Weekly Comic 100s: Go Go Power Rangers Finale, Batman, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

A slightly abbreviated version this week. I wouldn’t expect that to become a trend. As we continue to get back in the swing of things, they’ll get consistently bigger.

TITLE: Go Go Power Rangers #32
AUTHORS: Ryan Parrott, Sina Grace
ARTISTS: Francesco Mortarino, Simona Di Gianfelice (Inking Assist), Raul Angulo (Colorist), Ed Dukeshire (Letterer). Cover by Eleonora Carlini and Angulo.
RELEASED: June 10, 2020

Fracesco Mortarino draws Rocky with a mullet in this issue. That was most certainly not how he looked on the show…

While I’m very sad to see Go Go Power Rangers…uh…go, the series does end on a satisfactory note. We close with Jason, Zack, and Trini giving up their powers to take on a secret mission in space as the Omega Rangers. But it’s less about the original team splitting up, and more about the growth into two teams. It’s like we’ve gained four new Rangers instead of losing three.

TITLE: Batman Secret Files #3
AUTHORS: Vita Ayala, Phillip Kennedy Johnson, Mariko Tamaki, Dan Watters, James Tynion IV.
ARTISTS: Andie Tong, Victor Ibanez, Riley Rossmo, John Paul Leon, Sumit Kumar. Cover by Guillem March and Tomeu Morey.
COLORISTS: Alejandro Sanchez, Jordie Bellaire, Ivan Plascencia, Leon, FCO Plascencia
LETTERERS: Rob Leigh, Troy Peteri, Tom Napolitano, Deron Bennett Carlos M. Mangual
RELEASED: June 9, 2020

This issue spotlights the various assassins sent to kill Batman in the latest story in the titular series. Obviously this includes Deathstroke. Batman scribe James Tynion IV gives us a story about the Joker pitching Slade a plan that will presumably come to pass in the upcoming Joker War story.

From an overall quality standpoint, the story about Mr. Teeth is probably leading the pack, followed by a story featuring Merlyn and Green Arrow. All in all, some great character spotlights make this an issue that’s definitely worth picking up.

TITLE: Something is Killing the Children #7
AUTHOR: James Tynion IV
ARTISTS: Werther Dell’Edera, Miquel Muerto (Colorist), Andworld Design (Letters)
RELEASED:
June 10, 2020

Tynion is slowly peeling back the layers in terms of what the monsters are, and who this group fighting against them is.

For instance, in this book we learn Erica Slaughter belongs to the “Slaughter House,” and that there’s some kind of hierarchy to it. But of course, we don’t find out what that is or how it works. The approach is effective.

We also get an important bit of info as to why Erica kept young James at her side in the first story. It doesn’t paint her in the best light. But it does make sense.

TITLE: Lois Lane #11
AUTHOR:
Greg Rucka
ARTISTS: Mike Perkins, Andy Troy (Colorist), Simon Bowland (Letterer)
RELEASED: June 9, 2020

This thing was disjointed before the COVID interruption. Sadly, things haven’t changed in that regard. I love Greg Rucka, and Mike Perkins gives us some awesome art. But what the hell is going on in this story???

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Go Go Power Rangers, Dead Day, Suicide Squad, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

God damn, did I miss some of these books. Go Go Power Rangers. Tom Taylor’s Suicide Squad. Alienated.

God damn it’s great to have them back.

TITLE: Go Go Power Rangers #31
AUTHORS: Ryan Parrot, Sina Grace
ARTISTS: Francesco Mortarino, Simona Di Gianfelice (Inking Assist), Raul Angulo (Colorist), Ed Dukeshire (Letterer). Cover by Eleonora Carlini and Angulo.
RELEASED: May 27, 2020

A new zord formation, the “White Tiger Mechazord” (NOT Megazord), makes its debut in this issue. That’s kinda cool. This series is just about done, but it’s still cranking out new things.

On the downside, this issue also shows us Jason, Zack, and Trini flat out lying to Zordon about the peace conference in Switzerland. They’re not even lying well. They come off like grade schoolers lying about why they don’t have their homework done.

“Uh….I went to a peace conference. In Switzerland!”

TITLE: Dead Day #1
AUTHOR: Ryan Parrott
ARTISTS:
Evgeniy Bornyajov. Colors by Juancho! Charles Pritchett (Letterer).
RELEASED:
May 27, 2020

Be VERY careful about your feelings for somebody. I’ll only half in jest say that’s the big message I took away from Dead Day #1, our second Ryan Parrott offering of the week.

Dead Day presents us with a world in which the dead come back as what I gather are zombies that can think and speak…? It’s still a little unclear. Either way, you’ve got that trusty plot point of main characters endangering themselves over a former or potential love interest.

My only complaint is that the figure drawing is a little off. Hopefully that tightens up with time.

TITLE: Suicide Squad #5
AUTHOR: Tom Taylor
ARTISTS:
Bruno Redondo, Adriano Lucas (Colorist), Wes Abbott (Letterer).
RELEASED:
May 26, 2020

They’re doing something to break up the usual “captives with brain bombs” formula, which I’m pleased with. This Taylor/Redondo/Lucas team has done a great job keeping me engaged. With new characters, nonetheless.

