Posted in Comic Books/Graphic Novels, Deep Dive Reviews

Who is Nightwing? – The End of an Artistic Era

***As Nightwing’s public profile grows higher via the Titans TV series and the upcoming Gotham Knights game, “Who is Nightwing?” looks at Dick Grayson’s early solo adventures after stepping out of Batman’s shadow.***

TITLES: Nightwing #3040, Nightwing: Secret Files & Origins #1
AUTHOR: Chuck Dixon
ARTISTS: Scott McDaniel, Karl Story (Inker), Roberta Tewes (Colorist), John Costanza (Letterer)
PUBLISHER:
DC Comics
ORIGINALLY RELEASED:
1999-2000
CURRENTLY COLLECTED IN:
Nightwing Vol. 4, Nightwing Vol. 5

By Rob Siebert
Fanboy Wonder

These issues represents the finale of a 40-issue consecutive run for penciller Scott McDaniel, inker Karl Story, and colorist Roberta Tewes on Nightwing. McDaniel will be back later in the series. But collectively, this team that ultimately set the standard for Nightwing as a series is playing its last inning here.

Fittingly, author Chuck Dixon gives them compelling and exciting stories to tell, starting with a visit from none other than Superman.

Issue #30 is one of my favorites in the entire series, as Superman pays a quick visit to Bludhaven. Admittedly, it probably does more for Superman than Nightwing. But that’s because Dixon is one of the few writers out there that really gets the Man of Steel. As such, it’s that much more interesting to see him in Bludhaven, which is so different from Metropolis.

Furthermore, the dynamic between Superman and Dick Grayson has always been interesting to me. Remember, Superman knew Dick when he was a child, or at least younger, as Robin. So they’re both old friends and respected colleagues in that sense. That mutual respect is very much evident here. To that end, we get a nice flashback sequence later on where we spotlight Superman’s role in the formation of the Nightwing identity.

Scott McDaniel is as good at drawing Superman as he is Nightwing or Batman. One thing that jumped out at me in this collection is what a sense of motion this art has. Though the lighter colors of Superman’s costume do bring to light the hyper-musculature of his heroes, for better or worse. Occasionally, McDaniel will also draw Nightwing in awkward positions while he’s airborne. Case in point, the page at right. That’s a trap many an artist has fallen into with Dick. I suspect it has something to do with his gymnast background, and attempting to make him look flexible.

This Nightwing series sees Dick take on a few different day jobs. But issue #31 starts him on the path to my personal favorite: Police officer. It doesn’t really bear any fruit this time around, as he’s just in the academy for a few issues. But I’ve always loved the idea of one of the Bat-family members being a cop by day, given Batman’s often hot-and-cold relationship with the criminal justice system. Dixon has to put an abrupt halt to it in issue #35 due to a tie-in with the No Man’s Land crossover. But thankfully he gets to come back to it down the line.

The crossover in question sees Batman send Nightwing to Blackgate prison, which has been ravaged along with all of Gotham by the events of No Man’s Land, to wrest it from the incarceration-obsessed supervillain Lock-Up. Sadly, Dixon only has a few issues to tell the portion of the story that takes place in Blackgate. Thus, it doesn’t even remotely live up to its potential as a tale of Nightwing infiltrating Lock-Up’s prison system and taking it down from the inside. It actually winds up becoming more of a head-on attack. But thanks to the events of No Man’s Land, Dixon and McDaniel get to play with some Arkham regulars. Most notably Scarecrow, the Ventriloquist, and Firefly. Nightwing also dukes it out with KGBeast, roughly two decades before the character gives Dick amnesia via a bullet in the head (long story).

Published alongside the main series during this time was Nightwing: Secret Files & Origins #1, which features a sort of interlude to the Blackgate story. As Dick is unconscious and hallucinating, the then-deceased Jason Todd becomes a Dickens-esque guide through his life as hero. We breeze through Dick’s time as Robin, his time with the Teen Titans, the formation of the Nightwing identity, and his arrival in Bludhaven. It’s not at all necessary from a narrative standpoint. But it’s a cool little sub-story. Note that this is how Jason’s death was framed for the 15+ years between the character’s death and resurrection. As the ultimate cautionary tale for Batman and his surrogate family, his memory and all associated flashbacks and supposedly spectral appearances were there to be provoke lamentation.

