Weekly Comic 100s: Star Wars: Doctor Aphra, Batman, X-Men, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Not A Doctor. Even in Space.

So it looks like, at least as far as the comic book industry is concerned, our long global nightmare is finally starting to wind down.

Between the launch of Lunar and UCS as new alternative distribution, and Diamond announcing a return to form on May 20, the comic book industry is a few steps closer to being back in business. In the meantime, last week Marvel published Doctor Aphra #1 in celebration of Star Wars day. Meanwhile, issues of Justice League, Lois Lane, among other issues from DC are set to hit the stands tomorrow. I knew I liked Rucka’s Lois Lane maxi, but I had no idea absence would make the heart grow this much fonder…

I also tacked X-Men #2 on. I don’t know that I’ll start picking up the book after it starts shipping again. But curiosity has been getting the better of me. Plus, there’s no better time than now, is there?

TITLE: The Flash: Fastest Man Alive #3
AUTHOR: Gail Simone
ARTISTS: Clayton Henry, Marcelo Maiolo (Colorist), Rob Leigh (Letterer). Cover by V Ken Marion, Sandu Florea, & Maiolo.
RELEASED: May 8, 2020

This issue is titled, “The Accelerated and the Infinitismal.” Heh. I dig it.

The Infinitismal in this case is the Atom, a.k.a. Ryan Choi, as opposed to Ray Palmer. Some dialogue between them suggests this story takes place early in Flash’s career. Which doesn’t necessarily jive with the timeline as I know it. But oh well.

As their target audience is the superstore crowd, most of these DC Digital-Firsts are drawn very accessibly with new readers in mind. As it’s a little more cartoony, Clayton Henry is able to separate himself from the pack.

TITLE: Star Wars: Doctor Aphra #1
AUTHOR:
Alyssa Wong
ARTISTS:
Marika Cresta, Rachelle Rosenberg (Colorist), Joe Caramagna (Letterer). Cover by Valentina Remengr.
RELEASED:
April 6, 2020

This series, at least at this early juncture, more or less casts Aphra as the Indiana Jones of the Star Wars Universe. She’s an archaeologist looking for priceless artifacts.

Despite enjoying her Kieron Gillen’s Darth Vader series, I could never get into Aphra as a solo act. In all honesty, not much has changed now. I just don’t think she’s the flavor of Star Wars I’m looking for at the moment. But the book is written and drawn just fine. Also, good on Marvel for hiring a mostly-female team for this one.

TITLE: Batman: The Adventures Continue #3
AUTHORS: Alan Burnett, Paul Dini
ARTISTS:
Ty Templeton, Monica Cubina (Colorist), Joshua Reed (Letterer). Cover by Sean Murphy & Matt Hollingsworth.
RELEASED: May 6, 2020

Now this is more like it. A slightly different take on Deathstroke. Not changing him too much. But just enough.

Jason Todd continues to look on. Is it a coincidence that he looks a little bit like the DCAU Jason Blood? Or are they just giving him the white streak in his hair from the comics? I imagine it’s the latter.

My sole artistic critique? Some bad coloring on the steam rising from Bruce Wayne’s coffee. Or maybe it’s tea.

TITLE: Wonder Woman: Agent of Peace #3
AUTHORS: Amanda Conner & Jimmy Palmiotti
ARTISTS:  (Inker), Adriano Lucas (Colorist), Travis Lanham (Letterer). Cover by Chad Hardin & Paul Mounts
RELEASED: May 6, 2020

Diana attempts to take a vacation day with Steve Trevor in this issue. Bad call. That’s always when the bad guys strike. In fact, Wondie then has an extremely busy couple of days stopping a meteor from colliding with Earth, then solving a murder mystery in Gorilla City. It’s all very nicely drawn by Daniel Sampere.

I always thought the Gorilla City idea was a better fit for Wonder Woman and the Amazons, rather than the Flash. Both are more or less primitive societies. But we get the best of womankind against the worst of mankind’s primate impulses.

TITLE: Superman: Man of Tomorrow #3
AUTHOR:
Robert Venditti
ARTISTS:
Paul Pelletier, Andrew Hennessy (Inker), Adriano Lucas (Colorist), Clayton Cowles (Letterer). Cover by Dan Mora.
RELEASED:
May 4, 2020

Dan Mora drawing Superman? Yes please.

Yet another awesome “shirt opening” sequence by Pelletier and the team this week. This one actually lasts a page and a half.

I don’t know if it’s because I have a baby girl now and it hit me in the feels to see Big Blue save a mom and daughter, but I can’t get enough of “boy scout” Superman.

Though at one point while dismantling a robot he gives us, “This game will cost you an arm and a leg!” Even I have my limits, folks.

TITLE: X-Men #2
AUTHOR:
Jonathan Hickman
ARTISTS:
Leinil Yu, Gerry Alanguilan (Inker), Sunny Gho (Colorist), Clayton Cowles (Letterer).
RELEASED:
November 13, 2019

I haven’t done the research yet on how a teenage (?) Rachel and Nathan Summers are with Cyclops in he present so that they can “help your old man beat up some monsters”. I’m just going with it. That’s pretty much what you have to do with most X-Men books.

