Tag Archives: Superman

A Super Sons: The Polarshield Project Review – Superboy and…Batkid?

TITLE: Super Sons, Book 1 – The Polarshield Project
AUTHOR:
Ridley Pearson
ARTIST: Ile Gonzalez
LETTERER: Saida Temofonte
PUBLISHER: DC Zoom
PRICE: $9.99
RELEASED:
April 2, 2019

By Rob Siebert
Fanboy Wonder

That’s right, kids! The Super Sons are back at it! No, not those, and definitely not those. Here we have a new breed of Jon Kent and Damian Wayne designed specifically for middle grade readers. Heck, instead of Damian, he actually just goes by Ian Wayne in this book. Which if you think about it, is so simple it’s actually kind of brilliant.

Hey. If kids are reading comics again, he can be Ian McKellen for all I care.

Jon Kent and Ian Wayne, who unbeknownst to one another are the sons of Superman and Batman, both wind up attending middle school in the city of Wyndemere. Among their classmates are Tilly, who quickly befriends (and has a crush on) Jon, as well as the mysterious Candice. Together, these four will uncover a massive conspiracy involving a mysterious illness that has struck, among many others, Jon’s mother Lois. In the process, they’ll form a friendship strong enough to make them into a formidable team of young heroes.

It’s interesting to read this book as an adult, trying to see at it through the eyes of your middle school self. The Polarshield Project accomplishes what it needs to the most by giving young readers characters they can connect with. We have Jon as the everyman character, and thus the most accessible. Tilly is more or less his female equivalent, but is also there to help fill the romance quota. Candice is the young lady trying to discover who she is and find her place in the world. Naturally, Ian is the loner who, in his own words, has trouble making friends. There’s a lot to relate to here. Which is saying something, considering the world it takes place in.

Pearson and Gonzalez set up a rich backstory for Candice. She’s essentially the uncrowned princess of the continent of Landis, which is most certainly not Africa. The trouble is, The Polarshield Project has so much to accomplish that we aren’t necessarily given enough to sink our teeth into. It’s designed to be a larger story that carries into the next book. But if there’d been a little more meat on the bone, the anticipation for that next volume would be that much greater.

At one point, the boys create makeshift superhero identities for themselves. Oddly enough, while Jon does indeed get to be called Superboy, Ian gets the hokey moniker of “Batkid.” That’s the part of the book I enjoyed the least. Batkid feels to silly to be something created by that character. This version of Damian Wayne is in an awkward position. He’s old enough to be Robin. But he can’t be. Not yet, at least.

On a related note, for whatever reason this book makes a point of telling us Alfred is dead. Specifically, the line is, “We all wish Alfred were still here.” There’s nothing wrong with it, per se. It just feels a little out of place. Bruce Wayne isn’t in the story very much, so it’s not like we’re wondering where Alfred is. If nothing else, I suppose it establishes the time frame this story takes place in.

Saida Temofonte’s “animated” style fits quite naturally here, and has a great flow to it. Particularly when it comes to the action sequences. Her work leaves you wanting more, and for this world to continue expanding. Granted, seeing Damian with brown hair takes some getting used to…

In the end, The Polarshield Project is a fun and accessible new take on the DC Universe, with plenty of room to grow. Hopefully, that growth can play out over several volumes to come.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: Star Wars #1, I Can Sell You A Body #1

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Nothing too in-depth here. Just straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

You know what sucks? When your favorite comic shop closes down.

Here’s to Rockhead’s Comics and Games in Kenosha, WI, for feeding my weekly comic fix for the last two years or so. You guys were awesome. I’m truly sad to see you go…

TITLE: Star Wars #1
AUTHOR: Charles Soule
ARTISTS: Jesus Saiz, Arif Prianto (Co-Colorist), Clayton Cowles (Letterer). Cover by R.B. Silva and GURU-eFX.
RELEASED:
January 1, 2020

This debut of Marvel’s post-Empire Strikes Back title is pretty much what you’d expect, with the characters reeling from what happened on Bespin.

