Weekly Comic 100s: Batman: The Adventures Continue #1, and Much More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

This pandemic is really throwing a monkey wrench into my reading habits.

My local comic shop is still working on getting me issues from March 25. I’ve stayed away from digital editions, as I want to support local shops as much as possible. Ergo, I’ve been waiting two weeks for certain issues. But sooner than later, the most recent editions of Action Comics, Batman/Superman, TMNT, and others will be reviewed here.

The only new issue I purchased this week was a digital exclusive. And how could I resist? It’s the return of the DC Animated Universe!

TITLE: Batman: The Adventures Continue #1
AUTHORS:
Alan Burnett, Paul Dini
ARTISTS:
Ty Templeton, Monica Cubina (Colorist), Joshua Reed (Letterer). Cover by Dave Johnson.
RELEASED:
April 1, 2020

This is exactly what it was supposed to be: A return to the old form, i.e. the comics of yesteryear that were based on the Bruce Timm animated shows. Heck, they even threw in a title card, a la Batman: The Animated Series.

A lot is thrown at us here. Bane. A giant robot attacking S.T.A.R. Labs. Lex Luthor and a mystery regarding Superman’s whereabouts. But what I took away from issue #1 is that they’re going that route. A route paved by Judd Winick about 15 years ago…

TITLE: Star Wars: Bounty Hunters #2
AUTHOR: Ethan Sacks
ARTISTS:
Paolo Villanelli, Arif Prianto (Colorist), Travis Lanham (Letterer). Cover by Lee Bermejo
RELEASED:
March 25, 2020

I got a little lost on this one.

I came away from last issue thinking about our main character, or at least one of them, Valance. Obviously I remembered Boba Fett and Bossk were there. But I struggled to remember the significance of T’onga, why different characters were going certain places, and when certain events took place. A quick re-read of issue #1 set me straight. But obviously that’s not something you want readers to have to do. Then again, maybe it’s just me.

TITLE: I Can Sell You A Body #3 (of 4)
AUTHOR: Ryan Ferrier
ARTISTS:
George Kambadais. Ferrier (Letterer).
RELEASED:
March 25, 2020

This issue unexpectedly hit me in the feels. I talked a bit about the Henrietta character last time. She’s very likable, but as a love interest, she’s all in with Denny very quickly. Not in the creepy way, either. It’s more like they just click.

It made me reminisce about the people I’ve clicked with like that. And not just in a romantic way. There’s a magic in that feeling that’s really great. So I Can Sell You A Body gained some surprising sentimental points from me with this one.

TITLE: Ghostbusters: Year One #3 (of 4)
AUTHOR: Erik Burnham
ARTISTS: Dan Shoening, Luis Delgado (Colorist), Neil Uyetake (Letterer)
RELEASED: March 25, 2020

If you’ve seen the trailer for Ghostbusters: Afterlife (as you should have), you know it’s probably not an accident they saved Egon for last.

The absolutely brilliant part of this issue? Part of it is plotted based on a line Casey Kasem had in the original film. When it comes to writing Ghostbusters, Erik Burnham is a damn genius.

Along those same lines, I love the way Burnham has the other characters describe Peter Venkman’s personality. Mostly because he then proceeds to prove them right.

TITLE: X-Men/Fantastic Four #3 (of 4)
AUTHOR: Chip Zdarsky
ARTISTS:
Terry Dodson, Rachel Dodson & Ransom Getty (Inkers), Andrew Crossley & Peter Pantazis (Colorists), Joe Caramagna (Letterer).
RELEASED:
March 25, 2020

Superheroes fighting. The older I get, the less I enjoy it. Maybe it’s all the division we see in the world today. But I didn’t get a huge kick out of seeing the X-Men and the Fantastic Four fighting.

On the upside, the art is gorgeous and the colors vibrant and fun. I remain somewhat surprised at how political this book is, i.e. relations between Latveria and Krakoa. But at it’s core, it’s really the relationship between Reed Richards and his son Franklin, and how the latter’s choices will ultimately effect the world.

TITLE: Suicide Squad #4
AUTHOR:
Tom Taylor
ARTISTS:
Daniel Sampere, Juan Albarran (Inker), Adriano Lucas (Colorist), Wes Abbott (Letterer). Cover by Bruno Redondo and Lucas.
RELEASED:
March 25, 2020

Captain Boomerang returns in this issue. One way or another, the band always gets back together.