Dick’s Will They?/Won’t They? romance with Barbara Gordon finally comes to a head in issue #38, as Nightwing retreats to Oracle’s clock tower home base after the events at Blackgate. In nursing Dick back to health, the two finally start speaking plainly and at length about their feelings for one another. But of course, it can’t be simple. Huntress, alongside a faction of No Man’s Land era Gotham cops with (to say the least) questionable motives, storm the clock tower in an attempt to capture Barbara.

Issues #38 and #39 finally bear the fruit of seeds planted near the beginning of the series. They talk openly about their feelings, and Barbara comes out and explains the role her paralysis played in why their relationship never fully blossomed. Having Dick’s old flame Huntress in the picture obviously makes for an awkward triangle at certain points. But it doesn’t spoil anything between Dick and Barbara. These issues are pivotal in the saga of their romance, as it begins to transcend flirtation. These two are serious about each other. Or at least they could be…

It’s also worth noting that McDaniel sufficiently carries his load during those quiet, romantic scenes. Which, as I’ve said before, aren’t necessarily his strong suit.

Issue #40 sees team up with a World War II era superhero to take on a Nazi. Sort of. The issue involves a bit character Dixon introduced earlier in the series. An elderly novelist. Draw your own conclusions there.

Portions of the issue are supplemented with prose paragraphs. Some readers don’t like that sort of thing. Personally, I’m fine with it as long as it’s written and formatted well. What happens here is harmless.

Nightwing #40 is a bit of a strange issue for our artistic team to go out on. But it nonetheless marks the end of an era for the Dick Grayson. One that continues to impact the character to this very day.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Comic Books/Graphic Novels, Deep Dive Reviews

Who is Nightwing? – Guest Stars Galore!

***As Nightwing’s public profile grows higher via the Titans TV series and the upcoming Gotham Knights game, “Who is Nightwing?” looks at Dick Grayson’s early solo adventures after stepping out of Batman’s shadow.***

TITLES: Nightwing 1/2, #1929
AUTHOR: Chuck Dixon
ARTISTS: Scott McDaniel, Greg Land, Karl Story (Inker), Roberta Tewes (Colorist), John Costanza (Letterer)
PUBLISHER:
DC Comics
ORIGINAL SELLING PRICE:
$1.95 per issue
ORIGINALLY RELEASED:
1998-1999
CURRENTLY COLLECTED IN:
Nightwing: Vol. 3: False Starts

By Rob Siebert
Fanboy Wonder

So Nightwing has had its first chapter, its “Villains Chapter,” and we had what I’ll call the “Huntress Chapter.” In keeping with the sequence, this would have to be the “Guest Stars Chapter,” as it’s largely held up by guest appearances from other characters. We see Huntress again, along with plenty of Robin, some Batman, among others. Thankfully, these are still Nightwing stories at heart.

Most of these issues were published while the big No Man’s Land crossover was happening in all the Batman books. So a couple of them tie in. When word reaches Bludhaven that a massive Earthquake has struck Gotham City (They didn’t feel anything over there? I thought Bludhaven was just down river…), Dick rushes to his former home to help with the relief effort. In issue #19 we get his initial reaction to all the destruction, and spend a little time with a mother and her young child trapped underground. Naturally, Nightwing eventually has to come to their aid. Then in issue #21 he reunites with Oracle and Robin, and repels into what remains of the Batcave.

Chuck Dixon writes the hell out of these quake issues. The stuff with the mother and child in issue #20 is especially strong. He makes you care about these one-off characters you’re never going to see again, while also driving home just how dire the situation is.

As I’ve said previously, Scott McDaniel’s strengths, at least on this book at this time, were action scenes. The quieter and more emotional stuff is hit or miss, given his style. For instance, the panel at the top left of Nightwing and Robin reacting to the state of Wayne Manor and the Batcave? I’d call that a miss. It’s obviously not supposed to be a funny moment. But I’d call those faces, particularly Dick’s, unintentionally funny.

On the subject of Robin/Tim Drake, the best issue in the collection is the one where he and Dick get some quality time. They’re blindfolded on top of speeding trains. But everything is relative, I suppose.

We see enough of Tim in this collection that he almost becomes a series regular. But issue #25 stands out because Dixon has a chance to do some great character work with two heroes he knows about as well as anybody. It’s not just their mutual experiences as Robin that bring them together. It’s the brotherly relationship they have. Tim legitimately wants Dick’s advice (“My girlfriend’s pregnant.”) and Dick legitimately cares. The speeding train scenario also plays right into Scott McDaniel’s strengths.

