An X-Men Gold, Vol. 2 Review – Old Flames Reignited

TITLE: X-Men Gold, Vol. 2: Evil Empires
AUTHOR: Marc Guggenheim
PENCILLER: Ken Lashley, Lan Medina, Luke Ross
COLLECTS: X-Men Gold #712
FORMAT: Softcover
PUBLISHER: Marvel
PRICE: $17.99
RELEASED: November 15, 2017

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

X-Men Gold is a feel-good book in a lot of ways. It’s got a warm, fuzzy, nostalgic feel to it while still having its feet planted in the modern era. That was the case in the first volume, and it continues here in the second.

Evil Empires sees our heroes face a mutant serial killer, Congress, and Russian gangsters backed up by Omega Red. That’s variety for you. All the while, romances old and new start to blossom. Rachel Grey discovers Kurt Wagner/Nightcrawler’s feelings for her, as Kitty and Peter slowly move closer to resurrecting their relationship. Plus, what secrets lay in the journey that the alien Kologoth took to Earth? We saw him work with the Brotherhood of Evil Mutants. But where does he go from here?

Kitty and Peter are the emotional core of Evil Empires as a reunion between the two becomes more and more tempting. It’s so obvious where they’re going that the romantic scenes between the two lose some of their edge. But there’s an obvious feel-good quality to it, considering these two have grown up together. That they joined the team so young and are now in leadership roles makes the book feel like the natural continuation of the X-Men legacy.

Kitty herself is the personification of that idea. In the span of a few issues, we see her delegate tasks for her team during a crisis, go one-on-one with a mutant serial killer in the school, and testify before Congress against an act that would deport all mutants. Not half bad. It also doesn’t hurt that Ken Lashley drew a hell of a fight scene in issue #8, with a sword-wielding Pryde facing our serial killer. Great dim lighting in that scene too, which is a credit to tremendous coloring by Frank Martin and Andrew Crossley.

Our killer is a new version of the X-Cutioner. He’s more or less a S.W.A.T. guy with a LOT of extra toys. But he’s got a fairly sympathetic backstory, and we find out he’s got a pretty good reason to dislike mutants. He’s simply taken it too far. The way Guggenheim writes his confrontation with Kitty is a great snapshot of the world the X-Men live in. The stigma that mutants live with isn’t always the result of blind prejudice. That doesn’t make it right and it doesn’t justify violence. But it’s not always as simple as people being afraid of people that are different.

Full disclosure: I know next to nothing about Rachel’s relationship with Kurt prior to X-Men Gold. But there’s a shy sweetness to it that’s, dare I say, cute. They approach the idea of being together with reasonable caution, but there’s obviously a good amount of chemistry there. Rachel and Kurt hardly have the spotlight in this book, but what we get is enough to make you want more. 

So we’ve got iconic and interesting characters who have a cozy, family-like dynamic with one another. We see them on the baseball field when we open the book, and then later playing cards. Again, it’s kind of cute. The problem is once we get past issue #9, we lose a lot of intrigue. Issues #10 and #11 are about Russian gangsters trying to resurrect Omega Red, using Peter’s sister Illyana (a.k.a. Magik) as a power source. Outside of the novelty of seeing Omega Red and Illyana, for the most part there’s not much to sink your teeth into.

I remember skipping out on issue #12 when I saw it at my local comic shop. The exploration of Kologoth’s backstory and this whole alien world felt like a sharp turn, despite a brief set-up for it early on. It’s all meant to pay off in later issues (#16 and #17 specifically). But for the time being I was struggling to care, and as such the book ends on a whimper.

All that being said, the book is very well illustrated. The art actually holds the book up in the second half as its story deteriorates. Ken Lashley is our cover artist, and does the pencils and inks for issues #7-9. Lashley excels in giving his work a sense of motion, which is why his fight sequences work so well. And not just the one with the X-Cutioner. Whiplash (see Iron Man 2) crashes Kitty’s appearance in front of Congress, which causes a brief but intense fight. He also gives us a pretty cool layout with Nightcrawler in issue #7 (shown left).