But interestingly, this issue actually takes places during the events of Empire. A certain amount of time passes between the Star Destroyer escape and the closing scene. But how much time? When we open this book the Rebels don’t trust Lando, and Luke isn’t even sure he wants to be a Jedi any longer.

I’m hoping Luke doesn’t get a lightsaber in this series. The green one doesn’t come along until the next film, after all.

TITLE: I Can Sell You A Body #1 (of 4)
AUTHOR: Ryan Ferrier
ARTISTS: George Kambadais, Ferrier (Letterer)
RELEASED: January 1, 2020

What we have here is a mini about “reverse exorcisms,” i.e. spirits of the dead being found new bodies by our main character, Denny Little.  But things go awry when he gets mixed up with the mob. Y’know, the way you always do when you gain the power to communicate with the dead…

Ferrier and Kambadais don’t waste an inch of space here, putting out a really dense issue. But the story has promise, and the art has a nice charm to it. I can see myself following Denny for four issues.

TITLE: Action Comics #1018
AUTHOR: Brian Michael Bendis
ARTISTS: John Romita Jr., Klaus Janson (Inker), Brad Anderson (Colorist), Dave Sharpe (Letterer)
RELEASED: January 1, 2020

I was actually dreading this issue. Simply because of John Romita Jr’s art.

Romita can be hit-or-miss as it is. But Action Comics #1018 has a rushed quality, as if the deadline was breathing down his neck. As such, the end product often looks awkward. Or worse, bush league.

Case in point, the way Superman is posed on the cover. What is that stance, exactly?

As this issue is partially about the Justice League fighting the Legion of Doom in the middle of Metropolis, this was a particularly bad time for a performance like this. Bad form, JRJR.

TITLE: Detective Comics #1018
AUTHOR: Peter Tomasi
ARTISTS: Scott Godlewski, David Baron (Colorist), Rob Leigh (Letterer). Cover by Rafael Sandoval, Jordi Tarragona, and John Kalisz.
RELEASED: January 1, 2020

This dialogue in this issue is really awkward at times, which is not a problem Tomasi usually (if ever) has. For some reason, Batman is uncharacteristically chatty.

Case in point, he leaves a crime scene and says to the cops, “Got what I needed. Scene is immaculate. Left behind only my boot prints. Merry Christmas.”

Um…thanks?

On the plus side, Tomasi tugs at our heartstrings in his own special way by showing us Bruce spending his first holiday season without Alfred. Very reminiscent of the stuff he did on Batman and Robin all those years ago.

TITLE: Lois Lane #7 (of 12)
AUTHOR: Greg Rucka
ARTISTS: Mike Perkins, Gabe Eltaeb (Colorist), Simon Bowland (Letterer)
RELEASED: January 1, 2019

While I continue to love simply having that Greg Rucka, street-level aesthetic back at DC, I’m losing interest in the mystery of who’s trying to kill Lois Lane and why. Frankly, the subplot about the public believing she’s having an affair with Superman is far more interesting. I’m curious to see how Clark revealing his identity to the world will effect this story, if in fact they cross over.

The back and forth between Lois and Renee Montoya is fun. It’s obvious Rucka is happy to be working on his version of the Question once again.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: Dr. Strange, Spider-Ham, Shazam!

By Rob Siebert
Fanboy Wonder

As promised, this week I’ve padded the rather slim pickings from December 26 with some leftovers from December 19.

By the way, folks, I tried to read Incoming!, the big issue that’s supposed to lead us into what Marvel’s doing in 2020. But I couldn’t get through it. It’s all supposed to link back to a mysterious murder, which was intriguing enough. But the massive scope of the story, with all the different plot threads and characters, was just too much to follow.

Thankfully, Marvel is pretty well represented this week…

TITLE: Dr. Strange #1
AUTHOR: Mark Waid
ARTISTS: Kev Walker, Java Tartaglia (Colorist), Cory Petit (Letterer). Cover by Phil Noto.
RELEASED: December 26, 2019

The twist here is that Stephen Strange now has use of his hands again. Now he can resume his work as a surgeon, while continuing on as a master of the mystic arts.

