Posted in Comic Books/Graphic Novels, Deep Dive Reviews

Primary Ignition‘s TMNT Deep-Dive Archive

The following represents our full archive of Teenage Mutant Ninja Turtles Deep-Dive Reviews…

Teenage Mutant Ninja Turtles
Issues #1-12
Issues #13-20
Issues #21-28
Issues #2937
Turtles in Time
Issues #38-44 (Coming Soon)
TMNT/Ghostbusters (Coming Soon)

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Comic Books/Graphic Novels, Deep Dive Reviews

A TMNT #2937 Deep-Dive – Cutesy Turtles

***This year marks the 10-year anniversary of IDW Publishing’s Teenage Mutant Ninja Turtles series. In celebration, we here at Primary Ignition will be looking back at the book as a whole. For some, this has emerged as the definitive version of the TMNT. Here is why…***

TITLE: Teenage Mutant Ninja Turtles #29-37
AUTHORS: Tom Waltz, Kevin Eastman, Bobby Curnow
ARTISTS: Sophie Campbell, Mateus Santolouco, Cory Smith
GUEST ARTIST: Mark Torres
COLORIST: Ronda Pattison
LETTERER: Shawn Lee
PUBLISHER: IDW Publishing
COLLECTED IN: TMNT: The IDW Collection, Vol. 4 (shown right)
RELEASED: December 2013 – August 2014

By Rob Siebert
Fanboy Wonder

I don’t usually go for what I call, “Cutesy Turtles,” i.e. the boys in green drawn in a cute and cuddly style. That’s not to say the Turtles shouldn’t have softer, gentler moments. But remember, the Turtles are martial artists. They’re ninja. They’re warriors. They should look ready and able to fight at any given time

Sophie Campbell provides a unique and rare exception to that rule. I’d classify her take on the Turtles as cute. But there’s also a sensitive quality to her take that made it perfect for the four-issue “Northampton” story arc in IDW’s TMNT series.

The whole “retreat to a farm” plot point dates back to the original Kevin Eastman and Peter Laird comic book and has been adapted into various TMNT media over the years. It always involves the Turtles recovering after getting beaten down by the Foot, and eventually making a triumphant return to the city. The IDW series presented it with a new twist: Leonardo recovering after being brainwashed by the Foot. It wasn’t just a matter of recovering from a beat down. It was about coming together and healing as a family.

I think one would be hard-pressed to debate that Campbell’s art in these issues has a cute quality to it. But there’s more to it than that. This is as emotionally transparent and as vulnerable as the Turtles have ever looked. Part of that is because of the “softer” look Campbell gives them. Another part involves her decision to draw them with eyeballs, as opposed to the white slits many artists use, eyes being a “window to the soul” and what not. The general autumn aesthetic of “Northamption” plays a role too. Campbell and colorist Ronda Pattison’s greater emphasis on fall colors is a subtle message that we’ve got a front row seat to a time of change and transformation in these characters’ lives.

From a writing perspective, it’s interesting to pay attention to each individual Turtle during these issues. TMNT #30 in particular. Each brother deals with the blows they’ve been dealt in his own way. Michelangelo narrates the issue via a letter to Woody. Thus, he reaches out to others while expressing himself creatively. Leonardo desperately seeks guidance from a mentor, in this case his mother (more on her in a moment). Raphael, perhaps predictably, seeks out confrontation with Alopex, who is on her own journey of self discovery. Understated but no less important is Donatello’s emergence as a healer. We see him tend to Splinter’s wounded leg and act as a friendly ear for Leo. This emphasizes that his contributions to the Turtle clan go far beyond that of a simple Mr. Fix-It.

On the subject of healing, not to be lost in the shuffle is April O’Neil, and her role in the saga of the Turtles. We learn in “Northampton” that her father, now disabled after suffering a stroke, was once a scientist who had a hand in testing and developing the mutagen that transformed the Turtles and Splinter into their present state. The O’Neil family will later learn that the “ooze” in question has miraculous healing properties. That’s a new spin on the green goo that’s become synonymous with the TMNT over nearly three decades. More than anything else, it opens up some interesting storytelling doors…

The Turtles have always had a father figure in Master Splinter. But rarely if ever had there been a maternal figure in the story. Historically, the closest thing to one came in the form of Tang Shen, who we’d see via flashbacks as a love interest for the future Splinter, Hamato Yoshi. She would always meet a bloody end thanks to the Shredder.

In the IDWverse, Shen is cast not only as Yoshi’s beloved wife in feudal Japan, but the mother of their four sons. Centuries later, Yoshi is reincarnated as Splinter, and his sons return as four turtles. Shen, on the other hand, becomes a spectral presence, and for the first time has a role in the ongoing story of the TMNT. We saw her briefly during “City Fall,” and we see her once again during “Northampton.” Campbell and Pattison’s presentation becomes downright tender, and also brighter during Shen scenes (shown left). Fittingly, it also has a bit more of an Asian influence. It’s a unique visual, seeing this woman behave in a motherly way with these anthropomorphic animals. And needless to say, her relationship to the Turtles and Splinter is unlike any we’ve seen in the series.

