Author Archives: primaryignition

Weekly Comic 100s: Shazam! #10, Batman/Superman #10, and More!

By Rob Siebert
Fanboy Wonder

The deadline for yesterday’s “Weekly Comic 100s” kinda snuck up on me. So consider this part two. But there’s plenty of first rate talent to be found. Geoff Johns, David Marquez, Peter Tomasi, Dale Eaglesham…

TITLE: Shazam! #10
AUTHOR: Geoff Johns
ARTISTS: Dale Eaglesham, Scott Kolins, Michael Atiyeh (Colorist), Rob Leigh (Letterer)
RELEASED:
January 22, 2020

The best page scene in this book? Tawky Tawny making dinner while Billy’s adoptive parents look on in apprehension. Change my mind.

We get a surprise return in this issue. It feels way out of left field. But let’s see how it plays out. Seeing this character mix it up with the Shazam family might be really compelling.

Dale Eaglesham and Scott Kolins are still splitting the art duties. I’m a Scott Kolins fan, but Eagleham’s style was made for a book like this. The more pages we get from him, the better.

TITLE: Batman/Superman #6
AUTHOR:
Joshua Williamson
ARTISTS: David Marquez, Alejandro Sanchez (Colorist), John J. Hill (Letterer)
RELEASED: January 22, 2020

It feels like they’re trying to channel the tension, paranoia, and mistrust that was hanging over DC titles all those years ago during the build-up to Infinite Crisis. This issue actually references The O.M.A.C. Project by name. Trouble is, DC had years worth of stories to lay the foundation for all that hostility. This series has only had six issues. So it feels like Williamson is referencing something that’s barely there at all.

On the upside, the next story could be really good. We’ve got two villains meeting for (I assume…?) the first time.

TITLE: I Can Sell You A Body #2 (of 4)
AUTHOR: Ryan Ferrier
ARTISTS: George Kambadais, Ferrier (Letterer)
RELEASED: January 22, 2020

They lay the comedy on thicker this month. For instance, we open with a scene in Vatican City. A priest actually says, “Feh. The Jesus card. That old chestnut. Childish.”

Someone also says, “Enough with the ghost dicks!”

This issue got me invested in Henrietta, Denny’s love interest. She’s a sweet lady who, as we learn on the closing page, is willing to stick her neck out for people she cares about. In this case, that trait may not pay off in either the short term or the long term.

TITLE: Detective Comics #1019
AUTHOR: Peter Tomasi
ARTISTS: Scott Godlewski, David Baron (Colorist), Rob Leigh (Letterer). Cover by Rafa Sandoval, Jordi Tarragona, and Baron.
RELEASED: January 22, 2020

This issue and last issue both felt like filler. Which you need sometimes. I just wasn’t hooked by the whole norse mythology thing. On the upside, the dialogue problem from last issue was fixed.

As I mentioned with Batman, they’re making sure Alfred’s death is felt heavily in the Bat-books. It seems like for now Lucius Fox has stepped up and become the “man in the chair.” Fair enough. There’s potential for character work there as Bruce and Lucius come to see each other in new ways.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: Wonder Woman #750, Guardians of the Galaxy #1, and More!

By Rob Siebert
Fanboy Wonder

With the release of Wonder Woman #750, our resident Amazon Princess had a pretty big week. It was a 96-page issue consisting of multiple short stories, filled with A-list talent. Something like that doesn’t exactly lend itself to a 100-word format. So, as we lead off with it here, I’m going to focus on the story that I liked the best, and will hopefully have a sizeable impact on the DCU going forward. It’s titled “A Brave New World.”

TITLE: Wonder Woman #750
AUTHOR (For Our Purposes): Scott Snyder
ARTISTS (For Our Purposes):
Bryan Hitch, Mike Spicer (Colorist), Tom Napolitano (Letterer). Cover by Joelle Jones.
RELEASED:
January 22, 2020

It’s always surreal to see a real-life US President in a superhero comic book. Having FDR in this book was no exception. What’s more it worked, setting the period well, and helping create the monumental moment they wanted.

