Posted in Television

Rob Watches The Mandalorian: Return to Tatooine

SERIES: The Mandalorian
EPISODE:
S1.E5. “Chapter 5, The Gunslinger”
STARRING:
Pedro Pascal, Amy Sedaris, Jake Cannavale, Ming-Na Wen
WRITER/DIRECTOR:
Dave Filoni
PREMIERE DATE:
December 6, 2019
SYNOPSIS:
After stopping on Tatooine for repairs, Mando takes a job alongside a young bounty hunter.

By Rob Siebert
Fanboy Wonder

So did we need to come back to Tatooine? No, not really. But I’m glad we did. Going to a classic Star Wars setting reinforces that this is, in fact, the universe we know and love. And yes, nostalgia is a factor. It’s nice to see Mos Eisley again.

I’m a little surprised they used pit droids, i.e. the “hit the nose” robots from The Phantom Menace. I don’t mind Episode I as much as some people do. But you’d think in this, the first live action Star Wars television show, you’d want to avoid allusions to what’s often considered the franchise’s worst film. (It’s not. But that’s another story.)

Question: Aren’t most rifles in Star Wars blaster rifles? If so, Peli Motto asking the droids to get her blaster rifle doesn’t really make sense. It should probably just be, “Get my rifle!”

Yeah. I’m nitpicking at that level, folks. But it’s because I care, damn it!

So he just left the child on the ship? That’s uncharacteristically stupid for Mando.

Dr. Mandible, the giant bug in the cantina, is also stupid. He makes his debut in this episode.

Fun fact: The Mos Eisley Cantina has a name. Chalmun’s Spaceport Cantina.

Another fun fact: They squeezed Mark Hamill into this episode. He’s the voice of the droid at the bar (shown below). Apparently that’s the very same droid that spoke to Threepio in Jabba’s palace in Return of the Jedi. What a remarkable coincidence…

I wonder if Mando would have taken Toro Calican under his wing before he picked up the child. Perhaps being a father figure softened him in short order.

That’s a recurring theme in the original Star Wars trilogy. The “scoundrel” who becomes a good man. The big one is Han Solo. But it applies to Lando Calrissian as well.

I must confess, I’ve never seen Agents of Shield, or much of anything else with Ming-Na Wen. But she makes a pretty good bounty hunter. And Fennec Shand is yet another powerful female character added to the Star Wars universe.

I don’t recommend watching this episode in a room with a lot of sunlight. I did so, and could barely make anything out during the nighttime scenes.

So the general consensus was that the person who comes to Fennec’s aid at the very end of the episode is Boba Fett. In the end, that obviously turns out to be true. That speaks to the amount of foresight the showrunners hopefully have.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Television

Rob Watches The Mandalorian – The Galaxy’s Best Halloween Costume

SERIES: The Mandalorian
EPISODE:
S2.E1. “Chapter 9, The Marshal”
STARRING:
Pedro Pascal, Timothy Olyphant, Amy Sedaris, John Leguizamo
WRITER & DIRECTOR:
John Favreau
PREMIERE DATE:
October 30, 2020
SYNOPSIS:
Din Djarin’s search for the Jedi bring him to Tatooine. There, he encounters a familiar set of armor.

By Rob Siebert
Fanboy Wonder

The first minute or two of this episode is fantastic. Like the opening moments of Chapter 1, it’s a tremendous tone-setter.  And our hero once again gets an excellent entrance. I particularly enjoyed the graffiti on the walls. Have we ever seen graffiti in the Star Wars universe? I’m inclined to say no. At least as far as the movies are concerned.

Whenever we see the Din Djiarin in some kind of hand-to-hand combat situation, it always feels so hard-hitting. That’s a credit not just to the fight choreographers and the performers, but the sound team as well.

The Mandalorian is great at disguising established actors. I’d never have guessed in a million years that was John Leguizamo. Ditto for Horatio Sanz last season.

Mos Pelgo is a nice addition to Tatooine. It feels like one of those sparsely populated, desolate old west towns, which is a nice way to distinguish it from Mos Eisley and Mos Espa.

Upon seeing Timothy Olyphant’s character, Cobb Vanth, Mrs. Primary Ignition asked me, “Is he a new character, or have we seen him before?” My answer was that he’s new, but apparently that’s not the case. He makes some appearances in Chuck Wendig’s Star Wars: Aftermath novels, which are set closer to the events of Return of the Jedi. I must admit, I’ve read two of those books and didn’t remember him…

Vanth looks like a kid in a Halloween costume in Boba Fett’s armor. But of course, that’s the idea.