We shift to Chris Medina’s more detailed style for issues #10 and #11. While I was hardly enamored with the story about Peter’s uncle, Medina did give him a very distinct face. During his scenes you feel like you’re looking at a real person. The quieter, more intimate moments between Kitty and Peter also mean a bit more with Medina at the pencil. His style offers them a little more heart.

Luke Ross gets tagged in for issue #12. I’ll say this much: He draws a hell of a reptilian alien in Kologoth. Really nice texture on the skin and teeth, plus the ominous red eyes.  So little about the issue is memorable. But Ross’ rendering of the monster itself stands out. Frank Martin goes solo on the colors here, and gets to play with a pretty expansive palette. Especially early on, when we get a look at Kologoth’s home world.

X-Men Gold, Vol. 2 underperforms in its second volume, despite delivering some solid character work and good action early on. But as a reader, it still has my attention. There’s still a lot of value in this back to basics approach, and a great stories than can still be told.

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An X-Men Gold, Vol. 1 Review – Noobs Enter Here

TITLE: X-Men Gold, Vol. 1: Back to Basics
AUTHOR: Marc Guggenheim
PENCILLERS: Ardian Syaf, R.B. Silva
COLLECTS: X-Men Gold #16
FORMAT: Softcover
PUBLISHER: Marvel
PRICE: $15.99
RELEASED: August 23, 2017

By Rob Siebert
Editor, Fanboy Wonder

I’m a continuity buff. It’s a fool’s errand, considering how often timelines change in American superhero comics. But for me, half the fun of getting into superhero books was going back and reading all the major stories, seeing how things progressed, etc. That being said, I’ve long since given up on deciphering X-Men continuity. Between all the different characters that have come on and off the team, died and come back, travelled through time, the ones with dopplegangers from other time periods, and all such insanity, it’s just too much. Considering how amazing and iconic some of these characters are, getting tangled up in all the plot threads becomes horribly frustrating.

That’s why I’ve been waiting awhile for a series like X-Men Gold, a book that not only serves as a jumping on point for new readers, but as the title says, brings the concept “back to basics.” This title gives us heroes we recognize fighting for mutants and humans alike. In making Kitty Pryde the team leader, we’ve advanced to the next chapter in the story while remembering what so many loved about it in the first place. It acknowledges the X-Men mythology, but tells its own story. If you’re a new reader or someone looking to jump back into things (as I was), that’s what you want.

In addition to Kitty, our team consists of Old Man Logan, Storm, Colossus, Nightcrawler, and Rachel Grey (now called Prestige), with Gambit being added in issue #4. The most glaring “Huh?” moment will likely involve Logan. The operative question being, “Why is Wolverine an old man?” The book lets us know this is a character from another world, but it doesn’t beat you over the head with it. The dynamic between old flames Kitty and Peter (Colossus), which goes back decades, is also a focal point of the book. That’s obviously enhanced if you know their history. But what the book gives you is enough.

By making her the team leader, X-Men Gold shines a really nice spotlight on Kitty’s evolution as a character. In contrast to the younger version that more casual readers are familiar with. The Kity we see here is battle tested. She’s comfortable calling plays in the field. Her teammates, most of whom are older and more experienced, follow her lead without question. As the mutant community works to rebuild its image after the events of Inhumans vs. X-Men, we see her step up and serve as an ambassador. She’s as much a main character here as she’s ever been.

Guggenheim was wise to spend quality time on Rachel Grey here. She’s the one on this team that most casual fans won’t know about. We get a subplot in issues #4-6 about her being afraid to use her powers to their fullest extent, for fear of losing control like her mother Jean Grey. Or worse, going bad like her father Cyclops. She even gets little scenes with psychic projections of both. It’s a nice character snapshot that sets the table for stories to come.