This story establishes Diana as the world’s first superhero, an an inspiration for generations. I’m all for establishing more of a firm timeline for the DCU. With the New 52, everything was so vague and uncertain. This is a step up, and gives Wondie a nice notch on her belt. What’s more, it opens up plenty of new story opportunities…

TITLE: Guardians of the Galaxy #1
AUTHOR: Al Ewing
ARTISTS:
Juann Cabal, Federico Blee (Colorist) Cory Petit (Letterer)
RELEASED:
January 22, 2020

For someone diving into a Guardians book for the first time in awhile, this was a challenge to follow. Lots of talk about the “Kree Civil War,” the “Cancerverse,” etc.

Still, the familial bond between the Guardians, Quill and Rocket specifically, is enough to get you through. Rocket’s more fashionable look is actually pretty cool. He’s almost got a secret agent vibe to him.

Question: What’s up with Gamora’s eyes? Is that just how they’re coloring her now?

TITLE: Batman #87
AUTHOR: James Tynion IV
ARTISTS: Guillem March, Tomeu Morey (Colorist), Clayton Cowles (Letterer). Cover by Tony Daniel.
RELEASED: January 22, 2020

I’ll be honest: I’m not a Guillem March fan. I soured on him when he did the New 52 Catwoman series. So his art took me out of the issue. His Penguin is a little too monsterish for me, and his Riddler was a little too…veiny?

Still, I’m digging this story with all the assassins in Gotham. There’s a definite aura of danger in the air. Cheshire was put over nicely in this issue, despite how things end up for her.

The Bat-books as a whole are also doing a nice job emphasizing Alfred’s absence.

TITLE: American Jesus #2 (of 3)
AUTHOR: Mark Millar
ARTISTS:
Peter Gross, Jeanne McGee (Colorist), Cory Petit (Letterer). Cover by Jodie Muir and Matteo Scalera.
RELEASED:
January 22, 2020

Ugh. I’ve got to start paying better attention to issue numbering. Three issues? That’s all we’re getting? That sucks. It really sucks. There’s potential for a whole series here. But we’re only going to scratch the surface.

I’ve you’ve seen The Path on Hulu, this issue reminded of that. We get a time jump, and our teenaged would-be Messiah is at the center of a cult housed in a secure compound. But of course, she’s a teenager. So she can’t just stay in the compound.

All I can say is they’d better really stick the landing on this one.

TITLE: Mighty Morphin Power Rangers #47
AUTHOR:
Ryan Parrott
ARTISTS:
Daniele Di Nicuolo, Walter Baiamonte (Colorist), Ed Dukeshire (Letterer). Cover by Jamal Campbell.
RELEASED:
January 22, 2020

Awesome cover, with our nine Rangers together. Now that the big secret is out, there’s potential for some really cool moments between the current team and the Omega Rangers. Case in point, we get a pretty cool interaction between Trini and Aisha in this issue.

I’ve become a huge fan of Daniele Di Nicuolo. But in this issue we get the first panel from him that I don’t like. It’s a shot of Tommy sneering at Jason. It’s both ill-executed and I’ll conceived. Tommy doesn’t really sneer, does he? He’s more of a glare guy.

TITLE: Superman #18
AUTHOR: Brian Michael Bendis
ARTISTS: Ivan Reis, Joe Prado (Co-Inker), Danny Miki (Co-Inker), Julio Ferriera (Co-Inker), Oclair Albert (Co-Inker), Alex Sinclair (Colorist), Andworld Design (Letterer)
RELEASED:
January 22, 2020

This issue is essentially split in half. The first is dedicated to Superman revealing his identity to the world last issue. The second involves his role in the United Planets. The latter features a pretty awesome fight with Mongul.

I might have to call BS on the public’s reaction to Superman’s “unmasking.” In part, at least. Maybe Bendis simply hasn’t gotten to this point in the story yet, but it feels like there should be more hysteria. Clark’s family and friends being harassed for information, etc. People aren’t so calm about secrets like this. Trust me. I’ve met a few.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

A Batman, Vol. 8: Cold Days Review – Bruce Wayne Against Batman?

