Money in the Bank Takes Shape, Plus Ponderings From WWE Smackdown

By Rob Siebert
Editor, Fanboy Wonder

There was a little bit of buzz Monday night about WWE changing a match graphic midway through Raw. I’m amazed people notice this stuff, honestly.

In advertising the Matt Hardy/Sheamus match, WWE initially showed the above image. Later in the show it was changed to show us a more even tempered Matt. Rumor has it this was done to avoid drama over the “Broken” intellectual property, which is owned by Anthem Sports and Impact Wrestling. That’s obviously much to the chagrin of wrestling fans who want to see Broken Matt and Brother Nero in WWE. ProWrestlingSheet.com has the full story, for those interested.

I don’t know that I agree with what Anthem has done here. As an artistic type, I’m usually inclined to favor creator ownership, and the Broken stuff always seemed like it was coming straight from Matt and Jeff. But I can appreciate the situation Anthem finds themselves in. The Broken characters generated interest the likes of which they haven’t seen in years, and certainly haven’t seen since. They want that stuff associated with the Impact brand. It’s good business.

But what’s not good business? Damaging your rep with wrestling fans even further. Now as much as ever, people love the Hardys. Fans are going to be on their side, especially when it comes to these Broken characters. In keeping that IP locked up, Anthem is denying us one of the hottest acts in all of wrestling. That has already created a backlash resulting in a lot of bad press. And if there’s one thing Impact doesn’t need more of, it’s bad press.

So yes, Anthem’s retention of the Broken Hardys IP is good business…for now. But how much money are they shooing away in the long run by leaving a bad taste in the mouths of potential viewers? I shudder to think.

Ponderings From Smackdown:

Shane McMahon announces the participants for the 2017 Money in the Bank Ladder Match: AJ Styles, Baron Corbin, Sami Zayn, Dolph Ziggler, Shinsuke Nakamura, and Kevin Owens. Pretty good line up. Nakamura and Styles in the same Ladder Match? That may be worth the price of admission alone.

I got curious when Ziggler came out, so I looked it up: This will be his seventh Money in the Bank Ladder Match. One more and he’ll have appeared in more of these than anyone else. Of course, they put him in these things because they know how good he is at them. Can’t be easy on his body, though.

Charlotte Flair and Becky Lynch def. Natalya and Carmella. And so the Charlotte babyface turn continues. I was waiting for the other shoe to fall.

Later on, they made a Fatal Five-Way for next week to decide the top contender for the Women’s Title. What is their obsession with Fatal Five-Way Matches lately? It’s like a shiny new toy they just can’t put down. Rumor has it Carmella is in line to hold the belt next, so there’s a decent chance she’ll walk away with it.

Sami Zayn def. Baron Corbin with a quick roll-up. Corbin destroys Zayn after the match. Damn. Corbin can’t seem to buy a win these days. That’s…okay, the more I think about it. Not everybody should be an unstoppable giant. It’s also pretty obvious that Corbin lacks the experience that guys like Zayn and Orton do. Plus, win or lose, he beat the hell out of Zayn in the end.

Jinder Mahal holds a Punjabi celebration after winning the WWE Title at Backlash. Randy Orton to invoke his rematch clause at Money in the BankSurprised as hell that Orton didn’t come out and trash this thing. That’s usually what the babyface does. I’m assuming they wanted to hammer home this Jinder Mahal thing that much harder.

From a character perspective, Randy Orton should be embarrassed and mad as hell. The guy that comes back from this shouldn’t be the calm and reserved dude. We need to see Randy our for revenge. Hell, maybe he’ll burn Jinder’s house down too

Tyler Breeze def. Jey Uso with a distraction roll-up in a quick match. Fandango then does the same to Jimmy Uso. Factoring in the Corbin/Zayn match, that’s three roll-up finishes in the same broadcast. I get that they were going for comedy, and I like Breezango more and more as the weeks go by. But that’s too much.

The Usos def. Breezango to retain the Smackdown Tag Team Titles. At least it didn’t end with a roll-up. I imagine they’re gearing the Usos up to face the New Day soon. But WWE would do well to keep Breezango on television. They’ve become a really fun act.

Side note: Where is American Alpha? Are they just giving them a little break?

AJ Styles and Shinsuke Nakamura def. Kevin Owens and Dolph Ziggler. Both the announcers and the fans made a big deal out of Styles and Nakamura teaming together for the first time. Rightfully so, given their history in New Japan.

I enjoyed seeing Styles work with Ziggler here. Typically when they’re building to a multi-man match like this, they have everybody wrestle each other in singles matches during the build-up. So we could see our first Styles/Ziggler match as early as next week.

They kept calling Nakamura a rock star, as if that’s his new nickname. Meh. There’s worse things to be called, I suppose.

 Follow Primary Ignition on Twitter, or at Facebook.com/PrimaryIgnition.