The bad guys in this book are classic X-Men villains with a new coat of paint. We see the Brotherhood of Evil Mutants, a group we’ve most notably seen led by Magneto. In the background, we have a political pundit trying to rally the public against mutants. She’s clearly an analogue for a Fox News type figure. Later on, Gambit is caught in the middle of an accident that sees a “smart swarm” of nanites mix with Sentinel tech. This creates an entirely new breed of mechanical menace for our heroes. None of this is terribly original or new. But it falls in line with the book’s “back to basics” approach. So it works.

Our penciller for the first three issues is Ardian Syaf. His art has a weight to it that fits the dramatic moments in this story very well. Whether it’s the two-page spread in issue #1 (shown above), or the understated “ra ra” moment at the end of issue #3 (partially shown below). Our opening action sequence with the team facing Terrax is also suitably epic.

I assume the plan was for Syaf to stick around after issue #3. One way or another, that didn’t happen. Subtle anti-Christian and anti-Semetic messages were found in the pencils for issue #1, and Syaf was fired. How ironic, in a series that’s ultimately meant to be about tolerance. I don’t want to dive into the politics of what Syaf did. But obviously this is the wrong forum, with the wrong audience.

R.B. Silva tags in for the remainder of the book. He and inker Adriano Di Benedetto give the book a softer aesthetic that objectively is fine. But being the second artist in a collection like this is always challenging. The tone has been set, and now you’re deviating from it. But Silva draws awesome Sentinels, and his Gambit isn’t too shabby either. Sadly, he doesn’t stick around for subsequent issues.

Occasionally someone will ask me, “Where should I start reading [insert character name]?” That’s always been a fairly hard question with the X-Men books. Historically, I’ve pointed people to Joss Whedon and John Cassaday’s Astonishing X-Men run. But X-Men Gold might just become my new answer. Or at least one of my answers. I won’t compare it to the Whedon/Cassaday stuff in terms of quality. But it’s about as accessible as any X-Men story I’ve read. It’s a great doorway into the saga’s modern era, while still advancing the characters for longtime readers.

Bottom line? Start here noobs.

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A Star Wars: Yoda’s Secret War Review – Size Still Matters Not

TITLE: Star Wars, Vol. 5: Yoda’s Secret War
AUTHOR: Jason Aaron, Kelly Thompson
PENCILLER: Salvador Larroca, Emilio Laiso. Cover by Stuart Immonen.
COLLECTS: Star Wars #2630Star Wars Annual #2
FORMAT: Softcover
PUBLISHER: Marvel
PRICE: $17.99
RELEASED: July 5, 2017

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

I’ve referred to the “Journal of Old Ben Kenobi” issues of Star Wars the highlight of the series thus far. I stand by that statement in terms of the one-off tales we got in issues #7, #15, and #20. But they went a little too far here. A five-issue story from the journal? Which features Yoda instead of Obi-Wan? I can understand the temptation to try it. But no. This falls in the “too much of a good thing” category.

As Luke Skywalker ponders a current predicament involving C-3PO being captured by the Empire, he opens Ben Kenobi’s journal and begins reading. Ben weaves a tale of a Jedi being called to a remote planet not on any star maps. A world inhabited only by children, who speak of a mysterious “stonepower.” Little does Luke know that the Jedi unraveling the mystery of this planet is Yoda, the former Grand Master of the Jedi Order who will soon continue his training in the ways of the Force.

Our artist for the main story is Salvador Larroca, whose work I’ve talked about in great detail previously. Long story short: His art is largely based on stills from the Star Wars movies, and it’s incredibly distracting. You want to be into the story, but the art keeps reminding you of scenes from Attack of the Clones, Revenge of the Sith, etc. It works for characters like Darth Vader or C-3PO, whose faces never change. But for just about everyone else it’s a problem. It’s a shame, because otherwise this is pretty good stuff. Edgar Delgado’s colors really capture the magic and wonder of the Star Wars Universe, especially once Yoda is sent on a question inside a mountain. And we get a big monster toward the end that’s are a lot of fun.