Taylor still has me entertained with this more espionage-centered direction. We also learn much more about our new characters, and what exactly their agenda is.

Deadshot also has a great character moment in this issue. Or rather, Floyd Lawton does. He becomes very sympathetic, and you’re that much more invested.

TITLE: Alienated #2 (of 6)
AUTHOR:
Simon Spurrier
ARTISTS:
Chris Wildgoose, Andre May (Colorist), Jim Campbell (Letterer)
RELEASED:
March 18, 2020

This’ll definitely fill your teen angst quota for the week.

Despite being about three high schoolers finding an alien that gives them telepathic powers, what these characters are feeling is very real. In this issue, there’s lot of longing to be seen, noticed, or at least acknowledged. I think every teenager can relate to that at some point in their lives.

Chris Wildgoose has a hell of an issue. There’s a two-page spread that’s just gorgeous. He also gets to flex some otherworldly character design muscles. They come out looking pretty awesome.

Email Rob at at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Batman #90, Marvel #1, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

A few leftovers from last week mixed in here. That’s what happens when you get struck by the flu. Not the Corona virus, I assure you. Just the flu…

TITLE: Batman #90
AUTHOR:
James Tynion IV
ARTISTS:
Jorge Jimenez, Tomeu Morey (Colorist), Clayton Cowles (Letterer)
RELEASED:
March 4, 2020

This issue has stirred up a decent amount of buzz because of a plot point involving the Joker. While I’m very much into what Tynion is doing, Batman #90 has been drastically over-hyped.

Via a flashback from Catwoman, we’re led to believe that the Designer, a mysterious villain we’ve just now learned about, inspired the Joker to evolve from clown-themed criminal to murdering psychopath. There’s nothing wrong with that. But it’s too early to herald it as this amazing development in the Batman mythos. Ask me after a few more issues have come out. Then we’ll talk.

TITLE: Marvel #1 (of 6)
AUTHORS: Alex Ross, Steve Darnall, Frank Espinosa, Sajan Saini, Kurt Busiek, 
ARTISTS:
Ross, Josh Johnson (Letterer), Espinosa, Clayton Cowles (Letterer), Steve Rude, Steven Legge (Colorist)
RELEASED:
March 4, 2020

Here we have the first installment in what was Alex Ross’ original vision for Marvels: An anthology of stories done by creators picked by Ross. Many of whom are working in the Marvel Universe for the first time.

Frank Espinosa turns in a lovely Spider-Man story. Given his style, he’s perfect for a project like this. But I was partial to Marvels author Kurt Busiek’s old school Avengers tale, drawn by the one and only Steve Rude. “Hulk-vengers.” Is that only now a thing? Either way, I love it.

TITLE: King of Nowhere #1 (of 5)
AUTHOR: W. Maxwell Prince
ARTISTS: Tyler Jenkins, Hilary Jenkins (Colorist), Andworld Design (Letters)
RELEASED: March 4, 2020

Every once in awhile, you find yourself holding what’s essentially a giant smorgasbord of bizarre, freakish, and random. Have I seen freakier than this? Yes. But not lately…

Our main character Denis wakes up near the small town of Nowhere, essentially a living acid trip filled with the creatures you see on the cover. Adventures ensue, and then we get a little hook at the end to bring us back. It’s not a particularly strong hook. But frankly, she simple question of “What the actual #$%Q is going on?” might just be the only hook King of Nowhere needs.

TITLE: Ghostbusters: Year One #2
AUTHOR: Erik Burnham
ARTISTS: Dan Schoening, Luis Delgado (Colorist), Neil Uyetake (Letterer)
RELEASED: March 4, 2020

This issue sees the Ghostbusters follow up on their very first spectral encounter: Eleanor Twitty, the librarian ghost. Thus, I’m forced to ask the heart-wrenching question of whether Ghostbusters: The Video Game is still canon in the IDWverse.

We also get a cute, and surprisingly heartwarming college flashback where Venkman introduces Ray and Egon. And of course, Schoening draws Egon with the late ’70s/early ’80s Harold Ramis afro. Because how could you not?

TITLE: Batman/Superman #7
AUTHOR:
Joshua Williamson
ARTISTS:
Nick Derington, Dave McCaig (Colorist), John J. Hill (Letterer)
RELEASED:
February 26, 2020

“The Bottled City of the Dead.” That’s fun. I like it. Even if the cliffhanger we get does border on unintentionally funny.