Some cool creature art from Leinil Yu in here, though. Along with an awesome line from Cyclops: “I’ve got more hours in a cockpit than I do in therapy, son, and let me tell you…I have done the work.”

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A DKIII: The Master Race #9 Review – The Dark Knight Reboots

TITLE: Dark Knight III: The Master Race #9
AUTHORS: Brian Azzarello, Frank Miller
PENCILLERS: Andy Kubert, Miller
PUBLISHER: DC Comics
PRICE: $5.99
RELEASED: June 7, 2017

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

Well, there it is. May as well have called this one The Dark Knight Reboots. For all intents and purposes, that’s what it was. There’s no official word on a DKIV story going forward. But given what we saw here, it seems pretty damn likely. Between this and the incorporation of Watchmen into the canonical DC Universe, they just can’t help but play the hits. For better or worse…

This issue sees Batman, Superman, Batgirl (Carrie Kelley), Lara the Supergirl, and the other heroes have their final confrontation with Quar and the Kryptonian invaders. Afterward, the Dark Knight Universe has a new status quo. Especially now that Bruce Wayne has been revitalized via the Lazarus Pit. So where do our heroes go from here?

Let’s start with the positives. This issue, and the DKIII main story overall, were really well illustrated. Andy Kubert has been able to meld his style with just enough vintage Frank Miller to make this a unique presentation. Even Miller himself, when working on the mini-comics we got in each issue, was able to settle into a groove. His art has been widely derided in recent years. But while he started off shoddily, it’s been quite awhile since I’ve enjoyed his art this much.

Ray Palmer/The Atom has a really nice moment in this issue where he gets to thwart some of the bad guys. It was clever the way they incorporated Ray into all of this. So to see him “get his win back” in the end was cool.

I also liked what they did with Green Lantern. A little corny? Yes. But he had a great little sub-plot about defeat and redemption. And when you consider one of Green Lantern’s original creators, Martin Nodell, took inspiration from Aladdin and the magic lamp, it makes a kind of sense.

Maybe the reason I’m so into this new take on Green Lantern is because when you close DKIII, it’s one of the few things left that’s really and truly different about this universe. Yes, certain supporting characters are absent. And we’ve got Lara and Carrie in the picture, along with Clark and Diana’s young son. But think about it. We don’t even have that old, gritty, Clint Eastwood-style Batman anymore, now that Bruce has gone through the Lazarus Pit. The Justice League is essentially back together now. What’s left to do in this universe now?

Various points in this story felt like we were gearing up for a passing of the torch. Carrie Kelley becomes Gotham’s protector, while Lara takes over for her Superman. In the end, they pay that off with Carrie becoming Batwoman and teaming with Bruce. Then in our mini-comic, we see Lara is now under the tutelage of her father. This feels like they were didn’t want to remove Batman and Superman, for fear of how it would effect sales going forward. I can understand that. But the ending of this story feels so safe and sub-par anyway, that they may have made that sacrifice regardless.

So why not just go for it? Why not kill the Bruce Wayne character? The Joker had an iconic death scene in The Dark Knight Returns. You can take a crack at doing the same thing with Bruce here. Given how old he is, it’s getting more and more contrived to have him keep coming back in the Batsuit. So have him die in Superman’s arms in issue #6 or #7, prompting Carrie to officially take over for him as Batwoman. There’s an argument to be made for that being the ending DKR should have had.

Then, if you must bring Bruce back via the Lazarus Pit, have it be in DKIV. We can see him challenge Carrie for Gotham City, the effects of the pit having driven him insane.

Many a reader, myself included, has criticized Frank Miller for the bizarre and even offensive choices he made in The Dark Knight Strikes Again and All-Star Batman and Robin. But I’ll always credit Miller with being willing to take risks with his art. In the end, DKIII feels like they went too far in the other direction. The Dark Knight Returns has become a timeless piece of art. DKIII seems mostly like something thrown together by editors so that DC can continue to cash in on the team of Frank Miller and Batman. It’s a missed opportunity. With Brian Azzarello, Andy Kubert, and all these other supremely talented creators on board, they could have made something that allowed DC to sell more books, Instead we got something that feels largely hollow.

***For more DKIII: The Master Race, check out our reviews of issues #1, #2, #3, #4, #5, #6, #7, and #8.***

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A Justice League of America: Rebirth #1 Review – What’s Our Motivation?

Justice League of America: Rebirth #1, 2017, Ivan ReisTITLE: Justice League of America #1
AUTHOR: Steve Orlando
PENCILLER: Ivan Reis
PUBLISHER: DC Comics
PRICE: $2.99
RELEASED: February 8, 2016

By Rob Siebert
Editor, Fanboy Wonder

This book is a little confusing. Historically, when DC has put out an alternate Justice League title, the group typically has a distinct mission or commonality that separates it from the traditional League. For instance, Justice League Dark had an obvious paranormal theme. The 2012 Justice League of America book was about the team serving America’s interests.

