scott Godlewski, Gabe Eltaeb (Colorist), Wes Abbott (Letterer). Cover by John Timms & Eltaeb.
RELEASED: July 7, 2020

Now that we’ve taken a dive into what Conner Kent’s relationship to the space-time continuum is, this issue dives into Impulse’s. I’ll say this much: I didn’t expect it to involve Arkham Asylum.

It’s interesting that Bendis has continued to portray Superboy and Impulse as outliers from another reality. They don’t really belong. And as we’ll see next issue, he’s about to open it up that much further by bringing the in the Justice League. It gives this team an enduring misfit quality. That sort of thing is great if you like some teen angst in your superhero books.

TITLE: Marvels X #4
AUTHORS: Alex Ross (Story), Jim Krueger (Story and Script)
ARTISTS: Well-Bee, Cory Petit (Letterer). Cover by Ross.
RELEASED: July 8, 2020

This issue gives us a nice old-school Avengers moment. It’s very Alex Ross, with the heroes in their classic outfits. Well-Bee’s style darkens it. But that makes the colors pop that much more.

There’s an exchange in this issue that I love between Kraven the Hunter and Captain America. It’s about how anyone can put Cap’s costume on, and it’s simply a disguise. But of course, that’s not true. The costume is part of something much larger than the sum of its parts. Again, very Alex Ross.

TITLE: Batman: Gotham Nights #12
AUTHOR:
Tim Seeley
ARTISTS:
V Ken Marion, Sandu Florea (Inker), Andrew Dalhouse (Colorist), Troy Peteri (Letterer)
RELEASED:
July 7, 2020

A nice little Robin reunion that I was at one point convinced was drawn by Brett Booth. Is it common knowledge among supervillains which heroes used to be Robin? That’s what this issue seems to suggest. And if so, why? How would they know?

Interesting that they put Spoiler among this little alumni group. I was under the impression Stephanie Brown’s tenure as Robin wasn’t canon. I won’t complain, though. It’s actually rather refreshing to see.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Batman, Dead Body Road, TMNT, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

Last week I said I missed Star Wars and TMNT comics. This week we got the return of Bounty Hunters, and a double-dose of TMNT. Where are you gonna find a more fair friggin’ deal than that?

This week’s new releases are pretty light. So I’m holding a few back from last week’s pull list. That Texas Blood is one of them. We might also see Marvels Snapshot: Captain America and/or Harley Quin: Black + White + Red.

TITLE: Batman #93
AUTHOR: James Tynion IV
ARTISTS: Guillem March, Javier Fernandez, Tomeu Morey & David Baron (Colorists), Clayton Cowles (Letterer). Cover by Tony Daniel.
RELEASED: June 23, 2020

The Designer’s role in this story more or less wraps up in this issue. That’s a little sad, as I liked that character concept. Even if the costume was a little bit much.

Punchline, the Joker’s new answer to Harley Quinn, gets put over pretty strong here. They obviously want her to be a big deal. She’s got an interesting worldview, and it’s not as crazy as you might think. Her costume is definitely cosplay-friendly. Not quite as much as Harley, but expect to see her around the convention scene.

TITLE: Dead Body Road: Bad Blood #1
AUTHOR: Justin Jordan
ARTISTS: Benjamin Tiesma, Mat Lopes (Colorist), Pat Brosseau (Letterer). Cover by Matteo Scalera & Morena Dinisio.
RELEASED: June 24, 2020

This issue has a strong hook. For yours truly, most of that has to do with our heroine, Bree Hale. We establish her as a small town girl-next-door type. But obviously she has a history that allows her to kick all kinds of ass and escape perilous situations. She’s particularly strong in the climactic sequence as she fights off a sadistic interrogator.

My understanding is this isn’t connected with the previous Dead Body Road mini at all, and that it’s an anthology book like Criminal. So you should be okay coming in cold.

TITLE: Teenage Mutant Ninja Turtles #105
AUTHORS: Sophie Campbell (Script), Kevin Eastman & Tom Waltz (Story Consultants)
ARTISTS: Campbell, Ronda Pattison (Colorist), Shawn Lee (Letterer).
RELEASED: June 24, 2020

There’s a big moment between Raph and Alopex in this issue that leads me to believe we’re headed toward fairly uncharted waters: Romantic interests for the Turtles.

