Tag Archives: Tim Seeley

A Nightwing #10 Review – Back in Bludhaven

Nightwing #10, 2016, cover, Marcus ToTITLE: Nightwing #10
AUTHOR: Tim Seeley
PENCILLER: Marcus To
PUBLISHER: DC Comics
PRICE: $3.99
RELEASED: December 7, 2016

By Rob Siebert
Editor, Fanboy Wonder

The cover may say “Welcome to Bludhaven,” but don’t be fooled. NIghtwing has been here before. It’s been about a decade. But these are his old stomping grounds…kinda.

Bludhaven (pronounced “blood haven”) was the setting for Rightwing’s original solo series, which first hit stands in 1996. Compared to Gotham, Bludhaven was poorer, dirtier, and at times more violent. As writer Chuck Dixon described the city in issue #1: “As bad as Gotham is, Bludhaven’s worse in a lot of ways. If it’s too coarse or too vile or too awful for Gotham, it winds up here.” Yikes. Now, after a hint from Superman (who, remember, is from that New 52 Earth), our New 52 Dick Grayson is checking out this world’s version of Bludhaven. As it turns out, not much has changed. Dick and Nightwing are making Bludhaven their new home, even though the city doesn’t look highly on those that wear capes and masks…

Tim Seeley is essentially using the formula for the old Nightwing book, with the New 52 iteration of the character. As an older fan, that’s a nice treat. We’ve got the Bludhaven name, the black and blue suit, and Dick is trying to “figure out who I am,” as he tended to do back in the day. He’s even got a new gig as a volunteer for teens affected by violence. How many friggin’ jobs did he have in that old series? He was a bartender, a cop, a gymnastics coach. A true renaissance man, that Dick Grayson.

nightwing #10, 2016, Marcus To, splash pageWe get a nice same-but-different vibe from the city. It’s not depicted as violent or dirty, thus far. But there’s a definite air of corruption and danger. What’s more, this is a Bludhaven that’s concerned about tourism. In future issues, Nightwing will apparently become a mascot of sorts for the city. That’s intriguing, considering he’s more of a covert-style vigilante. It’s certainly a far cry from people thinking he’s dead.

Seeing Marcus To on this book makes me smile. Years later, I’m still bitter about the Red Robin book he worked on being cut short. He’s worked for DC since then, but having him back on an ongoing Bat-book feels like justice of sorts. He and colorist Chris Sotomayor give us an awesome Nightwing. What’s more (as Meg Downey pointed out on Twitter), To gives us subtle variations between Dick as Nightwing, Dick in public, and Dick in private. The way he dresses is obviously different, but the way To plays with his hair is the great part. As Nightwing it’s a bit wilder, in public it’s styled neatly, and in private it’s unkempt. Sadly, you don’t always notice that kind of thing the first time through. But I give To a lot of credit for it. His character acting is also very natural, and again, subtle at times. Case in point: The page that strictly consists of shots of Dick sitting in a chair talking. To makes each of them different, while other artists might go for panel duplication.

The issue starts out with a one-page scene (shown below) in which Batgirl and Robin briefly talk about Dick. We also get a shot of Batman. It’s not immediately apparent why this is in this issue. Though when you take into account the talk about Dick finding himself, it makes some sense. In this scene we see Bruce, Barbara, and Damian. But the trio used to be Bruce, Barbara, and Dick. And of course, when beginning a new chapter in Dick’s career, beginning with a Robin scene always seems fitting.

Nightwing #10, 2016, page 2Seeley does give us one groaner of a line. Via Dick’s inner monologue: “You gotta keep it sexy and exciting… Like Nightwing.” I’m far from a sexiness expert. But the truly sexy don’t have to tell us they’re sexy, do they?

But all in all, this is cool. Putting Dick in Bludhaven doesn’t inherently make this a good book, but it’s a nice treat. On its on merits, this Nightwing book has been fairly strong. That doesn’t look like it’s going to change in the near future.

