Tag Archives: Thor

Toy Chest Theater: RIP Stan Lee

By Rob Siebert
Fanboy Wonder

With the passing of Stan Lee, fans from across the globe are paying tribute to the iconic creator in their own unique ways.

I found this image from Nicholas Belmont to be particularly touching. Since the news broke yesterday, I’ve seen a lot of “grieving” images from toy photographers. Many of which depict an emotional Spider-Man being comforted by other Marvel heroes. That’s perfectly natural, I think. There’s nothing wrong with that. People process grief in a lot of different ways.

But for yours truly, in times like these scenes of love resonate so much more than scenes of grief or sadness. That’s what we get here. The love and respect we all feel for Stan Lee, personified by the characters he helped create.

Rest in peace, Mr. Lee. Thank you for inspiring so many.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

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Toy Chest Theater: Raph, Leo, and a Hell of a Crowd!

By Rob Siebert
Fanboy Wonder

The TMNT are back in this second edition of “Toy Chest Theater.” I didn’t necessarily want to do a double dose of Turtle Power. But after seeing this beauty from Jax Navarro at Plastic Action, how could I resist?

I’m a sucker for Teenage Mutant Ninja Turtles: The Movie. Almost 30 years later, it’s still my favorite take on the concept. So any toy photographer that can find something creative to do with those NECA figures gets points with me automatically.

But what puts this one over the top is that it’s so beautifully random. The Ninja Turtles playing street ball? Pretty damn cool. But the Ninja Turtles playing street ball in front of such a…wide assortment of characters? Awesomeness, personified in plastic!

What’s more, the way some of the background figures are posed is not only very natural, but very in-character. The best example? Han Solo leaning against the wall with his forearm on C-3PO’s shoulder. Even the way Threepio’s body is leaned looks perfect. Harley looks great too. The combination of her behind Thor is odd, but somehow pleasing.

Also, the detail on the background is incredible. It actually looks like a real place. There’s something about that red lighting. It actually serves as a camouflage of sorts for Spider-Man, Red Skull, Superman, and the other characters Navarro has up on that ledge. I actually missed most of them at first look.

For plenty more from Plastic Action, check Jax Navarro out on Twitter, Instagram, and Facebook!

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com!

A Spider-Man/Deadpool #4 Review – Double Date Drama

Spider-Man/Deadpool #4, cover, Ed McGuinnessTITLE: Spider-Man/Deadpool #4
AUTHOR: Joe Kelly
PENCILLER: Ed McGuinness
PUBLISHER: Marvel
PRICE: $3.99
RELEASED: April 20, 2016

By Rob Siebert
Editor, Fanboy Wonder

Marvel’s bromantic buddy comedy continues with a classic comedy set up: The double date. This makes for an issue that’s less about drama, and more about the wacky, comic book style comedy. But Joe Kelly, Ed McGuinness, and the team make it work. This issue comes off like a story that was destined to be told, unlikely though it may be.

Still trying to see the good in Deadpool, Spider-Man accepts his invitation to hang out at a club in New York City. Little does Spidey know that Deadpool has been contracted to kill his alter ego, Peter Parker. Likewise, Deadpool has no idea Parker and Spider-Man are one and the same. Peter is also unaware Deadpool has made the night into a double date. But the night takes a turn when Spidey learns his date is none other than Thor!

Spider-Man/Deadpool has a really nice, and to an extent unconventional, emotional core. It’s obviously meant to be a comedic story. But it’s also about Wade Wilson wanting acceptance and friendship. He’s trying to impress Spider-Man. Who can’t relate to that? And in turn, Spidey is trying to extend the olive branch, and trust Wade. The reader is rooting for Deadpool, and wants this “bromance” to be successful. No matter what bells and whistles they put on this book, that’s the key to this story’s success.

Spider-Man/Deadpool #4, 2016, Ed McGuinnessI won’t spoil how the date turns out. But Kelly writes it in a way that all the characters shine, and it’s genuinely funny. I never knew Spidey and Deadpool were such good dancers…

Ed McGuinness’ style really lends itself to the dynamic, comic book superhero pose, as we see on the opening splash page (shown left). McGuinness is also good at drawing cartoony expressions that we can still read in spite of Deadpool’s mask. Spidey doesn’t get that same treatment, which obviously makes Wade’s look unique. Also, the colors on this book really pop. Kudos to Jason Keith for that.

Considering what the majority of this issue consists of, the ending comes as a hell of a surprise. I won’t spoil it, but obviously things aren’t what they seem. I credit them for upping the intrigue in an issue that was mostly devoted to the comedic side of things. Spider-Man/Deadpool is a tribute to how diverse the superhero genre can be. It doesn’t have to strictly be about good guys punching bad guys. Kelly, McGuinness, and the crew have given us a tremendous take on the buddy comedy that makes the best of what both Deadpool and Spider-Man have to offer.