Advertisements

Jinder Mahal: WWE Champion, Plus Ponderings From Raw

By Rob Siebert
Editor, Fanboy Wonder

See, this is why you always go with your gut.

Going into Backlash, my gut told me Jinder was winning the belt. But I took the common sense approach and predicted Randy Orton would retain. I figured Jinder hadn’t been built up enough yet, and needed another month or so before getting the title.

But I’d forgotten one very important thing. This is pro wrestling. Common sense has little to no place. Ergo Jinder Mahal, mere months after being a jobber, defeats Randy Orton in the main event of a pay per view to win the WWE Championship.

Jinder was on Talk is Jericho last week, and talked about how Vince McMahon has taken tremendous interest in his character, even personally working on his verbiage. That should have been the giveaway. Between Jinder’s physical transformation, the idea of appealing to the Indian market, and him becoming Vince’s new project, the writing was on the wall.

I maintain that Jinder Mahal’s character isn’t at a level that merits being champion. But that’s not to say he can’t get there. I’ve been continually intrigued by this group he’s formed with the Singh Brothers. It’s something different, and I’m very interested in what it could become, if not necessarily what it is now.

That’s really the bottom line as far as Jinder is concerned. He’s not there yet, but he could be. He can grow into the role. The evil foreign menace is Pro Wrestling 101. If McMahon’s interest in Jinder maintains, and he gets a little more comfortable, he and the Singh Brothers could have something special here.

On the other hand, this could all be a flash in the pan. But the question of whether or not that’ll be the case has renewed some of my waned interest in Smackdown. At the very least, they’ve accomplished that.

Ponderings From Raw:

Bray Wyatt opens the show, but is interrupted by Roman Reigns. Kurt Angle makes a match between the two. Bray’s big monologue was frustrating.  I’d have stuck with the whole “I alone can slay the beast” narrative, and had less of the “I can save you all” stuff. Sometimes he just goes too far into the metaphorical. Also: Stop laughing, idiot.

The “It’s my yard” stuff is cool. But every time Roman says that, he grates on the people who grew up with and loved the Undertaker. And there are a lot of us.

Roman Reigns def. Bray Wyatt via disqualification when Samoa Joe interferes. Seth Rollins attacks Joe. Kind of a blah match. Though I admit, seeing the four of them in the ring together piqued my interest a bit for Extreme Rules. If they’re allowed to really play up the no holds barred elements, this match could end up being really good.

Akira Tozawa def. Ariya Daivari. Brian Kendrick watches and comments from backstage. We don’t see nearly enough of Tozawa on Raw. He’s one of the few guys in that Cruiserweight Division that doesn’t feel played out or overexposed. Even Austin Aries has suffered. After failing to capture the magic of the Cruiserweight Classic for so many months, it’s like the whole division has a stink on it.

While Tozawa himself seems to be fine, I’m amazed this story with Kendrick is still going on. No wonder 205 Live is so dead right now.

“The Drifter” Elias Samson makes his Raw wrestling debut, defeats Dean Ambrose via disqualification when Miz interferes. Not a bad start for Samson. Hell of a leaping knee strike to Ambrose. The character is still a little iffy for me. But they’re easing him in. We’ll see how things look in a couple of weeks.

Enzo Amore is attacked by a mystery assailant. Somebody get Enzo some damn pepper spray or something. He’s always getting attacked before he gets the chance to wrestle. Or at least tell Cass not to let the little bastard of his sight for awhile.

Paul Heyman interrupts Finn Balor’s pre-match promo, wishes him luck at Extreme RulesBalor vows to beat Brock Lesnar. We were overdue for a Heyman promo. They shouldn’t use him every week. But while Brock is gone, we need him every so often to represent the champion’s interests.

This segment is essentially an assurance that, at least for now, WWE plans to put Balor over at Extreme Rules. That’s good news as far as I’m concerned. Some dismiss the idea of a Finn Balor/Brock Lesnar match as not being believable. But this is the same company that just made Jinder Mahal one of their top champions. The key is not to stretch the audience’s suspension of disbelief too far. I don’t see that being an issue here. How good did Brock vs. CM Punk ended up being?

Finn Balor def. Karl Anderson. From bell to bell, Balor always looks like a star. But Karl Anderson is so underrated. He’s spent so much time as the fall guy for his tag team that people don’t realize just how talented he is. It’s always nice to see his singles game.

They’ve been dancing around this Bullet Club stuff for a few weeks. I’d love to see a program between Balor, Gallows, and Anderson. But considering Gallows and Anderson’s status as a tag team, and how big a singles star Finn Balor is, would that work?

Sasha Banks def. Alicia Fox. There’s been some buzz about Sasha losing to Alicia last week because Vince McMahon isn’t high on her, and thinks she’s injury prone. I don’t know that I buy that. I wasn’t happy seeing Alicia beat Sasha either. But this just comes off as them needing to find something for Sasha to do while she’s not in the title picture.