Issue #23 is part four of a five-part crossover with Green Arrow (Conner Hawke’s book), Detective Comics, and Robin. Amazingly, Dixon was writing all those books at the time. It’s not much of a read if you haven’t seen the first three issues. But it’s cool to see how Dixon write Dick’s rapport with Tim and Conner. We even briefly see both Batman and Black Canary, which is fun.

In issue #27, Inspector Dudley Soames, a frienemy of Nightwing’s we’ve been following since early in the series, completes his transformation into the villainous Torque (shown left). Torque is comic book ridiculousness at its most glorious. He’s a man whose head has been twisted backwards, and finds vengeance by pumping his enemies with a whole lot of lead. You won’t find Torque on any “Best of” lists. But you’ve got to begrudgingly respect him, right? I mean, try doing anything with your head twisted around like that. Just sayin’. Can’t be easy.

As for Dick and Huntress/Helena Bertinelli, there’s some inconsistency between her demeanor here and what we saw in Nightwing/Huntress. That four-issue mini was flawed, but it was also pretty good at being self-contained. Dick and Helena had their fling, decided things wouldn’t work between them, but ultimately still worked together as heroes. Issue #29 however, implies she’s still holding out hope they can be together. It feels like there’s a desperation there that doesn’t look good on her. (Example shown below.)

Still, I came away from these issues with a new appreciation for what DC was trying to do with Dick and Helena. They’re those two people that are so wrong for each other, but are still incredibly attracted to one another. So they keep falling into the same trap and hooking up again and again. But they just can’t make it work as a relationship. They’re too different. Dick and Helena didn’t have an ongoing thing. But otherwise, I’d say that description fits them to a T.

One of the elements that goes a long way in distinguishing Dick from other members of Batman’s surrogate family is just how well he gets along with the superhero community at large. He’s not quiet, moody, and broody the way Batman is. If anything, he’s the opposite. As such, people gravitate toward him. Rarely will you find that on display better than in some of these issues.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Comic Books/Graphic Novels, Deep Dive Reviews

Who is Nightwing? – One Knight Stand

***As Nightwing’s public profile grows higher via the Titans TV series and the upcoming Gotham Knights game, “Who is Nightwing?” looks at Dick Grayson’s early solo adventures after stepping out of Batman’s shadow.***

TITLES: Nightwing/Huntress #14
AUTHOR: Devin Grayson
ARTISTS: Greg Land, Bill Sienkiewicz (Inker), Noelle Gidding (Colorist), John Costanza (Letterer)
PUBLISHER:
DC Comics
ORIGINAL SELLING PRICE:
$1.95 per issue
ORIGINALLY RELEASED:
1998
CURRENTLY COLLECTED IN:
Nightwing: Vol. 3: False Starts

By Rob Siebert
Fanboy Wonder

Something feels off here.

Nightwing/Huntress was a four-issue miniseries, the sole purpose of which seems to be the creation of a brief romance (if you can even call it that) between the two titles characters. It was published at the same time the main Nightwing series was ongoing. What that likely means is that someone in editorial came to Devin Grayson, Greg Land, and this team and said, “Hey, we want Nightwing and Huntress sleep together. Can you do it in four issues?”

But of course, that’s just speculation on my part.

With Batman away, Gotham city is under Nightwing’s protection (So who’s watching Bludhaven?) when a mobster is framed for a murder. But the crime’s mafia connections also attract the attention of the Huntress. The two wind up working the case together, and passions flare when they discover they have more than an enemy in common.

At this point in her near 10-year run, the Huntress/Helena Bertinelli character had been established as someone too violent and impulsive to be endorsed by Batman. To her immense frustration, she was seemingly banned from Batman’s inner circle. Nevertheless, her own bloody history with the mob fueled her crusade to operate in Gotham with or without the Dark Knight’s approval.

Then you had Nightwing/Dick Grayson, who years earlier had struck out on his own. Yet he still adheres to Batman’s code, and is still very much part of his extended “family.” There’s lots of potential for some “opposites attract” chemistry there, and in fact that’s what this book is supposed to be.

The problem is that it jumps into the…shall we say, “physicality,” before we really have a chance to explore any of that chemistry. It all starts rather abruptly, with feelings that are exposited rather than shown. We don’t go on the ride with Dick or Helena. That’s the missing ingredient here. Instead we spend much of the book analyzing the fallout from the act.

One character I’m grateful has a presence here is Oracle/Barbara Gordon. She wasn’t a vital ingredient. But given the Will they?/Won’t they? dynamic they had in the main Nightwing series at the time, her inclusion and input adds valuable perspective and context to things.