And no, don’t talk about Mitsu in TMNT III. Please.

I’m game for really putting the Teenage in Teenage Mutant Ninja Turtles. Especially now that they’re doing this Mutant Town story. Between the Raph/Alopex scene and the concert setting, this issue really does that well. They’ve got a chance to break some new ground here. Let’s hope they take it.

TITLE:TMNT: Jennika #3
AUTHOR:
Braham Revel, Ronda Pattison
ARTISTS:
Revel, Jodi Nishijima, Pattison (Colorist), Shawn Lee (Letters).
RELEASED:
June 24, 2020

I can’t get over how much Braham Revel’s style reminds me of the 2012 Nickelodeon show.

It’s amazing to think how virtually everything The Next Mutation did wrong with Venus di Milo, IDW has done right with Jennika. Although based on how the IDWverse has been put together, we might actually see Venus in the comics at some point.

Bebop and Rocksteady show up here. Why does Rocksteady carry an average-sized sledgehammer? It feels like it should be bigger. Mutant-sized. That, or a giant blaster like on the old cartoon.

TITLE: Mighty Morphin Power Rangers #50
AUTHOR:
Ryan Parrott
ARTISTS:
Daniele Di Nicuolo, Walter Baiamonte (Colorist), Katia Ranalli (Color Assistant), Ed Dukeshire (Letterer). Cover by Jamal Campbell.
RELEASED:
June 24, 2020

Ryan Parrott does Rocky, Adam, and Aisha a lot of justice in these books. That’s one of those things that’s expected, but still really nice when you actually see it. Rocky is also sans mullet, which I appreciate.

“Necessary Evil” might have gone a little long. But it was still a story very much worth telling. Well executed too, in terms of both the writing and the visuals.

Definitely a worthy issue #50. And if the cliffhanger at the end is any indication, PR fans are going to want to come back for issue #51.

TITLE: Suicide Squad #6
AUTHOR:
Tom Taylor
ARTISTS:
Bruno Redondo, Adriano Lucas (Colorist), Wes Abbott (Letterer). Cover by Redondo & Marcelo Maiolo.
RELEASED:
June 24, 2020

The humor in this issue is on-point. Especially with Batman doing a guest shot. That’s a high compliment coming from me, as I don’t usually get into Harley-Quinn-style comedy.

We’re teased with a separation of Harley and Deadshot from all the various new characters in the group. That would be interesting, though I expect ultimately a bad move for sales. I’d stick around, though. Again, a pretty high compliment from yours truly.

TITLE: Star Wars: Bounty Hunters #3
AUTHOR: Ethan Sacks
ARTISTS: Paolo Villanelli, Arif Prianto (Colorist), Travis Lanham (Letterer). Cover by Lee Bermejo.
RELEASED: June 24, 2020

Boba Fett is teased for this issue, but doesn’t show. I’m curious as to how much of him we’ll need to see to keep this series afloat as the months go by. That’s not to say characters like Bossk and Valance aren’t appealing. But Boba’s drawing power is obvious at this point. You could easily make the argument for doing a Boba Fett series, much like the Darth Vader one.

I grow a little weary of the story they’re telling about all these hunters having a common target. The target in question simply isn’t that interesting. Not yet, at least.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Astonishing Art: TMNT by Alex Donovan

By Rob Siebert
The 5th Turtle

I love a good play on a classic comic book cover. And of course, Giant-Size X-Men #1 is one of the most important superhero comics of the last 50 years. It marks the first appearance of Storm, Nightcrawler, and Colossus. They among others, including a scrappy Canadian brawler called Wolverine, were all brought on to the X-Men for the first time. It marked the dawning of a new era.

In terms of homages, what you see below is pretty damn cool.

My favorite part of what Alex Donovan did with this piece is contrast the colorful cartoon Ninja Turtles with the ones we saw from the Eastman & Laird comics. When that cartoon hit the air waves, it ushered in the golden age of the TMNT. And indeed, the dawning of a new era in pop culture. Turtlemania was officially running wild!