This new Justice League of America title is either about giving people “mortal” heroes they can relate to, or giving its team members a chance at a fresh start. Maybe both. The problem is neither of those concepts are sufficiently fleshed out to the point that they make sense. So there’s not enough there to get us invested in our heroes and make us care.

After the events of Justice League vs. Suicide Squad, Batman has recruited former Squad members Killer Frost and Lobo to be part of a new incarnation of the Justice League. He also recruits Black Canary, Vixen, the Ray, and Ryan Choi (protege of the Atom, Ray Palmer). He sets the team up at the Justice League’s original base at Happy Harbor. That’s about it in terms of what this issue gives us. Granted, that’s assuming you haven’t read any of the character one-shots that have come out. But there’s no looming threat, villain, or indicator of what the plot might be going forward. We get a Geoff Johns style page at the end that previews stories to come, but it’s nothing specific. That’s not to say the first issue of every team book needs such things. But without them, this one feels flat.

Justice League of America: Rebirth #1, Killer Frost, Batman, Ivan ReisThere are a few lines in this book about the new JLA not being “gods,” which presumably means they’re not as ultra-powerful as Superman, Wonder Woman, or the Flash. I like that idea. The problem is, this team doesn’t really fit with that M.O. In Justice League vs. Suicide Squad, Batman literally blew Lobo’s head off. He proceeded to grow it back. We also saw Killer Frost use her powers to incapacitate the League’s most powerful members. I’m not very familiar with this version of the Ray, but in the past he’s been virtually invincible. As for Vixen, we’ve seen her fly like a bird, harness the speed of a cheetah, and do any number of things that humans aren’t meant to do. So if the goal is to show people heroes that are “like them,” Batman and Ryan Choi are the only ones on this team who really belong. You can add Canary to the list if you’re a little more liberal about it. But most of these characters would be more than capable of holding their own against a Superman or Wonder Woman.

Then there’s the whole second-chance/rebuild-yourself idea. I understand that approach with Lobo and Killer Frost. He’s a killer and she’s a villain. But Vixen wants more of an image rebranding than anything else.Black Canary is seemingly there just to help supervise. And why exactly do the Ray and Ryan Choi need a fresh start, anyway?

In a first issue like this, there’s nothing wrong with strictly doing team-member introductions like this. But there’s a lack of consistency here that’s frustrating. These characters are all so different, which is a good thing. But when that’s the case, you usually need a strong commonality to justify putting them together. Justice League of America: Rebirth #1 doesn’t give us that. And without an intriguing enemy or opposing force, the premise of the series falls apart before it really begins.

justice-league-of-america_-rebirth #1, group shot, Ivan ReisOn the plus side, the use of the Secret Sanctuary, i.e. the “original” Justice League base in Happy Harbor is a great use of classic DC continuity. We get a nice full-page shot of the inside, showing us it hasn’t been used in some time. Batman calls it “a remnant of a bygone era.” I find that a little funny, considering when the New 52 started, superheroes had only been around for about five or six years. With this “Rebirth” initiative, the timeline is even more vague. So exactly how long ago was this bygone era?

Ivan Reis is no stranger to the Justice League, and he’s always going to turn in quality work. He’s complimented wonderfully here by inkers Joe Prado and Oclair Albert, and colorist Marcelo Maolo. What I found particularly striking here was Reis’ rendering of Vixen. She’s very much the stunning supermodel the story calls for. But Reis also gives her a nice edge. She’s gorgeous, but also hardened. In certain panels you can see that wild, animalistic side lingering behind her eyes. Simply put, it’s one of the best takes on her I’ve ever seen.

It’s just a shame it had to be in this book. Justice League of America: Rebirth #1 needed to hook us. It didn’t. We could have a great series coming our way. But JLA now has to work that much harder to win me back. Because as of now, I have no clue why I should be shelling out money to read it.

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A DC Universe: Rebirth #1 Review – “How Could I Ever Forget You?”

DC Universe: Rebirth #1TITLE: DC Universe: Rebirth #1
AUTHOR: Geoff Johns
PENCILLERS: Ethan Van Sciver, Gary Frank, Ivan Reis, Phil Jimenez
PUBLISHER: DC Comics
PRICE: $2.99
RELEASED: May 25, 2016

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

Part of the idea behind the 2011 “New 52” reboot at DC Comics was to modernize and simplify the characters and continuity for new readers. They largely succeeded. A lot of great comics were sold, and new readers were given a fresh jumping-on point for the DC Universe.

But lets be honest. If you were a longtime DC Comics fan, you lost a lot more than you gained. The timeline of the DCU was condensed down to five or six years. As such, the characters lost a lot of their depth. Certain characters, relationships, marriages and families were altered, if not erased altogether. As such, this new DC Universe suffered from a lack of heart and emotional connection.

DC Universe: Rebirth #1 is DC’s attempt to remedy this problem by restoring some of these lost characters, and injecting some much needed love into the proceedings.