TITLE: Batman, Vol. 8: Cold Days
AUTHOR: Tom King
ARTISTS:
Lee Weeks, Matt Wagner, Tony Daniel, Mark Buckingham, Andrew Pepoy, Danny Miki (Inker)
COLORISTS: Elizabeth Breitweiser, Tomeu Morey
LETTERER:
Clayton Cowles
COLLECTS:
Batman #5157
PUBLISHER:
DC Comics
PRICE:
$16.99
RELEASED:
December 19, 2018

By Rob Siebert
Fanboy Wonder

A while back, I did a “Panels of Awesomeness” on a couple of the pages in Cold Days. It’s the scene in Batman #51 when Bruce Wayne snaps and rips a urinal out of the wall (shown below). People may criticize Tom King’s writing on this series, but I believe he has the distinction of being the only writer to have Batman do that.

But you can’t blame the guy, can you? I mean, if your wedding had gone that way

1. One Angry Man
As if things weren’t already crappy for him, Bruce Wayne gets jury duty in the titular three-issue story that kicks off Cold Days. Mr. Freeze stands trial for the murder of three women. On paper, it’s an open-and-shut case. Not only did Freeze confess to the murders, but Batman examined the forensic evidence, discovering a detail the police missed. One juror, however, believes Freeze is innocent: Bruce Wayne. Why? Because as Batman, he beat Freeze to a pulp, unintentionally forcing a confession.

This Batman series may have a tendency to go off the rails. But credit where credit is due: I love this story. In fact, it’s the high point of Tom King’s entire run. It cuts right to the core of who Bruce Wayne is, as he’s forced to do something he’s not accustomed to: Confronting a mistake, and making good on it. “Cold Days” even examines the notion that Batman is infallible, at least in the eyes of the public. But as we see all too clearly, he’s not infallible. He’s just a man. A man in a tremendous amount of pain.

The last time we saw Lee Weeks on this book was in Batman Annual #2, illustrating a story set early in Batman’s career. What he turns in here, alongside Elizabeth Breitweiser and Clayton Cowles, is every bit as good, if not better. One of the qualities that makes Weeks’ work so special is that he feels very much at home on a more “grounded” story like this one, without any super-powered exploits. And yet, he can also thrive working on a character like Superman.

King uses “Cold Days” to touch on a subject we rarely touch on with the Dark Knight: religion. He talks about how his father was Christian, and wanted Bruce to find spirituality as well. As one might imagine, that didn’t happen. What we learn is that Batman more or less became Bruce’s religion. And in the eyes of many, Batman has become the equivalent of a deity. It’s a really cool sequence, and I credit King for having the guts to go there.

We also get a fantastic page in issue #51. While Bruce is serving on the jury, Dick Grayson is filling in as Batman. Early on, we get a page on the roof of police headquarters where he’s talking to Commissioner Gordon. The following dialogue ensues…

Gordon: “You’re not him. You’re that other him.”
Batman: “What’s the problem, Commissioner? How can I help?”
Gordon: “Is he alright?”
Batman: *pauses* “No.”

I love that Gordon isn’t written as an idiot, and how this harkens back to pieces of the Knightfall and No Man’s Land stories from the ’90s. Frankly, I wouldn’t have a problem if he called him out as Nightwing.

2. The Dynamic Duo
In the last 20 years or so, writers have made Bruce and Dick a little too friendly for my taste. Until recently, there were times when Dick was acting more like Robin than Damian, the actual Robin. I always liked the idea that when Dick struck out on his own, he developed his own methods and philosophies that at times put him at odds with Batman. He wouldn’t be the estranged son. That role should be saved that role for Jason Todd. I’d simply have Dick be his own man. But when the chips were down, he’d be there if Bruce truly needed him.

That’s precisely the scenario we have in Batman #54. As Bruce tries to power his way through his grief over Selina, Dick simply hangs out. A constant source of levity. And indeed, there’s a fantastic moment where Batman actually does break, and Dick is there for him. This is all intercut with various moments from Dick’s early days at Wayne Manor. It’s one of King’s better written Batman issues.

Our guest artist for issue #54 is none other than the amazing Matt Wagner. I hadn’t realized just how much I missed him working on Batman. What’s so special about Wagner is that he can capture whatever tone you want, with whatever character you want, while still injecting a sense of fun into his art. It’s never not fun to look at a Matt Wagner book.

3. The Beast Unleashed
As much as I disliked Scott Snyder’s Zero Year story, I loved the way it revitalized the Riddler. King, to his credit, continued that revitalization during his run. But one can also argue he did a little revitalizing himself. With, of all characters, KGBeast.