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Dark Nights: Death Metal, Wynd, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

You know what I miss? Star Wars comics. C’mon Marvel. DC is cranking out its silly heavy metal event comic. The least you can do is get back in the full swing of things!

I also miss TMNT comics. But at least we get half of one this week…

TITLE: Dark Nights: Death Metal #1
AUTHOR: Scott Snyder
ARTISTS: Greg Capullo, Jonathan Glapion (Inker), FCO Plascencia (Colorist), Tom Napolitano (Letterer)
RELEASED: June 16, 2020

If this Metal stuff is your cup of tea, then by all means I encourage you to drink. The comic book industry could use your bucks right about now. But boy is it not mine…

While Dark Nights: Metal did have some nice moments, to me this stuff has always come off overly indulgent and stupid. Need proof? Batman not only wears a duster in this book, but one with spikes on the shoulders. I’m a Greg Capullo fan, but *barf*.

TITLE: Wynd #1
AUTHOR: James Tynion IV
ARTISTS: Michael Dialnyas, Aditya Bidikar (Letterer)
RELEASED:
June 17, 2020

As much of a Tynion fan as I am, Wynd isn’t really my cup of tea. Just like The Woods, also by Tynion and Dialnyas, wasn’t really my thing. But obviously there’s an audience for this sort of thing, and I think Wynd will do well among them.

The most interesting thing about this issue is we have a kid, Wynd, who’s clearly been touched  by magic, as he’s living in this renaissance type world where magic is outlawed. We steer away from that a little too soon for my tastes. I’d have devoted the entire issue to Wynd himself.

TITLE: Batman: The Adventures Continue #6
AUTHORS:
Alan Burnett, Paul Dini
ARTISTS:
Ty Templeton, Monica Cubina (Colorist), Joshua Reed (Letterer)
RELEASED:
June 18, 2020

“Mentors” wraps up in more or less the way you’d expect. As a bonus, this issue also establishes that Tim Drake has been with Batman for about a year.

At the end, we’re left with more questions about our mystery observer, who we know is actually Jason Todd. Most notably, the question of what he wants. Thus far, Jason has occupied that gray area between hero and villain. In the main DCU, it was crystal clear that Jason was back as a villain. So I’m thrilled to see they’re taking things in at least a slightly different direction.

TITLE: Mighty Morphin Power Rangers/Teenage Mutant Ninja Turtles #5
AUTHOR: Ryan Parrott
ARTISTS:
Simone Di Meo, Alessio Zono (Pencil Assist), Walter Baiamonte (Colorist), Igor Monti (Color Assist), Ed Dukeshire (Letterer)
RELEASED:
June 17, 2020

This finale pulls a hell of a rabbit out of the hat for the big zord battle. I won’t spoil it, except to say it’s pretty damn cool.

My only critique of said battle is Di Meo’s Dragonzord is a little awkward in its body language. It looks very rigid.

I maintain that MMPR/TMNT was pretty paint-by-numbers. But in the end, that’s exactly what we wanted from it. We wanted these characters to meet and interact. That’s precisely what the story gives us. No harm, no foul.

TITLE: Superman #22
AUTHOR: Brian Michael Bendis
ARTISTS:
Kevin Maguire, Alex Sinclair (Colorist), Dave Sharpe (Letterer). Cover by Ivan Reis, Joe Prado, & Sinclair.
RELEASED:
June 16, 2020

I love me a good Kevin Maguire interlude. When you haven’t seen him in awhile and then he pops up for an issue, you really get to see just how good he is.

It certainly helps that he’s got some great subject matter. As an FBI agent questions Lois Lane, we have Superman in an intergalactic space battle with Mongul. Obviously, Maguire’s exaggerated faces tend to skew him more toward the comedic side of things. But if he’s fairly selective about the “acting” choices he makes, he’s every bit as capable as anyone else of delivering that epic battle sequence.

TITLE: Young Justice #15
AUTHOR: Brian Michael Bendis, David Walker
ARTISTS:
John Timms, Scott Godlewski, Gabe Eltaeb (Colorist), Wes Abbott (Letterer). Cover by Ben Caldwell & Eltaeb.
RELEASED:
June 16, 2020

I didn’t realize just how much I missed this book. It’s definitely one of my favorites at DC right now. Especially now that they seem to be taking a Justice League Unlimited sort of approach, with lots of different members as opposed to a single core team. Any kind of JLU approach is rarely a bad thing…

We finally get some answers about Superboy in this issue. If you’ve read a fair amount of DC multiverse stories, the answers we get shouldn’t be too surprising. Not bad. Just not particularly surprising.