Nick Dergington’s art is the star here, supported wonderfully by Dave McCaig’s colors. To call it “simplistic” looking sounds like a dig. It isn’t. It’s easily digestible. And again, it’s fun.

Williamson’s writing of the rapport between our titular characters is the strongest its been yet in this issue. I’ll admit it’s a bit awkward, though appropriate, that they call each other by their hero names. It feels like they should call each other by their first names. But of course, they’re in the field…

TITLE: TMNT: Jennika #1
AUTHORS: Braham Revel, Ronda Pattison
ARTISTS:
Revel, Jodi Nishijima, Pattison (Colorist), Shawn Lee (Letterer).
RELEASED: February 26, 2020

I like how Revel draws Jennika with a slimmer, dare I say more feminine figure. In theory it sets her apart from the other Turtles that much more. Revel’s style is also mildly reminiscent of the 2012 animated series. It makes for an interesting style shift from the main series.

There’s a decent amount of meat to this story. The best of which involves the awkward romantic tension between Jennika and Casey Jones. It’s an impossible conflict that I’m dying to see how they resolve. Or at least if they can resolve it without making Casey look like a heel.

TITLE: Suicide Squad #3
AUTHOR:
Tom Taylor
ARTISTS:
Bruno Redondo, Adriano Lucas (Colorist), Wes Abbott (Letterer)
RELEASED:
February 26, 2020

What has surprised me more than anything about Tom Taylor’s Suicide Squad run thus far is how much he’s actually delivered on the whole suicide mission premise. By only having two heavy hitters (Deadshot and Harley), and having the cast consist mostly of original characters, he can raise the stakes seamlessly by making the missions more costly.

As far as those new characters are concerned, I remain partial to Fin. Especially after seeing him exact some deliciously gruesome revenge this issue.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: Star Wars, Frankenstein, Action Comics, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

I was recently crushed to hear Go Go Power Rangers is ending in April. As I’ve said before, there’ve been plenty of months that book has outperformed the regular Mighty Morphin Power Rangers title. For awhile there, we were talking months at a time…

Thankfully, Ryan Parrott is staying with the Rangers for the foreseeable future. He’s been churning out amazing work since Go Go began, and he’s become BOOM’s go-to guy for Power Rangers content. Not only has he got the main book, but he’s writing the team up with the Ninja Turtles as well.

We’ll tip our hat to Go Go Power Rangers by leading off with it this week.

TITLE: Go Go Power Rangers #28
AUTHOR: Ryan Parrott
ARTISTS: Eduardo Francisco, Raul Angulo (Colors), Ed Dukeshire (Letterer). Cover by Eleonora Carlini.
RELEASED: January 29, 2020

Here we have a spotlight issue for Rita, where we see what was happening to her while she was imprisoned in that “space dumpster” for 10,000 years. Hint: If you’re an avid comic book fan, and the term “Black Mercy” means anything to you…

What I don’t like about this issue is how it portrays the inside of this prison. In theory it’s a dumpster, a place you put garbage. But inside it’s fairly high tech, with an A.I. overseeing everything. I always pictured the innards to be very dark and cave-like. Maybe that’s just me.

TITLE: Star Wars #2
AUTHOR: Charles Soule
ARTISTS:
Jesus Saiz, Arif Prianto (Colorist), Clayton Cowles (Letterer). Cover by R.B. Silva.
RELEASED:
January 29, 2020

Just when I get excited about getting to see Luke do things without a lightsaber, the damn thing becomes a mcguffin in “The Destiny Path.”

God damn it.

On the plus side, they’ve put a nice focus on Lando thus far. It’s seemingly always been assumed that he instantly became a full-time good guy after seeing what happened to Han in Empire. But leopards rarely change their spots so quickly. And of course, Leia and the others would be rightfully wary of him afterward. For now, I’m willing to take the good with the bad on this book.

TITLE: Frankenstein Undone #1 (of 5)
AUTHORS: Mike Mignola, Scott Allie
ARTISTS: Ben Stenbeck, Brennan Wagner (Colorist), Clem Robins (Letterer)
RELEASED: January 29, 2020

I’m not nearly as versed in “the world of Hellboy” as I want to be. But apparently Frankenstein is part of that world. Having just read the book for the first time, this caught my interest.