What’s more, it looks like we’re about to start integrating heroes like Batman and the Flash. Given Taylor’s approach to Suicide Squad, that offers a lot of intrigue.

Redondo’s style is fairly straightforward, though it still has a nice kinetic energy. In that respect, it certainly doesn’t hurt that we focus on a speedster for most of this issue. But my point stands.

TITLE: Rogue Planet #1
AUTHOR: Cullen Bunn
ARTISTS: Andy MacDonald, Nick Filardi (Colorist). Letters by CRANK!. Cover by MacDonald and Nic Klein.
RELEASED: May 27, 2020

Basically what we have here is a horror movie where the monster is an entire planet. Our heroes, naturally, are trapped on world.

Rogue Planet #1 is…okay. The story is okay. The art is okay. Nothing too remarkable. But nothing offensive. Nothing yet, at least. It’s one of those books that’s just kinda there. As such, I’ll pick up issue #2 if I can afford it. But I’m not sure there’s room in my stack for a book I know is strictly okay.

TITLE: Alienated #3
AUTHOR:
Simon Spurrier
ARTIST:
Chris Wildgoose, Andre May (Colorist), Jim Campbell (Letterer).
RELEASED:
May 27, 2020

Holy crap. This issue got dark.

Or perhaps “mature” is the right word. It zooms in on the teen angst stuff, which I liked. But then Sam and our little alien friend tackle…well, look at the cover and you can probably guess. It’s fine. There’s nothing offensive or wrong about it. But tonally it seems like a swerve turn.

How bad is it that with the world in the shape it’s in today, I found myself relating to the teen character griping about society on his YouTube channel?

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Iron Man 2020, Go Go Power Rangers, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

Oye. Not a good comic book week for yours truly. Not only am I still reeling from the demise of my local shop, but my pull list was uncharacteristically small this week. So what’s a frustrated fanboy to do?

With only three issues in my stack this week, I’ve added a mini-review of Detective Comics #1000, as we learned this week that it was the highest selling comic book of 2019.

Shout out to Jay’s Comics in Gurnee, IL. I’m pretty sure they’re my new shop.

TITLE: Iron Man 2020 #1 (of 6)
AUTHOR:
Dan Slott, Christos Gage
ARTISTS:
Pete Woods, Joe Caramagna (Letterer).
RELEASED:
January 15, 2020

Thanks to a lot of backstory, (which the issue is nice enough to provide us post-script), Tony Stark’s adoptive brother Arno Stark is now Iron Man. Straight out of the gate, he’s got a rebellious robot uprising to contend with.

As someone who hasn’t kept up with Iron Man lately, there’s not much here to excite me. It’s inferred that Arno has sinister intentions. But when friggin’ Doctor Doom has played the role before, everyone else pales from a “villain as the hero” perspective. Ironic, as Dan Slott’s work on The Superior Spider-Man drew me to this book.

TITLE: Go Go Power Rangers #27
AUTHORS: Ryan Parrott, Sina Grace
ARTISTS: Francesco Mortarino, Raul Angulo (Colorist), Ed Dukeshire (Letterer). Cover by Eleonora Carlini.
RELEASED: January 15, 2020

Excellent issue, which includes a fight between Tommy and Lord Zedd over the White Ranger powers.

So between what’s happening in this book, and in the main MMPR title, you’re telling me the all-wise Zordon has no idea what’s happening with Jason, Zack, and Trini? The kids he himself chose to be Power Rangers? Like, not even a little? That’s the one aspect of “Necessary Evil” I’m having trouble buying. Other than that, I’m really enjoying what we’re getting from the PR titles right now. The main book was shaky for awhile, but things are definitely back on track.

TITLE: The Low Low Woods #2
AUTHOR: Carmen Maria Machado
ARTISTS: Dani, Tamra Bonvillain (Colorist), Steve Wands (Letterer). Cover by J.A.W. Cooper.
RELEASED:
January 15, 2020

Something felt off here. I’m not sure if the issue was paced to fast, or I was having trouble recalling things from the first issue, or the bizarre-but-not-in-a-scary-way thing we see on page three. But I wasn’t into this issue as much as the first.

I do, however, appreciate the way they’ve developed the town of Shudder-to-Think, Pennsylvania as almost a character unto itself. The town apparently has “an extremely unhealthy relationship with its dead.” As I said last time, it’s very reminiscent of a Stephen King story.

TITLE: Detective Comics #1000
AUTHORS: Scott Snyder, Kevin Smith, Paul Dini, Warren Ellis, Denny O’Neil, Christopher Priest, Brian Michael Bendis, Geoff Johns, James Tynion IV, Tom King, Peter Tomasi
ARTISTS: Greg Capullo, Jim Lee, Dustin Nguyen, Becky Cloonan, Steve Epting, Neal Adams, Alex Maleev, Kelley Jones, Alvaro Martinez-Bueno, Tony Daniel, Joelle Jones, Doug Mahnke. Cover by Lee.
INKERS:
Jonathan Glapion, Scott Williams, Derek Fridolfs, Raul Fernanxes
COLORISTS:
FCO Plascencia, Alex Sinclair, John Kalisz, Jordie Bellaire, Elizabeth Breitweiser, Dave Stewart, Michelle Madsen, Tomeu Morey
LETTERS:
Tom Napolitano, Todd Klein, Steve Wands, Simon Bowland, Andworld Design, Willie Schubert, Josh Reed, Rob Leigh, Clayton Cowles
RELEASED:
March 27, 2019

Yeesh. No wonder this issue sold so well. The sheer amount of talent on this thing, many of whom shaped the mythology of Batman, is outrageous.