Family continues to be one of the central themes for the book heading out of “Northampton,” into issue #33. The relationship, or lack thereof, between Casey Jones and his father, now the massive brute called Hun, takes centerstage. Present since the very first issue, this plotline is one of the more prevalent byproducts of presenting a younger Casey Jones. In other media, the character has almost always been a grown adult. Making him college-aged allows us to see not only a young man whose identity is still forming, but a character that’s often much more vulnerable than our traditional hockey-mask wearing ass kicker. And thus, more interesting. The downside? A jacked up dude in a hockey mask is a lot more intimidating and formidable than some teenager walking around with golf clubs and a hockey stick.

The truly tragic element of the Jones family story is that by this point in the series, Hun does actually want to help Casey. He wants to do what, in his mind, is best for his son by giving him a bunch of cash and sending him off to start a new life for himself. All the while, Hun would be staying in New York working for Shredder, the man who stabbed Casey and put him in the hospital. Hun may want what’s best for his son, but it’s clear where his loyalties are. And when Casey refuses his offer, we get an all too grim look at just who Arnold Jones has become.

Issue #33 also sees Mateus Santolouco return on pencils and inks. My complaints from last time about Santolouco’s Turtles looking too inflatable and puffy still stand. But oddly enough, his renderings of Slash, another mutant turtle, are perfectly fine. Granted, Slash is a different species of turtle, and is larger than our four boys in green. He also has an entirely different texture to his skin, which Santolouco draws beautifully. All Santolouco’s mutant characters (the four Turtles notwithstanding) are very charismatic and expressive. Not just Slash, but Old Hob, Pidgeon Pete, the Rat King, among many others. So it becomes that much easier to get invested in these characters and their world.

And yes, I did say the Rat King (shown below). Another TMNT “legacy” character that’s appeared in various media over the years, his trademark is his ability to control rats. Naturally, that becomes a problem for Splinter. The Rat King of the IDWverse has a more supernatural, and frankly demonic quality to him. As one might expect, he’s hardly a one-off baddie, and has his place in the larger tapestry of this series. But for now, he simply puts Splinter and Leo through the ringer, content to play again another day…

This portion of the book also lays a good amount of foundation for things to come. We spend more time with tech genius Harold Lilja, who we met in Donatello’s Micro-Series issue. There’s also Nobody, a vigilante/superhero who’s loosely the TMNT equivalent to Iron Man. She emerges when Angel, a friend of Casey’s and member of the Purple Dragons, dons a tech suit created by Harold.

Harold’s latest creation is Metalhead, a turtle-shaped cyborg and TMNT legacy character who’ll serve a purpose the likes of which readers will never see coming. I was impressed with what the IDW team did with Metalhead, specifically his “four-legged” battle mode.

Issue #37 and a portion of #36 see Cory Smith take a turn on artistic duties. Smith’s style is somewhat akin to what Ben Bates turned in during his time on the series, with a touch of Dan Duncan thrown in as well. It feels very familiar. As always, Pattison’s work brings a wonderful consistency to it all.

Smith gets the tall task of drawing the series’ first meeting between Shredder and Krang. Or at least the first meeting we’ve seen, as it turns out they’ve met before. I don’t love that approach, as I think it would have been much more interesting to see these two would-be dictators and forces for evil meet for the first time and size each other up. But what we get nonetheless has intrigue to it. They meet for what’s almost a business negotiation. As one might expect, things break down.

The four “Northampton” issues are the real selling point for this cluster of IDW’s Teenage Mutant Ninja Turtles. It puts our characters in a new environment and studies them during a period of vulnerability. It’s not a matter of the book dipping in quality. Rather, it’s about setting the table for things to come. And rest assured, big things are coming…

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Comic Books/Graphic Novels, Deep Dive Reviews

A TMNT #2128 Deep-Dive – Broken Home

***This year marks the 10-year anniversary of IDW Publishing’s Teenage Mutant Ninja Turtles series. In celebration, we here at Primary Ignition will be looking back at the book as a whole. For some, this has emerged as the definitive version of the TMNT. Here is why…***

TITLE: Teenage Mutant Ninja Turtles #2128
AUTHORS: Kevin Eastman, Tom Waltz
ARTISTS: Mateus Santolouco, Eastman
GUEST ARTISTS: Dan Duncan, Andy Kuhn, Ben Bates, Sophie Campbell
COLORIST: Ronda Pattison
LETTERER: Shawn Lee
PUBLISHER: IDW Publishing
COLLECTED IN: TMNT: The IDW Collection, Vol. 3 (shown right)
RELEASED: April 2013 – November 2013

By Rob Siebert
Fanboy Wonder

One of the really amazing things to me about this stretch of TMNT issues is that the series is still relatively young at this point. . When issue #21 came out, the book was only in its second year. And yet, Tom Waltz, editor Bobby Curnow, and the rest of the TMNT crew had such a solid handle on these characters and their world that even at that early juncture they were able to tell one of the more ambitious and impactful stories the property has ever seen. This, my friends, is “City Fall.”