So the big monster shows up on screen, and Mrs. Primary Ignition asks me what it is. My answer: “If I had to guess, I’d say it’s a krayt dragon.” Low and behold, moments later they call it a krayt dragon. Now there’s something I did remember from a Star Wars book.

Part of me was disappointed that we started season two out on Tatooine. The Mandalorian has been so good at adding to the mythology of Star Wars, I’d have appreciated them either going somewhere new, or returning to one of the new locations from season one. On the other hand, the show has also been good about breaking new ground with classic Star Wars stuff…

Having the sand people use sign language was a stroke of genius. And yet it didn’t contradict anything from the movies. We’d never seen the Tuskens communicate directly with humans. Not in the movies, at least. But the Tusken language can be learned, as Din illustrates.

The music we hear when the Tuskens arrive in Mos Pelgo, and during their subsequent journey to the abandoned Sarlacc Pit is amazing. Pitch perfect work by Ludwig Göransson.

Boba Fett must have had a faulty jet pack. First an errant strike from Han Solo sends Fett into a Sarlacc Pit. Then a strategically placed strike from Din sends Cobb Vanth flying.

Question: When the dragon swallows Din, why doesn’t he fall victim to the stomach acid, or whatever it was that the monster puked up on to the Tuskens? Some of it appears to be on his armor. Is that what protected him?

So at the end of the episode we see a mysterious figure that is undoubtedly Fett. I give the show credit for not immediately bringing a classic character back in his classic outfit.

It’s always good to come out of an episode with questions that need to be answered. We certainly have no shortage of those here. Based on the few seconds we’ve seen of Fett, it looks like the last five years or so have been rough for him. But how does he have eyes on Din Djarin? Is he masquerading as a Tusken Raider? Is that why he has the gaffi stick? And what will Din think of Fett when they inevitably meet? As Fett isn’t a true Mandalorian, you’ve got to believe there won’t be good feelings there…

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Uncategorized

Astonishing Art: Star Wars Trilogy by Florey

By Rob Siebert
Going from Boy to Man…Very Slowly.

I’m a sucker for posters like these. Ones that maintain a consistent design and take you through multiple stories, often following the same character.

Yes, I’m a little late for Star Wars Day with this one. But let’s be honest: This site has never been hurting for Star Wars content. Ergo, I present to you Florey’s take on Luke Skywalker’s journey in the original Star Wars Trilogy.

The posters are for sale now at Bottleneck Gallery. Florey can also be found on Facebook, Instagram, and Twitter.

Posted in Books

The Rise of Skywalker Novelization Review – Rey Edition

***I just recently finished the Rise of Skywalker novelization by Rae Carson. Naturally, as the “Expanded Edition,” it’s intended to supplement the events of the film and hopefully fill some of those gaping plotholes. Naturally as a Star Wars geek, I’ve got opinions. Too many to fit into a single review. Thus, welcome to the third of my multi-part Rise of Skywalker novelization review!***

By Rob Siebert
A.K.A. Rob Skywalker

1. Force-Healing Powers.
Why did everybody get so bent out of shape about Rey’s Force-healing powers? Forget the fact that if you’re into Star Wars lore, you already know there were Jedi healers. But let’s say you’re not, and you’re still upset…

So the Force is a mystical energy field that binds the galaxy together, and the Jedi have access to it. What does that mean? For story purposes, it can mean whatever you want it to mean.

In the original film, it meant Obi-Wan could control people’s minds and make Stormtroopers hear things that weren’t really there. It also meant Luke could see through solid objects, hear Obi-Wan’s voice in his head, and move a proton torpedo with his mind.

Then in Empire, it also meant Luke could jump really high to avoid being frozen in carbonite, and that Darth Vader could stop blaster bolts with his hand.

In Return of the Jedi, it meant that if you were a bad guy, you could shoot lightning out of your fingers.

In The Phantom Menace, Qui-Gon and Obi-Wan could run super-fast like the Flash.

In The Last Jedi, it meant Luke could essentially project a hologram of himself across the galaxy. Oh, and that Snoke could link Kylo Ren’s mind with Rey’s.

Now in this movie it means Rey can heal a serpent monster, and Ben can save Rey’s life.

Folks, I know a lot of Expanded Universe stuff has been written about the Force, Jedi powers, etc. But at the end of the day, George Lucas was making this stuff up as he went along. He didn’t bend the rules of reality too far, but he used it to suit the story’s needs.