I was pleasantly surprised to find something I liked in each tale from this 96-page multi-story anthology. But ultimately, it’s Brian Michael Bendis and Alex Maleev that steal the show with “I Know.” An elderly Oswald Cobblepot confronts an equally elderly, wheelchair-bound Bruce Wayne to tell him he’s known his secret for a long time. It’s a quieter story compared to the rest. But it’s no less impactful for it.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

 

Weekly Comic 100s: Event Leviathan, Family Tree, Power Rangers

*”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Nothing too in-depth here. Just straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Event Leviathan #6
AUTHOR: Brian Michael Bendis
ARTISTS: Alex Maleev, Josh Reed (Letterer)
RELEASED: November 13, 2019

So Leviathan turns out to be [name redacted for spoilers’ sake]…

Who the @#$% is that?

I’m always annoyed when big mystery comics do this. They build the bad guy’s identity up for weeks and weeks and weeks…and then it’s somebody we have to go to Wikipedia to learn about. *head on table*

Event Leviathan was a fun, suspenseful read, with some fun ideas. All the secret organizations (A.R.G.U.S., Task Force X, etc) being shut down, detectives from across the DC Universe coming together. But they really needed to stick the landing here. They didn’t.

TITLE: Superman #17
AUTHOR: Brian Michael Bendis
ARTISTS: Kevin Maguire, Paul Mounts (Colorist), Dave Sharpe (Letterer). Cover by Ivan Reis, Joe Prado, and Alex Sinclair.
RELEASED: November 13, 2019

I’m always happy to find a Kevin Maguire book in my weekly stack. Though some of the sillier expressions we get here don’t necessarily mesh with the foreboding tone the issue seems to be going for.

The issue is titled “The Truth: Prologue.” They never specifically learn what said truth is. But I’m hoping it’s not what it looks like. If it is, we may be headed toward a rehash of the New Krypton storyline they did about a decade ago. If that’s the case, then I’m leaving Superman on the stands for awhile.

TITLE: Family Tree #1
AUTHOR:
Jeff Lemire
ARTISTS: Phil Hester, Eric Gapstur (Inker), Ryan Cody (Colorist)
RELEASED: November 13, 2019

I imagine the pitch for this must have been simply, “Girl becomes tree.” In the end, that’s all you need, isn’t it? Like “Weekly Comic 100s,” it’s straight and to the point.

But to their credit, Jeff Lemire, Phil Hester, and the Family Tree team got me to care about these characters. I consider that a pretty big achievement, as this premise could have come off comical. I’m not sure if it was enough to hook me for issue #2. But I’m definitely curious…

TITLE: Go Go Power Rangers #25
AUTHORS: Ryan Parrott, Sina Grace
ARTISTS: Francesco Mortarino, Raul Angulo (Colorist), Ed Dukeshire (Letterer). Cover by J Lou.
RELEASED: November 13, 2019

This “Necessary Evil” storyline between Go Go and the main MMPR book is essentially the BOOM! crew’s take on why Jason, Zack, and Trini really left during season two, and what they were doing. It’s obviously a better story than the show could tell us at that time.

I love the respect this book shows for the show. It takes place during the events of “White Light, Part I.” At one point, it briefly depicts a scene from that episode, and makes a point of using the actual dialogue that’s in the show. Those little details mean so much sometimes…

TITLE: Detective Comics #1015
AUTHOR: Peter Tomasi
ARTISTS: Doug Mahnke, Jose Luis, Christian Alamy (Co-Inker), Keith Champagne (Co-Inker), Mark Irwin (Co-Inker), Matt Santorelli (Co-Inker), David Baron (Colorist), Rob Leigh (Letterer). Cover by Paul Pantalena and Arif Prianto
RELEASED: November 13, 2019

I’m a huge Peter Tomasi fan. But he and Doug Mahnke have had far better outings.

This “Nora Fries becomes evil” story has been done before. All in all, this may be a better story when it comes to the Mr. Freeze/Nora dynamic. But Batman spends most of this issue in the cave with Alfred and Lucius Fox standing in front of computers talking comic book science. Not exactly thrilling reading.

Later, we get a Batman trope that I absolutely loathe: The Dark Knight in some kind of armored/robot suit. Better luck next time, gentlemen.

TITLE: Star Wars #74
AUTHOR:
Greg Pak
ARTISTS: Phil Noto, Clayton Cowles (Letterer)
RELEASED: November 13, 2019

This issue has Stormtroopers riding dinosaurs. That alone might be worth the cover price.