The monster we meet is despondent over his actions during the events of the book. He opts to seclude himself in the far north. But solitude is not what he’ll find among the snow.

While we get some intriguing and well written pathos from our titular monster, I’m inclined to catch up with Mignola’s earlier works before diving back into this one.

TITLE: Action Comics #1019
AUTHOR: Brian Michael Bendis
ARTISTS: John Romita Jr., Klaus Janson (Inker), Brad Anderson (Colorist), Dave Sharpe (Letterer). Variant cover by Gabrielle Dell’otto.
RELEASED: January 29, 2020

I don’t get it. Generally speaking, I’m a John Romita Jr. fan. I’ve enjoyed his work on Kick-Ass, and his stuff at Marvel with Spider-Man, the Avengers, Hulk, etc. But for some reason, Romita and Superman mix like oil and water.

I truly hate to say this, but his art absolutely ruins this issue. What’s supposed to be this epic fight between the Justice League and the Legion of Doom looks downright sloppy. Brad Anderson’s work is especially wasted on this mess. It’s officially time to invoke a restraining order between Romita and the Man of Steel.

TITLE: Suicide Squad #2
AUTHOR: Tom Taylor
ARTISTS: Bruno Redondo, Adriano Lucas (Colorist), Wes Abbott (Letterer)
RELEASED:
January 29, 2020

I’ll give this book credit: I’m not hatin’ these new characters. This issue has an interaction between the Fin and the Shark that I really enjoyed.

I’m sure there are several Squad stories in existence where our anti-heroes want to kill one another, yet have to proceed with a mission. But this is the first one I can remember where the rivalries between the various members are so intensely personal. Combine that with Tom Taylor’s evident flair for black ops stories, along with some pretty awesome art, and we’ve got an exciting book on our hands.

TITLE: Teenage Mutant Ninja Turtles #102
AUTHORS: Kevin Eastman (Consultant), Tom Waltz (Consultant), Sophie Campbell (Script)
ARTISTS: Campbell, Ronda Pattison (Colorist), Shawn Lee (Letterer).
RELEASED: January 29, 2020

Even with everything going on with Raph and Jennika in New York, I came away from this issue thinking about the other three Turtles. Once again, they’re secluded up at in Northampton.

I’m not sure we’ve ever seen the Ninja Turtles more collectively grief-stricken, and as such depressed. Most notably Michelangelo. The faces Sophie Campbell draws for him are almost devoid of life. Rarely has such amazing penciling prompted such a sad response.

But given what’s happened, it makes sense. It’s so relatable, it’s heart-breaking. Not bad for a book about mutant turtles…

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: Kylo Ren, Doomsday Clock, Batman Finale

By Rob Siebert
Fanboy Wonder

Yeesh. Talk about a loaded week. Big finales, big debuts, and some Star Wars backstory we’ve been waiting years for. And of course, with big issues, come big upticks in pricing. Mostly at DC. They actually had the gall to charge $4.99 for the Tom King Batman finale. Oye.

But next week is largely a throwaway week. (Unless you’re Marvel. Kudos to them.) So I’ll be able to play a little catch up. So next week’s batch will include Family Tree #2, Shazam #9, Star Wars: Empire Ascendant, Batman/Superman #5.

But for now, we’ve got a lot to get to…

TITLE: Star Wars: The Rise of Kylo Ren #1 (of 4)
AUTHOR:
Charles Soule
ARTISTS: Will Sliney. GuruFX (Colors). Travis Lanham (Letterer). Cover by Clayton Crain.
RELEASED:
December 18, 2019

I was ready to be mad at this issue for giving us stuff we should have gotten in one of the movies. As it turns out, this was benign.

In The Last Jedi, Luke says that after burning down the temple, Ben Solo left with some of his other students. Here, we learn that doesn’t quite mean what it sounds like. We also learn who the Knights of Ren are, which is welcome information.

Not the strongest first issue I’ve ever seen. But the intrigue around what happened to Ben Solo is enough to bring us back for more.

TITLE: Doomsday Clock #12
AUTHOR: Geoff Johns
ARTIST: Gary Frank, Brad Anderson (Colorist), Rob Leigh (Letterer).
RELEASED: December 18, 2019

From the beginning, we’ve known this book has been building toward Superman vs. Doctor Manhattan. A symbol of hope against a symbol of cynicism. The implication being that Superman would ultimately get through to Doc, and bring about a change of heart.