A LOT of big things happen in this issue. So lets touch on most of them individually…

DC Universe: Rebirth #1, 2016, Wally West, Barry Allen hugWally West returns, reunites with Barry Allen, warns of a new enemy. Most of us can relate to being forgotten about on some level. It’s heartbreaking. That’s the feeling Geoff Johns taps into when he shows us the plight of Wally West. Lost to time, left as mere kinetic energy in the Speed Force, he’s so desperate to be remembered. Even his former wife replies to his presence with a heart-wrenching: “I don’t know you.” So it’s a genuine tear-jerker when Barry suddenly does remember him, then wraps him in a hug and says: “How could I ever forget you?” After almost five years without Wally, this was every bit the epic reunion it was designed to be.

The explanation we get for the other Wally West, who’s set to become Kid Flash in upcoming issues, is a little corny. Something about them being cousins and both named after their great-grandfather. I’ll grant them that there was no easy way to get out of that scenario. There was bound to be confusion. At least Johns connected them. Hopefully that’ll be a unique meeting eventually.

I’m not clear on what Barry and Wally remember at this point. In this issue, Wally remembers his wife Linda Park, the events of Crisis on Infinite Earths, his time with the Teen Titans, and other odds and ends. At least some of that seems to have been transferred to Barry. But Wally also says it’s becoming harder to remember his old life. I imagine more will be revealed in the new Titans series.

Per events in Justice League, also written by Johns, we learn there have apparently been three Jokers. I balked when I first saw this. Having three Jokers seemingly takes away the character’s unique evolution and versatility. Now, instead of one multidimensional Joker, we’ll have three one-dimensional Jokers. That, at least, is my takeaway from the revelation.

DC Universe: Rebirth #1, Jokers, Ethan Van SciverI am happy, however, that they didn’t give us any names. We didn’t find out The Joker’s real name is Jack Napier or anything like that. My love for The Killing Joke notwithstanding, I like my Joker somewhat de-humanized, conveying the idea that absolutely anyone could be behind that twisted grin. “One bad day” and what not. They may still do that, but hopefully they don’t.

It’s easy to make snap judgments about dramatic reveals like this. (Captain America, anyone?) But ultimately, it’s all about the story they’re telling. The true merit of this twist lies with what they do with it.

Wally reaches out to an elderly Johnny Thunder, who has been searching for the Justice Society. Justice Society got a little out of hand before the reboot. The team was split between two titles. If they’re bringing back the JSA, my hope is the team will be smaller. My question is, if the Society comes back does that mean the timeline gets adjusted so Jay Garrick, Alan Scott, and all those characters were indeed active during World War II?

Ted Kord, DC Universe Rebirth #1Partnerships are established between Ted Kord & Jaime Reyes and Ray Palmer & Ryan Choi. Dr. Fate reveals that Jamie’s Scarab is actually magic. I hadn’t realized how much I missed Ted until this issue. Gary Frank perfectly captures that boyish enthusiasm, which is part of what’s so great about Ted. This new partnership with Jaime should make for good comics.

Ray Palmer has a line about Jean Loring in his scene with Ryan Choi, which seems to indicate that Identity Crisis is out of continuity. I’m a big Brad Meltzer fan (mostly). But if we have to abandon Identity Crisis in favor of a more hopeful DC Comics, with some of our favorites back in the picture, I’m okay with that.

Aquaman proposes to Mera. Jackson Hyde returns to the DCU.  Well heavens to Betsy. Marriage is okay again! With the reboot, Superman, The Flash (both of them), and Aquaman all had their marriages retconned. Batwoman was also not allowed to marry her love interest. Arthur at least got to keep his relationship with Mera. This seems to be a very positive step away from the “heroes can’t be happy” approach DC seemingly had in place a few years ago.

Why Jackson Hyde wasn’t a part of the New 52 reboot is a mystery to me. They had spent all that time building him up in Brightest Day, and then he was just gone. Hopefully they can now capitalize on what for years has been a wasted opportunity.

And now, for the biggest reveal of them all…

Batman, WatchmenWatchmen characters are incorporated into the DCU. Dr. Manhattan implicated as the mysterious force manipulating time. Ah, here’s the kicker. I mean, c’mon. We couldn’t have a villain manipulating the time stream somehow. We had to drudge up Watchmen again, as the book and the characters continue to be profitable 30 years after its original publication.

I won’t lie, there’s a certain excitement at the prospect of a post-Watchmen Dr. Manhattan interacting with the DC Universe. Seeing Batman find the iconic Comedian button with the bloodstain, hidden in the Batcave, of all places, was a legit shocker. Even watching Pandora perish the way Rorschach did was kinda cool.

But here’s my big question: Will it be worth it in the end?

The last time DC pulled this crew out of retirement was for Before Watchmen, a line of prequel miniseries’ featuring all the classic characters. It gave us some good stuff, particularly Darwyn Cooke’s Before Watchmen: Minutemen story. But even with all the A-list talent involved, when you look at Before Watchmen cumulatively, you aren’t left with a feeling of justification. The sense that this was worth doing without Alan Moore and arguably taking some of the luster off Watchmen.