You’d think a Vader vs. Chewbacca fight wouldn’t actually last that long. (Remember the first level in The Force Unleashed?) But this issue actually does a great job selling it. It’s only two pages, mind you. But the right guy wins, and it’s a great character moment for Chewie.

Someone else who gets a character moment? C-3PO. And you can argue his is actually the better of the two. No joke.

TITLE: Collapser #5
AUTHORS:
Mikey Way, Shaun Simon
ARTIST
S: Ilias Kyriazis, Cris Peter (Colorist), Simon Bowland (Letterer)
RELEASED:
November 13, 2019

Firstly, love the hat-tip to Superman #1.

I was contemplating dropping Collapser, as it seemed to be getting away from the main character’s ongoing struggle with anxiety. But in this issue, it re-asserts itself in a big way. So once again, Collapser has my full attention.

One element that’s been consistent, however, is Ilias Kyriazis’ art. This stuff is gloriously trippy and bizarre. I’m always anxious to see what he’s going to pull out of the hat next.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

MMPR: Shattered Grid: 25 Morphinominal Moments, Part Three

By Rob Siebert
Fanboy Wonder

So as we continue to work our way through Shattered Grid, I’d like to highlight the fact that these are in (mostly) chronological order. We’re going through these moments in the order we read them. We’re certainly not ranking them in any way.

(Part One. Part Two.)

11. Jason and Lauren (MMPR #27)
As Shattered Grid progresses, an unexpected and perhaps unlikely romance begins budding between Jason and Lauren Shiba of Power Rangers Samurai.

Why Jason and Lauren? Eh, why not? It makes a kind of sense, as they both know the pressures of leading a team of Rangers. But part of its appeal is in just how out of left field it is. After all, when you’ve got a bunch of hormonal teenagers in the same space for a lengthy amount of time, this kind of thing is bound to happen, isn’t it?

12. Ranger Slayer vs. Alpha 5 (Go Go Power Rangers #10)

Like the evil Green Ranger before her, the Ranger Slayer, under a spell cast by Lord Drakkon, invades the Command Center. But while Tommy simply incapacitated Alpha 5, this version of Kimberly has a more…physical approach.

We certainly never saw Alpha take a beating like this on the old show, and for good reason. Seeing our robot buddy beaten up like this would have scarred most of us for life…

13. Zack talks to himself (MMPR #28)
Way back in MMPR #5, Kyle Higgins established that before Rita chose Tommy to be the Green Ranger, she tried to tempt Zack into the role. While he obviously refused, Zack never tell his teammates about Rita’s offer. Until he does, at the encouragement of his counterpart from Lord Drakkon’s timeline. Issue #28 gives us a nice little callback to that.

By and large, I maintain that the BOOMverse’s take on Zack is too moody and broody. But the idea of him being Rita’s original pick for the Green Ranger remains a really interesting idea.

14. Bringing Down the Dome (MMPR #28)
Over in the world of Power Rangers RPM, Dr. K is quick to answer Zordon’s call to action from issue #27, as she’s developed technology that can fend off some of Lord Drakkon’s arsenal. But the domed city of Corinth has been fending off his attacks for hours. Jason and Lauren are sent in to help (see above), but Drakkon has reinforcements of his own.

What follows is a battle filled with characters and zords from across the franchise’s history. It’s so expansive that it’s truly a shame it all has to be condensed into one issue. Still, we get a hell of an exclamation point in the end, as Dr. K and Jason have to bring down the dome protecting Corinth.

15. Future Kimberly, Present-Day Juice Bar (Go Go Power Rangers #11)

Once the Ranger Slayer comes to her senses, she aligns herself with our heroes. They wind up taking her to the juice bar, sitting her right next to her past self. And of course, no one recognizes that there are two Kimberly Harts in the room.

Still, it’s interesting to not only see future Kim getting to re-live her past, but watching her tell present-day Kim to enjoy it all while it lasts. And kudos to Dan Mora for drawing future Kim on the balance beam (shown left). That’s something we saw quite a bit of on the show. But we’re obviously seeing it from a whole new perspective here.

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A Go Go Power Rangers #4 Review – The Mystery of Salad Girl

TITLE: Go Go Power Rangers #4
AUTHOR: Ryan Parrott
PENCILLER: Dan Mora
PUBLISHER: BOOM! Studios
PRICE: $3.99
RELEASED: October 18, 2017

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

Go Go Power Rangers #4 opens with a flashback to what I’ll call the “Salad Girl scene.” It’s a story from Kimberly and Zack’s recent past that’s been referenced a bunch of times in the series. Until now, when a character would mention “Salad Girl,” I had no idea if I was missing a joke or a plot detail. So if this issue accomplishes nothing else, it at least solves the mystery of Salad Girl.

Thankfully, there’s more to Go Go Power Rangers #4, as the book wraps up its first arc, while still leaving a plot thread hanging for next time. As Rita begins her second attack on Angel Grove, Kimberly is in a tough spot. She must choose between saving her boyfriend Matt, and protecting the city at large as the Pink Ranger. Meanwhile, Jason is also on the sidelines for fear of being exposed as the Red Ranger. Our heroes once again have their backs against the wall!