We do get a scene like that in this issue. But it’s so brief, and frankly a little contrived, that it was hardly worth the two years of build-up.

That’s right, folks. Doomsday Clock #1 came out in November 2017. It’s taken us more than two years to get here. Really takes the edge off, doesn’t it?

TITLE: Batman #85
AUTHOR: Tom King
ARTISTS: Mikel Janin, Hugo Petrus, Jordie Bellaire (Colorist), Clayton Cowles (Letterer). Cover by Tony Daniel.
RELEASED: December 19, 2019

Here we have yet another big finale that ends not with a bang, but with a whimper.

Tom King is a good writer. I believe that. But for whatever reason, this “City of Bane” story went on way too long, and he ended up overstaying his welcome on Batman. The truly sad part? There’s a good story in here if you rifle through it, and maybe rearrange some pieces.

On the upside? Mikel Janin’s work on Batman has been consistently great. As far as I’m concerned, he’s welcome back in Gotham any time.

TITLE: American Jesus #1
AUTHOR: Mark Millar
ARTISTS: Peter Gross, Jeanne McGee (Colorist), Cory Petit (Letterer). Cover by McGee and Frank Quitely.
RELEASED:
December 18, 2019

A 14-year-old Hispanic girl becomes the modern-day Virgin Mary in a story written by the guy who did books like Kick-Ass and Nemesis? Sure. Sounds harmless enough…

Maybe it’s me, but the art in this book seems a little weird. Like the proportions are just a touch off. It’s minor, just just prominent enough to be noticeable.

There’s a lot of intrigue here, given the sensitive topic and Millar’s penchant for the outlandish. While there’s nothing blasphemous in this issue (at least as far as I can see), I figure it’s just a matter of time.

TITLE: Spider-Man #3 (of 5)
AUTHORS: J.J. Abrams, Henry Abrams
ARTISTS: Sara Pichelli, Elisabetta D’Amico (Inking Assistant), Dave Stewart (Colorist), Joe Caramagna (Letterer). Cover by Olivier Coipel.
RELEASED: December 18, 2019

Tony Stark pops up in this book, and now our story has an Avengers angle to it. That’s disappointing. This is a story about the legacy of Spider-Man, and the strained relationship between a father and son. So why not keep the lens focused on Spidey’s world, and not open things up to the larger Marvel Universe until later? We need to be focusing on Ben right now. Not some wacky take on Tony Stark as an old man.

On the upside, we get further into who Cadaverous is. Good stuff, with Pichelli’s art on point.

TITLE: Suicide Squad #1
AUTHOR: Tom Taylor
ARTISTS:
Bruno Redondo, Adriano Lucas (Colorist), Wes Abbott (Letterer). Cover by Ivan Reis.
RELEASED:
December 18, 2019

While it lacks the impact and sizzle of a Jim-Lee-drawn debut, this issue has some intrigue to it. We’ve got three mainstays in Deadshot, Harley, and King Shark. But we’ve also got a big group of new characters. They kind of look like what Marv Wolfman and George Perez would produce if asked to produce a modern team of superheroes.

Mind you, some of them are dead when we close the issue. But if even one of them sticks for a decent amount of time, that’s an accomplishment.

TITLE: Mighty Morphin Power Rangers #46
AUTHOR: Ryan Parrott
ARTISTS: Daniele Di Nicuolo, Walter Baiamonte (Colorist), Katia Ranalli (Color Assistant), Ed Dukeshire (Letterer). Cover by Jamal Campbell.
RELEASED: December 18, 2019

A few little things I noticed that aren’t out of character per se, but perhaps show how these characters are different in this time period…

– Tommy’s more relaxed demeanor now that they’re seemingly no longer Earth’s last line of defense.

– Kimberly stepping up into more of a leadership role with the three new Rangers.

– Trini’s more sarcastic personality. It’s not how I would write the character, as she’s normally more reserved. But we can chalk it up to her gaining confidence through her experiences as a Power Ranger.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: TMNT #100, Dark Knight ReturnsSuperman

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Nothing too in-depth here. Just straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

Word recently broke about Kevin Eastman and Peter Laird working together again after all these years for a Ninja Turtles story called “The Last Ronin.” How fitting then, that not only does IDW’s Teenage Mutant Ninja Turtles #100 comes out this week, but we’ve also got a new Frank Miller book. It’s no secret that Eastman and Laird drew inspiration from Miller’s work in the early to mid ’80s.