In a pre-taped promo, Goldust declares: “The Golden age is back.” As a longtime fan, I loved this. This is exactly how they should be using Goldust. Let people see just how unique this character can be. He’s so more than just a dude in makeup.

Kalisto def. Apollo Crews. A little surprised to see Kalisto get another win here. He might actually want to take Titus O’Neil up on becoming part of the Titus Brand. He could try and leach some of Titus’ charisma.

Matt Hardy def. Sheamus to decide the stipulation for the title match at Extreme Rules. The Tag Champions will defend in a Steel Cage Match. Corey Graves called Cesaro the “Swiss Cyborg” during this match. I actually like that name bettie than Swiss Superman. They should use that.

I thought we’d get another Ladder Match with these two at the pay per view. But a Cage Match changes things up, and hopefully it’ll leave these guys with less wear and tear.

Austin Aries def. Tony Nese. Neville to defend against Aries in a Submission Match at Extreme Rules. Look for Aries’ knee to be part of the story at Extreme Rules. I’d love to see him get the belt. But if he doesn’t, I say we go to Akira Tozawa as the next challenger for Neville.

Alexa Bliss def. Mickie James, wallops her with a kendo stick. Great facial expressions from Alexa here. I like that they’re playing up the damage a kendo stick can do. I’m still not a fan of the Kendo Stick on a Pole stipulation, but at least they’re making the stick mean something.

Bray Wyatt and Samoa Joe def. Roman Reigns and Seth Rollins. Can we get another Roman Reigns vs. Samoa Joe match? Those guys are both dynamic, explosive, and they hit hard. Something about those Samoans…

 Follow Primary Ignition on Twitter, or at Facebook.com/PrimaryIgnition.

A Batman/The Flash: “The Button” Review – Take the Good with the Bad

TITLE: “The Button”
AUTHORS: Joshua Williamson, Tom King
PENCILLERS: Jason Fabok, Howard Porter
COLLECTS: Batman #2122The Flash #2122
PUBLISHER: DC Comics
TENTATIVE COLLECTION PRICE: $19.99
COLLECTION RELEASE: October 2017

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

I want to like what I’m seeing here. And I guess I do, for the most part. I just have to turn a certain part of my brain off. Namely, the part that registers guilt about a company cashing in on imagery and characters from a landmark story without their creator’s blessing.

After months without any leads relating to the mysterious button Batman discovered during the events of DC Universe: Rebirth #1, the Dark Knight gets a surprise visitor: The Reverse-Flash. But what’s his connection to the Button? Where does it come from? How does it connect to the apparent changes made to the timeline? And how does all of this somehow involve the world of Flashpoint?

“The Button” doesn’t give us any answers. But it does wet your appetite for the just-announced Doomsday Clock event in November. It also manages to tug at your heartstrings with some pre-New 52 imagery and characters. So it does what it’s supposed to do. We even catch a little glimpse of Dr. Manhattan at the end…sort of (shown below).

While we’ve known about the DC Universe/Watchmen stuff for about a year now (Has it really been that long?), I still feel dirty when I see the Watchmen imagery. It doesn’t do much good to complain about it, as what’s done is done. But considering what an achievement Watchmen was, and how revered it is to this day, without Alan Moore’s blessing there’s a certain lack of purity here. That’s only going to become more pronounced as we go forward.

Our inciting incident occurs when the button comes into contact with the Psycho-Pirate’s mask, causing the Reverse-Flash to materialize in the Batcave. After a fight, Batman and the Flash attempt to trace the button’s unique radiation to locate it’s source using Flash’s Cosmic Treadmill (Yup, that’s a thing.) After the Crisis on Infinite Earths reboot came and went in the mid-’80s, the Psycho-Pirate was the one character who retained his pre-Crisis memories. I assume Reverse-Flash’s reemergence has something to do with that memory retention. There’s no other explanation…is there?

“The Button” definitely gives us the vibe that this New 52 continuity we’ve been in for the past several years is an injustice perpetrated by Dr. Manhattan. Several years have been from the timeline, forcefully robbing our characters of their memories and in some cases their very existence. We check back in with Johnny Thunder, who at one point cries, “We lost the Justice Society! It’s all my fault!” We also see Saturn Girl of the Legion of Superheroes, who’s screaming about a future only she knows about. As Batman and Flash make their way through the timestream, we see glimpses of events from Crisis on Infinite Earths, Identity Crisis, and other stories that have seemingly been out of bounds for the New 52.

Then there’s the big surprise in the final issue: Jay Garrick’s brief return. Jay comes back much the way Wally West did in Rebirth, but is unable to find a tether to reality the way he did. He’s seemingly jerked back into non-existence via some familiar blue energy.