Dan Mora and colorist Raul Angulo have a very distinct energy they bring to the Power Rangers universe. Thus far, that’s been best exemplified in their sequences with the zords. They opened the series on a high note with their brief take on the climactic fight from “Day of the Dumpster.” They recapture that magic here, as we see the individual zords in action, followed by the Megazord. Mora somehow has a knack for drawing comic book style destruction on a grand scale. Part of it is that he’s awesome with action sequences (see the Jason/Trini sparring session from issue #2). But there’s something immensely satisfying about how these giant machines kick up debris when they’re summoned, or how the action lines wonderfully convey the speed and impact of certain blows. It also doesn’t hurt that this book has an almost regal take on the Megazord. One of the highlights of the issue is a splash page showing us the Megazord formation.

Incidentally, Mora and Angulo also give us a terrific version of our resident school principal, Mr. Caplan (shown above). His shtick on the show was that he wore a toupee. I think we can safely say they nailed that one.

On the writing front, things still look pretty good. Although late in the issue, we get a scene that seems to come out of nowhere. Zack shows up in the Command Center alone, and asks Zordon why he wasn’t chosen as team leader. He cites Jason’s absences from two recent conflicts, and in all fairness he does have a point given how early this is in their run as heroes. Parrott did plant a seed for this back in issue #2. But this still feels very sudden. Thankfully, Zordon gives him a good answer.

It’s not necessarily a good use of one’s time to apply logic to content created for young children two decades ago. But seeing as I’ve already made a habit of it, let’s go ahead. We get a trademark Rita Repulsa move here, as she uses her big wand to make her monster grow giant-sized. Standing at her side, her henchman and monster-maker Finster asks why she’d do this. This is what she says…

“We must see every skirmish to its conclusion. It’s been this way on countless worlds. Every move, every battle, every monster is a wound. Individually, each cut may miss the mark. But eventually, with enough cuts, one will strike the target…”

She’s essentially saying it’s a numbers game. If you throw the dart enough times, you’re bound to hit the bull’s eye sooner or later. I’m not in love with this approach. It almost makes it seem like Rita is resigned to a certain amount of failure from the start. Given how short-tempered she always was on the show, it feels like a contradiction. I will, however, credit the book for trying to make some kind of sense out of it. At least if you separate the strategy from the character, it works.

Nitpicks notwithstanding, we’re only four issues in, and I adore this series every bit as much as Mighty Morphin Power Rangers, if not more. Part of this book’s concept is that we get to spend a little more personal time with Jason and the others. It’s a strategy that’s paying off, and that isn’t a surprise. It’s been 25 years, but people still remember these characters, and the qualities the actors were able to inject them with. As it turns out, Ryan Parrott, Dan Mora, and the BOOM! Studios crew are bringing some pretty Morphenominal stuff to the table as well.

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A Go Go Power Rangers #2 Review – Jason and Trini?!?

TITLE: Go Go Power Rangers #2
AUTHOR: Ryan Parrott
PENCILLER: Dan Mora
PUBLISHER: BOOM! Studios
PRICE: $3.99
RELEASED: August 30, 2017

***Check out the first issue of Go Go Power Rangers!***

By Rob Siebert
Editor, Fanboy Wonder

Monsters and morphers notwithstanding, thus far the teenagers in Go Go Power Rangers have been written fairly realistic. So it stands to reason that five hormonal high schoolers suddenly placed in a such a high pressure situation would feel…closer. While there was never a romantic link between any of our original five Rangers on the TV show, this series was bound to give us a crush, an unrequited love storyline, a fling, or something along those lines. Trini and Billy would have been my first guess, as they’re kindred spirits. Jason and Kimberly would be a little obvious, but not impossible. You’ve also got Trini and Zack, who were together in the Pink miniseries BOOM! put out last year.

But Jason and Trini? They might have been my last guess. Actually, in this case it’s Trini crushing on Jason. I won’t say I don’t get it. Even with his cutesy millennial haircut, the Red Ranger is still a stud.

Go Go Power Rangers #2 shows us the conclusion of the Rangers’ assault on Rita Repulsa’s palace, and clues us in on the long-term ramifications the fight has for them. We also get into some of the more personal ramifications that “Arrival Day” (i.e. the day Rita’s forces first attacked) has had on them. This includes Kimberly’s strained relationship with her boyfriend Matt.

Trini never had much in the way of romance on the show. Early in the second season, they created a character for her to fawn over. But that never went anywhere. Tommy and Kimberly filled most of the show’s romance quotient. So to see Trini trying to be romantic with anyone, let alone Jason, takes some getting used to. But thus far, it works. Jason is apparently oblivious at the moment. Considering Trini has been written very shy and soft-spoken, I’m curious if Ryan Parrott is going to make her someone attempting to come out of her shell and be noticed.

The issue highlights the fact that, after the fight at the palace, Rita has learned the Rangers’ first names. The Red Ranger is Jason, the Pink Ranger is Kimberly, etc. Zordon promises to do what he can to protect them. But what confuses me is, how does Rita knowing their names put them in any more danger than they were already in? I’d be more concerned that she saw their faces when they fought the putties on Arrival Day (cool name, by the way). On the show, she was always able to ambush the teens with putties, monsters, and what not. So she can clearly find them in Angel Grove. (Apparently that’s exactly what we’re going to see in issues to come.) How goes knowing their names make it worse? It’s not great, mind you. But it’s hardly the worst case scenario.