I’m not much of a Doctor Strange fan. But I can’t find much to fault this issue for. The opening page is its best. It’s got a Twilight Zone feel to it, while also reminding me of one of the opening splash pages for an issue of Saga.

I don’t feel a huge pull to come back next issue. But what the hell? I won’t rule it out.

TITLE: Spider-Ham #1 (of 5)
AUTHOR:
Zeb Wells
ARTISTS:
Will Robson, Erick Arciniega (Colorist), Joe Caramagna (Letterer). Cover by Wendell Dalit.
RELEASED: December 26, 2019

For yours truly, the biggest surprise coming out of Spider-Ham #1 was that our titular character is on a team with other anthropomorphic animal heroes. Iron Mouse, Squawkeye, Quacksilver, etc. Basically the same Looney Tunes concept, but with the Avengers.

If you like this sort of thing, or enjoyed the character in Into the Spider-Verse, then this Spider-Ham miniseries should be right up your alley. Me? While the issue was fine, I’ll take a pass on this one.

TITLE: Shazam #9
AUTHOR:
Geoff Johns
ARTISTS: Marco Santucci, Scot Kolins, Dale Eaglesham, Michael Atiyeh (Colorist), Rob Leigh (Letterer). Variant cover by Kaare Andrews.
RELEASED: December 18, 2019

Most of this book takes place in the “Wozenderlands,” an amalgamation of the worlds of The Wizard of Oz and Alice in Wonderland. We’re told there was a “crisis,” and the worlds had to be merged. So essentially, it was Crisis on Infinite Earths, but with these fairy tale settings and characters.

That is so friggin’ random, that I absolutely love it. Who in the hell could have called this? All the while, we continue to advance the story of Billy Batson and his family. Truly, Shazam! has become one of the best books DC has right now.

TITLE: Batman/Superman #5
AUTHOR: Joshua Williamson
ARTISTS: David Marquez, Alejandro Sanchez (Colorist), John J. Hill (Letterer)
RELEASED: December 18, 2019

This whole “Secret Six” thing ended up not being the mystery I wanted it to be. And at times Williamson’s dialogue is a little awkward. But at the end of the day, this first story arc was fine. I did love the nice little “trust moment” he gave our titular characters in this issue.

I also feel like I haven’t heaped enough praise on David Marquez and Alejandro Sanchez. They’ve put together an absolutely beautiful book. Marquez can make virtually anything look good. Whether he’s working in the DC, Marvel, any other universe.

TITLE: Star Wars: Empire Ascendant
AUTHORS: Charles Soule, Greg Pak, Ethan Sacks, Simon Spurrier
ARTISTS: Luke Ross, Roland Boschi, Paolo Villanelli, Caspar Wijngaard. Cover by Ricardo Federici.
COLORISTS: Guru-eFX, Rachelle Rosenberg, Arif Prianto, Lee Loughridge
LETTERERS: Clayton Cowles, Travis Lanham
RELEASED: December 18, 2019

Empire Ascendant serves as a bridge into the four new Star Wars books Marvel’s releasing in the near future. Apparently they all take place after The Empire Strikes Back, as opposed to the previous ones, which were set beforehand.

We get four short stories set just before Empire. Not a lot from the main characters, Luke, Leia, etc. But if you give it a chance, this stuff actually has some meat to it. My personal favorite is the set-up for the Bounty Hunters series. I think The Mandalorian has wet the fandom’s collective appetite for more stuff like that.

TITLE: Family Tree #2
AUTHOR: Jeff Lemire
ARTISTS: Phil Hester, Eric Gapstur (Inker), Ryan Cody (Colorist), Steve Wands (Letterer)
RELEASED: December 18, 2019

Family Tree needs to be careful it doesn’t accidentally become a comedy.