There’s a surreal and almost meta element to seeing characters like Jay and Wally pine to come back. Jay has a line, “They took everything from me, Barry. I don’t know how. I don’t know why.” Odd as it may sound, it feels like he’s talking about DC itself, doesn’t it? I’ve enjoyed the DC Rebirth initiative as much as anybody. But it does entail the company eating some crow. Yes, we’re happy to see so many familiar elements back in our books. But who took them away to begin with? Would they have gone through with the reboot if they knew they’d be backtracking it just four years later?

Oddly enough, the emotional meat of the story isn’t so much the return of Jay, or the drama of what’s been lost. It comes in when our heroes accidentally find themselves in the Flashpoint universe, and they come across that reality’s Batman, Thomas Wayne. Thus, we get a reunion of sorts between father and son, each Batman in their own world.

We’ve seen stories where Bruce somehow gets to talk to his parents again. Whether they’re ghosts, visions, or what not. But Batman #22 gives us two unique moments that manage to really hit home. The first is when Bruce tells Thomas, “You’re a grandfather. I have a son.” For older fans, that’s a really strong, relatable moment. The second comes as the Flashpoint sequence is ending. In their final moments together, Thomas asks Bruce not to be Batman anymore, and to instead find happiness. That’s a really compelling use of the Flashpoint Batman. I wasn’t expecting it here, but it creates a hell of a potential conflict for down the road. Can Bruce continue his crusade now?

Jason Fabok handles the Batman side of things, and handles them quite well. You can’t deny quality when you see it. His work has a definite epic quality to it, and is very much worthy of what we see here. The Flash issues are pencilled by Howard Porter, who I have a lot of respect for. That being said, his style has never really been my cup of tea. As cool as the time stream sequence in The Flash #21 is, Porter’s work gives it a certain awkwardness. For instance, there’s a panel where we can almost see up Batman’s nose. Not necessarily what we’re supposed to be looking at, is it?

“The Button” is a fine bridge between DC Universe Rebirth #1 and Doomsday Clock. For some of us, there’s going to be a lot of Watchmen-related discomfort on the horizon. But it looks like we’ll be getting our share of feel-good moments too. Take the good with the bad, I guess…

Follow Primary Ignition on Twitter, or at Facebook.com/PrimaryIgnition.

WWE Backlash 2017 Predictions – Can Jinder Mahal Strike Gold?

By Rob Siebert
Editor, Fanboy Wonder

Not much of note coming out of Smackdown this week. They filled out the Backlash card a bit, and Baron Corbin sustained yet another loss to Randy Orton. But other than that, this was fairly week considering it’s the go-home show for a pay per view.

So let’s not waste any time, shall we? Let’s get right to Backlash predictions…

PRE-SHOW MATCH:
Tye Dillinger vs. Aiden English

I’m surprised Dillinger hasn’t been more prominently featured since his main roster debut. That’s not to say he should be at Nakamura’s level. But people are definitely into the whole Perfect 10 thing. Maybe creative is still feeling him out? Either way, he’s picking up a win here.

PREDICTION: Tye Dillinger

Luke Harper vs. Erick Rowan

These two didn’t exactly light the world on fire last week. They’re obviously being brought in to kill time.

My gut tells me Rowan gets this one, as he did last week. Could it be that Erick Rowan is actually a higher priority for WWE than Luke Harper? To that I simply say, why? Because he has a scary mask? It just seems odd that they’d put Rowan over at the expense of Harper, who showed a lot of promise earlier this year. Not that it matters much, anyway. These two have no heat at all right now.

PREDICTION: Erick Rowan

Sami Zayn vs. Baron Corbin. 

Rumor has it Corbin is one of WWE’s big projects right now, but you wouldn’t know it considering his win/loss record in singles matches lately. He lost to Dean Ambrose on the Wrestlemania pre-show, and this week he dropped yet another clean loss to Randy Orton. The story seems to be that Corbin has a lot of raw talent and rage, but is unrefined. Thus, he’s susceptible to being outworked by more experienced wrestlers. That doesn’t seem like it’s too far from the truth, actually.

Zayn should be able to get a pretty good match out of Corbin, just as he did with Braun Strowman earlier this year. Ultimately, the outcome should be the same. Corbin needs a big win. Sami can come back and beat him later if they want to keep this going. But let’s give the guy some of his momentum back.

PREDICTION: Baron Corbin

Naomi, Charlotte, and Becky Lynch vs. Natalya, Carmella, and Tamina.

I don’t like this as a pay per view match. I admit, Six-Person Tags have to overachieve for me to enjoy them. But this feels like it belongs at the midway point of a Smackdown.

