The Essential Clone Wars: “Brothers”

***I must confess that, despite being a huge Star Wars geek, I have yet to see the landmark Clone Wars animated show in its entirety. I’m aiming to rectify that to a large extent here, as we look at pivotal episodes of the series in, “The Essential Clone Wars.”

Darth Maul, Star Wars the Clone Wars BrothersSERIES: Star Wars: The Clone Wars
EPISODE:
S4:E21 – “Brothers”
WITH THE VOICE TALENTS OF:
Clancy Brown, Sam Witwer, Ben Diskin, Matt Lanter, Ashley Eckstein
WRITER:
Katie Lucas
DIRECTOR:
Bosco Ng
PREMIERE DATE:
March 9, 2012
SYNOPSIS:
Savage Opress’ search for his brother Maul culminates on Lotho Minor.

***New around here? Check out our Star Wars review archive!***

By Rob Siebert
Fanboy Wonder

Savage Opress finds his brother Maul on Lotho Minor, which is basically a big junkyard planet. So are we to assume that big shaft Maul fell down in The Phantom Menace was a garbage chute? I didn’t look like one. Then again, I doubt George Lucas or anybody on the creative side of things thought Maul was going to survive that fall. Much less getting cut in half at the waist…

Maul is voiced by Sam Witwer. Longtime Star Wars fans will recognize him as the actor who provided both the voice and likeness for Starkiller in The Force Unleashed. He gives a great unhinged, guttural performance in this episode.

Interestingly enough, Witwer would once again provide Maul’s voice for Solo: A Star Wars Story in 2019. This despite Lucasfilm having access to Peter Serafinowicz, who originally voiced Maul in The Phantom Menace.

Lotho Minor Star Wars the Clone Wars, Brothers

I like the idea of a big junk planet. Had they not developed Jakku as we saw it in The Force Awakens, I always thought a planet like Lotho Minor might be an interesting place for Rey to hail from.

I got a big kick out of the snake character Morley, voiced by Ben Diskin. Part of me wishes Opress and Maul had taken him with them when they left Lotho Minor. Granted, that makes no sense from a character standpoint, so in the end it’s probably better he died.

I appreciate the idea that Maul’s mind was damaged he lost to Obi-Wan and hasn’t recovered, even after more than a decade. It makes sense. To call what he went through a traumatic experience would be a gross understatement, don’t you think?

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

George Lucas on Star Wars: Jar Jar Binks and the Fans

***Think what you will about George Lucas, but in terms of Star Wars, it can all be traced back to him. That’s why I always find it so interesting to listen to him talk about it. His creative process, the reason certain decisions were made, and how these movies became the pop cultural staples they are. This space is dedicated to just that. This is “George Lucas on Star Wars.”***

By Rob Siebert
Fanboy Wonder

The Scene: Jar Jar Binks, the Star Wars saga’s most comedic character, is introduced in The Phantom Menace. A large portion of the audience rejects him.

George Lucas Says: “There is a group of fans from the films that don’t like comic sidekicks. They want the films to be tough, and like Terminator … They get very, very upset and very opinionated about anything that has anything to do with being childlike. Which, the movies are for children. But they don’t want to admit that. … They don’t want comedy in these movies. And in the first film they absolutely hated Artoo and Threepio. Now Jar Jar is getting accused of the same thing.”

I Say: George does have a valid point here. A portion of the fanbase, which I think mostly consists of adult males, loves the aspects of Star Wars that are dark, tough, gritty, action-oriented, etc. I think Rogue One was largely made for that side of the fanbase. (Which might be why I dislike it so much…) But the truth is, comedy has been part of Star Wars from the get-go. Look at Artoo and Threepio in the opening minutes of A New Hope. That’s all the evidence you need, right there.

All that being said, George is making an excuse here. He clearly overplayed his hand with Jar Jar. Not only did he lean too far into comedy, he largely leaned into bad comedy. And that’s coming from someone who doesn’t despite Jar Jar the way some people do…

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A Star Wars: Obi-Wan #2 Micro-Review – Lights in the Darkness

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

Star Wars Obi-Wan 2, cover, 2022, Phil NotoTITLE: Star Wars: Obi-Wan #2
AUTHOR: Christopher Cantwell
ARTISTS:
Luke Ross, Nolan Woodard (Colorist), Joe Caramagna (Letterer). Cover by Phil Noto.