Kevin Eastman, one of the co-creators of the Ninja Turtles and their world happens to pencil and ink issue #21. Eastman can be credited with the creative spark that launched a global juggernaut, having famously doodled a “ninja turtle” for friend and eventual TMNT co-creator Peter Laird in the early ’80s. Fast-forward to the early 2010s, and Eastman has top-billing on this new, ever-expansive TMNT comic book. My understanding is that to this day Eastman acts more as a consultant for the series than anything else, pitching in on story, character design, and drawing variant covers for each issue. Despite all he’s given us over the years, in my estimation he shouldn’t be the first name mentioned when talking about all the success this series has had. I’d absolutely rather have him aboard than not, as he’s obviously very creative with years of expertise to offer. He also gives the series a certain credibility for die-hards like me who are forever in his debt. But let’s keep Eastman’s role in the proper perspective as we move forward…

For those familiar with Eastman’s art, TMNT #21 is more or less exactly what you’d expect, and perhaps even hope for: Something in the vein of a classic Eastman and Laird TMNT issue. It’s dark (though not grim), though as expected Ronda Pattison’s colors accent things beautifully. It’s got the trademark scratchy texture, and the figures are a little bit blocky in that Eastman sort of way. It’s a nice artistic interlude in an issue that ultimately serves as the calm before the proverbial storm of “City Fall.”

Issue #22 marks the beginning of what wound up being a pretty extensive run for Mateus Santolouco as the artist for TMNT. Santolouco is very talented, and as we’ll soon see brings us no shortage of memorable moments. But for yours truly, the success or failure of a TMNT artist largely hinges on the way they draw the Turtles themselves, and I’ve never been a huge fan of how Santolouco draws the boys in green. They’re very expressive and emotional, which is a great thing. (For evidence, look no further than Raphael’s “acting” in issue #22.) But the way Santolouco proportions the bandanas on the Turtles’ heads has always bothered me. That, and the certain puffy “inflatable” quality he sometimes brings to their frames. Indeed, Santolouco turns in a career performance on “City Fall.” But that’s not to say it’s a flawless one.

The first chapter of “City Fall” sees Casey Jones abducted by the Foot. Fast-forward several pages, and Shredder does something genuinely shocking: He stabs Casey in the stomach in front of the Turtles and Splinter (shown below). It’s drawn and colored for maximum impact, and is one of the images that immediately come to mind when I think of “City Fall.” The red background packs a hell of a punch when you turn the page. Even the sound effect they use is enough to make you shudder.

By this point in the series, Shredder was already well established as a villain. But in “City Fall” he ups his game and truly earns his status as the Turtles’ arch rival. Not just because of what he does to Leo (more on that in a moment), but because of the sheer cunning and viciousness he displays in these pages. Here is a man who’s trying to conquer an entire city, and destroy the Turtles’ family in the process. More over, he’s flat out stabbing people to get what he wants. He makes damn effective use of those gauntlets. We see what he does to Casey, and later on we see him straight-up murder someone with them. This guy is playing for keeps.

The stabbing of Casey turns out to be part of a ploy to capture Leonardo. Kitsune brainwashes Leo, turning him against his family and into the waiting arms of his new master, the Shredder. The subsequent hallucination sequence, which is given several pages in issue #23, sees a number of familiar faces tag in for portions of the artwork: Dan Duncan, Andy Kuhn, Ben Bates, and Eastman. There’s also Sophie Campbell, who we’ll see more from in future issues. Story-wise, it’s not the most logical thing in the world. But it does manage to be powerful, as everything Leo values come crashing down around him.

Thus, we’re introduced to who the IDW crew would dub behind the scenes as, “Dark Leo.” Years later, Santolouco would say in an interview (see the back of issue #94) that Dark Leo ultimately isn’t that different from the Leo we know. He makes some interesting points…

“Leo is disciplined. A real soldier if you will. Once you change who he is responding to, you change his relation to the world around him. In essence he is still the same person, loyal and faithful to his duty as second-in-command of a ninja clan or army.”

We get what may very well be the book’s dramatic highlight in issue #24. Splinter attempts to bargain with Old Hob for Leo’s location. Of course, it’s a trap. Splinter and his remaining three sons wind up confined in a shipping container with Shredder and a small army of his Foot minions. It’s here that we get the big reveal (shown left): Leonardo has turned against his family. It’s an edge-of-your seat sequence, and your stomach drops when you see all that awaits our heroes.