So if Force-healing has always been a thing, why didn’t Luke use it to save Vader’s life? Why didn’t Obi-Wan use it to save Qui-Gon’s? I don’t know. I just know they didn’t. That’s enough for me.

2. Rey Fixed Luke’s X-Wing
Okay, so healing someone with your magic powers? I’m okay with that. But fixing a spaceship that’s been underwater for years and is missing a wing? That’s where I draw the line, damn it!

In the movie when Luke raises his X-Wing out of the water on Ahch-To, it seems like it’s primed and set. As if he’s somehow been fixing it underwater in a translucent scuba suit or something. The book gives us further details. They don’t make the notion that Rey flew Luke Skywalker’s X-Wing into the unknown regions of space any less silly. But I’m glad they’re there.

On page 200 (of the original hardcover edition), we learn Rey didn’t just have to patch the wing that was serving as the door to Luke’s hut. She also had to use parts from Kylo Ren’s Tie Whisper, which she’d just set ablaze, and do a bunch of rewiring. The ship, might never fight againBut it was still fighter class, and its transition from vacuum to atmo was seamless.

Of course it was.

A little Wookiepedia research tells me that, assuming Luke went into exile soon after Ben destroyed his temple, that X-Wing was probably down there about six years. Jedi or not, plop my dirty Honda Civic in the ocean for six years and see how quickly you can get it running. Just sayin…

3. “Be With Me”
Like the movie, the book doesn’t specify who exactly is talking to Rey as all the Jedi of the past are rooting her on. It’s better that way, of course. After all, how would Rey know what Qui-Gon Jinn, Mace Windu, or Anakin Skywalker sound like? The only obvious tell is Yoda based on his speech patterns. And of course, she recognizes Luke.

There’s also an interesting line in here about not all these voices necessarily coming from beyond the grave…

Presences filled her awareness, some recent, some ancient, some still anchored to the living in a strange way. Rey didn’t understand. But she accepted.

I assume that’s in there not just to keep Ashoka Tano’s fate a secret, but because certain Force sensitives around the galaxy could feel what was happening and were cheering Rey on. Even if they weren’t quite aware they were doing it. “Broom boy” from The Last Jedi comes to mind. And of course there’s Finn.

4. The Lars Homestead; “Rey Skywalker”
Upon second viewing, the movie is better at covering Rey’s exploration of the Lars Homestead than I remembered. We get a lot of familiar shots, only these places are now partially buried in sand. Probably stripped for parts too.

The implication, at least the way I interpreted it, was that Rey would now be the one to train a new generation of Jedi. She’d do it from the Lars Homestead, where Luke’s journey began, and where Anakin also had strong ties.

As it turns out, that’s not the case. At the end of the book, she and BB-8 get back in the Falcon and fly off. Presumably back to Ajan Kloss.

That’s disappointing. Yes, I’m sure different Empire/First Order survivors or sympathizers across the galaxy know where Anakin and Luke were born. They’re likely more than capable of following their trail back to Tatooine.

But in terms of closing the book on the so-called “Skywalker saga,” it’s poetic not just to see it end where it began. But to see it begin there again. I understand why they closed the movie with the image of Rey and BB-8. But in terms of the book going with the whole “alone with friends” theme might have been better. Sure, BB-8 is there. But we’ve also got C-3PO to help translate old Jedi texts. R2-D2 to do astromech droid stuff, and provide anecdotes from his days with both Anakin and Luke. Then there’s Finn. Rey’s first student.

Finally, the book gives us a brief moment where Luke, as he and Leia’s spiritual presences look on at Rey, grants her permission to use his family name.

It’s yours, Rey.

And so we reach an ending. But every ending is also a beginning.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Comic Books/Graphic Novels

Weekly Comic 100s: Darth Vader, Batman, X-Men/Fantastic Four, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Darth Vader #1
AUTHOR: Greg Pak
ARTISTS: Raffaele Ienco, Neeraj Menon (Colorist), Joe Caramagna (Letterer). Variant cover by Chris Sprouse.
RELEASED: February 5, 2020

After the events of Empire, Darth Vader starts investigating Luke’s birth/origins. He journeys back to Tatooine (again). He then goes to Padme’s old apartment on Coruscant, which remains more or less preserved after 20 years. As if it’s a crime scene or something. Based on the ending, I assume we’ll learn more next issue.