KGBeast, real name Anatoli Knyazev, first appeared in the late ’80s as yet another to stake claim to the DCU’s “world’s deadliest assassin” title. (Think Deathstroke, Deadshot, Lady Shiva, etc.) His most prominent character moment came when he cut off his own arm to allude capture by Batman. But since then, he’s been mostly relegated to what I’ll call the villains ensemble, i.e. somebody to put in a scene where Batman has to fight a bunch of bad guys. Heck, Snyder did it recently in All-Star Batman.

But in Batman #55, the Beast does the unthinkable. As Batman and Nightwing are continuing their father/son bonding of sorts, he uses a sniper rifle to put a bullet in Nightwing’s head. With Dick alive, yet devastatingly wounded, Batman does the only thing he can do: go Beast hunting.

In re-reading this “Beast of Burden” story in trade format, I picked up on something I missed in the single issues: the father/son theme. After carrying out the hit on Nightwing, Knyazev tracks down his father to a remote cabin in “far east” Russia. It may as well be the planet Hoth, as it’s seemingly just miles upon miles of snow, some trees, and that one cabin. We learn that like his son, Vasily Knyazev was once a killer for the KGB, and trained Anatoli to be the same. Seeing the two interact after what has clearly been a long time apart, it’s obvious Vasily was a callous and heartless excuse for a father. And yet, he loves his son in his own unique way…

But Bruce can be cold and callous too. He’s about as dark and withdrawn in these pages as he’s ever been. But he’s not heartless. He showed a great deal of compassion for Dick, and cared for him in the best way he knew how. I suspect that’s why we got the flashback scenes in the Matt Wagner issue. To illustrate the differences between these father/son duos. That makes for a really cool story.

Thankfully, unlike Deathstroke vs. Deadshot in The War of Jokes and Riddles, in this book we actually see the damn fight between Batman and KGBeast blow by blow. It’s easy to follow and project yourself into. It ends with Batman pulling off a maneuver I’m not sure we’ve seen from him before. It’s shockingly merciless, as is the book’s ending.

Tony Daniel and Tomeu Morey set the mood perfectly. I’m reluctant to use The Empire Strikes Back as an example again, but the art evokes the same sort of grim, foreboding mood we see in the opening moments of the film. I could almost hear the John Williams score…

Intercut amongst the fight sequences is a folktale Vasily would read to the future KGBeast when he was a boy. Mark Buckingham and Andrew Pepoy tag in for pages that are fittingly drawn like a storybook for a young child. Though it’s certainly more violent and bloody than any book you’ll pick up off shelves today. Or for that matter, any era. There’s a thematic connection of course, and it’s certainly unique to see these cartoony animals drawn alongside this brutal fight.

The only major negative I can find in “Beasts of Burden,” is that it serves as the inciting incident for the “Ric Grayson” stuff that began in Nightwing #50. I haven’t purchased a Nightwing comic since, as that story just doesn’t interest me. But that’s got nothing to do with Tom King or this series, so I can’t hold it against this book.

4. Bright Spot for the Dark Knight
Cold Days is indeed the high point of Tom King’s Batman run. A bright spot in an often bizarre series of issues. The “Cold Days” story is outstanding on its own. But the issues with Nightwing and KGBeast were much better than I remembered. The art is consistently gorgeous. Lee Weeks stole the show for yours truly. Though I’ve certainly got a soft spot for Matt Wagner.

I take no joy in saying much of Tom King’s Batman run is skippable. I do, however, take joy in telling you Cold Days is a must-read for fans of both Batman and Nightwing. Outstanding character work mixed with great action. In the end, you really can’t ask for much more.

For more of Tom King’s run on Batman, check out I Am Gotham, I Am Suicide, I Am Bane, Batman/The Flash: The Button, The War of Jokes and Riddles, The Rules of Engagement, Bride or Burglar?, and The Wedding.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Alex Ross Spotlight: Wonder Woman’s Origin

By Rob Siebert
Fanboy Wonder

Today is a big day for our favorite Amazon princess. Wonder Woman #750 has all the makings of an amazing tribute to the character and her legacy. It promises tales from various points in her career, featuring epic talents like Greg Rucka, Gail Simone, Marguerite Bennett, Jesus Merino, among so many others.