And the most explosive stuff is likely yet to come. Secrets have a tendency of getting out. What happens when Deadpool and Spidey learn the truth?

Image from author’s collection.

Follow Primary Ignition on Twitter @PrimaryIgnition, or at Facebook.com/PrimaryIgnition/

An All-New, All-Different Avengers #4 Review – Avengers on a Budget

All New, All Different Avengers #4 (2016)TITLE: All-New, All-Different Avengers #4
AUTHOR: Mark Waid
PENCILLER: Mahmud Asrar. Cover by Alex Ross.
PUBLISHER: Marvel
PRICE: $3.99
RELEASED: January 27, 2016

***Need to jog your memory? Go back to the beginning with our review of All-New, All-Different Avengers #1.***

By Rob Siebert
Editor, Fanboy Wonder

The last two issues of All-New, All-Different Avengers didn’t do much for me. Much of it had to do with the involvement of Warbringer, whom I’m unfamiliar with. But now that we’re getting into the team dynamic and the nitty gritty of how they work together, things are picking up.

Our ol’ pal Jarvis joins the team at their new headquarters at a condemned airfield formerly owned by Tony Stark. As Tony brings Jarvis up to speed, our younger heroes wonder why The Vision has been acting even more robotic than expected. But a sudden attack from Cyclone in Atlantic City brings the Avengers into battle. And the thrill of the action causes Thor to do something unexpected. Here’s a hint…it’s on the damn cover.

All New, All Different Avengers #4, QuintetWhile I haven’t been thrilled by All-New, All-Different Avengers thus far, I continue to love this team line-up. It’s a great mix of classic Avengers (Iron Man, Vision), legacy heroes (Captain America, Thor), and next-gen heroes (Spider-Man, Ms. Marvel, Nova). Waid gives them a fun chemistry, which is added to by this low-budget story he’s going with. It almost has a Justice League International vibe.

There’s not much point to skating around the kiss between Cap and Thor, as they’re advertising it up front. While I won’t go into the specifics of how it happens, it’s not nearly as epic as the cover leads you to believe. Unless this is just the start of some grand romance between the two, which definitely has some intrigue to it. It would certainly be new and different, which seems to be Marvel’s M.O. these days.

It’s interesting to see how The Vision is portrayed in this book, as it matches up with what’s happening in his title. He seems to be raising red flags with the younger characters, which could create some interesting conflict between the new and established heroes down the road.

Ms. Marvel, All-New, All-Different Avengers #4, Mahmud AsrarMs. Marvel gets put over really nicely in this issue. Being so young, her perspective may be a bit more simplistic than the others. So during the attack, she cries to Cyclone: “You’re killing people! Why? They didn’t do anything to you!” To which Cyclone simply replies: “I’m a hired gun…Body count isn’t my problem.” Then at her request, Spider-Man flings her right at him, allowing her to hit several big blows. It’s a great moment for her, and a sign that she won’t be overshadowed.

Is Mahmud Asrar as step down from Adam Kubert? I don’t think so. Obviously he’s done ancillary work on this series with the recap pages and back-up stories, so he’s a natural plug-in without Kubert there. They’re fairly evenly matched as far as I’m concerned. Though Asrar has a cleaner, less sketchy touch to his work.

As much as most of us love Mark Waid’s work, I’m inclined to say All-New, All-Different Avengers has underperformed thus far. I don’t have a story that I can really sink my teeth into yet. But the upside is it’s laid some nice groundwork in terms of the relationships between the characters. And that’s undoubtedly one of the most important ingredients in any team book. If you’re an optimist, this is a series that can easily get better very quickly.

Images from author’s collection.

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An All-New, All-Different Avengers #1 Review – The World’s Mightiest Teen Angst

Avengers #1, 2015TITLE: All-New, All-Different Avengers #1
AUTHOR: Mark Waid
PENCILLERS: Adam Kubert, Mahmud Asrar. Cover by Alex Ross.
PUBLISHER: Marvel
PRICE: $4.99
RELEASED: November 11, 2015

By Rob Siebert
Editor, Fanboy Wonder

Mark Waid and Adam Kubert on an Avengers book, with Alex Ross doing the covers. That’s not exactly a hard sell, is it?

All-New, All-Different Avengers begins at street level, as Captain America (Sam Wilson) and Tony Stark have an impromptu reunion in front of numerous civilians. Sam continues to struggle with his every move being analyzed by the news media (as we’ve see in Captain America: Sam Wilson), and as he’s been offworld for some time, Stark Industries has been crumbling without him. But our heroes snap back into action mode quickly, when they come across Spider-Man (Miles Morales) taking on Warbringer.