RELEASED: June 29, 2022

By Rob Siebert
Fanboy Wonder

Luke Ross and Nolan Woodard’s art highlight this issue, as they have the not necessarily enviable task of depicting Obi-Wan and Qui-Gon in an environment mostly devoid of light.

This issue didn’t blow me away from a plot perspective. But it did do a fine job of capturing the master/apprentice dynamic between our two heroes, which for my money was one of the better aspects of The Phantom Menace.

Marvel should really release a book of Phil Noto’s Star Wars work. The majority of it is just brilliant.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

George Lucas on Star Wars: Good and Bad Technology

***Think what you will about George Lucas, but in terms of Star Wars, it can all be traced back to him. That’s why I always find it so interesting to listen to him talk about it. His creative process, the reason certain decisions were made, and how these movies became the pop cultural staples they are. This space is dedicated to just that. This is “George Lucas on Star Wars.”***

By Rob Siebert
Fanboy Wonder

C-3PO, Star Wars Episode I The Phantom Menace

The Scene: R2-D2 and C-3PO are among the allies our heroes find as they face off against the Trade Federation and its army of Battle Droids.

George Lucas Says: “I like technology. I use technology. But at the same time, I understand the failings of technology. You can’t rely on technology for everything. So I have this duel nature in the movies of the friendly human good technology of Artoo and Threepio, and the evil technology of the battle droids. … I’m constantly playing with those two ends of the dilemma. But never really saying that one is better than the other. I’m just simply trying to promote the human spirit, even as it exists in a droid.”

I Say: I get what he’s saying here about the good and bad of technology. But at the same time, George Lucas talking about how he understands the failings of technology is a little rich, as so many of us would say his over-reliance on technology and CGI is one of the major drawbacks of the prequel trilogy.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

George Lucas on Star Wars: Boba Fett’s “Death”

***Think what you will about George Lucas, but in terms of Star Wars, it can all be traced back to him. That’s why I always find it so interesting to listen to him talk about it. His creative process, the reason certain decisions were made, and how these movies became the pop cultural staples they are. This space is dedicated to just that. This is “George Lucas on Star Wars.”***

By Rob Siebert
Fanboy Wonder

Boba Fett, Return of the Jedi

The Scene: Han Solo accidentally smacks Boba Fett’s jet pack with a weapon, jump-starting his jet pack and sending him falling into the sarlaac pit below, presumably to his demise.

George Lucas Says (via the Return of the Jedi commentary track): “In the case of Boba Fett’s death, had I known he was going to turn into such a popular character I probably would have made it a little more exciting. Boba Fett was just another one of the minions. Another one of the bounty hunters and bad guys. But he became such a favorite … for having such a small part, he had a very large presence. And now that his history has been told in the [prequel] trilogy, it makes it even more of a misstep that we wouldn’t make more out of the event of his defeat. Because most people don’t believe he died anyway. I had contemplated putting that extra shot in where he climbs out of the hole. But I figured it doesn’t quite fit. The main character that ultimately dies in this scene is Jabba the Hutt.”

I Say: “It’s a little refreshing to hear George admit a mistake here. He’s a guy that usually sticks to his guns. But with almost 40 years of hindsight, it’s pretty tough to deny that Fett went out like a chump. Years after the fact, Lucas would make a similar admission about his decision to kill off Darth Maul in The Phantom Menace.

It’s even more interesting that George acknowledges that the fans didn’t buy that as his death. It makes you wonder if he’d have made Fett part of the sequel trilogy, had he gone forward with his version of the movies.

Fett was, of course, brought back for various novels and comic books in the old “Legends” canon. And now, Disney has made his return official with The Mandalorian and The Book of Boba Fett. So I guess he didn’t go out like a chump after all…

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Rob Watches Boba Fett – Emerging From the Pit…

The Book of Boba Fett, posterSERIES: The Book of Boba Fett
EPISODE:
S1:E1. “Chapter 1: Stranger in a Strange Land”
STARRING:
Temuera Morrison, Ming-Na Wen, David Pasquesi
WRITER:
Jon Favreau
DIRECTOR: Robert Rodriguez
PREMIERE DATE:
December 29, 2021
SYNOPSIS:
Years after escaping certain death, Boba Fett takes over Jabba the Hutt’s criminal empire.