I’m really hoping they thought about that before making this move. Is this going to be worth bringing Watchmen out of retirement Especially when we presumably won’t be seeing Dr. Manhattan, and whoever else pops up, in the context of their own world.

DC Universe Rebirth #1, montage, Gary FrankThis oversized issue is divided into four chapters, plus an epilogue. For these various sections, Geoff Johns is working with three of his longtime collaborators. The MVP by far is Gary Frank, who draws chapter 2, and also assists with chapters 1 and 3. His art drips with pure humanity. When Wally bursts in on Johnny Thunder, we can feel the old man’s desperation, heartbreak, and fear. In the scene with Ted and Jaime, Ted’s enthusiasm is contagious. On the other hand, Jaime’s apprehension is palpable, and comes off very natural. Frank also draws the big reveal with Batman and the pin (shown above), and even drew the cover. What an amazing issue for him.

It’s very fitting to have Ethan Van Sciver on the pencil for chapter 1. As the artist on Green Lantern: Rebirth and The Flash: Rebirth, it creates a nice consistency. What’s more, having worked on those books, and contributed to projects like The Sinestro Corps War and Blackest Night, his work inevitably conveys a sense of importance. He very much lives up to that, as its Van Sciver that gives us our first look at the returning Wally West.

In chapter 3, Ivan Reis gives us a gorgeous scene with Aquaman and Mera. But the scene with Wally and Linda, where he’s so sure she’ll remember him and he gets rejected…it’s amazing. Their faces, their body language, it’s just perfect. You can make an argument that this is the most important scene in the issue. The impact of Wally’s failure with Linda makes the scene where Barry saves him that much more impactful.

There’s a certain artistic symmetry to Phil Jimenez drawing the reunion between Barry and Wally. In Infinite Crisis, Jimenez drew Wally and his family disappearing into the Speed Force, as well as Barry briefly emerging from it. Now, he gives us an emotional sequence where Barry pulls Wally from the Speed Force. He was the perfect choice for this moment.

Aquaman and Mera proposalFinally, let’s talk about Geoff Johns for a moment. The guy gets his share of flack these days. He’s got a reputation as Mr. Retcon. And I’ll admit those early Justice League issues where pretty flawed. But by and large, he tells gripping and often emotional stories. In the case of DC Universe Rebirth #1, he and the team give us a much-needed break from the grim and largely joyless DC Comics we’ve come to know since The New 52 began. There’s a place for hope, love, and wonder in this universe. Most readers always knew that. Let’s hope DC never forgets again…

Image 1 from newsarama.com. Image Image 3 from pastemagazine.com. Image 3 from observer.com. Image 4 and 6 from observer.com. Image 5 from terrazero.com. 

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A Dark Knight III: The Master Race #4 Review – Nagging Distractions

DKIII: The Master Race #4, cover, Andy KubertTITLE: Dark Knight III: The Master Race #4
AUTHOR: Brian Azzarello, Frank Miller
PENCILLER: Andy Kubert
PUBLISHER: DC Comics
PRICE: $5.99
RELEASED: April 27, 2016

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

The Flash is kind of a big deal for DC right now. He’s got a TV show on The CW that pulls in millions of viewers per episode. What’s more, it’s actually a damn good show.

Viewers of said show may want to avoid this issue. Their hero not only goes out like a chump, but he’s wearing one of the gaudiest costumes the DC Universe has ever seen.

We open the issue with a showdown between father and daughter. It’s Superman against Lara the Supergirl, who happens to have an army of Kryptonians behind her. Once they’re done with him, Batman is next in line. Quar, leader of the hostile Kryptonians, demands that Batman be produced or Gotham City will be destroyed. Once again, The Dark Knight is about to come out of retirement. But this time, he seemingly has no choice in the matter.

The Flash, Andy Kubert, DKIII: The Master Race #4, 2016This issue devotes three pages to The Flash being taken out by a Kryptonian. I can’t say I was a fan. He doesn’t even put up a fight. He simply gets his legs taken out, and it’s all over. If you’re going to devote that much of your issue to taking out a hero, that’s fine. But come on! This is The Flash! Now more than ever, this guy is one of DC’s big guns! Give him at least a little offense!

That costume is a leftover from The Dark Knight Strikes Again. That alone should have been a red flag. I understand that book can’t be completely ignored. But there are certain things from DKII that need to be left in the past. This costume is undoubtedly one of them.

Sadly, it’s not the only awful costume we’ll see…

Surprisingly, the first thing we see when we open the issue is The Atom. Despite the CRUSH we saw in issue #2 that seemed to indicate Ray Palmer had been killed, apparently he’s alive, albeit in a microscopic state. I can’t say I’m sad to see him back. But his death was a nice punctuation mark on the arrival of the Kryptonians. It’ll certainly be interesting to see how he factors in later.

Quar, Lara, and the other Kryptonians either kill or neutralize Superman, depending on how you interpret the issue. Despite all the blood he spills in this issue, there’s no way Superman is gone. Not with his daughter playing such a crucial role in things. If there was ever a time for a reconciliation between Batman and Superman, it’s now.