They can salvage this a little bit by having Charlotte reassert herself as a heel and attack her teammates, presumably costing her team the match. I don’t think it’s time for babyface Charlotte yet. They can get some more mileage out of her working with Naomi, and then reviving her feud with Becky Lynch. Granted, that thins out the babyface side of the Smackdown Women’s Division. But they’ve only got two hours to fill. They can make it work for a little while.

PREDICTION: Natalya, Carmella, and Tamina

WWE SMACKDOWN TAG TEAM TITLE MATCH:
The Usos (c) vs. Breezango

This has worked out much better than I thought it would. That’s a credit to WWE creative making good use of Tyler Breeze and Fandango, and those two men capitalizing on their opportunity. They’ve both been criminally underrated for quite some time. Fandango in particular, who was never adequately positioned to capitalize on that “Fandangoing” buzz he got a few years ago.

That being said, right now the Usos are as hot as they’ve ever been. Any time you put a mic in their hands, it’s money. So I say keep the belts on them for now. But I wouldn’t be at all opposed to this thing with Breezango continuing. The Usos need a good team to play off of right now. Depending on how the chips fall, Tyler Breeze and Fandango could be that team.

PREDICTION: The Usos

Dolph Ziggler vs. Shinsuke Nakamura

This match could easily steal the show, depending on how competitive they let Ziggler be. As I’ve said previously, Nakamura couldn’t have a better first opponent than Ziggler. He’ll bump around and sell for him so much that anyone who isn’t already sold on him will be after this match.

The outcome here isn’t really in doubt. Nakamura wins in his debut. The fact that they’ve made him the centerpiece of the advertising for Backlash is very encouraging in terms of WWE’s willingness to push him despite his limited English. This match could go a long way in determining Nakamura’s immediate future.

PREDICTION: Shinsuke Nakamura

WWE UNITED STATES TITLE MATCH:
Kevin Owens (c) vs. AJ Styles

If Nakamura/Ziggler doesn’t steal the show, this one will. Hell, they could easily have these two main event the show, and have Orton/Mahal open it. They did that when Styles, Dean Ambrose, and John Cena opened No Mercy back in October.

I don’t really see the need to put the US Title on AJ Styles. The world is clamoring for him to compete for the WWE Title. So I see Owens winning with some sort of screwball finish. For my money, the draw here isn’t the chemistry these two have as rivals, but the quality of match they’ll end up having. Here’s hoping they live up to the hype.

PREDICTION: Kevin Owens

WWE HEAVYWEIGHT TITLE MATCH:
Randy Orton (c) vs. Jinder Mahal

Don’t laugh, folks. Jinder Mahal has a chance here.

I keep coming back to the JBL/Eddie Guerrero program from 2004. No one thought JBL had a chance. But he ended up getting a sort of fluke win from Eddie in their second outing. They could easily do the same thing with Jinder here. Especially when you consider that Orton being champ has been met with a resounding “meh” from fans.

Here’s what it comes down to for me: Jinder needs to be built up more. He won the Six-Pack Challenge. He pinned Sami Zayn. He pinned Orton in a tag match. This week, he even got to pin AJ Styles, albeit with some help. That’s all well and good. But he needs more credibility if they want to put the title on him. So I say give this one to Orton. If the plan is to actually give Jinder the belt, then they can do a disputed finish, or even a DQ finish involving the Singh Brothers, and come back again at Money in the Bank. 

Question: You think the fans will be chanting for Bully Ray during this match? Wouldn’t surprise me at all.

PREDICTION: Randy Orton

Follow Primary Ignition on Twitter, or at Facebook.com/PrimaryIgnition.

Randy Orton’s Twitter Drama, Plus Ponderings From WWE Raw

By Rob Siebert
Editor, Fanboy Wonder

Oh Twitter. Your petty wonders continue to amaze.

Randy Orton and Bully Ray/Bubba Ray Dudley made a couple of headlines this week after the former posted a photo (shown right) of him diving off the top rope at an ROH show. Seemed innocent enough.

Orton would subsequently tweet: “Lol there is a difference between a young hungry talent diving and an old outta shape ‘vet’ …….falling”

That tweet would catch ire from many a fan, and even Bully’s wife, who Impact Wrestling fans know as Velvet Sky. Orton later posted a little statement, talking about making five million dollars over the course of 11 shows overseas. He added, among other things: “I know to some that doesn’t equate to a standing room only crowd of 15 people paying $8 at an armory somewhere…but in the big boy world that’s called putting asses in seats. So enjoy your flips, dives, and 20 superkicks per match.”

I admit, I chuckled a little bit. The current wrestling landscape is littered with meaningless dives, way too many super kicks, among other stupid trends. And to be fair, Orton was sort of piggybacking on what one of his trainers, Rip Rogers, had tweeted previously.