Imagine what would have happened if it had the modern Frank Miller back then. Back then you had his work on characters like Daredevil and Wolverine. Now? We’ve got the Dark Knight sequels and Holy Terror. *shudders*

TITLE: Teenage Mutant Ninja Turtles #100
AUTHORS: Kevin Eastman, Bobby Curnow, Tom Waltz (Script)
ARTISTS: Dave Watcher, Michael Dialynas. Variant cover by Eastman.
SUPPLEMENTAL ARTISTS: Mateus Santolouco, Adam Gorham, Dan Duncan, Cory Smith
COLORISTS: Ronda Pattison, Bill Crabtree
LETTERER: Shawn Lee
RELEASED: December 11, 2019

TMNT #100 is more or less exactly what you want it to be. All recent plot threads converge, and as expected, we see the return of a major villain. Can’t say I expected that death, though. And make sure you don’t miss that epilogue…

The only real complaint I have is that I felt half a step behind because I couldn’t keep up on the Shredder in Hell mini. I suppose that’s the problem when you’ve created a world so rich and dense. You can’t always pack everything into one series. But that’s not necessarily a terrible problem to have.

TITLE: Dark Knight Returns: The Golden Child
AUTHOR: Frank Miller
ARTIST: Rafael Grampa. Cover by Grampa and Pedro Cobiaco.
COLORIST: Jordie Bellaire
LETTERERS: John Workman, Deron Bennett
RELEASED: December 11, 2019

My impression when I closed this book was that Miller must either have a ghostwriter working with him, or the editors are heavily involved here. Because this is a surprisingly competent issue to have his name on it in 2019. But if it was mostly Miller? Good on him.

No Bruce Wayne here. Which is kind of odd, but fine with me. Carrie Kelley, Lara, and this Dark Knight universe Jon Kent are more interesting anyway. They’re taking on Darkseid here, and Raphael Grampa’s art looks amazing.

A really good start. But keep your expectations tempered.

TITLE: Superman #18
AUTHOR: Brian Michael Bendis
ARTIST:
Ivan Reis
INKER:
Joe Prado
COLORIST:
Alex Sinclair
LETTERER:
Dave Sharpe
RELEASED:
December 11, 2019

Ugh. Why?

Yes, it’s exactly what it looks like. The same thing they did in 2015, in a storyline that, fittingly, was also called Truth.

It’s not that I don’t think Bendis and this team can do a good job with it. But we were just here. And inevitably, when you do this kind of thing you have to come up with some convoluted way to get the genie back in the bottle. So why even bother?

I will say, though, there’s a single silent page depicting the big moment between Clark Kent and Perry White that’s absolutely beautiful.

TITLE: Something is Killing the Children #4
AUTHOR: James Tynion IV
ARTIST: Werther Dell-Edera
COLORIST: Miquel Muerto
LETTERED BY: Andworld Design
RELEASED: December 11, 2019

In this issue, we get a major revelation about the nature of the monsters devouring children in Archer’s Peak. Tynion takes what I’ll refer to as the “Do you believe in magic?” approach. It’s an interesting twist that I didn’t see coming, and for my money, helps separate this book from the pack. Hopefully he’s given the time to expand on it.

As cool as Erica Slaughter is, part of me actually wants to see her killed off so James can take her place and learn about all this monster stuff. Probably won’t happen. But could be cool.

TITLE: Detective Comics #1017
AUTHOR: Tom Taylor
ARTIST: Fernando Blanco. Cover by Tony Daniel.
COLORIST: John Kalisz
LETTERER: Travis Lanham
RELEASED: December 11, 2019

A nice little one-and-done. I like when they do these. In the context of Detective Comics, it reminds me of Paul Dini’s run all those years ago.

Our story deals with missing children at the Martha Wayne Orphanage in Gotham. Taylor shows us a more sensitive and empathetic side of Batman and Robin. Also, the art in this issue really stands out, as Kalisz uses a more saturated color palette, while our inks are darker. He even gives us a sort of saturated sepia tone for the opening flashback that sets the scene really well.

TITLE: Go Go Power Rangers #26
AUTHORS: Ryan Parrott, Sina Grace
ARTISTS: Francesco Mortarino
COLORIST: Raul Angulo
LETTERER: Ed Dukeshire
RELEASED: December 11, 2019

One of the big selling points of this book early on was it was set in the pre-Green Ranger days. Tommy, one way or another, inevitably pulls focus from the other characters. It’s a little sad that the emphasis has shifted that way.