To his credit, Jason Aaron gets Yoda right. He’s not afraid to play with Yoda’s ironic size/power ratio. In issue #26, we see him walk into the lair of a bunch of space pirates to save a Force-sensitive child. As one might expect, they initially laugh him off. But he dispatches them, and gets a pretty good line in: “Something more precious than wealth have I brought you. … Wisdom.”

During our story, Yoda becomes the student of a boy named Garro, who teaches him about the stonepower. Seeing our little green friend as an apprentice instead of a master is always a fun role reversal. Star Wars fans obviously know that he instructs very young Jedi at the temple on Coruscant. So the fact that he’s on a planet full of child warriors is a great little twist. We get some cool visuals of Yoda and Garro with the glowing stones, and the blue light reflecting across the Jedi Master’s alien skin.

But despite what Yoda’s Secret War has going for it, it’s simply too long. They could have trimmed at least one issue off of this and been absolutely fine. In issue #29, we see Yoda face a rock monster that’s as tall as a building. That’s a great match-up, and a perfect illustration of the grand yet unassuming power this little guy possesses. In terms of a grand finale for a Yoda story, it’s tough to ask for more than that. But as we move through issue #29 and into #30, we jump back to present day and see Luke mix it up with an adult Garro. Thus, a story that was already starting to feel it’s length officially overstays its welcome. I understand the impulse to connect the story to Luke. But the reader already knows Yoda eventually trains him. It’s needless filler.

We also have to endure the narrative convenience that, in telling this story, Ben Kenobi never identifies Yoda by name. This is a continuity hoop Aaron has to jump through so Luke doesn’t recognize Yoda’s name in The Empire Strikes Back. While I appreciate the attention to continuity, it’s just a little too convenient for my taste. Logically, why wouldn’t Obi-Wan use Yoda’s name?

We also get the obligatory scene at the end with Yoda on Dagobah, talking about how Luke will be ready soon. Again, needless filler.

Also contained in this book is Star Wars Annual #2, in which our creative team shifts to Kelly Thompson and Emilio Laiso. We meet a character named Pash Lavane on the planet of Skorii-Lei, which has been devastated by the war between the Empire and the Rebellion. While she’s an immensely talented former engineer, with the physique of an Amazon to boot, Pash opts to stay out of the conflict. But when she rescues Princess Leia from a stormtrooper attack, she’s irrevocably drawn in. She may have no choice but to pick a side.

I appreciate the story Thompson tells about how one can’t always stay neutral when it comes to what’s happening in their world at large. But what I came away thinking about was the Pash character herself. The juxtaposition of a big, muscled up character who’s also technically savvy is intriguing. Pash is almost the She-Hulk of the Star Wars universe. Laiso strikes a lovely balance, as he makes her both facially expressive and imposing in stature. Between Doctor Aphra and Sana Solo, Marvel hasn’t been shy about creating new strong female characters. Pash makes that list as well, and it’s a shame we haven’t seen her since this issue.

I’ve drifted in and out of Marvel’s main Star Wars series since its debut. As big a Star Wars geek as I’ve always been, this title has had trouble holding my attention. Sadly, Yoda’s Secret War is my latest exit cue. Hopefully I get a reason to return sooner rather than later.

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A Spider-Man/Spider-Gwen: Sitting in a Tree Review – Across the Spider-Verse

TITLE: Spider-Man/Spider-Gwen: Sitting in a Tree
AUTHOR: Brian Michael Bendis, Jason Latour
PENCILLERS: Sara Pichelli, Robbie Rodriguez
COLLECTS: Spider-Man #1214Spider-Gwen #1618
FORMAT: 
Softcover
PUBLISHER: Marvel
PRICE: $17.99
RELEASED: May 24, 2017

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

Who says there’s no such thing as modern romance? A good love story, especially in a teenage superhero book, can really hit the spot sometimes. But surprisingly, Sitting in a Tree doesn’t hit that spot in that respect. It never really delivers like you think it will.