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A Nightwing #9 Review – The Adventures of Superman and Robin

Nightwing #9, 2016TITLE: Nightwing #9
AUTHOR: Tim Seeley
PENCILLER: Marcio Takara
PUBLISHER: DC Comics
PRICE: $2.99
RELEASED: November 16, 2016

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

The dynamic between Superman and Dick Grayson has always been interesting to me. In most continuities they meet each other fairly early, as Dick is just starting out as Robin. As a youngster, he’s still in a position to stand in awe of the grandeur of Superman. But in a way, they’re also peers. They fight a lot of the same enemies, and both have their own unique relationship with Batman. As such, they have an inherent chemistry that people tend to forget about.

Nightwing #9 taps into that chemistry to establish Dick’s relationship with the new Superman (new to him, at least), and set him on a new course: Bludhaven. (Again, new to this Nightwing. Ugh. This is needlessly complicated…)

Keep in mind, the Superman we’re seeing in all this DC Universe Rebirth stuff is the pre-New 52 Superman. He’s married to Lois Lane, has a son named Jon, and has all sorts of memories of things that happened before the New 52 reboot. Nightwing #9 shows us he’s actively on the hunt for enemies that existed in his reality, but haven’t shown up in this one yet. One such enemy is Doctor Destiny, a supervillain who can turn dreams into reality. Using Kryptonian tech, Superman detects his old enemy haunting Dick Grayson, and comes to his aid.

Nightwing #9, 2016, SupermanThis issue puts Dick on a path toward the city of Bludhaven. Longtime fans recognize Bludhaven has the setting for the original Nightwing series in the late ’90s and early 2000s. Once again, DC is appeasing some of its older readers by restoring certain pre-New 52 elements. I don’t know how much bringing Bludhaven back does to entice readers. But in theory its fine. What I’m not a fan of is how it’s done.

I’ve talked before about the downside of having the old Superman back. It’s a thrill for fans who’ve been around for awhile, but it also makes things really convoluted. I love the way Dick has been influenced by both Batman and Superman (the Nightwing name originated in a Superman story), and I give this issue credit for continuing that tradition. But Dick only learns of Bludhaven’s existence when Superman shows it to him in a dream, and tells him about the connection with the pre-New 52 Nightwing. That’s a cheap shortcut. Tell me a story and take him there organically.

While I didn’t appreciate the way it was facilitated, there’s promise in Nightwing heading back to Bludhaven. In the ’90s, Chuck Dixon and his cohorts gave that city it’s own  feel and identity. It would very much behoove this team to do the same thing, whether it’s a similar feel or not.

As much of this issue takes place in a dream, it’s fitting that artist Marcio Takara and colorist Marcello Maiolo’s work has a sort of soft, dream-like vibe to it. Takara’s characters are very expressive, which helps tremendously when Dick gets a little help from some old friends. In one panel he’s downright overjoyed, which is something we don’t see too often from our friends in Gotham. We also get a really nice splash page of Dick and the wide array of DC heroes he’s connected to in some form.

nightwing #9, 2016, Superman, Marcio TakaraThat’s really the theme of Nightwing #9. Dick Grayson may have been raised by a notorious loner, but this little adventure with Superman reminds us he’s hardly a loner himself. He and Batman are so much alike, yet so different. Tim Seeley gets that dynamic, and it’s one of the reasons he’s had such a solid solo run with Nightwing thus far. This wasn’t his best issue. But there’s a lot of intrigue on the horizon.

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A Nightwing: Rebirth #1 Review – Better in Blue

Nightwing: Rebirth #1, 2016, coverTITLE: Nightwing: Rebirth #1
AUTHOR: Tim Seeley
PENCILLER: Yanick Paquette. Cover by Javier Fernandez.
PUBLISHER: DC Comics
PRICE: $2.99
RELEASED: July 13, 2016

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

This issue should really be called Nightwing Returns. For yours truly, that’s what it is. Not just in terms of Dick Grayson putting the costume on again. It’s as simple as him wearing blue.