Considering the palace fight, this fear about Rita knowing their names and attacking them as civilians, and a few lines about the teens wanting to let their families in on their secret, Parrott seems to be going out of his way to explore new territory, and address certain things the show never did. Even more than Kyle Higgins has done in MMPR, he’s having fun bucking the show’s original structure.

Dan Mora’s pencils have been, by and large, excellent. I’ve praised his renderings of Goldar in the past, but I really noticed his work on Rita here. That giant headdress and Madonna-style pointed bra don’t exactly give her the most foreboding look. But despite his fairly animated style, Mora shows restraint when drawing Rita’s face. Particularly toward the middle of the issue. This makes her seem more cold and calculated, as opposed to angry and loud. Near the end, Mora draws her entering Finster’s lab clouded in shadow, so we merely see a silhouette. To say that costume casts a distinct shadow is an understatement. Then in the very next panel, the silhouette gives us a sinister grin. Throw in the use of additional black space to highlight the gears and gadgets in Finster’s lab, and it becomes the issue’s best page.

Mora is also very strong with Kimberly and Matt (shown above). Kim’s new boyfriend wears a letterman jacket, which given Mora’s style, almost gives those scenes a modern day Archie feel. (Think the Mark Waid/Fiona Staples run.) This poor kid. He has no idea who he’s dating…

The tone of Go Go Power Rangers compared to the MMPR book is becoming more apparent as we dive further into the lives of our heroes. There’s potential for some really, really good stuff here. Power Rangers fans should be very excited. I certainly am.

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A Go Go Power Rangers #1 Review – Scaling the Palace Walls

TITLE: Go Go Power Rangers #1
AUTHOR: Ryan Parrott
PENCILLER: Dan Mora
PUBLISHER: BOOM! Studios
PRICE: $3.99
RELEASED: July 26, 2017

By Rob Siebert
Editor, Fanboy Wonder

There’s a reason it’s taken 20 years for us to get quality Power Rangers comic books. So many of today’s creators grew up with the show and have a special fondness for it. As such, this campy TV show that so many have dismissed as mindless fluff is now being shown an unprecedented amount of love and respect. You can see it in both the broad strokes and the smaller details.

Case in point, the first few pages of Go Go Power Rangers #1 takes us back to the events of the show’s premiere episode, “Day of the Dumpster.” The climactic point in the episode sees the Megazord take on Rita Repulsa’s henchman Goldar for the first time. In the end, Goldar retreats. He insists, “This isn’t over! I’ll be back!” With that, he throws his forearm horizontally across his chest and vanishes.

There’s a panel on one of those early pages that depicts that same line and pose (shown below). As a lifelong PR fan, little things like that make me so happy. It shows me our creative team is as passionate about this as I am. You don’t always get that with a licensed book like this. But when you do, it can be a beautiful thing.

Spinning out of the success of BOOM’s Mighty Morphin Power Rangers title, Go Go Power Rangers kicks off at the tail end of “Day of the Dumpster.” Our five young heroes are adjusting to their new lives as superheroes. But before the battle lines are completely drawn in this ongoing battle with Rita, the Rangers take the fight straight to her doorstep. To save the astronauts that accidentally freed the evil empress, our heroes storm her moon palace head on. They wanted a fight. Now they’ve got one.

Go Go Power Rangers is apparently aiming to be more character-focused than its sister series, with a stronger balance between teenage drama and superheroics. This issue has an extremely positive indicator in that respect. Unlike virtually every other PR story from BOOM!, Go Go Power Rangers gets Zack right.

For some reason, both MMPR and Justice League/MMPR have often portrayed the Black Ranger as a sort of introspective brooder. I understand tweaking these characters for a modern audience. But that approach is the polar opposite of the Zack character. He was always warm, fun-loving, and enthusiastic. Ryan Parrott is the first writer I’ve seen at BOOM! who really taps into the spirit of Zack. I give him credit for that. But I can’t help but wonder why it took this long…

We also get an early morning scene with Jason training before school. It’s designed to give us a little bit of Jason’s background, and that’s all well and good. But I just like seeing him be so tireless and hardworking. It’s similar to what Kyle Higgins and Rod Reis were so successful with on their portion of MMPR Annual 2016.

This issue introduces us to a character named Matt Cook (shown below). He’s in the circle of friends with Jason and the others. But he obviously has no idea they’re superheroes. Matt also happens to be Kimberly’s boyfriend. By all indications he’s a good egg like the others. I almost feel sorry for him. He’s clearly about to be boxed out of the group. Sorry, dude. We can’t all be Tommy Oliver.

As a kid, I always wondered why the Rangers never took the Wizard of Oz approach and attacked Rita at her palace. It looks like this opening story is going to show us why. Mind you, it’s not simply an ambush. They’re trying to rescue the two astronauts we saw in “Day of the Dumpster.” In over two decades, it never occurred to me that those two could have been captured. It seems really obvious in retrospect.