Miles Morales’ father, now an agent of S.H.I.E.L.D. again, has gone missing. A mission gone awry has seemingly left him lost in the multiverse. As such, Maria Hill recruits Miles for an off-the-books inter-dimensional search-and-rescue mission. Our hero’s search quickly takes him to Earth-65, a world where Gwen Stacy was bitten by a radioactive spider, and has become Spider-Woman. The two are already acquainted. So in Gwen, Miles finds a partner in his search. But does he also find an unlikely romance?

Typically, one of the goals of a crossover like this is to get readers of one book (in my case, Spider-Man) to start picking up another (Spider-Gwen). Years of comic book reading have left me pretty callous to such attempts. But as someone with little to no exposure to Spider-Gwen, I found myself pretty intrigued by what I saw. That’s a credit to Jason Latour, Robbi Rodriguez, and everybody on that book. Spider-Gwen #16 explores the Earth-65 New York City, as we meet it’s alternate versions of Matt Murdock (Daredevil) and Doctor Octopus. We also get a quick refresher as to how this world’s Peter Parker was different from the one we all know. It’s a great introduction to that character and her world.

More importantly, Robbi Rodriguez’s funky animated style is a treat. Combined with colorist Rico Renzi’s relatively bright palette, what we get is pretty unique. I found myself looking forward to Spider-Gwen just to see what they’d give us next. Renzi in particular gets to show off when we get to the Club Scorpion scene in issue #16 (shown left).

On the subject of art, I can’t find a lot of bad things to say about Sara Pichelli and colorist Justin Sponsor’s work here. Any time they work together on Miles it feels like a homecoming, as they did his earliest stories in Ultimate Comics: Spider-Man. That’s why it was so cool to have them on those early issues of Spider-Man. Pichelli gets to play with the multiverse stuff in issue #14, as Miles and Gwen jump into the Spider-Man: Noir universe, the Marvel Zombies universe, and then even the DC Universe for a quick jab at the competition (shown below). The latter got under my skin, but it also got a begrudged chuckle.

So the big selling point for Sitting in a Tree is the blossoming romance between Miles and Gwen. The premise made me think of how amazingly Bendis wrote Peter Parker and Mary Jane Watson in Ultimate Spider-Man. When he wants to do the teenage romance stuff, he’s as good as anybody…

Which is why it’s a pretty big disappointment that the romance stuff almost gets glossed over until the third act. Even then, we don’t get much. Instead of this being the story where the two get together, it’s the story that lays the foundation for them to get together later. There’d be nothing wrong with that, except the book’s title and cover suggest otherwise. You close the book feeling like you were sold one thing but given another.

Still, it’s fun seeing our creators play with around with the Spider-Verse stuff. Spider-Ham pops up during the third act, and he brings in some extra back-up during the finale. It doesn’t make up for us not getting the inter-dimensional love affair the book advertises. But it’s a cool little bonus.

Sitting in a Tree is…fine. That’s it. Just fine. It’s got elements of an epic crossover between titles, but it comes up short of meeting its dramatic needs. What can I say? Some days I’m a hopeless romantic. I have no idea if they plan to come back to this Miles/Gwen thing at any point. But by God, if anybody can make the cross-dimensional romance thing work, it’s those two crazy kids!

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A Champions: Change the World Review – Social Justice League

TITLE: Champions, Vol. 1: Change the World
AUTHOR: Mark Waid
PENCILLER: Humberto Ramos
COLLECTS: Champions #1-5
FORMAT: Softcover
PUBLISHER: Marvel
PRICE: $15.99
RELEASE DATE: May 3, 2017

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

Champions simultaneously is and is not a product of it’s time. Stories about the new generation rising up and righting the wrongs of the world have been around as long as storytelling itself. And of course, it’s a teenage superhero book. Not exactly a new concept.