I can’t even tell you how hung up I was on that New 52 costume. I’ve discussed this before, but it bears repeating: Nightwing should never wear red on a permanent basis. Red is a Robin color. In switching from Robin to Nightwing, the change from red to blue was more important than many people realize. The shift to the opposite end of the color spectrum was a visual representation of his shift toward independence. To put him in red moves him back toward Batman, intentional or not. Plus, when you realize Jason Todd, Tim Drake, and Damian Wayne all wear red and have dark hair, the whole legacy of Robin starts to look like a creepy cult. All in all, everything is better when Dick is in blue.

With his secret identity now restored, Dick stops and smells the proverbial roses with his Spyral cohorts and surrogate family members before moving on to the next phase of his life. The Parliament of Owls (a larger version of the Court of Owls) continues to target Dick. The time has now come for Dick to infiltrate the group using the identity they tried to corrupt and make their own: Nightwing!

Nightwing: Rebirth #1, Yanick PaquetteThis issue tells us Dick’s identity is now a secret again.  To the best of my knowledge, this happened off page somewhere. As I recall, Helena Bertinelli told Dick that Spyral could use its tech to make the world forget what they saw in Forever Evil. This kind of trick isn’t new. You’ve got to get the genie back in the bottle somehow, of course. I just wish we’d actually seen it happen. We don’t even know for sure it was Spiral that restored Dick’s secret. Let’s hope he didn’t make a deal with Mephisto…

The whole stopping by to talk thing is a very Dick Grayson thing to do. We’ve seen it a bunch over the years. His talks with Tiger King and Midnighter feel like a transition out of the Grayson era. Though I wouldn’t be at all surprised to see him team with the latter again soon. He briefly speaks with Helena through a door, leaving us longing for a sense of closure between the two. Though Yanick Paquette treats us to a splash page of her in the Huntress costume, practically guaranteeing they’ll meet again down the line. Paquette is also on cover duty for Helena’s adventures in Batgirl & The Birds of Prey, which is a nice connection between the books. Oddly enough, the variant cover by Babs Tarr gives us another Nightwing/Batgirl connection. That can’t be accidental, can it?

So…does Lincoln March die in this book? He takes an arrow through the eyeball, so that’s definitely the implication. If this is the end for him, that’s a disappointment. His big quarrel was with his alleged brother Bruce Wayne. There was unfinished business there. Even factoring in his Grayson role, to see him snuffed out in a Nightwing book feels like a whimper. I’m hoping the Owls restore him, keep him in stasis, or something to that effect.

Nightwing: Rebirth #1, Dick and Damian, yanick PaquetteI’ve been high on Yanick Paquette in the wake of Batman #49. But some of his renderings of Dick and Damian are weirdly off in this issue. For instance, the image at right. What, pray tell, is wrong with Damian’s face? Is it contorted because his eyes hurt? Is he rolling his eyes at the thought of Spyral being on the side of the angels? At certain points he also looks like he’s hunching.

On the plus side, he ends on a splash page of Dick in the Nightwing suit, and it instantly satiated my craving for blue Nightwing. Well done, sir.

Just to clarify, I’m not downing Kyle Higgins, or anyone who worked on the red Nightwing book. Eddy Barrows did some nice work with Dick, and I was pleased when Higgins moved the setting to Chicago. Grayson also turned out better than many of us imagined. But this issue feels like a homecoming. Just as so much we loved about the old DCU has come back in this Rebirth initiative, so has the Nightwing we know and love.

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A Grayson #15 Revew – “Being a Robin”

Grayson #12TITLE: Grayson #15
AUTHOR: Tom King, Tim Seeley
PENCILLER: Mikel Janin
PUBLISHER: DC Comics
PRICE: $3.99
RELEASED: December 9, 2015

***Need to catch up? Check out our look at Robin War #1.***

By Rob Siebert
Editor, Fanboy Wonder

What does an event crossover like Robin War need to get right in order to be successful? What’s a central idea that they have to really nail? What’s the entire damn story built around?

The answer is: The concept of Robin. And after Grayson #15, I’m not sure if they got that right or not.

The “Robin Laws” are in effect, and anyone who might be construed as a member of the Robin movement is outlawed in Gotham. Now Dick Grayson, Jason Todd, Tim Drake, and Damian Wayne have taken all the members of this street crew underground for training. But which of these so-called Robins really have what it takes? And what happens when the GCPD turns up the heat?