In the grand scheme of things, Leo isn’t under Shredder and Kitsune’s control for that long: About five issues. But his brief conversion to the dark side and the events surrounding it create a ripple effect that touches virtually every area of the book. Not only does Splinter make a faustian deal with Old Hob, but Raph goes on a violent rampage looking for answers, a jealous Karai creates her own mutant henchmen, Casey Jones’ father becomes the villainous brute Hun. The sheer scope of “City Fall” is massive. So massive in fact, one can argue it starts to become a problem.

Almost from its inception, Teenage Mutant Ninja Turtles was accompanied by Teenage Mutant Ninja Turtles Micro-Series, a set of character-based one-shots published periodically to supplement the main book. Naturally, new characters and developments started popping up in those books that began to impact the main series. Whenever something like this would happen, the IDW team would simply include a caption box referencing whichever issue was being alluded to. No harm, no foul. The trouble is, there are so many characters and plot threads converging in “City Fall,” it starts to feel like we aren’t getting the full story without reading the supplemental material in Micro-Series.

The character of Hun is the most egregious example. In issue #25, Casey’s father Arnold Jones is devastated after learning that his son has been stabbed. Then in issue #27 he shows back up as Hun, the massive and muscled leader of the Purple Dragons street gang, just in time to have a showdown with Casey in issue #28. Arnold Jones’ transformation into Hun and all the circumstances surrounding it? That was all in the Hun-dedicated issue of TMNT Villains Micro-Series.

Mind you, the main series continues to cite the Micro-Series issues, and if you’re reading the IDW Collection books, said Micro-Series issues are included. But not everyone has the fortune of reading this series via those collections. The simple truth is, for better or worse, you need the Micro-Series issues to see the full tapestry of “City Fall.”

Bebop and Rocksteady, two staples of the ’80s cartoon, also make their IDW debut here, and like Hun are greatly supplemented by their own Micro-Series issue. By and large they’re exactly as we remember them, and I wouldn’t have it any other way. My only complaint about their big entrance? The head of Rocksteady’s sledgehammer is too small. It barely looks bigger than his fist. He’s a big dude. Let him have a big hammer.

I maintain that not all, but many of the best TMNT stories are, at their core, about family. Such is the case with “City Fall.” Yes, it is about a super villain making a massive power grab, brainwashing a mutant turtle in the process. But I think it’s also a story about what happens to people when a family becomes broken. Some, like Donatello and Michelangelo, remain steadfast in the face of heartbreak. Others, like Splinter and Raphael, give into their darker and uglier impulses. Some families, like the Turtles, are fortunate enough to heal and come back stronger. Others, like Casey and Arnold Jones, remain fractured and in fact grow further apart.

When you look at it that way, “City Fall” could just as easily have been called “Family Fall.”

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Video Games

TMNT: Shredder’s Revenge Trailer Drops

By Rob Siebert
Fanboy Wonder

A brief trailer for Teenage Mutant Ninja Turtles: Shredder’s Revenge, an arcade game style thowback. While this trailer itself is about a minute and a half, there’s only about 20 seconds worth of gameplay footage in it. Thus, we have more flash than substance.

Still, what we do see doesn’t exactly lack promise…

Shredder’s Revenge will be a four-player, side-scrolling beat-em-up game in the style of classic ’80s and ’90s TMNT games. It will take us to classic TMNT locales such as the New York City sewers and the Technodrome.

This should be fun. Teenage Mutant Ninja Turtles: The Arcade Game and Turtles in Time are two beloved pieces of ’90s nostalgia, and probably still the best overall TMNT games ever made. If Shredder’s Revenge is half as good, it’ll be well worthwhile.

Teenage Mutant Ninja Turtles: Shredder’s Revenge will be available for both PC and consoles. For more, check out IGN’s coverage here.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Comic Books/Graphic Novels, Deep Dive Reviews

A TMNT #112 Deep Dive – Origins and Opportunities

***This year marks the 10-year anniversary of IDW Publishing’s Teenage Mutant Ninja Turtles series. In celebration, we here at Primary Ignition will be looking back at the book as a whole. For some, this has emerged as the definitive version of the TMNT. Here is why…***

TITLE: Teenage Mutant Ninja Turtles #112
AUTHORS: Kevin Eastman, Tom Waltz
ARTISTS: Eastman (Layouts), Dan Duncan, Mateus Santolouco,
COLORIST: Ronda Pattison
LETTERERS: Robbie Robbins, Shawn Lee
PUBLISHER: IDW Publishing
COLLECTED IN: TMNT: The IDW Collection, Vol. 1 (shown right)
RELEASED: August 2011-July 2012

By Rob Siebert
Fanboy Wonder

One can’t define IDW’s Teenage Mutant Ninja Turtles series in one, or even a handful of ways. It covers so much ground. It’s a love-letter to decades of TMNT lore in comics, television, movies, video games, etc. It’s a masterclass in comic book storytelling in both the short and long term. It’s an explosion of often beautiful work from a number of different artists. It’s become, in some ways, the pinnacle of TMNT mythology based on not just it’s lengthy duration, but its undoubtable quality.