At the same time, Mark Waid is going out of his way to be contemporary with Champions. You’ve got some standard teenage superhero stuff, sure. But the book also tackles Islamaphobia, Islamic Fundamentalism, feminism, and police brutality. This is very much a book for 21st century issues, as seen from one side of the political aisle.

In the aftermath of Civil War II, Ms. Marvel (Kamala Kham), Nova (Sam Alexander), and Spider-Man (Miles Morales) have left the Avengers. Determined to give the world heroes they can believe in again, they form a team of their own. A team that refuses to punch down or use unjust force, but instead win the day with wisdom and hope. With the addition of Hulk (Amadeus Cho), Viv Vision, and Cyclops, the Champions are born.

I feel like I owe Humberto Ramos an apology. HIs style is so exaggerated, cartoony even, that one can fall into the trap of underestimating just how good he is. I’ll admit it: That happened to me. But what makes Ramos so special is his versatility. Champions is a potpourri of what superhero comics can offer. It’s a teen dramedy. It’s a superhero action thriller. It’s a look at what it means to be a hero. It’s an inspiring look at what happens when seemingly ordinary people stand up for themselves. But Ramos’ work fits all of it, and ties everything together seamlessly. Visually, nothing feels awkward or out of place. I can only imagine the talent it takes to pull that off.

Mind you, there are some minor bumps in the road. Issue #2 give us a pretty pitiful case of panel duplication. There’s also a splash page where Hulk and Viv are making out that I still don’t get. Hulk is so much bigger than her. I just don’t get how their mouths would…match up? Nothing too intense. But it does briefly pluck you out of the story.

Both Mark Waid and Humberto Ramos have been outspoken regarding the Trump administration, and some of the moves they’ve made. Waid, along with other creators, has made efforts to create “safe spaces” at comic book conventions, and has generally been very public about his feelings toward bullies, hate-mongerers, etc. Ramos, on the other hand, has simply opted not to appear in states that voted for Trump.

Champions, issues #3 and #5 in particular, doesn’t hide that it’s a book written by people with those beliefs. The upside to that is we get some powerful material about standing up to hate, and not being afraid to put yourself at risk to do what’s right. The downside is that this isn’t what a lot of people want in their comics. Though I doubt Waid, Ramos, and the Champions team care who they piss off.

In this sense, the book can overplay it’s hand at times. Especially in issue #3, when we get to the Amal character. She’s a fierce young woman standing up against a militant extremist group committing gender apartheid. It’s pretty obvious how the reader is supposed to feel about her. But Waid makes a point of slipping in little lines about how she should be the leader of the Champions, and how she’s a bad ass. He’s coming from a good place, but that’s overkill.

Gwenpool pops up in issue #5 to join the team’s efforts against a crooked and racist sheriff turning a blind eye to hate crimes. Enraged when a mosque is set ablaze, Gwen and the Champions are tempted to respond with violence. They instead opt to take a more difficult, non-violent route. This has a little bit of a PSA feel to it, but it’s a good message, and an effective use of the Gwenpool character.

Champions has become arguably the most provocative and inviting book Marvel has on the stands right now. It’s not for everyone. But it doesn’t necessarily try to be. It’s also a tremendous example of how the superhero genre can be used for more than just popcorn fun. Change the World has that. But it’s clearly about much more.