Grayson #15, 2015, Mikel Janin, page 2Let’s talk about Robin, and a recurring device Tim Seeley and Tom King use in this issue, and this concept of “being a Robin.”

Early in the issue, we see Dick ultimately take responsibility for the Robin street gang, as he was the first Robin. I like that idea, and I wish they’d expanded on it a bit more. The thing about Robin, is that both in-story and behind the scenes, he wasn’t designed to be a “legacy character.” He wasn’t created with the idea of the mantle being passed from youngster to youngster. Robin is Dick’s creation, and it had become so well known and so identifiable with Batman, it was inherited by Jason, Tim, and Damian.

But when you look at how Robin is talked about in this issue, it doesn’t come off that way. As Dick and the various Robins are training with Duke Thomas and the various Gotham kids, each of them recite a little verbal essay about being Robin. Each of them is to the effect of: “Batman once told me being a Robin is about ______.” What I object to about that is the verbage “being a Robin” as opposed to “being Robin.” That one letter changes a lot. It’s almost as Batman is a knight of some kind, and Dick and the others were all squires, serving as apprentices until they graduated to knighthood. Even DC has said, seemingly in jest, that Robin is an “internship program.”

Point blank, that’s a really stupid idea.

Grayson #15, Mikel Janin, Robin WarTo be fair, Seeley and King didn’t create it. It’s been around since the New 52 began. Even in Red Hood and the Outlaws #0, which shows us Jason Todd’s New 52 origin story, Alfred refers to the Robin identity as “an opening in [Batman’s] operation.” Why they decided to suck all the humanity out of Robin is anybody’s guess…

Mind you, I really enjoy We Are Robin, and appreciate the notion of a group of kids inspired by Robin. But what good is that if you suck so much of the depth out of the root concept?

In any event, despite a certain lack of depth, the scenes between Dick and Duke Thomas are interesting. Their backgrounds are very different, but they’re both natural leaders. It evokes thoughts of Duke one day graduating to become one of Batman’s partners. But I’d hate to see him simply become another one of the pack.

Seeing Mikel Janin draw the We Are Robin cast is a big thrill. The art on that book is really nice, as is Greg Capullo’s rendering of Duke in Batman. But the photo realism of Janin’s style is a welcome break. The layout of page 2 with the multiple face shots (shown above) adds a certain aura of this being about real kids from a real place. I also appreciate the fact that he draws The Red Hood’s mask as an actual helmet, with no vague facial features present. Other artists should take note. He even manages to make that awful Red Robin costume look halfway decent. We even get a nice take off of the classic Batman #9 cover by Dick Sprang. Awesome stuff.

Grayson #15, Mikel janinYou’d think an event comic based around the legacy of Robin would want to grant the character a little more depth. There’s still some potential in Robin War, but the more they dwell on this “Gray Son” stuff with the Court of Owls, the less hope I have. I was trying to forget all that stuff ever happened…

Images 1 and 2 from adventuresinpoortaste.com. Image 3 from blacknerdproblems.com.

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A Grayson #12 Review – A Hero’s Homecoming

Grayson #12 (2015)TITLE: Grayson #12
AUTHORS: Tim Seeley, Tom King
PENCILLER: Mikel Janin
PUBLISHER: DC Comics
PRICE: $3.99
RELEASED: September 23, 2015

***Unfamiliar with Grayson? Check out our review of the very first issue!***

By Rob Siebert
Editor, Fanboy Wonder

Full disclosure: I’ve been absent for the past few issues of Grayson. That’s not to say the series has necessarily taken a downturn. But lately, the arrival of certain other books (Secret Wars, We Are Robin, Black Canary), pushed it down the priority list.

This issue, however, merited a look. After deceiving the world into thinking Dick Grayson/Nightwing died during the events of Forever Evil, Dick returns to Gotham City to come clean to his surrogate family. This includes the amnesiac Bruce Wayne, who as Batman, was the one who sent Dick to infiltrate Spyral in the first place. And speaking of Spyral, they’re not going to let Agent 37 leave without a fight.