By Rob Siebert
Fanboy Wonder

Disney kind of screwed Boba Fett over. I mean, think about it. They took the basic concept of the character, costume and all, and repackaged it into The Mandalorian. And obviously, that repackaging paid off. The Mandalorian is the best Star Wars content to come along in years. But it didn’t leave much for them to work with as far as a Boba Fett TV show is concerned. He couldn’t be a lone gunslinger traveling the galaxy and having adventures. Mando was/is already doing that.

So what does Boba Fett do if he’s not a bounty hunter anymore? That question could have been the thesis for an entire season. But coming into The Book of Boba Fett, we already knew what the character’s new goal was: To take over Jabba the Hutt’s criminal empire.

But why? Why does he want to be the head of a crime family? That’s my big question coming out of the first episode, and that’s what I hope The Book of Boba Fett tells us. At this point, Boba has either been a bounty hunter or been around bounty hunting for most of his life. To an extent, it’s all he knows. So why the change? And why now?

As they’re both overseen by Jon Favreau, and their main characters are so similar, it’s difficult not to compare The Book of Boba Fett to The Mandalorian. Especially at first.

I loved the first episode of The Mandalorian, particularly the opening scene in the cantina. It captured our intrigue, set the tone for the show beautifully, and is generally just a fun scene. This episode doesn’t give us a scene quite like that, but it does show fans something they’ve always wanted to see: Boba Fett escaping from the sarlaac pit.

Even George Lucas didn’t believe Boba Fett died in the pit. He said so on the Return of the Jedi DVD commentary track. So this escape scene was a long time coming. I feel like that image of Fett’s hand bursting out of the sand has been in the fandom’s collective consciousness for decades.

So Fett’s armor (mostly) protected him from the sarlaac’s stomach acid, and he was able to breathe thanks to some leftover oxygen from a doomed Imperial stormtrooper’s helmet. The question, of course, is what a stormtrooper was doing at Jabba’s palace to begin with. It’s not a pressing question, though. We saw stormtroopers walking around on Tatooine. One could have easily gotten on Jabba’s bad side.

Jawas proceed to steal the armor off Fett’s unconscious body. To make matters worse, that white body suit he was wearing isn’t exactly dignified.

So how old is Boba Fett supposed to be at this point? Let’s say he was about 8 when we saw him in Attack of the Clones. And that movie takes places 22 years before A New Hope. So, factoring in the four years between A New Hope and Return of the Jedi, that would make him…about 34 years old when he crawls out of the sarlaac pit, and 39 during the events of The Book of Boba Fett.

I’ll say this much: I don’t necessarily envy Temuera Morrison. He’s over 60 years old, and has to play someone 20 years younger. He manages to pull it off, though.

After being captured and enslaved by Tusken Raiders, Fett is able to loosen his bonds, and offers to free a fellow prisoner. Said prisoner then screams for his captors, foiling Fett’s escape attempt.

Something about Fett offering to free that prisoner rubs me the wrong way. The man is supposed to be a mercenary. What does he care about what happens to anyone else? Particularly in that scenario.

On a geographical note, I never knew Jabba’s palace was in Mos Espa, a city we originally saw in The Phantom Menace. We saw him pop up in that movie during the podrace. But I had no idea he lived there. From exterior shots, the palace always appeared to be in a fairly remote location. Maybe it’s just outside city limits…?

The referral to Boba Fett as the new daimyo is interesting. The word daimyo refers to a lord or leader in feudal Japan. A nod to George Lucas’ appreciation for Akira Kurosawa films, perhaps?

The blue pianist in the cantina is indeed Max Rebo, who we saw in Jabba’s palace in Return of the Jedi. A random choice. But not an unwelcome one.

After the fight with the assassins, Fett tells his gamorrean guards to get him to his bacta tank. Bacta, of course, being the universal stand-in for medicine in the Star Wars universe.

