A She-Hulk #11 Micro-Review – Clobberin’ Club

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

She-Hulk 11, cover, March 2023, Jen BartelTITLE: She-Hulk #11
AUTHOR: Rainbow Rowell
ARTISTS:  Andres Genolet, Dee Cunniffe (Colorist), Joe Caramagna (Letterer). Cover by Jen Bartel.
RELEASED: March 22, 2023

By Rob Siebert
Fanboy Wonder

We see in this issue that Jen has helped start a fight club which includes Titania, Luke Cage, and the Thing. The latter hilariously suggests they call it “Clobberin’ Club.” That’s kinda brilliant.

Thankfully, Andres Genolet and Dee Cunniffe are very much suited for this brand of super-powered action. And there’s plenty to go around in this issue.

Apparently She-Hulk #12 will be, cumulatively, the character’s 175th issue. At one point do we call Jen Bartel one of the best She-Hulk cover artists there’s ever been? For me, that time is now.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A Fantastic Four #4 Micro-Review – Too Formal For Family?

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

TITLE: Fantastic Four #4
AUTHOR: Ryan North
ARTISTS:
Iban Coello, Jesus Aburtov (Colorist), Joe Caramagna (Letterer). Cover by Alex Ross.
RELEASED: 
February 15, 2023

By Rob Siebert
Fanboy Wonder

In this issue we find out why the public has turned on the Fantastic Four. Turns out they’ve got a pretty good reason, which by FF standards is pretty believable. If you guessed it was Reed Richards’ fault, you were dead on.

Speaking of: Does Reed usually refer to Johnny Storm as Jonathan? Or Ben Grimm as Benjamin? Seems a little too formal, considering these guys are supposed to be like family. I suppose it’s just supposed to be one of Reed’s quirks as a super genius. But somehow it doesn’t ring true.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A Fantastic Four #3 Micro-Review – Pulling Punches

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

TITLE: Fantastic Four #3
AUTHOR: Ryan North
ARTISTS:
Iban Coello, Jesus Aburtov (Colorist), Joe Caramagna (Letter). Variant cover by Alex Ross.
RELEASED: 
January 4, 2023

By Rob Siebert
Fanboy Wonder

There’s a scene in this issue where a guy with no powers is punching the Human Torch, and Johnny is “turnin’ off your fire on impact.” In essence he’s making an effort to allow someone to beat him up by pulling back his fire powers. Because, you know, he’s the Human goddamn Torch.

I get not wanting to hurt people because you’re a good guy. But if you’re a bad guy, and you’re stupid enough to touch (much less punch) someone or something that’s on fire, you deserve what you get.

How’s that for wisdom?

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Alex Ross Spotlight: Fantastic Four #3

By Rob Siebert
Fanboy Wonder

What we have here is a variant cover for this week’s Fantastic Four #3. Ross also drew the main cover for the issue, but I like this one better for its use of grayscale. Not making the Thing his usual orange color allows you to appreciate the painstaking detail Ross puts into his rocky skin. Imagine having to do that every single time you draw a character…

I also love the sense of life that the eyes brings to the image. They bring a great sense of humanity to this otherworldly creature. For me personally, it’s about as close as you can come to making it believable that the Thing could exist in the real world.

Fantastic Four 3, variant cover, December 2022, Alex Ross, The Thing

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A Fantastic Four #1 Micro-Review – A Fantastic Foundation

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

Fantastic Four 1, cover, 2022, Alex RossTITLE: Fantastic Four #1
AUTHOR: Ryan North
ARTISTS:
Iban Coello, Jesus Aburtov (Colorist), Joe Caramagna (Letterer). Cover by Alex Ross.