But Parrott is still the best PR writer we’ve seen from this BOOM! Studios run with the license. Oddly enough, what I enjoyed most about this issue was a flashback to Tommy eating a meal with Rita at the palace. As a kid, I always wanted to see him in there interacting with the other villains.

TITLE: Dying is Easy #1 (of 5)
AUTHOR: Joe Hill
ARTIST: Martin Simmonds. Cover by J. Lou.
COLOR ASSISTANT: Dee Cunniffe
LETTERER: Shawn Lee
RELEASED: December 11, 2019

Cop turned stand-up comic. Now there’s something you don’t see every day.

If grim-and-gritty is your thing, this book is right up your alley. If there’s a seedy underbelly to the world of stand-up, this book is smack in the middle of it. Simmonds and Cunniffe do a tremendous job using the colors to create an ominous, foreboding vibe. Ultimately, that pays off on the last page…

Fittingly, the book also manages to be funny in a black comedy sort of way. I’m not totally sold yet, but I may indeed be back for more.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

A Mighty Morphin Power Rangers 2017 Annual Review – Growing Up

TITLE: Mighty Morphin Power Rangers 2017 Annual
AUTHOR: Kyle Higgins, Tom Taylor, Jamal Campbell, Trey Moore, Caitlin Kittredge
PENCILLERS: Goni Montes, Dan Mora, Campbell, Frazer Irving, Da Jung Lee. Cover by Montes.
PUBLISHER: BOOM! Studios
PRICE: $7.99
RELEASED: May 31, 2017

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

I read a review not long ago, entitled: “You can’t force the things you loved as a kid to grow up with you.” It was in reference to the new Power Rangers movie. But the same idea can obviously apply to the Mighty Morphin Power Rangers series from BOOM! Studios.

But perhaps certain things grow up better than others.

Last its predecessor last yearMighty Morphin Power Rangers 2017 Annual contains several short stories. What stuck with me after I closed this issue was how relatively mature it felt. Certainly by Power Rangers standards. Mind you, as a ’90s kid I’m inevitably biased here. I make no bones about that. But I think what this annual highlights more than anything is that MMPR can indeed work when played straight as a teenage superhero book. And it can work in a number of ways. You can go the moody teen angst route. You can approach it like a young adult novel. You can even go flat out dark. There’s something to be said for looking at these characters and this world through different lenses. Especially when you’re trying to play to readers that grew up with the show. The BOOM! that way before. This story also makes Rita look delightfully cunning, manipulative, and that much more wicked. I didn’t recognize Goni Montes’ work at first. I’d never seen him work in this style before. Those amazing helmet variant covers for MMPR #1 are still plastered into my brain. I have yet to get tired of his work on this book.

The next story, focused on the Yellow Ranger’s day off being interrupted by Goldar, is a preview of sorts for a second monthly MMPR title called Go Go Power Rangers. Series artist Dan Mora has a manga-influenced, animated style that should be a lot of fun. Author Tom Taylor (InjusticeAll-New Wolverine) isn’t on Go Go Power Rangers, but he’s perfectly serviceable here. Much better than his work on Justice League/Mighty Morphin Power Rangers, that’s for sure.

The clumsily titled “Forever Mighty Morpin Black” is next, written and illustrated by MMPR‘s regular cover artist Jamal Campbell. As both a continuity buff and a Power Rangers geek, this was a real treat. In the distant future, Adam Park, who succeeded Zack as the Black Ranger, returns to the ruins of the Command Center. He calls for help across time and space from other incarnations of the Black Ranger. What follows is a feast for the eyes, as variations of Zack and Adam arrive to fight off a monster. It’s essentially an Easter egg hunt for PR fans, as you spot all the little details and nods Campbell has sprinkled in.

But having heaped all this praise upon this issue,  it’s Trey Moore (Rachel Rising) and Frazer Irving that really steal the show. Seeing Irving doing PR is surreal to begin with. But in this context, it works. In last year’s annual, Moore gave us Goldar’s origin story. This year we get Finster’s. Moore and Irving give us what is essentially the first Power Rangers horror story. We see that at his core he’s an artist longing for inspiration, but he finds it and justifies it in the worst way imaginable. When he later is recruited by Rita to make monsters using a mystical, life-granting clay, he searches for vindication by attempting to resurrect someone he lost to his own selfishness.