When the team teleports directly in front of the palace, they’re met by an army (literally an army) of Putties. And of course, they later have Rita and Goldar to contend with. Dan Mora, along with colorist Raul Angulo, show us both the interior and exterior of the palace from a bunch of different angles. This includes the gloriously ludicrous neon “Bandora Palace” sign.

I was very impressed with what Dan Mora showed us in MMPR Annual 2017, and I’m still impressed now. Mora’s teens are much more expressive and animated than we’re used to seeing in MMPR. But his action sequences also deliver that same epic, awe-inspiring feel we’re used to getting. He’s very balanced in that respect. And of course, he still draws an awesome Goldar. Also, his rendering of the Megazord is one of the best I’ve ever seen.

I’ve touched on this before, but it’s somewhat uncomfortable for me to see the teens “modernized.” Even in the continuity of the show, MMPR is set in the ’90s. So it’s always going to be weird seeing them use smartphones and sporting modern looks (shown below). I get that it comes with the territory, and I don’t place blame on anyone for it. But it still seems weird…

The only updated look I take a bit of exception to is Jason’s. Something about the longer hair and the jacket rub me the wrong way. I’m not in love with Trini’s new hairstyle either, but it’s somehow less grating. Also, I just noticed Trini’s wearing glasses in the image below. That’s different.

Nitpicking aside, I enjoyed Go Go Power Rangers #1 as much as I’ve enjoyed any issue of BOOM! Studios’ MMPR series. Maybe even a little more. I admit, as a reviewer I’m likely biased when it comes to these books. As a fan, I’m so proud of everybody at BOOM! for what they’ve given us. Proud and grateful.

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A Mighty Morphin Power Rangers 2017 Annual Review – Growing Up

TITLE: Mighty Morphin Power Rangers 2017 Annual
AUTHOR: Kyle Higgins, Tom Taylor, Jamal Campbell, Trey Moore, Caitlin Kittredge
PENCILLERS: Goni Montes, Dan Mora, Campbell, Frazer Irving, Da Jung Lee. Cover by Montes.
PUBLISHER: BOOM! Studios
PRICE: $7.99
RELEASED: May 31, 2017

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

I read a review not long ago, entitled: “You can’t force the things you loved as a kid to grow up with you.” It was in reference to the new Power Rangers movie. But the same idea can obviously apply to the Mighty Morphin Power Rangers series from BOOM! Studios.

But perhaps certain things grow up better than others.

Last its predecessor last yearMighty Morphin Power Rangers 2017 Annual contains several short stories. What stuck with me after I closed this issue was how relatively mature it felt. Certainly by Power Rangers standards. Mind you, as a ’90s kid I’m inevitably biased here. I make no bones about that. But I think what this annual highlights more than anything is that MMPR can indeed work when played straight as a teenage superhero book. And it can work in a number of ways. You can go the moody teen angst route. You can approach it like a young adult novel. You can even go flat out dark. There’s something to be said for looking at these characters and this world through different lenses. Especially when you’re trying to play to readers that grew up with the show. The BOOM! that way before. This story also makes Rita look delightfully cunning, manipulative, and that much more wicked. I didn’t recognize Goni Montes’ work at first. I’d never seen him work in this style before. Those amazing helmet variant covers for MMPR #1 are still plastered into my brain. I have yet to get tired of his work on this book.

The next story, focused on the Yellow Ranger’s day off being interrupted by Goldar, is a preview of sorts for a second monthly MMPR title called Go Go Power Rangers. Series artist Dan Mora has a manga-influenced, animated style that should be a lot of fun. Author Tom Taylor (InjusticeAll-New Wolverine) isn’t on Go Go Power Rangers, but he’s perfectly serviceable here. Much better than his work on Justice League/Mighty Morphin Power Rangers, that’s for sure.

The clumsily titled “Forever Mighty Morpin Black” is next, written and illustrated by MMPR‘s regular cover artist Jamal Campbell. As both a continuity buff and a Power Rangers geek, this was a real treat. In the distant future, Adam Park, who succeeded Zack as the Black Ranger, returns to the ruins of the Command Center. He calls for help across time and space from other incarnations of the Black Ranger. What follows is a feast for the eyes, as variations of Zack and Adam arrive to fight off a monster. It’s essentially an Easter egg hunt for PR fans, as you spot all the little details and nods Campbell has sprinkled in.

But having heaped all this praise upon this issue,  it’s Trey Moore (Rachel Rising) and Frazer Irving that really steal the show. Seeing Irving doing PR is surreal to begin with. But in this context, it works. In last year’s annual, Moore gave us Goldar’s origin story. This year we get Finster’s. Moore and Irving give us what is essentially the first Power Rangers horror story. We see that at his core he’s an artist longing for inspiration, but he finds it and justifies it in the worst way imaginable. When he later is recruited by Rita to make monsters using a mystical, life-granting clay, he searches for vindication by attempting to resurrect someone he lost to his own selfishness.