It’s meant to be a horror/adventure comic about people being forcibly changed into trees. But there’s a flashback in this issue where Judd, the book’s resident grizzled old man character, is caring for a fully transformed…uh…tree person? When the tree tries to talk back to Judd, I couldn’t help it. My funny bone was tickled a bit. I still buy Family Tree as the horror story it’s trying to be. But sometimes there’s a thin like between horror and hilarity.

TITLE: The Low, Low Woods #1
AUTHOR: Carmen Maria Machado
ARTISTS:
Dani, Tamra Bonvillain (Colorist), Steve Wands (Letterer). Cover by J.A.W. Cooper.
RELEASED:
December 18, 2019

This feels like a Stephen King story. (Heh…)

The Low, Low Woods takes place in 1997, which hits a nostalgic soft spot for me. There’s a lot of exposition in this issue. We learn about a small town forever changed by a raging fire, and two teenage girls who discover some gory surprises.

If you like this sort of thing, I’d definitely recommend it. For me personally, this issue is a little low on intrigue. But the characters and the setting are interesting enough to at least get me to consider coming back for issue #2.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: Kylo Ren, Doomsday Clock, Batman Finale

By Rob Siebert
Fanboy Wonder

Yeesh. Talk about a loaded week. Big finales, big debuts, and some Star Wars backstory we’ve been waiting years for. And of course, with big issues, come big upticks in pricing. Mostly at DC. They actually had the gall to charge $4.99 for the Tom King Batman finale. Oye.

But next week is largely a throwaway week. (Unless you’re Marvel. Kudos to them.) So I’ll be able to play a little catch up. So next week’s batch will include Family Tree #2, Shazam #9, Star Wars: Empire Ascendant, Batman/Superman #5.

But for now, we’ve got a lot to get to…

TITLE: Star Wars: The Rise of Kylo Ren #1 (of 4)
AUTHOR:
Charles Soule
ARTISTS: Will Sliney. GuruFX (Colors). Travis Lanham (Letterer). Cover by Clayton Crain.
RELEASED:
December 18, 2019

I was ready to be mad at this issue for giving us stuff we should have gotten in one of the movies. As it turns out, this was benign.

In The Last Jedi, Luke says that after burning down the temple, Ben Solo left with some of his other students. Here, we learn that doesn’t quite mean what it sounds like. We also learn who the Knights of Ren are, which is welcome information.

Not the strongest first issue I’ve ever seen. But the intrigue around what happened to Ben Solo is enough to bring us back for more.

TITLE: Doomsday Clock #12
AUTHOR: Geoff Johns
ARTIST: Gary Frank, Brad Anderson (Colorist), Rob Leigh (Letterer).
RELEASED: December 18, 2019

From the beginning, we’ve known this book has been building toward Superman vs. Doctor Manhattan. A symbol of hope against a symbol of cynicism. The implication being that Superman would ultimately get through to Doc, and bring about a change of heart.

We do get a scene like that in this issue. But it’s so brief, and frankly a little contrived, that it was hardly worth the two years of build-up.

That’s right, folks. Doomsday Clock #1 came out in November 2017. It’s taken us more than two years to get here. Really takes the edge off, doesn’t it?

TITLE: Batman #85
AUTHOR: Tom King
ARTISTS: Mikel Janin, Hugo Petrus, Jordie Bellaire (Colorist), Clayton Cowles (Letterer). Cover by Tony Daniel.
RELEASED: December 19, 2019

Here we have yet another big finale that ends not with a bang, but with a whimper.

Tom King is a good writer. I believe that. But for whatever reason, this “City of Bane” story went on way too long, and he ended up overstaying his welcome on Batman. The truly sad part? There’s a good story in here if you rifle through it, and maybe rearrange some pieces.

On the upside? Mikel Janin’s work on Batman has been consistently great. As far as I’m concerned, he’s welcome back in Gotham any time.