TITLE: X-Men #5
AUTHOR: Jonathan Hickman
ARTISTS:
R.B. Silva, Marte Gracia (Colorist), Clayton Cowles (Letterer). Cover by Leinil Yu & Sunny Gho.
RELEASED:
January 9, 2020

This is a good issue if you aren’t as familiar with who some of the newer X-Men are. Hickman uses Wolverine, Cyclops, Storm, and Xavier to lead into a re-introduction to X-23, Darwin, and Synch.

It also introduces is to “the Vault.” Its inhabitants, according to Xavier, are “the single greatest existential threat to mutantdom.” What it is and how time works inside are a little complex. But the Vault does have a Sentinel head on top of it. So it’s got that going for it.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Go Go Power Rangers Finale, Batman, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

A slightly abbreviated version this week. I wouldn’t expect that to become a trend. As we continue to get back in the swing of things, they’ll get consistently bigger.

TITLE: Go Go Power Rangers #32
AUTHORS: Ryan Parrott, Sina Grace
ARTISTS: Francesco Mortarino, Simona Di Gianfelice (Inking Assist), Raul Angulo (Colorist), Ed Dukeshire (Letterer). Cover by Eleonora Carlini and Angulo.
RELEASED: June 10, 2020

Fracesco Mortarino draws Rocky with a mullet in this issue. That was most certainly not how he looked on the show…

While I’m very sad to see Go Go Power Rangers…uh…go, the series does end on a satisfactory note. We close with Jason, Zack, and Trini giving up their powers to take on a secret mission in space as the Omega Rangers. But it’s less about the original team splitting up, and more about the growth into two teams. It’s like we’ve gained four new Rangers instead of losing three.

TITLE: Batman Secret Files #3
AUTHORS: Vita Ayala, Phillip Kennedy Johnson, Mariko Tamaki, Dan Watters, James Tynion IV.
ARTISTS: Andie Tong, Victor Ibanez, Riley Rossmo, John Paul Leon, Sumit Kumar. Cover by Guillem March and Tomeu Morey.
COLORISTS: Alejandro Sanchez, Jordie Bellaire, Ivan Plascencia, Leon, FCO Plascencia
LETTERERS: Rob Leigh, Troy Peteri, Tom Napolitano, Deron Bennett Carlos M. Mangual
RELEASED: June 9, 2020

This issue spotlights the various assassins sent to kill Batman in the latest story in the titular series. Obviously this includes Deathstroke. Batman scribe James Tynion IV gives us a story about the Joker pitching Slade a plan that will presumably come to pass in the upcoming Joker War story.

From an overall quality standpoint, the story about Mr. Teeth is probably leading the pack, followed by a story featuring Merlyn and Green Arrow. All in all, some great character spotlights make this an issue that’s definitely worth picking up.

TITLE: Something is Killing the Children #7
AUTHOR: James Tynion IV
ARTISTS: Werther Dell’Edera, Miquel Muerto (Colorist), Andworld Design (Letters)
RELEASED:
June 10, 2020

Tynion is slowly peeling back the layers in terms of what the monsters are, and who this group fighting against them is.

For instance, in this book we learn Erica Slaughter belongs to the “Slaughter House,” and that there’s some kind of hierarchy to it. But of course, we don’t find out what that is or how it works. The approach is effective.

We also get an important bit of info as to why Erica kept young James at her side in the first story. It doesn’t paint her in the best light. But it does make sense.

TITLE: Lois Lane #11
AUTHOR:
Greg Rucka
ARTISTS: Mike Perkins, Andy Troy (Colorist), Simon Bowland (Letterer)
RELEASED: June 9, 2020

This thing was disjointed before the COVID interruption. Sadly, things haven’t changed in that regard. I love Greg Rucka, and Mike Perkins gives us some awesome art. But what the hell is going on in this story???

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.