So for the uninitiated…who/what are the Teenage Mutant Ninja Turtles?

The Teenage Mutant Ninja Turtles, TMNT for short, were created in a black and white comic book self-published in 1984 by Kevin Eastman and Peter Laird. The premise was pure comic book insanity: Four anthropomorphic turtles trained in martial arts by an anthropomorphic rat, who then proceed to defend New York City against extraordinary threats of all kind. Most notably an evil ninja clan known as the Foot, and their sinister leader the Shredder.

This bizarre concept exploded into an unlikely cultural phenomenon after it was adapted into a wildly successful cartoon show in 1987. During the peak of the franchise’s popularity in the ’80s and early ’90s, TMNT was a multimedia and merchandising juggernaut. There were toys, feature films, video games, licensed clothing of all kinds, Turtle-themed food products, a bizarre musical stage show, just to name a few. It might be tough to understand if you weren’t a kid in the ’80s or ’90s, but “Turtlemania” was very, very real.

After multiple iterations in television, movies, and of course comic books, the Teenage Mutant Ninja Turtles brand was purchased by Nickelodeon in 2009. Naturally, there were more TV shows, movies, video games, etc. But for sheer power of storytelling, little (if anything) tops the 2011 comic book series from by IDW Publishing that’s still running to this day.

That’s where we come in.

Almost right off the bat, TMNT hits us with what may still be the best two-page spread in the entire series (shown right). Certainly it’s one of them. Put aside that it’s beautifully drawn and colored. This image gives us the series’ initial hook using purely the visual language of comic books. Especially if you’re a longtime Turtle fan, though you don’t need to be one in order to get it.

Look at how Old Hob and his thugs are grouped compared to how the Turtles and Splinter are grouped. There’s a sizable gap in between our heroes, whereas the villains are drawn fairly tight. What does this tell us? That something’s missing. The Turtles are incomplete. The good guys have a problem that needs to be solved. Then, consider Dan Duncan’s masterful rendering of the Turtles (I appreciate Michelangelo’s toothy growl in particular), and Ronda Pattison’s beautiful smokey coloring of the scene, and you’ve got pure comic book awesomeness spread out over two pages.

Indeed, Raphael is missing. This was the big twist early on: Having Raph grow up on his own, separated from his family. As far as set-ups are concerned, this is a pretty good one. Raph has always been written as the moody and broody one among his brothers. Growing up on his own gives him a reason to be that way, as opposed to assigning him those character traits for no real reason. So in the larger sense, it’s a good idea…

What’s always puzzled me about this twist with Raphael is that in the short term it’s never effectively followed up on. There’s no story about Raph butting heads with his father or brothers as he struggles to acclimate to this family he’s never known. Between issues #4 and #5, we essentially jump from reunited to reacclimated. It’s the kind of missed opportunity the series would not come to be associated with as it continued. Let’s call it stumbling out of the gate.

The IDW crew gives April O’Neil a larger role in the formation of the Turtles’ identities. She’s an intern at Stock Gen (owned by Baxter Stockman) who grows attached to the rat and four turtles brought in for research. She even gives them their names (“I have History of Renaissance Art 101 this semester.”). This creates a a nice connection between the Turtles and Splinter early on, to the point that she’s essentially a part of the family.

These 12 issues are among my favorite artistic runs on any Teenage Mutant Ninja Turtles book. Nobody draws the Turtles quite like Dan Duncan. It’s all in the way he does their faces. The big white eyes, the way the beak curves up, the larger-than-you-might-expect size of the teeth. Even the their bodies have a seemingly perfect turtle-to-human ratio. Drawn in his sketchy yet masterfully inked style, it all adds up to figures that are very expressive. His Turtles “act” as well, if not better, than any I’ve ever seen. As do virtually all his mutant characters.

Colorist Ronda Pattison’s contributions to the series should never be ignored. She’s been with the book since day one, and provided a really nice consistency throughout the series. Issue #5 is a particularly strong one for her, as she uses three different color palettes to convey three different settings and moods. We have a smokey looking city scene as a stealthy Splinter sneaks around buildings at night. Then we have a more sunny and colorful palette as we check in with our reunited brothers in their sewer home. Finally, we switch to a more sepia toned look as we travel back to feudal Japan to see the Turtles and Splinter in human form.

Duncan and Pattison also did the primary covers (as opposed to the variant covers) for these issues. It’s all good, strong work. But Duncan leaves the book after issue #12, just as the duo were starting to hit their stride. For my money, issues #11 and #12 were their best work cover-wise.