Grayson #12, Mikel Janin, Bruce WayneSeeley, King, and Janin use a unique device in this issue. Each time Dick reunites with someone, we get a splash page with a black background and various pieces of actual dialogue from the 75-year history of Batman’s world. Naturally, they correspond with Dick’s relation to that character. This not only gives the reader a very real sense of what the dynamic was between Dick and the character in question, but it’s a fitting substitute for the repeated and redundant “You’re alive!” moments we might have seen under a different creative team. It’s also extremely cool that actual dialogue is used. These quotes can actually be traced back to specific issues. You certainly can’t say effort wasn’t made in terms of research.

The device works best with Bruce, who due to events in Batman, has no memories of his time in the costume. The original Dynamic Duo look like a distant memory here, which is fairly sad. But the Grayson team makes good use of its time in the Snyder/Capullo sandbox, particularly when Dick has to protect his former partner, using the very skills Bruce taught him years ago!

The reunion between Dick and Damian is the only one that bucks the “You’re alive!” moment pattern. Apparently, Dick had no idea Damian had been resurrected. From an in-story perspective, that’s really weird. Dick knew Bruce was trying to bring Damian back. He even made a brief appearance in the Robin Rises story. How could he not have known? Is Dick feigning surprise for some reason?

Birds of Prey #8, 1999, Greg Land, Nightwing, OracleWith the splash page/quotes device, this issue harkens back to the pre-New 52 continuity in a way that still maintains a certain fluidity. But surprisingly, Seeley and King harken back to something very specific in the reunion between Dick and Barbara: The trapeze scene from 1999’s Birds of Prey #8. Written by the great Chuck Dixon and drawn by Greg Land, the issue saw Dick take Barbara on a date of sorts to Haly’s Circus. In an empty tent, Dick and the partially paralyzed Barbara go swinging on a trapeze, in a sequence that culminates with a kiss. To my knowledge, this is the first time this event has been mentioned in the New 52 continuity, and it’s really cool to see them show this moment such reverence.

On the flip side of the memories coin, this issue has plenty of flashback images featuring “Red Nightwing,” a.k.a. Nightwing in the red and black suit. If we’re using quotes and plot points from the pre-New 52 continuity, can we at least acknowledge that Nightwing wore a black and blue suit at one point? Yes, I understand it’s probably an editorial mandate. But still, you’re killin’ me…

The conclusion to this issue does the Dick Grayson character a lot of justice. While Bruce Wayne is a natural loner, Dick is a people person, and is more than comfortable as part of a team. In Grayson #12 we see that is a strength, not a weakness. Not only did Seeley and King nail the character, they showed us that with Bruce on the sidelines, Dick Grayson may in fact be the glue that holds the Bat-Family together.

Image 1 from craveonline.com. Image 2 from comicbookresources.com.

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A Grayson #1 Review – “Dick” Jokes, Guns, and The Midnighter

Grayson #1 (2014)TITLE: Grayson #1
AUTHOR: Tim Seeley, Tom King
PENCILLER: Mikel Janin. Cover by Andrew Robinson.
PUBLISHER: DC Comics
PRICE: $2.99
RELEASED: July 9, 2014

By Rob Siebert
Editor, Fanboy Wonder

Though this issue just hit the stands this week, Grayson has, for my money, had problems for months…

First and foremost, the series tag line: “You think you know Nightwing…You don’t know Dick.” That’s literally the worst promotional line I’ve ever read for anything, ever. His name is Dick. Dick is also a phallic euphemism. So let’s go ahead and use the same stupid, third grade quality pun we heard in that timeless cinematic classic, Batman and Robin. That’ll hook the fans! To me, that line borders on disrespecting the Dick Grayson character, who by the way, is one of the founding heroes of the DC Universe. Having made his debut in 1939, he predates Wonder Woman, Green Lantern, and most of the other pillars of the company’s mythos. “You don’t know Dick.” What a joke.