TITLE: American Jesus #1
AUTHOR: Mark Millar
ARTISTS: Peter Gross, Jeanne McGee (Colorist), Cory Petit (Letterer). Cover by McGee and Frank Quitely.
RELEASED:
December 18, 2019

A 14-year-old Hispanic girl becomes the modern-day Virgin Mary in a story written by the guy who did books like Kick-Ass and Nemesis? Sure. Sounds harmless enough…

Maybe it’s me, but the art in this book seems a little weird. Like the proportions are just a touch off. It’s minor, just just prominent enough to be noticeable.

There’s a lot of intrigue here, given the sensitive topic and Millar’s penchant for the outlandish. While there’s nothing blasphemous in this issue (at least as far as I can see), I figure it’s just a matter of time.

TITLE: Spider-Man #3 (of 5)
AUTHORS: J.J. Abrams, Henry Abrams
ARTISTS: Sara Pichelli, Elisabetta D’Amico (Inking Assistant), Dave Stewart (Colorist), Joe Caramagna (Letterer). Cover by Olivier Coipel.
RELEASED: December 18, 2019

Tony Stark pops up in this book, and now our story has an Avengers angle to it. That’s disappointing. This is a story about the legacy of Spider-Man, and the strained relationship between a father and son. So why not keep the lens focused on Spidey’s world, and not open things up to the larger Marvel Universe until later? We need to be focusing on Ben right now. Not some wacky take on Tony Stark as an old man.

On the upside, we get further into who Cadaverous is. Good stuff, with Pichelli’s art on point.

TITLE: Suicide Squad #1
AUTHOR: Tom Taylor
ARTISTS:
Bruno Redondo, Adriano Lucas (Colorist), Wes Abbott (Letterer). Cover by Ivan Reis.
RELEASED:
December 18, 2019

While it lacks the impact and sizzle of a Jim-Lee-drawn debut, this issue has some intrigue to it. We’ve got three mainstays in Deadshot, Harley, and King Shark. But we’ve also got a big group of new characters. They kind of look like what Marv Wolfman and George Perez would produce if asked to produce a modern team of superheroes.

Mind you, some of them are dead when we close the issue. But if even one of them sticks for a decent amount of time, that’s an accomplishment.

TITLE: Mighty Morphin Power Rangers #46
AUTHOR: Ryan Parrott
ARTISTS: Daniele Di Nicuolo, Walter Baiamonte (Colorist), Katia Ranalli (Color Assistant), Ed Dukeshire (Letterer). Cover by Jamal Campbell.
RELEASED: December 18, 2019

A few little things I noticed that aren’t out of character per se, but perhaps show how these characters are different in this time period…

– Tommy’s more relaxed demeanor now that they’re seemingly no longer Earth’s last line of defense.

– Kimberly stepping up into more of a leadership role with the three new Rangers.

– Trini’s more sarcastic personality. It’s not how I would write the character, as she’s normally more reserved. But we can chalk it up to her gaining confidence through her experiences as a Power Ranger.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: TMNT #100, Dark Knight ReturnsSuperman

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Nothing too in-depth here. Just straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

Word recently broke about Kevin Eastman and Peter Laird working together again after all these years for a Ninja Turtles story called “The Last Ronin.” How fitting then, that not only does IDW’s Teenage Mutant Ninja Turtles #100 comes out this week, but we’ve also got a new Frank Miller book. It’s no secret that Eastman and Laird drew inspiration from Miller’s work in the early to mid ’80s.

Imagine what would have happened if it had the modern Frank Miller back then. Back then you had his work on characters like Daredevil and Wolverine. Now? We’ve got the Dark Knight sequels and Holy Terror. *shudders*

TITLE: Teenage Mutant Ninja Turtles #100
AUTHORS: Kevin Eastman, Bobby Curnow, Tom Waltz (Script)
ARTISTS: Dave Watcher, Michael Dialynas. Variant cover by Eastman.
SUPPLEMENTAL ARTISTS: Mateus Santolouco, Adam Gorham, Dan Duncan, Cory Smith
COLORISTS: Ronda Pattison, Bill Crabtree
LETTERER: Shawn Lee
RELEASED: December 11, 2019

TMNT #100 is more or less exactly what you want it to be. All recent plot threads converge, and as expected, we see the return of a major villain. Can’t say I expected that death, though. And make sure you don’t miss that epilogue…

The only real complaint I have is that I felt half a step behind because I couldn’t keep up on the Shredder in Hell mini. I suppose that’s the problem when you’ve created a world so rich and dense. You can’t always pack everything into one series. But that’s not necessarily a terrible problem to have.