I understand it from a storytelling perspective. But in-universe, it’s always a little too convenient that these landmark places all essentially look the same no matter when we see them. That Lars Homestead will still be standing 30 years later

TITLE: Batman #88
AUTHOR:
James Tynion IV
ARTISTS: Guillem March, Tomeu Morey (Colorist), Clayton Cowles (Letterer). Cover by Tony Daniel.
RELEASED: February 5, 2020

I wasn’t very nice to Guillem March last time. In fact, I’m rarely depict his work positively. But to his credit, he won me over with this issue. At least a little bit. His rendering of Catwoman in a graveyard on a rainy night is damn near beautiful. The scene with Batman, Penguin, Deathstroke, and the others is also very strong.

At more than one point, it seemed to me like this issue was laying the groundwork for the long-awaited Three Jokers book. Remember, we’re building toward a story in the pages of Batman called “Joker War.”

TITLE: X-Men/Fantastic Four #1 (of 4)
AUTHOR: Chip Zdarsky
ARTISTS: Terry Dodson, Rachel Dodson (Inker), Dexter Vines (Inking Assistant), Karl Story (Inking Assistant), Laura Martin (Colorist), Joe Caramagna (Letterer)
RELEASED: February 5, 2020

I’m terrified of X-Men comics. Specifically, the decades worth of continuity and characters. But to this book’s credit, it’s fairly accessible.

Franklin Richards, the mutant teenage son of Reed Richards and Sue Storm, is summoned by Charles Xavier to live with Earth’s mutants on the island nation of Krakoa. This doesn’t sit well with Reed. Naturally, conflict and teen angst ensue.

I’ve been looking for a bridge back into the Marvel Universe. X-Men/Fantastic Four #1 might be it, as it does a nice job setting up both teams, and giving us a compelling main character in Franklin.

TITLE: Mighty Morphin Power Rangers/Teenage Mutant Ninja Turtles #3
AUTHOR: Ryan Parrott
ARTISTS: Simone di Meo, Alessio Zonno, Walter Baiamonte (Colorist), Igor Monti (Color Assistant), Ed Dukeshire (Letterer). Cover by Dan Mora.
RELEASED: February 5, 2020

We get a fight between Rita and Shredder in this issue. It’s a relatively lengthy battle. And you know what? I’m just going to come out and say it: I wanted this to be one of those fights where the guy and girl hook up at the end. You know how it goes. The passion overcomes them, etc. These two have a lot in common, after all.

What that says about me and these characters from my childhood, I’ll let you decide.

Oh my God. What if Shredder, not Zedd, was actually Thrax‘s father?!?!? Mind blown!!!

TITLE: Young Justice #13
AUTHOR: Brian Michael Bendis, David Walker
ARTISTS: Michael Avon Oeming, Mike Grell, John Timms, Gabe Eltaeb (Colorist), Wes Abbott (Letterer)
RELEASED: February 5, 2020

Well hey there, Mike Grell! It’s been too long! What’s more, Grell gets to once again draw a character he created in Warlord. Warlord and Superboy actually have a pretty nice dynamic in this issue. The experienced elder statesman offering calm words of wisdom to an upset Superboy.

For the moment at least, the Young Justice cast has expanded greatly. If these additional characters stick around, it’s a lot to balance. But it’s still damn good to see a couple of them.

TITLE: Lois Lane #8
AUTHOR: Greg Rucka
ARTISTS: Mike Perkins, Gabe Eltaeb (Colorist), Simon Bowland (Letterer)
RELEASED: February 5, 2020

As much as I’m enjoying having Greg Rucka back at DC, I’m wondering if this needed to be a 12-issue maxi-series. This entire issue felt mostly like filler.

For instance, there’s a scene in this issue where Superman shows up after an attempt on Lois’ life. We take four pages to see husband and wife re-united, and then to see the attention the Man of Steel gets from the local police.

Am I missing something? Why are we seeing this?

On the upside, the assassin that comes after Lois has a pretty cool look.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Posted in Movies

George Lucas on Star Wars: Anakin and C-3PO

***Think what you will about George Lucas, but in terms of Star Wars, it can all be traced back to him. That’s why I always find it so interesting to listen to him talk about it. His creative process, the reason certain decisions were made, and how these movies became the pop cultural staples they are. This space is dedicated to just that. This is “George Lucas on Star Wars.”***

By Rob Siebert
Fanboy Wonder

The Scene: Anakin introduces Padme to C-3PO, the protocol droid he’s building to help his mother. Moments later, Threepio meets R2-D2 for the first time.