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A Logan Review – Old Man Stabby

Logan, 2017, Hugh Jackman, posterTITLE: Logan
STARRING: Hugh Jackman, Patrick Stewart, Dafne Keen, Stephen Merchant, Boyd Holbrook
DIRECTOR: James Mangold
STUDIOS: 20th Century Fox, Marvel Entertainment, Kinberg Genere, Hutch Parker Entertainment, The Donners’ Company
RATING: R
RUN-TIME: 137 min
RELEASED: 
March 3, 2017

By Rob Siebert
Editor, Fanboy Wonder

If you’re a fan of the X-Men film series, Logan is in many ways a frustrating film. It’s very much the expressionistic, character-driven piece it sets out to be. But the Wolverine character is heavily defined by the world he’s in. A world filled with prejudice toward super-powered mutants. In Logan, that world has been heavily altered. While we all love Hugh Jackman as Wolverine, what this movie really could have used was a little more world-building.

In the year 2029, mutantkind has been nearly eradicated. Logan, the man formerly known as Wolverine, is one of the last ones alive. In his care is a frail Charles Xavier, suffering from dementia and seizures. Logan isn’t exactly in great health himself. But danger once again finds our clawed hero, this time in the form of a young girl named Laura. Like Logan, she has adamantium claws, healing powers, and a deadly temper. She is hunted by Transigen, the group responsible for wiping out mutantkind. And if they have their way, Logan, Charles, and this mysterious girl are next.

Comic book fans know Logan is somewhat based on Mark Millar and Steve McNiven’s Old Man Logan book. That story features a gray-haired Logan in a world conquered by supervillains. The first lines in the very first panel are: “No one knows what happened on the night the heroes fell. All we know is that they disappeared and evil triumphed and the bad guys have been calling the shots ever since.”

logan-image-1-hugh-jackman-dafne-keenThere’s very little information like this in Logan. Information that helps us define the different world we see these familiar characters in. I’m not of the belief that absolutely everything needs to be spelled out for the audience. But the memory of the X-Men team is very much a part of this movie. It even implies that a new generation will pick up where Logan and the others left off. So wouldn’t it be helpful to tell us what happened to the X-Men? Were they all hunted down and killed by Transigen? Was there a big battle, like in Old Man Logan? We don’t have to comb through the roster one by one. But for instance, Logan loved Jean Grey. That could have been used to prompt a line or two about how she and some of the others died.

Instead, the film is chipped away at by these questions about how the established characters got to where they are, and who some of these new characters are. We do get allusions to a tragic event involving the widespread telepathic side-effects of one of Xavier’s seizes in Westchester, New York. To the uninitiated, Westchester was the home of Xavier’s School for Gifted Youngsters, and home base to the X-Men. So it’s reasonable to assume that’s where many of them died. But casual moviegoers won’t know that. Hell, I’m fairly versed in X-Men lore and it took me awhile to put it together.

logan-image-2-hugh-jackman-dafne-keenHalf the potential of a story like this lies in exploring the dystopian future, and how we got there. Logan doesn’t do much of that, and the movie suffers for it.

Still, Logan is indeed the R-rated Wolverine flick many have waited for. The movie takes full advantage of its expanded parameters. We see severed limbs aplenty, gallons of spilled blood, claw shots through the face, and plenty of F-bombs. If this really is Hugh Jackman’s last go-around as Wolverine, he goes out in a blaze of bloody and cathartic glory.

Jackman’s claim that this is the last time he’ll pop the claws is a downer for sure. In 17 years, he’s played the character seven times. Nine if you count his brief uncredited appearances in X-Men: First Class and X-Men: Apocalypse. He’s left an indelible mark on the character and the X-Men franchise as a whole, bringing tremendous depth and likability in addition to the berserker rage that fans love. What’s more, I’m not ready to fully rule Jackman out of another appearance in the role. He’s publicly flirted with coming back for certain scenarios, and it’s not like he’s been typecast. He was Jean Valjean, for crying out loud. More importantly, he’s a proven and highly lucrative commodity in that role. It’s show business, folks. Anything is possible.

logan-hugh-jackman-patrick-stewartPerhaps less publicized is that Logan is perhaps Patrick Stewart’s last time playing Charles Xavier. Something else this movie has going for it is the novelty of ol’ Captain Picard dropping a few F-bombs. Why the hell not?