There’s a haunting quality to this story that’s brilliant. I’m hesitant to say much more, for fear of taunting the big pay-off. But these eight-pages are among the creative highlights of BOOM’s run with the PR license. It’s that good. If you’re an older fan, you owe it to yourself to check it out.

My one nitpick with it? Finster’s line (shown above): “I’m not a bad person!” That struck me as awkward. It feels like it should have been “I’m not evil” or something.

The issue ends with a more cartoony tale about Goldar and Scorpina getting a day off. It’s more akin to a Bulk and Skull story. Goldar is able to disguise himself with human clothes and a baseball cap. It’s a hard swerve to go from the Finster story to this one. But it’s fine. This kind of stuff obviously has it’s place. Heck, this material is arguably more faithful to the tone of the television show.

A year later, I still have really fond memories of last year’s MMPR Annual. I don’t doubt that a year from now, I’ll still have fond memories of this one. It’s no accident that we’ve gotten things like a spin-off miniseries, and a second series in Go Go Power Rangers. BOOM! is producing quality. Not just quality nostalgia, either. Pure and simple quality.

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A Review of Star Wars: Blood Ties – Jango and Boba Fett – Father and Clone

Star Wars: Blood Ties - Jango and Boba FettTITLE: Star Wars: Blood Ties – A Tale of Jango and Boba Fett
AUTHOR: Tom Taylor
PENCILLER: Chris Scalf
COLLECTS: Star Wars: Blood Ties #1-4
PUBLISHER: Dark Horse Comics
PRICE: $14.99
RELEASED: April 27, 2011

By Rob Siebert
Editor, Fanboy Wonder

Does EVERYONE in Star Wars have daddy issues? Luke’s got them, Boba Fett’s got them…

Blood Ties dives into some of the unseen backstory between Boba Fett and his clone/father Jango. Evidently Jango was into tough love. In this issue, he sends a massive beast after his son, telling him: “Bring back a tooth.” But things get more complicated when Jango’s next bounty turns out to be one of the clones that were created using his DNA (see Attack of the Clones). The results of this confrontation will effect Boba years later when he meets this clone’s son, whose name is Connor Freeman (Get it? Free man?).

Star Wars: Blood Ties #1, Chris ScalfFirst and foremost, I LOVE the art in this story. Chris Scalf captures the faces of Jango and Boba Fett almost perfectly, and he’s great at drawing all the weird aliens, creatures and locations in the Star Wars universe. The colors are perfect too. The art makes it seem like you’re watching supplemental material from one of the films. As far as I’m concerned, the more I see of him down the line, the better.

Blood Ties is pretty much what you’d expect, with a few nice twists. There’s a pretty nice moment where Jango Fett pulls a blaster on his prey, and sees he’s been hunting a man who looks exactly like him. There’s something you don’t see every day. The way he ends that confrontation might surprise some.

Whether a reader will like Blood Ties likely depends on whether they like their Boba Fett pre or post Attack of the Clones. George Lucas himself once said that Boba Fett is popular because he’s mysterious in that old western, man-with-no-name kind of way. That element of the character is still there, but Fett isn’t as mysterious as he used to be. We know one of his weak spots, and he’s been humanized a bit. Personally, I think this weakens the book’s ending by making Fett seem like a bit of a softy at heart. You can call Boba Fett a lot of things, but soft-hearted isn’t one of them. Though I suppose one can argue that nobody’s a hard ass ALL the time…

Star Wars: Blood Ties, A tale of Jango and Boba Fett, image 2The ending left me unsatisfied. This is one of those stories that ends simply because the action stops. I’d like to think this isn’t entirely Taylor’s fault. Creators only have a certain number of pages to work with, and it seems like they simply came up a little short. I figure two more pages would have done the trick.

The book also pulls a bit of a fast one on you by making you think Boba Fett is the narrator. When we find out he’s not, it’s something of an eye-roller. At least in my case. When you think your narrator is a bad ass bounty hunter, almost anyone else is a letdown by comparison.

For what it is, this book is okay. Just okay, though. It started out pretty hot, but cooled significantly after the second issue. You can’t deny the art is fantastic. But the story left me wanting more, and not in the “can’t wait for the sequel” kind of way.

RATING: 5.5/10

Image 1 from tomtaylormade.com. Image 2 from starwars.wikia.com.

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