On a site note: Bruce Wayne is a public figure in Gotham City, yes? And Dick Grayson was once his ward, yes? So to an extent that makes him a public figure, yes? So when Dick and Helena consummate their attraction to one another, with masks completely off, shouldn’t she recognize him? And thus, shouldn’t she then be able to deduce that Bruce Wayne is Batman? Or are we just ignoring that notion for convenience?

Greg Land is back with us here, delivering a product that I would say is on par with what we got in the miniseries. One of my favorite panels in the book is pictured above. Though when you consider the accusations lobbied against Land for his use of pornography as photo-reference, it definitely makes you wonder…

The coloring, on the other hand, is definitely an upgrade. Noelle Gidding turns in something suitably dark and moody. The miniseries, and for that matter the main series at times, looked a little too bright for my taste.

One redeeming element here is that the effects of Nightwing/Huntress would subsequently be felt in not just the main series, but the No Man’s Land crossover that would soon follow. So at least this story had a purpose and an impact. But sadly, the book itself under-delivers.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Comic Books/Graphic Novels

A Batgirl and the Birds of Prey: Rebirth #1 Review – The Never-Ending Joke

Batgirl & The Birds of Prey: Rebirth #1, 2016, Yanick PaquetteTITLE: Batgirl and the Birds of Prey: Rebirth #1
AUTHORS: Julie Benson, Shawna Benson
PENCILLER: Claire Roe. Cover by Yanick Paquette.
PUBLISHER: DC Comics
PRICE: $2.99
RELEASED: July 20, 2016

By Rob Siebert
Editor, Fanboy Wonder

I’ve been looking for a reason to write about The Killing Joke, what with the animated movie coming out. I didn’t expect to find it here. But I’ll take it!

Someone is sending information to mafia families using the name Oracle, Barbara Gordon’s handle during her days in a wheelchair. This obviously strikes a personal chord, and Batgirl asks Black Canary to help her investigate. Babs is looking to get the Birds of Prey back together. But Dinah isn’t interested (“I’ve moved on. So have you.”). Still, she tags along for her friend’s sake. They cross paths with Huntress, who inexplicably knows some big secrets. But the identity of this mysterious new Oracle? That’s still a secret.

In reviewing how Babs became Oracle, we flash back to The Killing Joke. We see Claire Roe’s take on some of the famous shots from that story: Joker in the Hawaiian shirt, Barbara getting shot with the coffee mug in her hands, her laying looking up at him. Interestingly, Roe puts Barbara in a tank top and pants, as opposed to the skirt and blouse she was wearing in that story.

Batgirl and the Birds of Prey #1, Killing Joke flashbackI read an article recently on DC’s refusal to put The Killing Joke behind them. Though heralded as a landmark story, it’s unquestionably brutal and cruel. It also spawned an era of creators seemingly trying to mimic The Killing Joke by having female characters face awful acts of violence (see Women in Refrigerators). Yet the story lives on. Why? For the same reason DC won’t give up on Watchmen or The Dark Knight Returns. Name value.

Those three stories were arguably the three tentpole works of the “grim and gritty” movement in the ’80s. If you’ve been into comics at all over the last 30 years, chances are you’ve at least heard of them. In one way or another, they’re masterpieces that changed the industry. So by connecting those stories to their new books, DC creates a bridge to readers that have either left them behind, or simply aren’t reading comics anymore.

That’s one of the reasons why the first several issues of the New 52 Batgirl series weren’t just about Barbara being a superhero again. They were about her recovering, and coming to grips with being able to walk again. Just like in this issue, in 2011’s Batgirl #1 we relived the Joker shooting scene, and went over Barbara’s trauma. Eventually Babs even winds up confronting a nameless henchmen from that story.

I’m not disputing The Killing Joke is a great story, albeit one that inspired a bunch of bad creative choices. I just hope a day comes where we don’t have to go back to it every time Barbara has a new series. There are other stories out there, after all…

Huntress church sceneSo what’s with Dinah not wanting to put the Birds of Prey back together? The New 52 Birds of Prey series wasn’t exactly their highest of highs. But Babs and Dinah are still good friends. Why the cold shoulder?

Huntress makes her first appearance in a church confessional. I’m not as familiar with this version of Helena, but it looks like she’s as much a believer as her pre-New 52 counterpart was. The visual messaging in the church scene makes sense, particularly the shot of her walking out. By that point, you know her mission is to kill mafia hitmen. To say the least, she’s become a lapsed Catholic. You’ll notice this version of the Huntress costume doesn’t include a cross necklace.