RELEASED: November 9, 2022

By Rob Siebert
Fanboy Wonder

I’m not sure what I expected when I opened this issue. But what we got? Mr. and Mrs. Ben Grimm trapped in a time loop in the middle of small town USA without any of the other members of the FF? That definitely wasn’t it…

But for the record, I’m not complaining. This is probably unlike first issue there’s ever been to a proper Fantastic Four series. The art by Coello and Aburtov is colorful and fun, and it sets a nice foundation with Ben and Alicia. It’s not what I expected. But I can’t hate on it.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Epic Covers: Fantastic Four #1 by Alex Ross

By Rob Siebert
Fanboy Wonder

There’s an argument to be made that every cover Alex Ross does is epic just because he’s Alex Ross.

But what sticks out to me about the cover to today’s Fantastic Four #1, as opposed to the various other covers Ross has recently done for Marvel, is that it’s a blaze of color. The effect is borderline psychedelic. Thus, not only do we have Ross’ pitch perfect renderings of our four heroes, but he’s taken a step outside the box with them. The FF have, for my money, rarely looked this good.

Fantastic Four 1, cover, 2022, Alex Ross

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Alex Ross Spotlight: Marvel “Timeless” Portraits

By Rob Siebert
Fanboy Wonder

This week, Marvel unveiled a second wave of “Timeless” portraits by the incomparable Alex Ross. The paintings, which now total 28, will be used as variant covers this fall. They’re also being used for a mural in Marvel’s new offices.

Six of Ross’ “Timeless” portraits are pictured below. The rest can be seen here.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Alex Ross Spotlight: Marvels and History

By Rob Siebert
The 5th Turtle

It’s easy to compare Marvels to another seminal Alex Ross work at DC years later, Kingdom Come. The stories themselves aren’t that similar. But the main character in both is essentially an average Joe seeing all this colorful superhero stuff from the ground level.

The Norman McCay we meet in Kingdom Come is an old man. But in Marvels, we follow Phil Sheldon the late ’30s into the mid-’70s. So we see the majority of his life play out alongside the evolution of the world of Marvels.

Ross elabrorates…

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An Infamous Iron Man #1 Review – The Most Unlikely Hero

Infamous Iron Man #1, 2016, cover, Alex MaleevTITLE: Infamous Iron Man #1
AUTHOR: Brian Michael Bendis
PENCILLER: Alex Maleev
PUBLISHER: Marvel
PRICE: $3.99
RELEASED: October 19, 2016

By Rob Siebert
Editor, Fanboy Wonder

So this is basically Superior Spider-Man with Doctor Doom and Iron Man. That’s an incredibly simplistic description. But it’s basically accurate, isn’t it? Hey, Superior Spider-Man was really good. If they can capture some of that magic with Infamous Iron Man, more power to them.

In the aftermath of Civil War II, Tony Stark is out of the picture. As Civil War II has been plagued by delays, we don’t know where Tony is, or what’s happened to him. But he’s gone. In his stead, the most unlikely of replacements will take up the Iron Man name: Victor von Doom. But why? More importantly, what is in store for the world now that Doctor Doom is Iron Man???

At face value, this seems to be another story about a bad guy trying to make amends with the world and become a hero. His motivation beyond that remains to be seen. But something’s clearly not right, as evidenced by his creepy scene with Tony’s former love interest Amara Perara. There’s an ominous vibe that seems to indicate things aren’t what they seem. He also makes it clear he’s taking on the Iron Man identity whether Tony (or at least a digital projection of Tony’s consciousness) approves.

Infamous Iron Man #1, 2016, Alex Maleev, Doctor Doom costumeThere’s also something going on with Doom’s mother. They bring her up at the start of the issue, and then we see her at the end. Looks like someone’s got some mommy issues…

Also, the Thing is now an agent of S.H.I.E.L.D. So Doom has a built-in first opponent, who he may face a soon as next issue.

Artist Alex Maleev and colorist Matt Hollingsworth let us know we’re squarely in villain territory for most of the issue. Their dark, sketchy, muted M.O. sets a grim tone worthy of Marvel’s most despicable villain. Even when we see Doom rescue Maria Hill from Diablo, it’s difficult to trust him as he’s shrouded in darkness.