DKIII: The Master Race #4, Carrie Kelley, Bruce Wayne, Andy KubertOnce again, Andy Kubert does a fine job evoking Frank Miller’s style, while still making the book his own. This is most evident in the way he draws Bruce Wayne. The detail he puts into the character’s facial expressions and his scarred physique are fantastic. It’s almost as if someone has flipped a light on, allowing us to see details we’ve never seen before.

One of my few complaints with the art in this issue involves the scene where Commissioner Yindel sees Batman for the first time in the story. She’s been searching for him since the first issue, and now they’re finally face to face. We see Batman shrouded in darkness, holding the flask he’s just taken from a hopeless Yindel. I envisioned this scene being as impactful as Superman’s return to consciousness last issue. It isn’t. I think it would be different if Kubert, inker Klaus Janson, and colorist Brad Anderson had taken him out of the darkness a bit more. This Batman doesn’t always lend himself to the whole shadowy figure of the night routine. He’s big, bulky, and brash. This would have been a big time for one of those toothy scowls he’s always flashing around. DKIII hasn’t given us much of Batman in all his grandeur yet. This would have been a good time to play that card.

This issue’s mini-comic gives us Batgirl as we’ve never seen her before: Drawn by Frank Miller and wearing Joker colors. Seriously! What the hell is up with that costume? If Batgirl has ever looked worse, I can’t remember it. That’s not even getting into how weirdly she’s proportioned.

Dark Knight Universe Presents: Batgirl #1The story mostly consists of Carrie Kelley, after being given the Batgirl costume by Batman, fighting off some thugs at a dock. Aquaman emerges from the water to save her when she gets in over her head. Why he happened to be there is anybody’s guess. Hopefully we’ll learn more next issue. But if what happened to Green Lantern and Flash is any indicator, I’m hoping he’s got good healthcare down in Atlantis.

This issue is still decent in terms of the core story. But the Flash interlude and the weird acid trip that is the Batgirl issue prove to be nagging distractions. As such, this is the least satisfactory installment of DKIII thus far. Brian Azzarello maybe in the driver’s seat, but Frank Miller’s fingerprints are still there….

Images 1 and 3 from weirdsciencedccomicsblog.blogspot.com. Image 2 from newsarama.com.

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A Dark Knight III: The Master Race #2 Review – The Death of Bruce Wayne…?

Dark Knight III: The Master Race #2TITLE: Dark Knight III: The Master Race #2
AUTHOR: Brian Azzarello, Frank Miller
PENCILLERS: Andy Kubert, Eduardo Risso.
PUBLISHER: DC Comics
PRICE: $5.99
RELEASED: December 23, 2015

***Miss issue #1? Boom.***

By Rob Siebert
Editor, Fanboy Wonder

One of my favorite Batman stories of all time is Batman: Knight of Vengeance, a three-issue miniseries by Brian Azzarello and Eduardo Risso that tied in with Flashpoint. I won’t spoil anything, but the third issue hits some heavy emotional notes that Azzarello isn’t necessarily known for. But it made for an amazing story that in terms of quality, surpassed Flashpoint itself. So you can imagine my pleasant surprise when a moment in that same vein occurred in Dark Knight III: The Master Race #2. It’s not nearly as good, but to see Azzarello go there again is really cool, and could be a vital ingredient to making DKIII the redeeming element in the Dark Knight saga.

This sophomore issue sees Ray Palmer, a.k.a. The Atom, make a catastrophic mistake that will likely cost millions of people their lives. Meanwhile, Carrie Kelley has been taken in by the Gotham Police. She insists that Bruce Wayne is dead. But is it true? And if so, how? Is this truly a world without Batman?

Dark Knight III: The Master Race #2, Bruce Wayne death, Andy Kubert

We spend a lot of time with Carrie and Commissioner Yindel in this issue. Via their conversation, we get a flashback to when Bruce Wayne allegedly dies. And as far as Batman death scenes go, this is one of the most touching and impactful ones I’ve ever read. Bruce doesn’t go out in a blaze of glory saving the world. He dies in a hospital bed as Carrie sits next to him. It’s here that he confesses something heart-breaking. Bruce tells her he’s always taken some comfort in the fact that his parents were together when they died, and that he always thought he’d die alone. With her hand in his, Carrie tells him he’s not alone. Moments later, he slips away.

Setting aside this scenes place in the overall story, there’s a tragic beauty in the idea of Bruce taking solace in his parents having each other when tragedy struck. And his fear of dying alone makes all the sense in the world, not just because of what happened to his parents, but how he’s lived his life as Batman. Even at the very end, part of him is still that scared little boy in the alley. That’s a perfect character moment, and a great illustration of how much Carrie has come to care for Bruce.