For Alex Ross, the classic never dies. Not just in terms of their looks, but their origins. So it’s no surprise to hear his enthusiasm for Diana’s classic origin in the video below.

I’d also like to note this is the first time I’ve heard this sculpted-from-clay story referred to as a “virgin birth.” I don’t think he’s intentionally trying to evoke a comparison to the birth of Christ. But they do have that element in common…

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: Iron Man 2020, Go Go Power Rangers, and More!

By Rob Siebert
Fanboy Wonder

Oye. Not a good comic book week for yours truly. Not only am I still reeling from the demise of my local shop, but my pull list was uncharacteristically small this week. So what’s a frustrated fanboy to do?

With only three issues in my stack this week, I’ve added a mini-review of Detective Comics #1000, as we learned this week that it was the highest selling comic book of 2019.

Shout out to Jay’s Comics in Gurnee, IL. I’m pretty sure they’re my new shop.

TITLE: Iron Man 2020 #1 (of 6)
AUTHOR:
Dan Slott, Christos Gage
ARTISTS:
Pete Woods, Joe Caramagna (Letterer).
RELEASED:
January 15, 2020

Thanks to a lot of backstory, (which the issue is nice enough to provide us post-script), Tony Stark’s adoptive brother Arno Stark is now Iron Man. Straight out of the gate, he’s got a rebellious robot uprising to contend with.

As someone who hasn’t kept up with Iron Man lately, there’s not much here to excite me. It’s inferred that Arno has sinister intentions. But when friggin’ Doctor Doom has played the role before, everyone else pales from a “villain as the hero” perspective. Ironic, as Dan Slott’s work on The Superior Spider-Man drew me to this book.

TITLE: Go Go Power Rangers #27
AUTHORS: Ryan Parrott, Sina Grace
ARTISTS: Francesco Mortarino, Raul Angulo (Colorist), Ed Dukeshire (Letterer). Cover by Eleonora Carlini.
RELEASED: January 15, 2020

Excellent issue, which includes a fight between Tommy and Lord Zedd over the White Ranger powers.

So between what’s happening in this book, and in the main MMPR title, you’re telling me the all-wise Zordon has no idea what’s happening with Jason, Zack, and Trini? The kids he himself chose to be Power Rangers? Like, not even a little? That’s the one aspect of “Necessary Evil” I’m having trouble buying. Other than that, I’m really enjoying what we’re getting from the PR titles right now. The main book was shaky for awhile, but things are definitely back on track.

TITLE: The Low Low Woods #2
AUTHOR: Carmen Maria Machado
ARTISTS: Dani, Tamra Bonvillain (Colorist), Steve Wands (Letterer). Cover by J.A.W. Cooper.
RELEASED:
January 15, 2020

Something felt off here. I’m not sure if the issue was paced to fast, or I was having trouble recalling things from the first issue, or the bizarre-but-not-in-a-scary-way thing we see on page three. But I wasn’t into this issue as much as the first.

I do, however, appreciate the way they’ve developed the town of Shudder-to-Think, Pennsylvania as almost a character unto itself. The town apparently has “an extremely unhealthy relationship with its dead.” As I said last time, it’s very reminiscent of a Stephen King story.

TITLE: Detective Comics #1000
AUTHORS: Scott Snyder, Kevin Smith, Paul Dini, Warren Ellis, Denny O’Neil, Christopher Priest, Brian Michael Bendis, Geoff Johns, James Tynion IV, Tom King, Peter Tomasi
ARTISTS: Greg Capullo, Jim Lee, Dustin Nguyen, Becky Cloonan, Steve Epting, Neal Adams, Alex Maleev, Kelley Jones, Alvaro Martinez-Bueno, Tony Daniel, Joelle Jones, Doug Mahnke. Cover by Lee.
INKERS:
Jonathan Glapion, Scott Williams, Derek Fridolfs, Raul Fernanxes
COLORISTS:
FCO Plascencia, Alex Sinclair, John Kalisz, Jordie Bellaire, Elizabeth Breitweiser, Dave Stewart, Michelle Madsen, Tomeu Morey
LETTERS:
Tom Napolitano, Todd Klein, Steve Wands, Simon Bowland, Andworld Design, Willie Schubert, Josh Reed, Rob Leigh, Clayton Cowles
RELEASED:
March 27, 2019

Yeesh. No wonder this issue sold so well. The sheer amount of talent on this thing, many of whom shaped the mythology of Batman, is outrageous.