As he’s moving a bit slow in the fight against the assassins, we see Fett is still feeling the effects of the sarlaac pit even five years later. Presumably he’d be fully healed if he’d started bacta treatments sooner. I’m wondering how long he’s supposed to have been doing bacta treatments. Since he installed himself as daimyo, perhaps? That might make sense, as Jabba would have had the resources to come up with a personal bacta tank like that. Except his would have been much bigger. His would have been, like…a bacta vat.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Rob Watches Star Trek: Mary Sue Crusher

***What happens when I, a 30-something-year-old fanboy, decide to look at the Star Trek franchise for the first time with an open heart? You get “Rob Watches Star Trek.”***

SERIES: Star Trek: The Next Generation
TITLE: S1:E13. “Datalore”
STARRING: Patrick Stewart, Brent Spiner, Jonathan Frakes, LeVar Burton, Will Wheaton
WRITERS: Robert Lewin, Maurice Hurley, Gene Roddenberry
DIRECTOR:
Rob Bowman
ORIGINAL AIR DATE:
January 18, 1988
SYNOPSIS:
The Enterprise visits Data’s home planet, and discovers his lost “brother.”

By Rob Siebert
Fanboy Wonder

So Data was found, not built? Huh. That’s interesting. Two decades of The Phantom Menace trained me to believe he’d been built by Wesley…

What we have here is essentially your standard evil twin story. The Enterprise travels to Data’s home planet, finds another robot like him, he turns out to be evil, the other crew members mix them up. Pretty paint-by-numbers stuff.

While Data is our central character, the young Wesley Crusher character is also front and center, and is ultimately responsible for saving the day. And not for the first time.

The term “Mary Sue” gets tossed around a lot in this day and age. In fact, Wesley Crusher is often cited as a textbook Mary Sue. But what the hell is a Mary Sue, anyway?

Urban Dictionary defines “Mary Sue” as, “a character who is so perfect that he or she warps the world around them to display their perfection,” and who “forcibly make the world and people around them defy logic to simply display how amazingly radiant they are.” In other words, a character that is illogically infallible. Go to the Wikipedia page for “Mary Sue,” and the cited characters (in addition to Wesley) include Arya Stark from Game of Thrones and Rey from the Star Wars sequel trilogy.

Fittingly enough, the term dates back to a Star Trek fanzine published in the early ’70s.

Apparently, Gene Roddenberry was the one who pushed for the Wesley character. And as his involvement with the show decreased after season one, so too did Wesley’s relevance on the show. Personally, I don’t hate Wesley. Nor do I mind the inclusion of a younger character in general. It offers a different perspective on the Star Trek Universe that we never had on the old show. It might have even been interesting to watch Wesley grow and mature over the course of the series.

I do, however, find the role young Wesley often plays among the crew to be highly illogical. Indeed, Spock would not approve.

Though he secretly has a heart of gold, Captain Picard is strict to the point of coming off short-tempered. You don’t mess around on this guy’s ship. In “Encounter at Farpoint,” the guy was hard-pressed to even let Wesley set foot on the bridge. And yet now he’s an acting ensign who’s regularly performing duties on that same bridge? What gives?

The “Wesley problem,” as D.C. Fontana once put it, will seemingly be less and less prevalent as we get into subsequent seasons. But I’ll maintain that the character itself, despite becoming a Mary Sue, wasn’t bad from conception.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Rob Watches The Mandalorian: Return to Tatooine

SERIES: The Mandalorian
EPISODE:
S1:E5. “Chapter 5, The Gunslinger”
STARRING:
Pedro Pascal, Amy Sedaris, Jake Cannavale, Ming-Na Wen
WRITER/DIRECTOR:
Dave Filoni
PREMIERE DATE:
December 6, 2019
SYNOPSIS:
After stopping on Tatooine for repairs, Mando takes a job alongside a young bounty hunter.

By Rob Siebert
Fanboy Wonder

So did we need to come back to Tatooine? No, not really. But I’m glad we did. Going to a classic Star Wars setting reinforces that this is, in fact, the universe we know and love. And yes, nostalgia is a factor. It’s nice to see Mos Eisley again.

I’m a little surprised they used pit droids, i.e. the “hit the nose” robots from The Phantom Menace. I don’t mind Episode I as much as some people do. But you’d think in this, the first live action Star Wars television show, you’d want to avoid allusions to what’s often considered the franchise’s worst film. (It’s not. But that’s another story.)