The panels in the confessional are lit very interestingly (some shown above). Colorist Allen Passalaqua does great things withthe faint light coming in from the church and the resulting shadows on Helena’s face. The panel where her elbow is on the ledge is the best in the book, giving us an image more natural than what we see in most superhero books.

In contrast, Batgirl has what I’ll call some “mouth issues.” Not Barbara. Just Batgirl. I can’t decide if Claire Roe draws it in a way that’s somehow conspicuous, or if she just came out a little toothy. In certain panels, she almost looks like a buck-toothed Pipi Longstocking in a cowl. It’s one thing if that’s the look she’s going for. I don’t think it is.

Batgirl and the Birds, just a nameIt’s hard to believe, but Birds of Prey turns 20 this year. The group has had a variety of incarnations. But the most successful, at least creatively, have always had two ingredients: Barbara Gordon and Dinah Lance. At its core, Birds of Prey is a buddy superhero series about two women who bonded through their work and found friendship. If you’re missing one of them, you don’t have Birds of Prey. Thankfully, Batgirl and the Birds of Prey has its core intact. Now they simply need to built on top of that. With two female writers and a female penciller, I’m hopeful they build a series unlike any other on the stands.

Follow Primary Ignition on Twitter @PrimaryIgnition, or at Facebook.com/PrimaryIgnition.

Posted in Comic Books/Graphic Novels

A Nightwing: Rebirth #1 Review – Better in Blue

Nightwing: Rebirth #1, 2016, coverTITLE: Nightwing: Rebirth #1
AUTHOR: Tim Seeley
PENCILLER: Yanick Paquette. Cover by Javier Fernandez.
PUBLISHER: DC Comics
PRICE: $2.99
RELEASED: July 13, 2016

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

This issue should really be called Nightwing Returns. For yours truly, that’s what it is. Not just in terms of Dick Grayson putting the costume on again. It’s as simple as him wearing blue.

I can’t even tell you how hung up I was on that New 52 costume. I’ve discussed this before, but it bears repeating: Nightwing should never wear red on a permanent basis. Red is a Robin color. In switching from Robin to Nightwing, the change from red to blue was more important than many people realize. The shift to the opposite end of the color spectrum was a visual representation of his shift toward independence. To put him in red moves him back toward Batman, intentional or not. Plus, when you realize Jason Todd, Tim Drake, and Damian Wayne all wear red and have dark hair, the whole legacy of Robin starts to look like a creepy cult. All in all, everything is better when Dick is in blue.

With his secret identity now restored, Dick stops and smells the proverbial roses with his Spyral cohorts and surrogate family members before moving on to the next phase of his life. The Parliament of Owls (a larger version of the Court of Owls) continues to target Dick. The time has now come for Dick to infiltrate the group using the identity they tried to corrupt and make their own: Nightwing!

Nightwing: Rebirth #1, Yanick PaquetteThis issue tells us Dick’s identity is now a secret again.  To the best of my knowledge, this happened off page somewhere. As I recall, Helena Bertinelli told Dick that Spyral could use its tech to make the world forget what they saw in Forever Evil. This kind of trick isn’t new. You’ve got to get the genie back in the bottle somehow, of course. I just wish we’d actually seen it happen. We don’t even know for sure it was Spiral that restored Dick’s secret. Let’s hope he didn’t make a deal with Mephisto…

The whole stopping by to talk thing is a very Dick Grayson thing to do. We’ve seen it a bunch over the years. His talks with Tiger King and Midnighter feel like a transition out of the Grayson era. Though I wouldn’t be at all surprised to see him team with the latter again soon. He briefly speaks with Helena through a door, leaving us longing for a sense of closure between the two. Though Yanick Paquette treats us to a splash page of her in the Huntress costume, practically guaranteeing they’ll meet again down the line. Paquette is also on cover duty for Helena’s adventures in Batgirl & The Birds of Prey, which is a nice connection between the books. Oddly enough, the variant cover by Babs Tarr gives us another Nightwing/Batgirl connection. That can’t be accidental, can it?

So…does Lincoln March die in this book? He takes an arrow through the eyeball, so that’s definitely the implication. If this is the end for him, that’s a disappointment. His big quarrel was with his alleged brother Bruce Wayne. There was unfinished business there. Even factoring in his Grayson role, to see him snuffed out in a Nightwing book feels like a whimper. I’m hoping the Owls restore him, keep him in stasis, or something to that effect.