George Lucas Says (Via the Phantom Menace Commentary Track): “Not only is Darth Vader Luke and Leia’s father, but he’s also Threepio’s father. I thought that was kind of amusing irony in all of this. And I couldn’t resist it. It gives us the opportunity for Threepio to meet Artoo for the first time, and start what will ultimately become a very long and arduous friendship of sorts.”

I Say: Like a lot of people, my initial reaction to the revelation that Anakin built C-3PO was: “Bullsh*t.” Even in a world with laser swords and slug people, it was far-fetched.

But…when you hear George explain it like this, it actually makes sense. So much of Threepio’s character is based on him trying to relate to human beings. (“Sometimes I just don’t understand human behavior!”) So there’s fantastic comedic irony in the idea that like our main hero Luke Skywalker, Threepio is also Darth Vader’s son. It even casts an interesting new light on the “He’s more machine now than man” line from Return of the Jedi.

But that’s all subtext. To the average moviegoer, this Anakin connection is just a contrivance to shoehorn Threepio into the movie. And for no real reason, as there’s not much for him to do other than be introduced to Artoo. So while I very much like what George was going for with this, I don’t know that it was worth it in the end.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Posted in Astonishing Art

Astonishing Art: Star Wars by Eric Tan

By Rob Siebert
Fanboy Wonder

I’m a sucker for a good Star Wars poster. So when I came across this set from Disney artist/designer Eric Tan, I fell head-over-heels very quickly. For a time, the posters based on the original trilogy were actually sold at the Disney store for hundreds of dollars. While that places them firmly outside of my price range, from a quality perspective I understand it. These things are friggin’ gorgeous…

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Posted in Toys

Toy Chest Theater: Star Wars by Marcel Eisele

By Rob Siebert
Fanboy Wonder

“Holy sh*t, this guy’s good!”

Did I say those words out loud when I saw Marcel Eisele’s images for the first time? No. But it almost happened. That’s got to count for something.

I’ve selected aside six shots for display, and narrowing the field was not easy. I opted to stick to Star Wars stuff, as that’s the arena he spends most of his time in. But on Eisele’s Instagram page, you’ll also see characters from Marvel, Planet of the Apes, The Walking Dead, IT, among others. Honestly, some shots were downright painful to leave out. So don’t be surprised if you see him in this space again down the road…

What I find so amazing about Eisele’s work is that he’s able to do so much with so little. Or at least what seems like so little. Take this shot of Mace Windu. It’s really just a tight shot with a lighting effect. But given the face sculpt, and Eisele using just the right amount of lighting to keep half the figure’s face in the shadow, the end result has so much gravity. Imagine walking into this guy on the dark end of the street. Yeesh. A little bit of pee just came out.

In a write-up done by BanthaSkull.com about a year ago, Eisele mentions taking a lot of shots in his backyard. I can only assume that’s where this was taken. It’s tough to go wrong with a silhouette. Don’t discount the timing element here. It feels like sunsets go by really fast when you’re trying to beat the clock.

Again, seemingly very simple. What we have here is basically a superhero shot of Luke on Ahch-To. You get the right angle, and the cape and the background do most of the work. But what is the right angle? How far back go you go? How much of the terrain do you show? How do you nail the figure’s positioning? Somehow, Eisele answered all these questions correctly. Because what he gave us here is damn near iconic.

Here’s one that hits you right in the damn feels. We never did get to see Luke and Han on screen together one last time. It might have a Grumpy Old Men vibe to it. But who cares? It’s Luke and Han.

Eisele also does some customization, as is the case with these next two shots. I appreciate this one because it sneaks up on you. When you’re scrolling by, it’s easy to assume that’s Luke behind Rey. But when you actually look at it, you’re surprised to see it’s an alt-universe Han Solo. Rocking the Jedi Master beard, no less.

Then there’s this last one, which I absolutely love the imagination behind. A custom-made “Dark Side Obi-Wan Kenobi.” There’s also a shot of this figure with a red lightsaber, thus unofficially classifying him as an evil Sith. But I like this image better, as I’m not in love with the idea of an evil Obi-Wan. By not drawing focus with the lightsaber, this pic allows us to take in all the differences between this character and the one we knew from A New Hope. The bald head, the longer beard, the bare feet, the tattered and dirty robes. I like to imagine this figure as Obi-Wan from a darker timeline, as opposed to being on the dark side himself. Perhaps not Old Ben Kenobi, but Older Ben Kenobi.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Posted in Comic Books/Graphic Novels, Panels of Awesomeness

Panels of Awesomeness: Obi-Wan Kenobi by Mike Mayhew

By Rob Siebert
Fanboy Wonder

CREATORS: Jason Aaron (Author), Mike Mayhew (Artist)

THE SCENES: Living as a hermit, Obi-Wan Kenobi watches over a young Luke Skywalker as he grows up on Tatooine.