I was pleasantly surprised to find something I liked in each tale from this 96-page multi-story anthology. But ultimately, it’s Brian Michael Bendis and Alex Maleev that steal the show with “I Know.” An elderly Oswald Cobblepot confronts an equally elderly, wheelchair-bound Bruce Wayne to tell him he’s known his secret for a long time. It’s a quieter story compared to the rest. But it’s no less impactful for it.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

 

Alex Ross Spotlight: Marvels X

By Rob Siebert
Editor, Fanboy Wonder

In the wake of Marvels X #1, I’ve been reading up on all things Earth X. In looking for more info and background on this alternate Marvel Universe, who better to look to than the man himself?

Here’s Alex Ross on the Earth X prequel 15 years in the making…

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

A Super Sons: The Polarshield Project Review – Superboy and…Batkid?

TITLE: Super Sons, Book 1 – The Polarshield Project
AUTHOR:
Ridley Pearson
ARTIST: Ile Gonzalez
LETTERER: Saida Temofonte
PUBLISHER: DC Zoom
PRICE: $9.99
RELEASED:
April 2, 2019

By Rob Siebert
Fanboy Wonder

That’s right, kids! The Super Sons are back at it! No, not those, and definitely not those. Here we have a new breed of Jon Kent and Damian Wayne designed specifically for middle grade readers. Heck, instead of Damian, he actually just goes by Ian Wayne in this book. Which if you think about it, is so simple it’s actually kind of brilliant.

Hey. If kids are reading comics again, he can be Ian McKellen for all I care.

Jon Kent and Ian Wayne, who unbeknownst to one another are the sons of Superman and Batman, both wind up attending middle school in the city of Wyndemere. Among their classmates are Tilly, who quickly befriends (and has a crush on) Jon, as well as the mysterious Candice. Together, these four will uncover a massive conspiracy involving a mysterious illness that has struck, among many others, Jon’s mother Lois. In the process, they’ll form a friendship strong enough to make them into a formidable team of young heroes.

It’s interesting to read this book as an adult, trying to see at it through the eyes of your middle school self. The Polarshield Project accomplishes what it needs to the most by giving young readers characters they can connect with. We have Jon as the everyman character, and thus the most accessible. Tilly is more or less his female equivalent, but is also there to help fill the romance quota. Candice is the young lady trying to discover who she is and find her place in the world. Naturally, Ian is the loner who, in his own words, has trouble making friends. There’s a lot to relate to here. Which is saying something, considering the world it takes place in.

Pearson and Gonzalez set up a rich backstory for Candice. She’s essentially the uncrowned princess of the continent of Landis, which is most certainly not Africa. The trouble is, The Polarshield Project has so much to accomplish that we aren’t necessarily given enough to sink our teeth into. It’s designed to be a larger story that carries into the next book. But if there’d been a little more meat on the bone, the anticipation for that next volume would be that much greater.

At one point, the boys create makeshift superhero identities for themselves. Oddly enough, while Jon does indeed get to be called Superboy, Ian gets the hokey moniker of “Batkid.” That’s the part of the book I enjoyed the least. Batkid feels to silly to be something created by that character. This version of Damian Wayne is in an awkward position. He’s old enough to be Robin. But he can’t be. Not yet, at least.

On a related note, for whatever reason this book makes a point of telling us Alfred is dead. Specifically, the line is, “We all wish Alfred were still here.” There’s nothing wrong with it, per se. It just feels a little out of place. Bruce Wayne isn’t in the story very much, so it’s not like we’re wondering where Alfred is. If nothing else, I suppose it establishes the time frame this story takes place in.

Saida Temofonte’s “animated” style fits quite naturally here, and has a great flow to it. Particularly when it comes to the action sequences. Her work leaves you wanting more, and for this world to continue expanding. Granted, seeing Damian with brown hair takes some getting used to…

In the end, The Polarshield Project is a fun and accessible new take on the DC Universe, with plenty of room to grow. Hopefully, that growth can play out over several volumes to come.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.