Dafne Keen makes her film debut here as Laura, a.k.a. X-23. Not a bad way to make your entrance, with Hugh Jackman and Patrick Stewart at your side. She’s quite the find. Keen doesn’t speak for most of the movie, and has to convey a quiet rage beyond her years. She becomes the perfect mini-Wolverine.

There’s been a good amount of talk about Logan defying the genre of superhero movies. While I maintain this genre is more versatile than people give it credit for, Logan feels unlike most, if not any superhero movie you’ve ever seen. At one point, Xavier and Laura are watching Shane. That’s extremely fitting, given the movie’s clear influence on Logan. Mangold has also talked about The Cowboys starring John Wayne, and The Gauntlet with Clint Eastwood. Oddly enough, he’s also mentioned Little Miss Sunshine and The Wrestler.

logan-image-3-hugh-jackmanLogan is hardly the most satisfying installment in the X-Men franchise. But it’s absolutely the most unique. There’s an undeniable thrill and catharsis to seeing Jackman rage out as Wolverine, potentially for the last time. From a performance standpoint, he absolutely sticks the landing here. Though that should come as surprise to absolutely no one.

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A Kingpin #1 Review – Mr. Nice Guy

Kingpin #1, 2017TITLE: Kingpin #1
AUTHOR: Matthew Rosenberg
PENCILLER: Ben Torres. Cover by Jeff Dekal.
PUBLISHER: Marvel
PRICE: $3.99
RELEASED: February 8, 2017

By Rob Siebert
Editor, Fanboy Wonder

Considering Wilson Fisk used to be Marvel’s Kingpin of crime, he’s a pretty nice guy here. While you can use a lot of words to describe this character, “nice” has rarely been one of them.

But if you ask Wilson, he’s a man who has paid his debt to society, and is on a new path. Journalist Sarah Dewey is, to say the least, skeptical. Fisk nevertheless chooses her to write his biography, and spends most of the issue trying to win her over. But as one might suspect, things aren’t quite what they seem…

Take a moment and type “Kingpin, Marvel” into Google Image. What’s what thing he’s not doing in any of those pics? Smiling. The Kingpin doesn’t smile. At least not in a genuine, happy sort of way. But he does in Kingpin #1, and it catches you off guard. You’re expecting a grim and sadistic brute. Instead we get this warm and gentle teddy bear.

kingpin #1, 2017, Wayne DyerOur “gateway” character is Sarah, who Fisk seems to have an interest in based on her writing. There’s a purity to that which is almost heartbreaking. He’s also unwaveringly kind, even if that kindness is rather awkward at times. It’s a stark contrast to this cynical, down-on-her-luck journalist who, despite the quality of her work, is struggling to keep her head above water. You end up hoping this warmth he’s showing to her is sincere, and not some sort of ploy.

If your Google machine is still open, type in the name Wayne Dyer. He was a self-help author and motivational speaker who often appeared on PBS. At times, be Kingpin that Ben Torres gives us looks quite a bit like Dyer. Case in point, the bottom image on the page at right. Maybe that’s why he’s so happy. He read Change Your Thoughts, Change Your Life.

Torres handles the pencils and inks for this issue. I’m not very familiar with his work. But he’s a tremendous fit for this part of the Marvel Universe. As he goes in heavy on the inks, you can see some Frank Miller on this pages, and a little bit of John Romita Jr. There’s even some Eduardo Risso. The mood is precisely what it should be: This is a place where hope is in short supply. We’re now finding hope in the most unlikely of individuals. And even that is likely smoke and mirrors.

I can’t say I have a tremendous desire to come back for more Kingpin. Let’s be honest: We know how this story ends. The only real question is whether Sarah Dewey makes it out okay. But as for Fisk, it’s only a matter of time before the Kingpin is back on his throne.

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