DKIII #2, Carrie Kelley, Andy KubertAnother such illustration is the awful beating she takes when we open the issue. While the death scene feels like a Brian Azzarello moment, this feels more like a Frank Miller moment. It’s very much reflective of the tone he’s set in previous stories. It’s pretty intense, particularly with the blood. And I don’t think I’m out of line when I say Carrie being a young girl doesn’t help matters. But it fits within the context of the story they’re telling. I don’t exactly love it, and it definitely pushes the boundaries of good taste. But I can’t say I was offended. If they start making a habit of graphic scenes like this, that’ll be another story.

On the plus side, Carrie gets some retribution late in the issue with some help from the Batmobile. Of course, in this universe the Batmobile is more like the Bat-Tank. Given what happens to the Batmobile as she’s trying to escape, and how we eventually see her positioned in relation to it, it’s tough to suspend your disbelief. It doesn’t take you out of the issue, necessarily. But it’s a head scratcher.

Much like last issue, we have a mini comic-within-a-comic, this one starring Wonder Woman and Lara the Supergirl, as we explore their mother/daughter dynamic. Given what happens here, along with the events in the main story, it becomes pretty obvious where things are going with Lara. It definitely doesn’t bode well for mom.

Wonder Woman vs. Lara, DKIII #2, Eduardo RissoDuring what’s supposed to be a training exercise between Diana and Lara, we see Diana is still carrying her infant son in a papoose on her back. It was weird in the first issue, and it’s still weird here. But whatever.

Given his history with Azzarello, Risso has as much right to this book as anyone, His work here isn’t as commanding as Kubert’s, but he gives this confrontation the weight and emotion it needs to have.

This issue succeeds in upping the ante from its predecessor, both in terms of character development and setting the stage for the primary conflict. The journey hasn’t been entirely smooth thus far. But compared to what Miller gave us in The Dark Knight Strikes Again and All Star Batman & Robin, this book looks like friggin’ Watchmen. There’s still hope that the Dark Knight saga can be redeemed.

Image 1 from newsarama.com. Image 2 from comicbooknews.com. Image 3 from popoptiq.com.

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A Dark Knight III: The Master Race #1 Review – Miller Light

Dark Knight III: The Master Race #1, Andy KubertTITLE: Dark Knight III: The Master Race #1
AUTHORS: Brian Azzarello, Frank Miller
PENCILLER: Andy Kubert
PUBLISHER: DC Comics
PRICE: $5.99
RELEASED: November 25, 2015

By Rob Siebert
Editor, Fanboy Wonder

The Dark Knight Returns really shouldn’t have had a sequel, much less two sequels.

I know that’s too much to ask in the modern era. We simply have to go back to the well with everything. Watchmen had to have a bunch of prequel stories, we had to do another Sandman, and now we’re putting Frank Miller and Batman back together. Because, you know, that worked so well last time

Actually, Miller doesn’t have a lot of say on Dark Knight III: The Master Race. Given what Miller has said on the record, he’s firmly in the backseat for this one. Apparently Azzarello is in the driver’s seat, and Miller is more an adviser than an author. If we must drag Dark Knight out of retirement, that’s a good decision. His classic works notwithstanding, Miller’s descent into incoherence and mediocrity has been well documented.

DKIII is set three years after The Dark Knight Strikes Again, as Batman has re-appeared in Gotham City. As such, both the criminal element and the news media are up in arms. Under pressure to take action is Police Commissioner Ellen Yindel, who initiates an aggressive police response. But things regarding the Batman are not what they seem…

Dark Knight III: The Master Race #1, Andy KubertThis issue, as expected from a first chapter, mostly serves as a table-setter for things to come. We establish Batman’s return, re-establish Gotham City and Miller’s trademark depiction of the news media, and also set up where Wonder Woman, Superman, and their daughter Lara are. We get a cliffhanger in the end involving Carrie Kelley, which opens the floodgates for speculation about what’s really going on with Batman/Bruce Wayne, and whether there’s a larger plan being enacted.

The most intriguing element in this issue is the art, pencilled by Andy Kubert, with DKR inker Klaus Janson and colorist Alex Sinclair. Miller himself drew DKR, and DK2 with far less success. But now we have Kubert and his colleagues trying to maintain a certain consistency with Miller’s style, but also display their own strengths. Kubert’s line work is cleaner, and less busy than Miller’s ever was. But at the same time, there’s a certain grim and moody tone to things that’s very Miller-esque. This is especially true when we see the battle scene with Wonder Woman. We see a lot of deep black, and there’s a great shot of Wonder Woman’s eyes in under the shadow of her headgear in the rain. The team also does great justice to Miller’s rendering of Lara.

Miller has taken a lot of heat over the years for the oversexualization of his female characters. So the fact that most of the characters in this issue are strong, proactive women likely serves as proof of Miller’s reduced involvement. He’d likely have jumped at the chance to draw Wonder Woman or Lara provocatively. But this departure is definitely a positive. Now isn’t the time for cheesecake. Evidently, it’s time for fighting cops…

Dark Knight III: Master Race, protests, Andy KubertIndeed, this issue delivers on the classic Frank Miller theme of Batman vs. the Police. Near the end of the issue, we get a bloody fight between Batman (sort of) and the cops. But there’s a stark contrast between the cops we see here, and the ones we saw in Miller’s last Bat-book, All Star Batman & Robin. In that book, the Gotham City Police are depicted as sadistic rapists and pedophiles with badges. In this book, they occupy a gray area that reflects how they’re often portrayed in a post-Ferguson world. The issue makes a veiled reference to modern-day police backlash via another Miller trope: Parody of television news media. A stand-in for Bill O’Reilly references the police having “enough on their plates with all the latest protests.” Still, seeing cops who aren’t Jim Gordon portrayed in a sympathetic light is another considerable departure from Miller’s usual narrative. Again, this is a positive.