Grayson #1, Robin, NIghtwingSecondly, while putting Dick Grayson in this super spy role does indeed have some interesting storytelling potential, exactly how much desire was there from a fan’s perspective to have him removed from the Nightwing role? Nightwing possesses that oh-so-important cool factor that many of DC’s heroes are (arguably) lacking. At the tail end of his career as Robin, he stood up to Batman and opted to become his own man, with his own set of principles. That being said, he still loved Bruce like a father, and would chip in and help when he needed to. Then in the ’90s he got that awesome black costume with the blue “V” stripe, he got his own city to protect, his own series, and he was off to the races. He also had plenty of sex appeal for female readers. Dick was a ripped, athletic superhero with a dark and tragic origin who you could also take home to mom. Mind you, some of his appeal has been watered down since the New 52 reboot. But it was still a fact: Nightwing rules. Yes, this spy stuff has potential. But why fix what isn’t broken?

Thirdly, the cover. Dick Grayson with a gun. No. BIG no. Granted, Tim Seeley has said they’re going to dive into the issue of Dick having to use a gun on the job, which is fine. But still, no. There were plenty of other directions they could have gone in. And even if they had to use the gun, this cover still sucks. I like the use of color, but what does Dick’s face say? Nothing. It’s essentially a blank expression. His body also looks too slim and lanky for my taste. Oddly enough, somewhere along the line his hair got changed. In the original solicitation (shown left), his hair was short, and bit more militaristic looking. Now it’s longer, and more reminiscent of his Nightwing look. I’ll give them this much: That was a positive change.

Grayson #1, rescueAnd so, with all that working against it, we open Grayson #1 and find something that’s really not so bad.

After the events of Forever Evil, Dick Grayson/Nightwing is thought to be dead. In reality, he’s been dispatched by Batman to be a mole in the top secret espionage organization known as Spyral (see Batman Incorporated). Now, guided by the mysterious Mr. Minos, Grayson and his new partner Helena Bertinelli must save the life of a Russian man carrying a bioweapon inside his body. And in this first issue, Dick crosses paths with none other than The Midnighter of The Authority fame.

Our first page is somewhat akin to what we saw when we opened All Star Superman #1. Four panels, each with sentence fragments to fill us in on Dick’s backstory. It’s not nearly as epic as it could have been, because we’re stuck with the crappy New 52 Robin and Nightwing costumes. But Seeley and Janin got most of the exposition out of the way early, so I give them credit for that.

Grayson #1, MidnighterDick starts out the issue in a blonde wig, which is pretty damn surreal. But once he takes it off and the action kicks in, it becomes apparent that this is in fact the Dick Grayson we know and love. As a longtime Nightwing fan, that was a big relief. Seeley and King have changed the character’s M.O., but they’ve kept his personality intact. What’s more, Seeley writes a better Dick Grayson than I’ve seen in awhile. Maybe the best since the New 52 began.

The Midnighter’s appearance in this issue came as a surprise, though not an unwelcome one. It serves as an interesting reminder that there are other black ops heroes out there whose interests could collide with Spyral’s (Checkmate also gets name-dropped in this issue). The motion effects do a lot to accentuate the fight, and add a certain flow to the proceedings. There’s also some pretty good dialouge in there…

Midnighter: “Disciplined, but not averse to improvisation. You fight like jazz.”

Dick: “…you talk an awful lot for the grim and gritty type.

We also get a little more time with the New 52 incarnation of Helena Bertinelli (not to be confused with Huntress, who is from Earth-2). Now an African American agent of Spyral, she’s apparently attracted to her new partner. But Dick isn’t keen to let her get too close, as he’s a mole in the Spyral organization. That’s obviously an interesting dynamic, and of course, plays up Dick’s status as the company’s resident male sex symbol. So the pieces are in place for some interesting storytelling there.

In the end, Grayson #1 is flawed. But it’s not nearly as flawed as it could have been. Tim Seeley, Tom King, Mikel Janin, and everybody involved with this series has turned it into a potential hot commodity. But let’s make sure we underscore potential. It’s only one issue, folks. There are a lot of places we can go from here.

Images 1 and 2 from newsarama.com. Image 3 from dreamwidth.org.

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