Question: Aren’t most rifles in Star Wars blaster rifles? If so, Peli Motto asking the droids to get her blaster rifle doesn’t really make sense. It should probably just be, “Get my rifle!”

Yeah. I’m nitpicking at that level, folks. But it’s because I care, damn it!

So he just left the child on the ship? That’s uncharacteristically stupid for Mando.

Dr. Mandible, the giant bug in the cantina, is also stupid. He makes his debut in this episode.

Fun fact: The Mos Eisley Cantina has a name. Chalmun’s Spaceport Cantina.

Another fun fact: They squeezed Mark Hamill into this episode. He’s the voice of the droid at the bar (shown below). Apparently that’s the very same droid that spoke to Threepio in Jabba’s palace in Return of the Jedi. What a remarkable coincidence…

I wonder if Mando would have taken Toro Calican under his wing before he picked up the child. Perhaps being a father figure softened him in short order.

That’s a recurring theme in the original Star Wars trilogy. The “scoundrel” who becomes a good man. The big one is Han Solo. But it applies to Lando Calrissian as well.

I must confess, I’ve never seen Agents of Shield, or much of anything else with Ming-Na Wen. But she makes a pretty good bounty hunter. And Fennec Shand is yet another powerful female character added to the Star Wars universe.

I don’t recommend watching this episode in a room with a lot of sunlight. I did so, and could barely make anything out during the nighttime scenes.

So the general consensus was that the person who comes to Fennec’s aid at the very end of the episode is Boba Fett. In the end, that obviously turns out to be true. That speaks to the amount of foresight the showrunners hopefully have.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

George Lucas on Star Wars: Staying Together

***Think what you will about George Lucas, but in terms of Star Wars, it can all be traced back to him. That’s why I always find it so interesting to listen to him talk about it. His creative process, the reason certain decisions were made, and how these movies became pop cultural staples. This space is dedicated to just that. This is “George Lucas on Star Wars.”***

By Rob Siebert
Fanboy Wonder

The Scene: Like the various groups throughout the Star Wars saga, the heroes of The Phantom Menace are a diverse lot. We have two Jedi, a young queen, a gungan fool, a liberated slave, among others.

George Lucas Says: “One of the difficulties in writing a script with lots and lots of characters is you have to be able to rationalize why everybody is along. If you have a film like Dirty Dozen, where you sort of establish they’re all going out on a mission together, and you gather them all up and they go, it’s pretty easy. But when you have a situation like this where there isn’t any mandate that they stay together, and they’re there for transitory reasons that are constantly having to be renewed as the plot progresses, it becomes much more difficult to be able to get all the characters in on the act and take them along…”

I Say: I can appreciate what he’s saying here, and I appreciate its value. But I’m only half joking when I say it still doesn’t explain why Qui-Gon brought eight-year-old Anakin into a war zone.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

The Rise of Skywalker Novelization Review – Rey Edition

***I just recently finished the Rise of Skywalker novelization by Rae Carson. Naturally, as the “Expanded Edition,” it’s intended to supplement the events of the film and hopefully fill some of those gaping plotholes. Naturally as a Star Wars geek, I’ve got opinions. Too many to fit into a single review. Thus, welcome to the third of my multi-part Rise of Skywalker novelization review!***

By Rob Siebert
A.K.A. Rob Skywalker

1. Force-Healing Powers.
Why did everybody get so bent out of shape about Rey’s Force-healing powers? Forget the fact that if you’re into Star Wars lore, you already know there were Jedi healers. But let’s say you’re not, and you’re still upset…

So the Force is a mystical energy field that binds the galaxy together, and the Jedi have access to it. What does that mean? For story purposes, it can mean whatever you want it to mean.

In the original film, it meant Obi-Wan could control people’s minds and make Stormtroopers hear things that weren’t really there. It also meant Luke could see through solid objects, hear Obi-Wan’s voice in his head, and move a proton torpedo with his mind.

Then in Empire, it also meant Luke could jump really high to avoid being frozen in carbonite, and that Darth Vader could stop blaster bolts with his hand.

In Return of the Jedi, it meant that if you were a bad guy, you could shoot lightning out of your fingers.