Indeed, IDW made a bold choice in going with a reincarnation angle for their version of the TMNT story. We see in issue #5 that Hamato Yoshi and his four teenage sons have been reincarnated into their current states after being executed by their Yoshi’s enemy Oroku Saki, the future Shredder, and the Foot Clan. Obviously nothing like this had been done with the origin story before. I’m not sure if any “purists” were angered by it. But for me it was a case of no harm no foul. It didn’t fundamentally alter anything about the Turtles, Splinter, or Shredder. They didn’t so much change the origin story, so much as add a new layer to it.

As much as anything else, I appreciate that these first twelve issues give the Turtles a more expansive gallery of villains to fight. Shredder (shown above) and the Foot Clan have been around since the beginning, and cast such a long shadow that they tend to monopolize the villain scene in Ninja Turtles stories. In contrast, this series leads off with a brand new villain: A mutant cat named Old Hob. From there, in addition to the Foot, we meet sinister scientist/business tycoon Baxter Stockman, who from there leads us to the intergalactic tyrant Krang.

Like a cover of a classic song, many of these are familiar notes played with a different sound. Most of these characters we’ve seen before. So it’s just a matter what the IDW “spin” will be. You’ve got the Turtles, Splinter, April O’Neil, Casey Jones, Shredder and the Foot Clan, Krang and Dimension X, Stockman and the Mousers, etc. Naturally, there are familiar story beats too. We’ve got Mousers invading the Turtles’ lair, the boys having to rescue a kidnapped Splinter, April and Casey’s budding romance, among others.

It all amounts to something two-fold. On one hand, we have a melting pot consisting of much of what worked for the TMNT in other eras (mainly the original comics and the ’80s cartoon). But on the other, our creators are using those elements to lay the foundation for their own stories down the line. These issues are essentially a garden filled with seeds for stories that would come to fruition in the over 100 issues that have since followed. The care and crafting put into these early issues was evident when they came out, and is even more so with the benefit of hindsight.

What it all comes down to in the first 12 issues of Teenage Mutant Ninja Turtles, and I’d argue most of the really good TMNT stories ever told, is family. Not just the discovery of one’s family, and what they mean in the formation of your identity, but the family you choose for yourself. April O’Neil unknowingly plays a role in the Turtles’ story, but eventually embraces and accepts them. Casey Jones leaves an abusive father to find our heroes as his new surrogate family, most notably a surrogate brother in Raphael. There is no stronger bond than family, regardless of what form it takes. That, if nothing else, has been the prevalent theme that has kept these characters and their stories relevant, and will likely continue to do so for generations to come.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Toys

Toy Chest Theater: TMNT Collection, Vol. 1

By Rob Siebert
Fanboy Wonder

The Teenage Mutant Ninja Turtles and their associated characters have been a staple of Toy Chest Theater from the start. So it’s only natural they get their own collection. The original 1990 film is heavily represented here. But the cartoons get a chance to shine as well…

Bebop & Rocksteady by Tim Rodilosso

Leonardo by Matthew Cohen.

Donatello by morphingtom2.0.

Turtles and Mr. Miyagi by noserain.

Shredder by encoreunclic.

TMNT by un1cornwarrior.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Comic Books/Graphic Novels, Weekly Comic 100s

Weekly Comic 100s: TMNT Double-Feature, Wonder Woman #759, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Teenage Mutant Ninja Turtles #107
AUTHOR: Sophie Campbell (Story), Ronda Pattison (Script), Kevin Eastman & Tom Waltz (Story Consultants)
ARTISTS: Nelson Daniel, Pattison (Colorist), Shawn Lee (Letterer). Variant cover by Eastman.
RELEASED:
July 29, 2020

The Turtles have an “old days” moment here where they head down to the sewers and fight a bunch of Mousers. It’s just a couple of cutesy lines. But it does serve as a reminder of just how different this series is from the standard TMNT status quo. Instead of four Turtles striking from the shadows, we’ve got five Turtles living openly in a town full of mutants.

As they roam the sewers, the Turtles mix it up with what basically amounts to an undersea monster. It’s played like a horror movie. Kinda fun.

TITLE: TMNT Annual 2020
AUTHOR: Tom Waltz
ARTISTS: Adam Gorham, John Rauch & Michael Garland (Colorists), Shawn Lee (Letterer). Variant cover by Kevin Eastman and Fahriza Kamputra (Colorist).
RELEASED:
July 29, 2020

This annual mainly serves as a check-in with our villains. Most notably Shredder, who we haven’t heard much from since issue #100. They color his costume purple and silver, like the old cartoon. I won’t complain about that…

As the cover indicates, they’re doing a symbiosis story with Krang and Leatherhead. Yet another example of how this series continues to bring these characters into uncharted waters. Given how much has been done with the Ninja Turtles universe, it’s pretty amazing to see how much hasn’t been done.