TITLE: Dark Knight Returns: The Golden Child
AUTHOR: Frank Miller
ARTIST: Rafael Grampa. Cover by Grampa and Pedro Cobiaco.
COLORIST: Jordie Bellaire
LETTERERS: John Workman, Deron Bennett
RELEASED: December 11, 2019

My impression when I closed this book was that Miller must either have a ghostwriter working with him, or the editors are heavily involved here. Because this is a surprisingly competent issue to have his name on it in 2019. But if it was mostly Miller? Good on him.

No Bruce Wayne here. Which is kind of odd, but fine with me. Carrie Kelley, Lara, and this Dark Knight universe Jon Kent are more interesting anyway. They’re taking on Darkseid here, and Raphael Grampa’s art looks amazing.

A really good start. But keep your expectations tempered.

TITLE: Superman #18
AUTHOR: Brian Michael Bendis
ARTIST:
Ivan Reis
INKER:
Joe Prado
COLORIST:
Alex Sinclair
LETTERER:
Dave Sharpe
RELEASED:
December 11, 2019

Ugh. Why?

Yes, it’s exactly what it looks like. The same thing they did in 2015, in a storyline that, fittingly, was also called Truth.

It’s not that I don’t think Bendis and this team can do a good job with it. But we were just here. And inevitably, when you do this kind of thing you have to come up with some convoluted way to get the genie back in the bottle. So why even bother?

I will say, though, there’s a single silent page depicting the big moment between Clark Kent and Perry White that’s absolutely beautiful.

TITLE: Something is Killing the Children #4
AUTHOR: James Tynion IV
ARTIST: Werther Dell-Edera
COLORIST: Miquel Muerto
LETTERED BY: Andworld Design
RELEASED: December 11, 2019

In this issue, we get a major revelation about the nature of the monsters devouring children in Archer’s Peak. Tynion takes what I’ll refer to as the “Do you believe in magic?” approach. It’s an interesting twist that I didn’t see coming, and for my money, helps separate this book from the pack. Hopefully he’s given the time to expand on it.

As cool as Erica Slaughter is, part of me actually wants to see her killed off so James can take her place and learn about all this monster stuff. Probably won’t happen. But could be cool.

TITLE: Detective Comics #1017
AUTHOR: Tom Taylor
ARTIST: Fernando Blanco. Cover by Tony Daniel.
COLORIST: John Kalisz
LETTERER: Travis Lanham
RELEASED: December 11, 2019

A nice little one-and-done. I like when they do these. In the context of Detective Comics, it reminds me of Paul Dini’s run all those years ago.

Our story deals with missing children at the Martha Wayne Orphanage in Gotham. Taylor shows us a more sensitive and empathetic side of Batman and Robin. Also, the art in this issue really stands out, as Kalisz uses a more saturated color palette, while our inks are darker. He even gives us a sort of saturated sepia tone for the opening flashback that sets the scene really well.

TITLE: Go Go Power Rangers #26
AUTHORS: Ryan Parrott, Sina Grace
ARTISTS: Francesco Mortarino
COLORIST: Raul Angulo
LETTERER: Ed Dukeshire
RELEASED: December 11, 2019

One of the big selling points of this book early on was it was set in the pre-Green Ranger days. Tommy, one way or another, inevitably pulls focus from the other characters. It’s a little sad that the emphasis has shifted that way.

But Parrott is still the best PR writer we’ve seen from this BOOM! Studios run with the license. Oddly enough, what I enjoyed most about this issue was a flashback to Tommy eating a meal with Rita at the palace. As a kid, I always wanted to see him in there interacting with the other villains.