Still, Orton’s point was overshadowed by the abrasive way he made it. It came off very disrespectful toward Bully Ray. Especially when you consider how many opportunities Orton has had compared to most of his peers. He hasn’t had to do all those dives and flips because, as Bob Orton Jr’s son, he’s never had to fight for attention the way most of those indy guys have. Randy Orton is wrestling royalty. But he came off like Prince William shaming a window washer because he missed a spot.

Of course, the good news for Orton is that he doesn’t give a damn what most of us think.

Ponderings From Raw:

Kurt Angle announces a Fatal Five-Way Match for Extreme Rules to decide the top contender for the Universal Title: Roman Reigns vs. Finn Balor vs. Bray Wyatt vs. Seth Rollins vs. Samoa Joe. The participants emerge, a brawl ensues. I can’t help but cringe every time someone says “Fatal Five-Way.” I’ve been saying Fatal Four-Way for so many years that it just sounds weird. Tell you what, how about Seth Rollins and Samoa Joe have a big match, and the winner gets a spot in a Fatal Four-Way Match at the pay per view? On the plus side, Joe is in his first WWE pay per view main event.

Angle mentioned Braun Strowman here, and how surgery revealed his elbow is shattered, and may require up to six months recovery time. That’s a heartbreaker. Strowman is one of the only things on this show that has real momentum as of late. They’ve done such a fantastic job building him. A Brock Lesnar/Braun Strowman match would have been money. It looked like they were setting it up for June or July. Now we may not even get it until 2018, if then. Damn…

Jeff Hardy def. Sheamus. Sheamus and Cesaro get another shot at the tag belts at Extreme Rules. The smart bet is they make this a Ladder Match or something.

I don’t know if this is what they’re going for, but I’m starting to get the itch for another Jeff Hardy singles run.

Alicia Fox def. Sasha Banks. Yup. You read that right. Yuck. I get it, as these two had a disputed finish last week. But damn. That hurts.

It almost feels like we’ve been in Bizarro World for the past month. Alicia gets a clean win over Sasha. Breezango is challenging for tag team gold. And the top contender for the WWE Championship? Jinder Mahal.

The Miz def. Dean Ambrose in an Intercontinental Title Match via disqualification. Ambrose keeps the title. Pretty good outing for Ambrose and Miz, which later set up a rematch for Extreme Rules. Ambrose almost seems conspicuous by his absence in the Universal Title picture. I understand why he’s not there, as he’s obviously the IC Champ. Plus, it’s not necessarily time to have the three Shield guys sharing a ring yet. But it feels like he should be there…

Bayley interrupts Alexa Bliss to announce she’s invoking her rematch clause at Extreme RulesA fight breaks out. Alexa attacks Bayley with a kendo stick. A Kendo Stick on a Pole Match is made for the pay per view. Alexa Bliss has gotten so good at ad-libbing. That “If you’re a failure, say what!” line was great.

Despite how hokey this talk about Bayley “getting extreme” is, the hardcore stipulation at Extreme Rules could be good for her. She’s gotten by on charm, and obviously raw talent as well. But this could be a chance for her to show some fire. Now if only they hadn’t felt the need to revive the “on a pole” stipulation.

Neville and TJP def. Austin Aries and Jack Gallagher. Fairly cold match. The idea is for these matches to draw people to 205 Live, right? Viewership for that show is reportedly down. I wonder why…

Also, why is TJP a better name than TJ Perkins?

Roman Reigns def. Finn Balor. Good match. Despite the loss, Balor is regaining some valuable steam. Corey Graves mentioned during Balor’s entrance that his best friends are Karl Anderson and Luke Gallows. That’s not the first time Graves has connected the former cohorts…

The announcers always act so surprised when someone kicks out of the Superman Punch. Booker T even said it’s “normally the knock-out punch.” Um…no it’s not. How many of those does Reigns usually hit in a given match?

Goldust turns on R-Truth before their match. As I said last week, Goldust deserves to be in a higher profile role. How long has it been since he’s been a heel? Getting the fans to boo him might be an uphill battle. But the change could be good for him.

Big Cass def. Titus O’Neil. Titus mocking Enzo on the way to the ring was funny as hell. He even got a little personality out of Apollo Crews. It’s a little early, but this Titus/Apollo experiment may be working.

Seth Rollins def. Bray Wyatt via disqualification. Predictable Samoa Joe interference at the end. Reigns and Balor really should have had the main event. Both those guys are more over than Rollins is. Crowd was sitting on their hands. Granted, we were at the tail end of hour three. But by the time they got into the overrun, I was begging for this one to be over.

Follow Primary Ignition on Twitter, or at Facebook.com/PrimaryIgnition.

A Twisted Dark, Vol. 1 Review – The Horror in Your Head

TITLE: Twisted Dark, Vol. 1
AUTHOR: Neil Gibson
PENCILLERS: Atula Siriwardane, Caspar Wijngaard, Heru Prasetyo Djalal, Jan Wijngaard, Ant Mercer, Dan West
FORMAT:
Softcover
PUBLISHER:
TPub
PRICE: 
$14.99
RELEASED: August 2014

By Rob Siebert
Editor, Fanboy Wonder

Twisted Dark is a series that lives up to its name in more ways than one.