There’s a haunting quality to this story that’s brilliant. I’m hesitant to say much more, for fear of taunting the big pay-off. But these eight-pages are among the creative highlights of BOOM’s run with the PR license. It’s that good. If you’re an older fan, you owe it to yourself to check it out.

My one nitpick with it? Finster’s line (shown above): “I’m not a bad person!” That struck me as awkward. It feels like it should have been “I’m not evil” or something.

The issue ends with a more cartoony tale about Goldar and Scorpina getting a day off. It’s more akin to a Bulk and Skull story. Goldar is able to disguise himself with human clothes and a baseball cap. It’s a hard swerve to go from the Finster story to this one. But it’s fine. This kind of stuff obviously has it’s place. Heck, this material is arguably more faithful to the tone of the television show.

A year later, I still have really fond memories of last year’s MMPR Annual. I don’t doubt that a year from now, I’ll still have fond memories of this one. It’s no accident that we’ve gotten things like a spin-off miniseries, and a second series in Go Go Power Rangers. BOOM! is producing quality. Not just quality nostalgia, either. Pure and simple quality.

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A Mighty Morphin Power Rangers: Pink #6 Review – The Feminist Ranger

MMPR: Pink #6, Daniele Di Nicuolo, coverTITLE: Mighty Morphin Power Rangers: Pink #6
AUTHOR: Brenden Fletcher and Kelly Thompson (story), Tini Howard (script)
PENCILLER: Daniele Di NIcuolo
PUBLISHER: BOOM! Studios
PRICE: $3.99
RELEASED: January 25, 2017

***WARNING: Spoilers lay ahead!***

By Rob Siebert
Editor, Fanboy Wonder

Ah, the letter. Given when this story is set, I didn’t think we’d get to address that. But here it is.

During Power Rangers Zeo, the season that succeeded Mighty Morphin Power Rangers, Tommy gets a letter from Kimberly. It’s essentially a Dear John letter, as she ends their long-distance relationship, saying she’s met someone else. This left a bad taste in the mouths of a lot of fans. Kim was rarely mentioned after actress Amy Jo Johnson left the series. When she returned for the Turbo movie, her relationship with Tommy was barely touched on. Thus, the long-standing relationship between two of the show’s most popular characters ended on a pretty sour note.

That letter turned out to be a piece of what MMPR: Pink is all about. In the end, it became about Kim being her own person and letting go of her old life. About moving on, and becoming a new kind of hero. Fans who’ve dreamt of seeing Kim and Tommy end up together may not be thrilled by that idea. But in the end, it’s pretty damn cool.

MMPR: Pink #6, 2017, Rangers arriveThe issue starts with Kimberly’s makeshift team of Rangers (Zack, Trini, and two civilians she enlisted in France) arriving to save Tommy and the active Rangers on a faraway planet. They arrive in Typhonis, a giant battle machine Goldar constructed using pieces of the destroyed Thunderzords. They also have Titanus and Tor the Shuttle Zord, which the Rangers have used previously. The use of words from previous seasons is cool fan service, though admittedly a little hokey. There’s an epic feel to seeing those old zords next to the Ninja Megazord in the final battle.

Last issue we learned Zack and Trini have become a couple. That’s completely out of the blue, considering how the characters were on the show. But it’s fine. It’s even intriguing in an opposites-attract sort of way. The only sad thing is I’m not sure we’ll ever see this explored more.

As far as I’m concerned, Daniele Di Nicuolo is welcome back in the Power Rangers sandbox any time. He’s a tremendous fit for the PR universe. His work is clean, dynamic, and compliments what we saw on the show very well. He also got pave some of his own ground with the makeshift Ranger suits, Kim’s Katniss Everdeen wardrobe, and the inner workings of the zords. Mind you, I still don’t understand why Zack’s costume has a hood. He’s already got a helmet! What does he need a damn hood for?

Nagging questions: We’re led to believe that Tommy and the active Rangers don’t know who came to their rescue. But Kim communicates with them through the cockpit of her zord, and there’s no indication that her voice is disguised. How do they not recognize her voice? Also, Zordon obviously sent them Titanus and Tor. Couldn’t they have just asked him who the mystery rescuers were?

mmpr-pink-6-motorcycleThere’s been a “life after the Power Rangers” vibe to Pink, which comes full circle at the end. Kim meets Zack and Trini at a cafe, and they talk about their next move, promising to do a better job of staying in touch. When we jump to a year later, we see she’s done just that, including Jason in the mix as well. I like that. Even with as deep a connection as they have, they drift in and out of contact like real people.

There’s obviously a strong feminist angle to Pink, and they hammer that home at the end. A year after the rescue, as Kim is writing the famous letter, she recognizes she and Tommy have very different lives. Not content to “be the woman in pink, at his side,” she sets out to forge her path independently and be her own hero. That ending does a lot of justice to the Kimberly character. It’s really remarkable how, without necessarily intending to, Amy Jo Johnson and the crew on MMPR created this strong female character that resonated with so many viewers. This whole story is essentially a love letter to that character and that performance.

Perhaps the most surprising element of Pink is that Kim and Tommy never speak. He’s never even aware she’s nearby. That’s a hell of a thread to leave hanging, and would make for a hell of a moment in a sequel. Just saying…

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