Maleev’s rendering of Victor, whose face has been restored after the events of Secret Wars, is interesting. He maintains the suave and sharp look he had in Invincible Iron Man. But Maleev also humanizes him. Early in the issue, there’s a transition from a shot of the Doctor Doom mask, to the same shot of Victor. Male gives him a face slightly touched by age. Mike Deodato modeled him after Vincent Cassel in Invincible. But you can also see a little Peter Cushing (Tarkin from Star Wars) in Maleev’s version.

Doctor Doom is, among many things, delightfully complex. He’s as good a candidate as any to do the villain-becomes-hero routine. Our villain’s attempt to reform will inevitably crash and burn. Given this is Doctor Doom we’re talking about, that crash will undoubtedly be big, epic, and deadly. So for now, Infamous Iron Man has my attention.

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A Drax #1 Review – “I Guess I’ll Go Kill Thanos.”

Drax #1 (2015), coverTITLE: Drax #1
AUTHORS: CM Punk/Phil Brooks, Cullen Bunn
PENCILLER: Scott Hepburn
PUBLISHER: Marvel
PRICE: $3.99
RELEASED: November 4, 2015

By Rob Siebert
Editor, Fanboy Wonder

I’m really curious to see how Drax #1 does from a sales perspective. That’s not usually something I concern myself with. But I admit, I wouldn’t have picked this issue up if not for CM Punk’s involvement. I missed Thor Annual #1, which the real-life Phil Brooks co-authored. This issue is my first exposure to his writing. I’m not sure what I was expecting, but here’s the bottom line: He’s not too bad at all.

Granted, he’s got a seasoned vet like Cullen Bunn backing him up. But reportedly, Punk is very much bringing his own creative energy to Drax, and it’s not simply a matter of Bunn walking him through things. With this in mind, Drax becomes that much more interesting.

This book sees Drax strike out on his own to finally kill Thanos, the ultra-powerful being responsible for the death of Drax’s family (Long story). With an assist from Rocket Raccoon, Drax sets out on a search to finally get the revenge he’s longed for.

Drax #1, 2015, Scott HepburnReaders who came into Drax from the Guardians of the Galaxy movie may be a bit confused, as there is no Peter Quill or Gamora. In addition to Drax, Rocket, and Groot, the team now has Kitty Pryde, Venom, and The Thing. It’s never explained why they’re there, but as this is a book about Drax, it’s not a major issue. As Punk used to scream “It’s clobberin’ time!” before many of his wrestling matches, Punk and Bunn take advantage of The Thing’s involvement for a little fan service in the very first panel.

Punk and Bunn (What a cute name for a tag team!) also have a great handle on the Guardians brand of humor. For instance, Drax’s motivation for this story is seemingly decided on a whim. With nothing else to occupy his time, he simply shrugs and says: “I guess I’ll go kill Thanos.” The simplicity of this moment makes it arguably the most memorable part of the issue.

One can argue this issue doesn’t have a lot of meat to it, particularly after we’re done with the rest of the Guardians. There’s a sequence with Drax and the spaceship, and then he takes a long stroll to get to our cliffhanger moment at the end. While there is some funny dialogue during all this, it doesn’t necessarily have a lot of substance to it. In the end, that’s fine. This is, after all, only the first issue. Plus, they keep the tone consistent throughout. So they get a pass from me.

Drax #1, Scott HepburnScott Hepburn is very much in his element here. Even on a book where humor and exaggerated expressions are so prominent, he makes you believe in Drax as a musclebound, murderous monster who somehow still has a heart. This guy’s got a lot of rage, and we see that here. But Hepburn is also able to lend a lot of charm to the almost child-like emotional extremes Drax goes to in this issue. And of course, his action sequences are every bit as dynamic as the book needs them to be.

Drax is in good hands for the time being. Seeing this team’s take on a Drax/Thanos confrontation intrigues me, as does watching CM Punk’s progression as a writer. At the very least, Drax is worth a look.

Images from author’s collection.

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