Interestingly, contained within the issue is a miniature issue starring Ray Palmer, a.k.a. The Atom. That’s kind of a cool little gimmick, considering the title character. Ironically, one can argue we learn more about the story to come in Dark Knight Universe Presents The Atom #1 than we do in the main issue. We actually find out who “The Master Race” is. Miller does have the pencil here, and while his figure-rendering is highly questionable, his work on Palmer and Lara’s faces is fairly solid. Also, Alex Sinclair’s colors pop really well.

The cover on the other hand…

DKIIIMini900_560f23c5ded7d5.10162826This is the Frank Miller we’ve come to expect in recent years. Look at Superman. He’s blocky, his proportions are weird, the line work is overdone, his legs are stretched out but the bottom of his left boot is somehow facing the camera. And that face is…what is that face? At the risk of going low brow, this looks more like an elderly man struggling on the toilet than the Man of Steel.

DKIII is worth a look, at the very least because of Frank Miller’s status as an innovator for Batman and his world. It might be worth sticking around for, given the involvement of Azzarello and Kubert. A Batman story that’s written and drawn by Miller in the 21st century is scarier than it is intriguing. But a story that takes some of Miller’s ideas and shapes them into something that’s coherent and not offensive? That might be interesting. At this point, it’s too soon to tell. But this issue is a solid first chapter.

Images from comicbook.com.

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A Justice League of America: Team History Review – Will the Real JLA Please Stand Up?

Justice League of America: Team HistoryTITLE: Justice League of America: Team History
AUTHOR: James Robinson
PENCILLER: Mark Bagley
COLLECTS: Justice League of America #38-43
FORMAT: Hardcover
PUBLISHER: DC Comics
PRICE: $19.99
RELEASE DATE: September 8, 2010

By Rob Siebert
Editor, Fanboy Wonder

Some of the creative decisions surrounding Justice League of America in the past year or so have really left me scratching my head. Certain characters have been in the League for a little while, then left, only to be replaced by other characters, who then leave, and are replaced again. The cast/team line up has been in a constant state of flux.

James Robinson’s would-be epic, Justice League: Cry For Justice, is partially to blame for that. First they were going to make that book into it’s own series, then they decided to just make it a miniseries, and that seems to have screwed things up. Robinson was put on the main Justice League book, and proceeded to give us an almost entirely different team.

Still, he and Mark Bagley put on a decent show with Team History.

Justice League #38 (2010)The book begins in the aftermath of Cry For Justice, with Vixen, Plastic Man, Dr. Light and Red Tornado contemplating whether the Justice League should even exist in its current incarnation. Soon, the events of Blackest Night kick in, and Zatanna must confront her zombified father. Meanwhile, Vixen and Gypsy face their old teammates from the Detroit Justice League, and Dr. Light deals with her villainous counterpart of the same name.

Then we jump post-Blackest Night, and everyone but Dr. Light and a bodyless Red Tornado remain on the team. So Robinson throws Green Lantern, Green Arrow, Batman (Dick Grayson), Donna Troy, Cyborg, Starfire, Mon-El, The Guardian, and The Atom together. Plus, we get Congorilla and Starman, who were featured in Cry For Justice. They take on, among other threats, a trio of villains who gain access to the Justice League Watchtower.

For my money, the first part of this book overshadows the second. Robinson does a really nice job with the confrontation between the good Dr. Light, and the sadistic rapist Dr. Light. He taps into some of that Identity Crisis magic really well. The fight with the Detroit League is fun too. I was pleasantly surprised.

Justice League of America: Team History, group shotThe book gets convoluted during its second half. The assemblage of the team is done well enough, but the bad guys are introduced via a series of flashbacks that left me scratching my head. I knew who/what the threat was, I just wasn’t sure how they got to be a threat or why.

What frustrated me the most about this book, is that the new team seems to start imploding before their first adventure is even over. The events of The Fall of Green Arrow/The Rise of Arsenal start to take over, and there’s a big question mark left hanging over the entire team. Plus, based on events that have taken place since Justice League #43 was published, it’s looking like at least a couple of these heroes won’t be sticking around for the long haul.

Team History is a decent book on its own, but it left me frustrated at the lack of consistency in the Justice League’s roster. Heck, even the characters themselves seem to be getting frustrated. In retrospect, I shouldn’t have even complained about the Teen Titans, and saved my frustration for the League.

Seriously…will the real Justice League please stand up?

RATING: 6/10

Image 1 from craveonline.com. Image 2 from dreamwidth.org.

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