TITLE: Dying is Easy #1 (of 5)
AUTHOR: Joe Hill
ARTIST: Martin Simmonds. Cover by J. Lou.
COLOR ASSISTANT: Dee Cunniffe
LETTERER: Shawn Lee
RELEASED: December 11, 2019

Cop turned stand-up comic. Now there’s something you don’t see every day.

If grim-and-gritty is your thing, this book is right up your alley. If there’s a seedy underbelly to the world of stand-up, this book is smack in the middle of it. Simmonds and Cunniffe do a tremendous job using the colors to create an ominous, foreboding vibe. Ultimately, that pays off on the last page…

Fittingly, the book also manages to be funny in a black comedy sort of way. I’m not totally sold yet, but I may indeed be back for more.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: Shazam!, Killadelphia, MMPR

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Nothing too in-depth here. Just straight, concise, and to the point.***

***Author’s Note: If I display a variant cover, it’s because I purchased the issue in question with that cover.***

By Rob Siebert
Fanboy Wonder

TITLE: Shazam! #8
AUTHOR: Geoff Johns
ARTISTS: Scott Kolins, Michael Atiyeh (Colorist), Rob Leigh (Letterer). Variant cover by Michael Cho.
RELEASED: November 27, 2019

I’ve always admired the firm grasp Geoff Johns has on the less renowned DC characters like Green Lantern, the Teen Titans, and now Shazam. He can do anything…except get these books to come out on time.

This issue misses Dale Eaglesham, whose pencils have provided the sense of fun, adventure, and fantasy elements that define this book’s identity. Still, Scott Kolins is more than serviceable, especially during the scenes in the undead “Darklands” realm. Michael Atiyeh makes them very interesting from a color contrast standpoint. It’s like this bright red superhero has stepped into an old Universal monster movie.

TITLE: Killadelphia #1
AUTHOR: Rodney Barnes
ARTISTS:
Jason Shawn Alexander, LuisNCT (Colorist), Marshall Dillon (Letterer)
RELEASED:
November 27, 2019

I mean, c’mon. The title alone makes this worth a look.

If you’re into the stuff Ed Brubaker and Sean Phillips do, you’ll like Killadelphia. Or at least this first issue. It’s got a great pulp-noir-meets-horror feel. A second generation cop investigates the most bizarre case his famous father ever worked. What he uncovers is, as the book itself puts it, “There are vampires in Philadelphia.”

Best page in the book? When our main character opens a door, sees a bunch of vampires hanging from the ceiling, and runs away in terror when they give chase…

TITLE: Mighty Morphin Power Rangers #45
AUTHOR: Ryan Parrott
ARTISTS: Daniele Di Nicuolo, Walter Baiamonte (Colorist), Katia Ranalli & Igor Monti (Color Assistants), Ed Dukeshire (Letterer). Cover by Jamal Campbell.
RELEASED: November 27, 2019

“Necessary Evil” progresses nicely with a great “heel turn” this month. Parrott and Di Nicuolo are usually my guys as far as PR comics go. But one particular moment felt wrong…

There’s a scene where Zordon, talking to the Red Omega Ranger (Does he know it’s Jason?), says that Lord Zedd is formidable, yet “an adversary I was confident that they could handle.” While I’m sure this isn’t how Parrott meant this, that makes it sound like Zordon considers Zedd more of a nuisance than a threat. Didn’t he originally describe Zedd’s arrival as “the thing I have feared most”?

TITLE: Action Comics #1017
AUTHOR:
Brian Michael Bendis
ARTISTS:
John Romita Jr., Klaus Janson (Inker), Brad Anderson (Colorist), Dave Sharpe (Letterer)
RELEASED:
November 27, 2019

On page one, panel one, we get a big dumb Batman robot suit. For me, that’s about the worst way to start an issue of anything.

This issue does a nice job forwarding the “Invisible Mafia” story as it crosses over with the “Year of the Villain” stuff. It looks like we’ve got a big Justice League vs. Legion of Doom fight coming at us next time.