TITLE: Wonder Woman #759
AUTHOR: Mariko Tamaki
ARTISTS: Mikel Janin, Jordie Bellaire (Colorist), Pat Brosseau (Letterer). Cover by David Marquez.
RELEASED:
July 28, 2020

So we’ve got Mariko Tamaki, who wrote Supergirl: Being Super, and Mikel Janin, one of the stars of Tom King’s Batman run. On paper, this new team should be great.

Their first issue is pretty ground level. Lots of flowery narration about what a hero is, what heroes do, etc. My only big problem is that Tamaki gives in to the temptation of putting Wondie in an everyday situation, shopping for furniture, and making it seem foreign to her. She’s been in “man’s world” for so long, yet she has no idea how to shop for furniture? Yeah, right.

TITLE: Darth Vader #3
AUTHOR: Greg Pak
ARTISTS: Raffaele Ienco, Neeraj Menon (Colorist), Joe Caramagna (Letterer). Cover by Inhyuk Lee.
RELEASED:
July 29, 2020

How many times have we seen Darth Vader cross paths with characters from the prequels and then get all feelingsy? Enough that I rolled my eyes when Captain Typho showed up in this issue.

However, as someone who read Queen’s Shadow by E.K. Johnston, I appreciated the inclusion of Sabe and another character from that book. It’s a nice little tie-in that doesn’t take anything away from the story being told here.

TITLE: Batman: The Adventures Continue #9
AUTHORS: Alan Burnett, Paul Dini
ARTISTS: Ty Templeton, Monica Cubina (Colorist), Joshua Reed (Letterer). Cover by Paolo Rivera & Joe Rivera.
RELEASED:
July 30, 2020

In this issue we finally get into Jason Todd’s origin story, his connection to Batman, etc. It’s not drastically altered from the comics. But it’s altered just enough to distinguish it. I liked what I saw.

Frankly, I hope they portray Jason Todd as having been with Batman for only a short time. In the DCAU I’d like to see him portrayed more as a tragically failed experiment than a lost son. Again, it would be different. But not so much that it’s unrecognizable. That’s the formula that seems to work best.

TITLE: Mighty Morphin Power Rangers #52
AUTHOR: Ryan Parrot
ARTISTS: Moises Hidalgo, Walter Baiamonte (Colorist), Katia Ranalli (Color Assistant), Ed Dukeshire (Letterer). Cover by Jamal Campbell.
RELEASED:
July 29, 2020

We’re still following Jason, Zack, and Trini, despite the events of this issue occurring after “The Power Transfer.” Not a bad thing, but not what I expected either. Especially since they’re getting their own book in a few months.

I’m not sure how I feel about the way Jamal Campbell posed Aisha on the cover. It’s like she’s showing off her butt or something…

We introduce a civilian character in this issue who worries about the holding the Rangers accountable for their actions. Sort of a “don’t trust the Power Rangers” mindset. Very curious to see where that goes.

TITLE: Batman/Superman #9
AUTHOR: Joshua Williamson
ARTISTS: Clayton Henry, Alejandro Sanchez (Colorist), John J. Hill (Letterer)
RELEASED:
July 28, 2020

In almost 20 years, I can count the number of Ultra-Humanite stories I’ve read on one hand. So this story is cool for me in that sense.

This issue, and this team, have a really nice energy. Joshua Williamson is often hit-or-miss. But he, Clayton Henry, and Alejandro Sanchez make for a winning combination with these characters. Not a perfect combination per se, but a winning one.

TITLE: Suicide Squad #7
AUTHOR: Tom Taylor
ARTISTS: Daniel Sampere, Juan Albarran (Inker), Adriano Lucas (Colorist), Wes Abbott (Letterer). Variant cover by Jeremy Roberts.
RELEASED:
July 28, 2020

Our Tom Taylor original characters get a new team name in this issue: The Revolutionaries. Not bad. I don’t know how much of a life they’ll have out from under the Suicide Squad name. But still, not bad.

For at least one issue, Taylor brings Floyd Lawton’s young daughter into the sandbox and gives her a a bow and arrow and a hero name: Liveshot. She almost reminds me of a kid version of the Kate Bishop Hawkeye. Interesting…

TITLE: Billionaire Island #2
AUTHOR: Mark Russell
ARTISTS: Steve Pugh, Chris Chuckry (Colorist), Rob Steen (Letterer)
RELEASED:
July 2, 2020

It seems that in addition to the absurdly rich, Billionaire Island is home certain rich, famous, and disgraced. We get an actual Kevin Spacey cameo in this issue. Yes, I wretched. But it’s also a funny little moment.

We haven’t gotten into the bloodshed yet. But the book does crank up the action a little bit with this issue. Something tells me it’s going to be worth the wait.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Toys

TMNT: The Movie at 30: Toy Chest Theater

By Rob Siebert
Fanboy Wonder

Yeah, I’m a little late on this one. Sue me.