Nightwing: Rebirth #1, Dick and Damian, yanick PaquetteI’ve been high on Yanick Paquette in the wake of Batman #49. But some of his renderings of Dick and Damian are weirdly off in this issue. For instance, the image at right. What, pray tell, is wrong with Damian’s face? Is it contorted because his eyes hurt? Is he rolling his eyes at the thought of Spyral being on the side of the angels? At certain points he also looks like he’s hunching.

On the plus side, he ends on a splash page of Dick in the Nightwing suit, and it instantly satiated my craving for blue Nightwing. Well done, sir.

Just to clarify, I’m not downing Kyle Higgins, or anyone who worked on the red Nightwing book. Eddy Barrows did some nice work with Dick, and I was pleased when Higgins moved the setting to Chicago. Grayson also turned out better than many of us imagined. But this issue feels like a homecoming. Just as so much we loved about the old DCU has come back in this Rebirth initiative, so has the Nightwing we know and love.

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Posted in Comic Books/Graphic Novels

A Batgirl #48 Review – Video Games, a T-Rex, and…Mind Wipes???

Batgirl #48, 2016, coverTITLE: Batgirl #48
AUTHORS: Brenden Fletcher, Cameron Stewart
PENCILLER: Babs Tarr
PUBLISHER: DC Comics
PRICE: $2.99
RELEASED: February 3, 2016

By Rob Siebert
Editor, Fanboy Wonder

“It’s a Birds of Prey reunion!” That’s basically what the cover is saying to comic book fans. In retrospect, it’s a wonder DC fouled up the New 52 incarnation of that book. The Birds of Prey concept has a lot going for it. But at its core it was about the friendship between Babs and Dinah (and sometimes Huntress). Considering how well Batgirl has been going, and how Black Canary factors into it, Brenden Fletcher, Cameron Stewart, and Babs Tarr might just be the heirs to Birds of Prey. Come to think of it, is DC even doing anything with Huntress right now?

But I digress…

Fragments of Barbara’s memory have gone missing. The question is, why? And what does it have to do with her brain apparently being tampered with? Thankfully, Black Canary is there for a little extra back-up. But not before Batgirl and Batwing take on Co-Op, a villainous duo with a flair for gaming.

Batgirl #48, Babs Tarr, Batwing picnicConsidering how much history there is in the Barbara Gordon/Dick Grayson romance, the success of Barbara’s romance with Luke Fox has been a pleasant surprise. And then they had to taint it in this issue by reminding us that he’s Batwing. Luke Fox works just fine as Barbara’s super-smart boyfriend who’s now helping her in a new business venture. He doesn’t need to be a superhero. In fact, that was part of what made Batgirl #45 so cool, when Babs chose Luke over the muscular, dashing and daring Dick Grayson. That’s not to say Luke should be helpless, and I know the Batgirl team weren’t the ones who made him Batwing. But c’mon. Can’t that whole concept just be left as a relic of the reboot?

These Co-Op villains are pretty fun. They’re written pretty tongue-in-cheek, but that’s part of their charm. And their presence gives Tarr and and the artistic team a chance to go all out with a blaze of colorful, cartoony madness. Our villains are dressed like TRON characters, one of them is riding T-Rex, our heroes are placed inside a pro wrestling arena and are fighting a big luchador. It’s one of the nuttiest sequences we’ve seen from a DC book in quite awhile. I’d be more than okay with seeing these guys again.

Batgirl #48, 2016, Babs and DinahTarr really gets a chance to show off her versatility in this issue. We go absolutely crazy near the beginning of the issue. Then in the middle we have some cartoony anger and snark when Babs and Dinah come across a few Black Canary fans (shown right). Then at the end, we get a dramatic scene where the other characters are terribly concerned for Batgirl’s wellbeing. While it couldn’t have been done without Fletcher and Stewart’s writing, make no mistake about it, Babs Tarr’s art is the element that truly ushered in this new era for Batgirl. Look no further than this issue for the evidence.

Our main villain is someone Babs has seen in a nightmare, and who has in-depth access to her mind. Going forward, this has the potential to be something very scary, and very personal. It’s something very much befitting the upcoming 50th issue, and they’re even tying it back to their first story, collected in The Batgirl of Burnside. Batwing notwithstanding, Team Batgirl has yet to let us down. And I don’t see that trend changing in the near future.

Images from batman-news.com. 

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