From the UK-based TPub and author/editor/founder Neil Gibson, Twisted Dark is a collection of short psychological horror and suspense tales. This is indeed the twisted and dark underbelly of the human psyche. We’ll meet Rajeev, who rises to power in Dubai through manipulation and deceit. There’s Soames, a patient in a psychiatric ward convinced everything around him is a twisted game. We also have Ashbjorn, whose fractured mind is trying to shield him from the unspeakable pain of his horrific reality. These stories and characters stand alone for now. But they all exist in the shared universe of Twisted Dark. They may not know it, but their paths have already started to cross…

What I really enjoy about Twisted Dark is that it showcases the versatility of the black and white comic book. You’ve got so many different methods and textures on display here, at times from the same artist. Caspar Wijngaard, for instance, does “Routine.” We see deep blacks, a lot of jagged lines, and a high black and white contrast. He also does the cover, so it’s the style you expect when you open the book. But then later, we get “Cocaina,” in which he lowers the contrast, and starts playing with grays. His brother Jan Wijngaard also gets to show off with two stories. I would classify his style as softer than Caspar’s, and bit sketchier. It’s one thing to do that between different titles. It’s another to do it within a single volume, and is a real credit to both men as artists.

I stumbled across this book at C2E2 this year. It’s got a three-page opening story that provides a hell of a hook, and an appetizer for the book’s brand of storytelling. I love that first page (shown right). There’s a haunting sense of foreboding in the art alone. And then you read that lone bit of text at the bottom. Now that‘s a hook.

Most of these stories have a narrator with a very storybook-ish voice. Everything’s very plainly spoken, and seemingly unbiased. There’s a haunting quality in that. Especially after we see all these awful and disturbing things happen. We have no indication that the narrator is part of the horror itself in any way. But he’s your messenger, so you develop a subtle fear of him (her?) as well.

Once you hit the second or third story, you inevitably recognize a pattern to the storytelling. It’s the classic twist take on horror. (Twisted Dark…get it?) At some point in the story, you learn that your main character isn’t who you thought they were, or that they were being deceived somehow. Evil and/or bloodshed commences. You learn not to get too invested in who you’re seeing, and you’re always on the look-out for the swerve. This has obvious pros and cons. When you have an anthology of twist stories, they almost aren’t even twists anymore. They’re stories that adhere to a format. “Windowpayne” comes at about the midpoint of the book, and is about an entrepreneur with a facial scar who creates windowpanes that double as a sort of television. The character is interesting, but the story has an ending you can see a mile away because of the story patterns.

In apparent recognition of that pattern, the majority of the book’s subsequent twists become a little less jarring, though often no less violent. “Munchausen’s Little Proxy,” which is about a woman addicted to surgery, is more of a character piece than a narrative with a twist. Ditto for “The Pushman,” about a train worker from Tokyo. As there are several more volumes of Twisted Dark, I’m curious to see how the stories are positioned going forward.

On that note, all these stories and characters apparently exist in the same universe, and there are connections to be found. Perhaps I’m simply not eagle-eyed enough to spot them, as none were apparent to me as I closed the book. But I don’t doubt they’re there.

I appreciate the psychological component of Twisted Dark. While there’s no shortage of violence, they aren’t stories about violence, or gore, or monsters, or any of that. Twisted Dark recognizes that the scariest place of all is the human mind…

There’s an argument to be made that “The Routine” is the book’s best tale. It’s got a very horror-ish look, and it’s the first major twist we see, so it’s the most intense. But the character that gets the most development is Rajeev, by virtue of being the only one who’s story gets a sequel. He starts off as a humble but average man from south India who becomes a slave laborer, but in time rises to power. I wouldn’t call Rajeev’s tale the best in the book, but it does get the most page time, and thus the most progression. The second story, “A Heavenly Note,” is somewhat unique. While Rajeev rises to power in the first tale, the second one is about maintaining that power. That’s not always something you see in stories about the rise of tyrants. Obtaining power is one thing. Keeping it is another.

Twisted Dark would still work as a series featuring self-contained short stories. What we get is fairly simplistic, at least at this point. But the book manages to make good on it’s name. Plus, the idea that all these stories will somehow bleed into one another adds another level of intrigue. If you like your horror a little less gory, and more psychological, Twisted Dark is up your ally.

Follow Primary Ignition on Twitter, or at Facebook.com/PrimaryIgnition.