We then jump six weeks backward, to see a charmingly awkward meeting between Ms. Marvel and Nova. Ah, the trials and tribulations of a budding teenage romance. At least, I think that’s what this is. Who knows? Teenagers are weird…

Avengers #1, Adam KubertSo our new and different line-up of Avengers consists of: Iron Man, Captain America, Thor (Jane Foster), The Vision, Ms. Marvel (Kamala Khan), Nova (Sam Alexander), and Spider-Man. What makes this group interesting is not only the diversity we see on the team, but how they’ve mixed the newer, younger heroes in with the veterans. Kamala, Sam, and Miles are all teenage heroes, so they’re bound to have a different worldview than their teammates. Plus, as editor Tom Brevoort said in a recent Newsarama interview, half the team goes to school, which means different hours of operation.

This issue does something many team books don’t take time to do initially: Establish a solid rapport between the characters. Not just the ones who haven’t met before, but the ones who have. Stark and Wilson obviously know each other. But this book gives us a nice look at the sort of friendly antagonistic relationship they’ve developed over the years. That sort of familiarity is a good way to kick off a legacy team book like this, especially given the exposition they have to get out on the table.

Adam Kubert is in his usual form here. Which is to say, good. His attention to detail is excellent, and while we only get a moderate amount of action from his half of things, he brings a nice sense of gravity that you’d associate with a more traditional Avengers book.

Avengers #0, Nova, Ms Marvel, Mahmud AsrarMidway through, we switch our focus to Kamala and her friends in Jersey City, as Nova chases a monster from the Microverse through the city. Waid does an amazing job writing not just awkward teenage dialogue, but freaked out teenage inner monologue. It’s immensely endearing, as most of us have been in front of a crush and not had a clue what to say. Asrar’s animated pencils match Waid’s tone perfectly, particularly when it comes to our characters’ nervous, apprehensive, or outraged faces. I’m very interested to see how this book blends the world-shaking crises with the more personal ones. Our opening page seems to indicate we’ve got both on the horizon.

Also worth nothing here is that Tony Stark has a hovercar that can transform into Iron Man armor. Why? Because he’s Tony Stark.

All-New, All-Different Avengers #1 definitely leaves you wanting more. There are plenty of questions left to be answered, including how Thor and Vision fit into all this, and how Miles may effect the dynamic between Sam and Kamala. As the months go on, hopefully this will indeed prove to be a new and different kind of Avengers team.

Images from author’s collection.

Follow Primary Ignition on Twitter @PrimaryIgnition, or at Facebook.com/PrimaryIgniton.

A Secret Wars #2 Review – A Journey to Battleworld

Secret Wars #2 cover, Alex RossTITLE: Secret Wars #2
AUTHOR: Jonathan Hicks
PENCILLER: Esad Ribic. Cover by Alex Ross.
PUBLISHER: Marvel
PRICE: $4.99
RELEASED: May 13, 2015

By Rob Siebert
Editor, Fanboy Wonder

The key to Secret Wars thus far, especially if you’re an A.D.D. guy like me, seems to be taking your time. There’s so much going on, and the scope of it is so huge, it might even take you a few reads to absorb everything. It is the end of the universe after all…

We spend most of this issue exploring Battleworld, a planet made up of pieces of the traditional Marvel Universe, the Ultimate Marvel Universe, and various other universes and timelines. To Jonathan Hickman’s credit, there’s a hierarchy to the world that seems very thought-out. The emerging conflict in this story seems very organic. This runs contrary to what DC did with Convergence, which segregated all the alternate universes, and then had a God-like figure simply force the various characters to fight.

It takes awhile to explain how Battleworld works. But once you get it, you come away with a certain enthusiasm for it all. So let’s hit some bulletpoints…

Secret Wars #2, Doctor Doom– Doctor Doom is revered as a god and an all-powerful creator.

– Doctor Strange is Doom’s right hand and acting lawmaker.

– This world’s police are the Thors, who police the various realms. They essentially guide us through the issue, and the world at large.

– Those who breach the borders must become part of The Shield (No wrestling fans, not that Shield.), a group that guards the realms from various hazards and hostilities.

– More serious offenders may be banished to the Deadlands, i.e. an underworld which is home to symbiotes, Ultron robots, and Annihilus drones.

If you’re watching Game of Thrones, much of this should seem familiar, particularly the stuff about The Shield and the Deadlands. I half expected to see Jon Snow pop up during the second half of the issue. Still, it works. And it’s all so rich in Marvel mythology, most of which newer Marvel readers (and perhaps even some of the more seasoned ones) won’t pick up on.