WHY THEY’RE AWESOME: Lately I’ve been obsessed with the version of Obi-Wan Kenobi that Mike Mayhew drew for Marvel’s Star Wars title. Specifically, issues #15 and #20, which hit the stands in 2016.

Mayhew was by no means a stranger to the Star Wars universe at this point. Perhaps most notably, he was the artist for The Star Wars, which adapted an early draft of the original film. For Star Wars #15 and #20, however, he was tasked with depicting entries in what author Jason Aaron called “The Journals of Old Ben Kenobi.”

What I find so interesting about Mayhew’s version of Kenobi is that he didn’t take the obvious route, and draw him to look like Ewan McGregor. But he didn’t go the Alec Guiness route either. Mayhew opted for something more his own. A figure that captures the essence of the character, without being beholden to either one of the actors. That approach isn’t so far-fetched in the world of licensed comic books. Often it’s met with an eye-roll from yours truly.

This, on the other hand? This works. Something about it screams classic Star Wars. As if it’s transplanted from an era before the prequels, where we were still imagining what a young Obi-Wan Kenobi might look like. It achieves a warm and fuzzy nostalgic quality without feeling like it’s trying too hard for it.

Though Jason Aaron has been off Star Wars for awhile now, I’d love to see them revive this journal framework. If they can bring Mike Mayhew back for it, all the better!

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Posted in Comic Books/Graphic Novels

A Star Wars #20 Review – You’ve Upset the Wookie!

Star Wars #20, coverTITLE: Star Wars #20
AUTHOR: Jason Aaron
PENCILLER: Mike Mayhew
PUBLISHER: Marvel
PRICE: $3.99
RELEASED: June 15, 2016

By Rob Siebert
Editor, Fanboy Wonder

Jason Aaron really came across something cool with these “Journals of Old Ben Kenobi” issues. It’s a great breather from the events of the ongoing series, and Obi-Wan’s time in exile hasn’t necessarily gotten the attention it deserves from storytellers. Having Mike Mayhew take a crack at it is, more often than not, a joy.

A short time after we last saw this younger Ben Kenobi and an even younger Luke Skywalker, the bounty hunter Black Krrsantan has returned to Tatooine to collect the price on Kenobi’s head. When Owen Lars gets caught in the crosshairs, Ben finds himself in a fight for both their lives.

I criticized Mayhew for getting a little too cartoony in Star Wars #15. I’m happy to say he’s scaled that back here. That’s not to say our characters aren’t expressive. But at no point during this issue did I roll my eyes. For obvious reasons, that’s important. And it makes this issue an improvement over its predecessor.

Star Wars #20, 2016, Mike Mayhew, LukeMayhew’s rendering of a young Luke has been the highlight of his two issues. That youthful exuberance radiates off the page. It instills you with the sense that this kid is important and we need to protect him at all costs. Because, of course, that’s really what Obi-Wan is fighting this wookie for. Yes, he wants to save Owen. But in the end, he can’t this monster find his way to Luke. That’s almost said outright during the fight. But it doesn’t need to be.

This version of Obi-Wan is interesting to look at. Not only have we never seen the character look quite this way before, but Mayhew’s photorealism makes it look like he’s being played by a new actor. An actor who not gives a fairly versatile performance, but (as I’ve said before) conveys both the charm of Ewan McGregor and the wisdom of Alec Guinness. That’s a lofty task for a comic book. But Mayhew pulls it off.

In reading these journal issues, I’ve found myself wondering just how old Obi-Wan is at this point. In this issue he talks about age wearing him down. But his age has always been somewhat ambiguous, hasn’t it? Wookiepedia indicates he was born 57 years before A New Hope. Luke looks to be 7 or 8 years old here….which would put this issue about 11 years before A New Hope…which would make Obi-Wan about…46? I’ll buy that.

Obi-Wan, Star Wars #20, Mike MayhewI’m not sure how many issues Jason Aaron has left in him. But if for some reason he were to leave Star Wars tomorrow, Marvel might consider keeping him around to do an Obi-Wan miniseries, ideally with Mayhew. These flashback issues have been the highlight of the series thus far.

Images from author’s collection.

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