A Review of The Walking Dead #167 – Andrea’s Fate

TITLE: The Walking Dead #167
AUTHOR: Robert Kirkman
PENCILLER: Charlie Adlard
PUBLISHER: Image Comics
PRICE: $2.99
RELEASED: May 3, 2017

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

There’s always been a direct correlation between the quality of a Walking Dead story, and how real and relatable things feel. That’s what’s made this story different from typical zombie lore. We’ve had so much time with these characters, and seen them to do much more than run from zombies. The world they live in is obviously a fantasy. But we’ve seen them grow and change like real people.

That’s what makes issue #167 so impactful. To a certain extent, it feels like a real person has died. Furthering that point, it’s handled in a very raw and emotional fashion. This is unquestionably one of the best issues of the entire series. Maybe the best.

Andrea has been bitten. After having been with her for so long, Rick must once again say goodbye to a woman he loves. But can he bring himself to continue on without her? And how does her death impact Carl, Negan, Michonne, and the rest of the survivors? Especially now that the Saviors may once again be a threat…

I’ve never been any good at saying goodbye. Maybe that’s why this issue resonated so much with me. This is essentially one big goodbye to Andrea. They even forego the letters column this month, replacing it with a message from Kirkman about the character. It all may seem a little self-important. But The Walking Dead has such a passionate and devoted fanbase, that you can actually see the some of the reasoning behind it. Andrea has been part of the series since it’s second issue. She was one of the “originals.” So her death means that much more.

My favorite page in the issue is on a 16-panel grid, where we see major and minor characters alike pay their respects to Andrea. Each gets one panel. There’s a striking honesty on this page. You have some of the obvious, “we love you” and “if it hadn’t been for you” type stuff. But Heath, for instance, says: “We never talked much. I’m sorry for that. I’m not the best at making friends.” Carl’s love interest Lydia says, “I don’t think you like me, but…I’m not going to hurt Carl.” Then you have Negan, who puts his own little spin on a goodbye. And that’s not even taking the artistic quality of the page into account. It’s fantastic work by Kirkman, Adlard, and the entire team.

Kirkman uses Andrea’s death to talk about the human condition a little more directly. When talking with Carl about his relationship with Lydia, she tells him “People like to think there are people out there they’re meant to be with” but that “Anybody can love anyone if they want to.” He’s essentially trying to debunk the idea of soulmates, and asserting the notion that people make their own destinies. One might read that as Kirkman getting on his high horse. I suppose that’s true. But it’s his book, after all…

As one might imagine, much of the issue is spent with Rick and Andrea alone. He sits at her bedside in her final hours. It’s good stuff, but we get some odd repetition. Rick breaks down, talking about how he can’t go on, can’t stay strong, etc. In her last big monologue, Andrea tells Rick that he must continue, and how he’s made everyone else stronger. Then a few pages later, after Andrea has passed, Rick doubts himself out loud again. As he did just a few pages earlier, he says he “can’t do this anymore,” and that he just killed a woman a matter of hours ago. (It happened last issue. Long story.) The only real difference is that Andrea is dead in the latter scene. It’s a big difference of course, and Andrea’s monologue has all the appropriate power. I just wonder why the choice was made to have Rick repeat himself. In between those stretches of dialogue, we get four whole pages of silence, simply letting the art show us the final moments of Andrea’s life. I wonder if it would have been better to maintain that silence.

Charlie Adlard, inker Stefano Gaudiano, and gray tone artist Cliff Rathburn work their usual magic here. I almost hate to use that term, as it seemingly lessens the gravity of what they’ve been able to accomplish on this series. It’s Adlard and Rathburn have been with the series since it’s early days. So it’s always gratifying to see them there when a long-standing character leaves the book.

There are a good amount of splash pages and two-page spreads in this issue. There’s a two-page shot of Rick at Andrea’s bedside that’s tremendous. There are a lot of deep black in the room, yet we get the sunlight coming in through the window. This is also a great showcase for Adlard’s character “acting” skills. He’s become absolutely amazing with the subtleties in human facial expression. Case in point, the splash page of Rick’s face after Andrea is gone once and for all, and the impact of what’s just happened finally sets in. Then you have the panel below, where Andrea has died, and Rick has to prevent her from turning…

Despite Andrea’s death, this issue is really about two things: Perseverance and hope. This is the most painful and most personal blow Rick has faced since he lost his wife and baby. But the issue ends not with more grief, but with an eye toward the future. The Walking Dead isn’t necessarily a series that’s known for it’s optimism. So often this world prompts its character to act on their darkest and most disturbed impulses. Going the other way was smart, given the emotional impact of what we’re seeing. It’s part of what makes this a landmark issue for the series.

One of the things Kirkman does very well with The Walking Dead is create a certain legacy for characters that have died. The deaths of characters like Glenn, Lori, and Herschel are still being felt in the series today. So as we move forward, the question becomes: What will Andrea’s legacy be?

Follow Primary Ignition on Twitter, or at Facebook.com/PrimaryIgnition.