In The Phantom Menace, Qui-Gon and Obi-Wan could run super-fast like the Flash.

In The Last Jedi, it meant Luke could essentially project a hologram of himself across the galaxy. Oh, and that Snoke could link Kylo Ren’s mind with Rey’s.

Now in this movie it means Rey can heal a serpent monster, and Ben can save Rey’s life.

Folks, I know a lot of Expanded Universe stuff has been written about the Force, Jedi powers, etc. But at the end of the day, George Lucas was making this stuff up as he went along. He didn’t bend the rules of reality too far, but he used it to suit the story’s needs.

So if Force-healing has always been a thing, why didn’t Luke use it to save Vader’s life? Why didn’t Obi-Wan use it to save Qui-Gon’s? I don’t know. I just know they didn’t. That’s enough for me.

2. Rey Fixed Luke’s X-Wing
Okay, so healing someone with your magic powers? I’m okay with that. But fixing a spaceship that’s been underwater for years and is missing a wing? That’s where I draw the line, damn it!

In the movie when Luke raises his X-Wing out of the water on Ahch-To, it seems like it’s primed and set. As if he’s somehow been fixing it underwater in a translucent scuba suit or something. The book gives us further details. They don’t make the notion that Rey flew Luke Skywalker’s X-Wing into the unknown regions of space any less silly. But I’m glad they’re there.

On page 200 (of the original hardcover edition), we learn Rey didn’t just have to patch the wing that was serving as the door to Luke’s hut. She also had to use parts from Kylo Ren’s Tie Whisper, which she’d just set ablaze, and do a bunch of rewiring. The ship, might never fight againBut it was still fighter class, and its transition from vacuum to atmo was seamless.

Of course it was.

A little Wookiepedia research tells me that, assuming Luke went into exile soon after Ben destroyed his temple, that X-Wing was probably down there about six years. Jedi or not, plop my dirty Honda Civic in the ocean for six years and see how quickly you can get it running. Just sayin…

3. “Be With Me”
Like the movie, the book doesn’t specify who exactly is talking to Rey as all the Jedi of the past are rooting her on. It’s better that way, of course. After all, how would Rey know what Qui-Gon Jinn, Mace Windu, or Anakin Skywalker sound like? The only obvious tell is Yoda based on his speech patterns. And of course, she recognizes Luke.

There’s also an interesting line in here about not all these voices necessarily coming from beyond the grave…

Presences filled her awareness, some recent, some ancient, some still anchored to the living in a strange way. Rey didn’t understand. But she accepted.

I assume that’s in there not just to keep Ashoka Tano’s fate a secret, but because certain Force sensitives around the galaxy could feel what was happening and were cheering Rey on. Even if they weren’t quite aware they were doing it. “Broom boy” from The Last Jedi comes to mind. And of course there’s Finn.

4. The Lars Homestead; “Rey Skywalker”
Upon second viewing, the movie is better at covering Rey’s exploration of the Lars Homestead than I remembered. We get a lot of familiar shots, only these places are now partially buried in sand. Probably stripped for parts too.

The implication, at least the way I interpreted it, was that Rey would now be the one to train a new generation of Jedi. She’d do it from the Lars Homestead, where Luke’s journey began, and where Anakin also had strong ties.

As it turns out, that’s not the case. At the end of the book, she and BB-8 get back in the Falcon and fly off. Presumably back to Ajan Kloss.

That’s disappointing. Yes, I’m sure different Empire/First Order survivors or sympathizers across the galaxy know where Anakin and Luke were born. They’re likely more than capable of following their trail back to Tatooine.

But in terms of closing the book on the so-called “Skywalker saga,” it’s poetic not just to see it end where it began. But to see it begin there again. I understand why they closed the movie with the image of Rey and BB-8. But in terms of the book going with the whole “alone with friends” theme might have been better. Sure, BB-8 is there. But we’ve also got C-3PO to help translate old Jedi texts. R2-D2 to do astromech droid stuff, and provide anecdotes from his days with both Anakin and Luke. Then there’s Finn. Rey’s first student.

Finally, the book gives us a brief moment where Luke, as he and Leia’s spiritual presences look on at Rey, grants her permission to use his family name.

It’s yours, Rey.

And so we reach an ending. But every ending is also a beginning.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.