Justice League hasn’t been on my pull list since “YOTV” started. *sigh* I suppose I should probably catch up if I’m going to fully grasp what’s happening with Lex  and the gang.

TITLE: Detective Comics #1016
AUTHOR: Peter Tomasi
ARTISTS:
Doug Mahnke, Tyler Kirkham (Co-Penciller and Co-Inker), Christian Alamy (Co-Inker), Keith Champagne (Co-Inker), Mark Irwin (Co-Inker), David Baron, (Colorist), Rob Leigh (Letterer)
RELEASED: November 27, 2019

Ugh. There’s another stupid modified Batsuit in this issue. What happened to the Hellbat armor Tomasi used in Batman & Robin and Superman? Wouldn’t a modified version have worked here?

Bad costume notwithstanding, I love the way this Victor/Nora story ends. “A vicious circle,” as Batman calls it. Tomasi also works in an amazing callback to a New 52 event. Continuity, ladies and gentlemen. Use it well, and it’ll do wonders for you.

This story leaves Mr. Freeze’s status quo dramatically altered. Now it’s just a question of how long DC keeps it that way.

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Weekly Comic 100s: Star Wars Finale, Batman/Superman, The Question

*”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Nothing too in-depth here. Just straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Star Wars #75
AUTHOR:Greg Pak
ARTISTS: Phil Noto, Clayton Cowles (Letterer)
RELEASED: November 20, 2019

A fine way to end the series. Great pacing, mixed with good character work and some nice action scenes. Once again, Greg Pak and Phil Noto shine a glowing spotlight on Chewbacca and C-3PO. What’s more, they find a way to subtly weave the tragedy of Darth Vader into everything. (See the closing page.)

In particular, I’m sad to see Pak go. He’s proven here that he knows how to tell a good Star Wars story. And as we’ve learned through a couple of the recent movies, that’s not something everyone can do.

TITLE: Batman/Superman #4
AUTHOR: Joshua Williamson
PENCILLER:
David Marquez, Alejandro Sanchez (Colorist), John J. Hill (Letterer)
RELEASED:
November 20, 2019

In this issue we learn the identities of the six “Jokerized” heroes, a.k.a. the “Secret Six.” They didn’t play it up as a mystery the way I hoped they would. It was essentially reveal after reveal after reveal. A disappointing execution for what is still a compelling story concept.

Can we come up with a nickname for the Batman Who Laughs? Saying the whole thing every time makes for awkward dialogue. (“Don’t listen to the Batman Who Laughs, Donna!”) If this guy’s sticking around for the long haul, that’s something that needs to be fixed.

TITLE: Batman #83
AUTHOR: Tom King
ARTISTS: Mikel Janin, Jordie Bellaire (Colorist), Clayton Cowles (Letterer)
RELEASED: November 20, 2019

This is the issue where Bruce finally discovers what’s happened to Alfred. Keep in mind it happened back in August. That tells you all you need to know about whether they’re padding this thing out…

As a framing device, the issue uses a recording of Alfred. I always like when writers use Alfred’s journal like that, so King’s twist on it was cool. Janin has the unenviable, yet in the end quite successful task of showing us Batman grieving for several pages.

I’ve been ready for this climactic battle for awhile now. So let’s get on with it, shall we?

TITLE: Something is Killing the Children #3
AUTHOR: James Tynion IV
ARTISTS: Werther Dell-edera, Miquel Muerto (Colorist), Andworld Design (Lettering)
RELEASED: November 20, 2019

After a very strong opening page, and our longest scene yet with one of the monsters, we spend the bulk of the issue with our heroine, the bad-ass Erica Slaughter. There’s an eight-page sequence with her in a police station that’s a lot of fun.

We still don’t know much about…anything. What these monsters are, who Erica is, who she’s working for, etc. Sometimes that sort of mystery works, sometimes it doesn’t. It works here. The nervous dynamic James has with Erica doesn’t hurt in that regard. It’s not romantic. But it’s cute in its own way.

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