Secret Wars #2, Doctor Strange, Mr. SinisterAs compelling as Battleworld itself is, the most interesting aspect of this issue is Doctor Doom himself. We see that in addition to Doctor Strange, Sue Storm and her daughter Valeria are among his inner circle. The fact that they’re there, especially considering this is the original Marvel Universe’s Doctor Doom (As said by Hickman himself.), is extremely interesting. The duality between Doom’s more natural sadistic state, and the more merciful side we see brought to the surface by Sue, is also curious. How this progresses, and presumably unravels, in the issues to come will be interesting to see.

There’s also an interesting Science vs. Religion conflict here. Apparently the Thors have another job: To quarantine and keep secret anything that might cause believers to lose their faith in Doom as a god. Yet another curious seed planted.

Needless to say, there’s a lot to sink your teeth into with Secret Wars #2. But if you’re willing to stick it out and wade your way through the initial confusion, you’ll find out there’s a pretty good story on the table here. Granted, there’s still plenty of time for them to screw it up. But for now, they’ve got me interested. And as someone who’s been out of touch with Marvel lately, that’s no small feat.

Image 1 from comicvine.com. Image 2 from author’s collection.

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A Secret Wars #1 Review – A Noob’s Nightmare

Secret Wars #1 (2015)TITLE: Secret Wars #1
AUTHOR: Jonathan Hickman
PENCILLER: Esad Ribic. Cover by Alex Ross.
PUBLISHER: Marvel
PRICE: $4.99
RELEASED: May 6, 2015

By Rob Siebert
Editor, Fanboy Wonder

I’m not a Marvel noob by any means. I’ve been a reader for a long time. But full disclosure: I’ve been out of the loop lately. As such, Secret Wars #1 was bewildering to me on a number of levels. But my God, if it threw me for a loop, imagine what it must have done to those poor noobs…

You know the ones I’m talking about. The ones that saw Avengers: Age of Ultron on the first of the month, then came out to the comic shop several days later to see what the hell these Marvel comic books were all about. And low and behold, they found this: A book that pits the primary Marvel Universe against the Ultimate Marvel Universe in a desperate fight to survive as the multiverse collapses. And what’s more, it’s wrapped in a gorgeous Alex Ross cover (Oh hell, they’re all gorgeous.) very much reminiscent of Crisis on Infinite Earths.

Secret Wars #1, 2015But indeed, a new Marvel Universe is about to be formed. And to  be fair, Marvel is doing what it can to keep everybody in the know. The book has a plain white expository page that simply says: “The multiverse is dying. Only two universes remain. Today, Earths collide.” That’s a pretty simplistic view of something that’s not simple at all. But it states things pretty plainly. We also get cast page, that diagrams almost everybody in the issue. Hell, the issue even comes with a giant foldout of Battleworld, which as I understand it, is where much of the story will take place.

The issue also has a pretty damn good hook, as Doctor Doom, Doctor Strange, and Molecule Man come face-to-face with the Beyonders, as an unknown narrator talks to us about God, and what happens when we die. Heavy stuff. But appropriate I suppose, considering, you know, it’s the end of the universe. When we circle back to it at the end, it’s fairly strong.

If you’ve been following the Ultimate books and the main Marvel stuff, there are some cool moments to be found here. Captain Marvel and Ultimate Iron Man face off. We see the Triskelion fly into primary Marvel Manhattan. Both versions of Spider-Man seem to simply be caught up in the mayhem, which I find fitting considering their standing within their respective fictional universes. But most of my cool points go to the sequence with The Punisher in the bar (see below). Talk about a scene with a punch line…

Secret Wars #1, Punisher, bar sceneStill, the issue jumps around so much between different characters that it can almost be frustrating, especially if you’re not familiar with who’s who. It’s understandable, considering the scope of what’s happening. But in the span of one issue (An oversized issue, but still a single issue.), we jump from Luke Cage and Iron Fist, to the Guardians of the Galaxy, to Storm and Thor, to Captain America and Iceman. And that’s just one page (shown above in part)! Throw in the fact that some of these characters don’t look the way mainstream culture knows them, i.e. Thor being a woman and Sam Wilson being Captain America, and the cyclone of confusion only gets stronger.

Both Esad Ribic and colorist Ive Svorcina deserve much credit for the much-needed epic feel they inject into the issue. While we don’t see a great deal of it here, Esad’s rendering of the Doctor Doom mask is awesomely intimidating. The desperation, terror, and determination he draws our heroes with is a beautiful thing. And Svorcina makes the issue a beautiful blaze of color, particularly in the way she reflects the colors in the sky off the various costumes. The issue as a whole is a lot to take in. But once you do, you know it’s gorgeous.

Regardless of how you rate the issue, between Secret Wars and Convergence, I’ve officially got event comic fatigue. More specifically, multiverse fatigue. No matter which worlds survive these respective crises, I can honestly say I’m ready to go back to my regularly scheduled comic books. Anybody else up for a non-event comic or two?

Image 1 from pastemagazine.com. Image 2 from gaish.tumblr.com.

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