These Teenage Mutant Ninja Turtles: The Movie figures from NECA have practically become a staple of the toy photography community. And for good reason. They’re absolutely amazing.

I’ve featured them here a few times before. But in honor of the 30th anniversary of the movie, I’ve opted to spotlight some of my favorites that haven’t been on the site yet.

Let’s start with one that’s if nothing else, timely…

This shot from Yunus Unen serves to remind us that even our mutant friends must protect themselves from the dreaded Coronavirus. Apparently a tiger at the Bronx Zoo was just found to have it. That’s bad news for Tiger Claw

Another quarantine-inspired shot, this time from French photographer Joe Hume. According to the Instagram post where this shot originated, it was inspired by #coronamaison, a hashtag that means “corona house” in French. It challenges artists and illustrators to create a quarantine scene using a house with a staircase on the left side of the frame. Other than that, they’re free to do as they will.

I’d say this shot fits the TMNT pretty well. Imagine these guys being under quarantine. They already can’t leave the lair during the day! Now they’re stuck together 24/7!

In the caption for the #coronamaison photo above, Hume mentioned closer shots are more his element. Looking at this shot of Shredder, I can’t dispute that. I’m not sure if this is supposed to be the scene in the movie where he’s talking to all the Foot recruits, or if its another setting entirely. The shot seems to suggest it’s snowing. Which is an interesting idea.

In any event, the shot plays to the strengths of the figure/character design, as well as the character itself. The armor and the mask are easy to see and well defined. But the man behind them is shrouded in mystery…

I like this shot by Duane Perera not just because it goes all in on the nostalgia element, but because of the way the Turtles are posed. It’s very believable that they’re all crammed into some ’90s kid’s little room, playing with all his stuff.

Bonus points for the Donnie and the Dunkaroos. I’m always amazed at how toy photographers are able to miniaturize that kind of stuff. Whether it’s an actual prop or a trick of the computer, it almost always looks so real.

We’ll close it out with something downright spooky looking. You can be a little more moody and menacing with Raph, as it fits his personality. Mike of @fullblowntoys definitely nails it hear with the dim lighting and the green steam effect. Not only does it fit the character, but it fits the look of the film. This could have taken place in the sewers, or just the wrong part of town…

For more NECA TMNT goodness, check out That Damn Swimming Level…”, “Leo in the Sun”,  and Bird Box Starring TMNT”.

Email Rob at at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Movies

TMNT: The Movie at 30: The Alternate Ending

By Rob Siebert
Fanboy Wonder

As those of us who fell in love with Teenage Mutant Ninja Turtles: The Movie as kids have grown into geeky adults, more and more curiosity has generated regarding unused content from the film, or scenes that ended up on the cutting room floor.

For instance, cut footage exists of a scene where Shredder fights off the street punks that got caught after mugging April. And he does it while sitting down.

Other bits and pieces supposedly exist. But what you see below is, to my knowledge, the closest thing we have to an actual deleted scene from Teenage Mutant Ninja Turtles: The Movie. This was to have been an alternate ending, in which April and Danny pitch their story to a comic book publisher while the Turtles look on…

While this is a cool thing to see all these years later, I think it goes without saying we were better off without it in the actual film.

Robbie Rist provided the voice for Michelangelo in the movie. Obviously that’s not him at the end. Would have been cool, but I can’t bring myself to complain about something like this.

Astoundingly, we’ve never gotten any kind of deluxe edition of the film in the United States. But for some odd reason, the German release of the movie contains not only this scene and some alternate takes, but commentary by director Steve Barron.

Totally bogus, dude.

Email Rob at at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Movies

TMNT: The Movie at 30: Original Trailer

By Rob Siebert
Fanboy Wonder

If you’d have told me in say, February, that Teenage Mutant Ninja Turtles: The Movie was about to turn 30, I’d never have believed it.

But after “social distancing” at home for a mere week and change, I absolutely believe it. Heck, I’d believe ya if you told me it was 50.

Teenage Mutant Ninja Turtles: The Movie is 30 years old as of yesterday. If you’re a child of the ’80s, this is one of the movies that shaped your childhood.

But it’s more than just a great nostalgia movie, or even a great comic book movie. It’s a great movie. Period. It’s about more than martial artists in turtle costumes. At its core, it’s about family. The family you’re born with, and the family you choose.

So as we celebrate Teenage Mutant Ninja Turtles: The Movie this week, I invite you to take a look at the film’s original trailer…

Obviously, much was unfinished when this trailer hit screens. Most notably the voiceover work. But thanks to the magic of internet geeks and YouTube, we can now watch a “remastered” version of the trailer with the correct accompanying voice work.

God I love this movie.

Email Rob at at primaryignition@yahoo.com, or check us out on Twitter.