An Action Comics #1054 Micro-Review – “Whatever Strength I Have…”

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

Action Comics 1054, cover, April 2023, Steve BeachTITLE: Action Comics #1054
AUTHOR: Philip Kennedy Johnson, Dan Jurgens, Dorado Quick
ARTISTS: Max Raynor, Matt Herms (Colorist), Dave Sharpe (Letterer), Jurgens, Norm Rapmund (Inker), Elizabeth Breitweiser (Colorist), Rob Leigh (Letterer), Yasmin Flores Montanez, Brad Anderson (Colorist). Cover by Steve Beach.
RELEASED: April 25, 2023

By Rob Siebert
Fanboy Wonder

Superman to a defeated Metallo in this issue: “Whatever strength I have doesn’t belong to me. It belongs to those who need it. And right now, that’s you.”

I love that line. As far as this new stretch of Action Comics issues are concerned. Philip Kennedy Johnson feels like he’s really hit his stride.

Dan Jurgens handles both the writing and art duties on this month’s installment of “Lois and Clark 2.” Jurgens fits as well on a Superman story as anyone ever has. And yet, I still find myself missing Lee Weeks’ work, strictly for consistency’s sake.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A Superman: Lost #2 Micro-Review – The DCU on HBO

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

Superman Lost 2, cover, April 2023, Carlo Pagulayan, Jason Paz, Elmer SantosTITLE: Superman: Lost #2
AUTHOR: Christopher Priest, Carlo Pagulayan
ARTISTS: Pagulayan, Jason Paz (Inker), Jeromy Cox (Colorist), Willie Schubert (Letterer). Cover by Pagulayan, Paz, & Elmer Santos.
RELEASED: April 11, 2023

By Rob Siebert
Fanboy Wonder

This issue, the story starts fulfilling the potential of its premise. We get Superman in space, visiting alien worlds, trying to find his way home, etc. All the while, Pagulayan, Paz, and Cox make it look awesome. A slow start last time, but we’re building up to super-speed now.

The more I read Christopher Priest’s take on the DC Universe, the more I’m into it. He’s definitely got his own style and voice. It feels a little bit like a DC Comics story mixed with an HBO series.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A Superman: Lost #1 Micro-Review – It’s Not a Superman Story Unless…

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

Superman Lost 1, cover, March 2023, Carlo PagulayanTITLE: Superman: Lost #1
AUTHORS: Christopher Priest, Carlo Pagulayan
ARTISTS:  Pagulayan, Jason Paz (Inker), Jeromy Cox (Colorist), Willie Schubert (Letterer)
RELEASED: March 14, 2023

By Rob Siebert
Fanboy Wonder

Apparently the current policy at DC is that it’s not really a Superman story unless Batman shows up. *sigh*

Though, to be fair, the entire Justice League is part of this story. So at least this Batman appearance is somewhat called for. And Carlo Pagulayan and Jason Paz, fresh off their work on Star Wars, draw a beautiful Justice League accompanied by Jeromy Cox’s colors. But hopefully going forward this will be a story primarily about the Man of Steel.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A Superman: Kal-El Returns Special #1 Micro-Review – The Bro Hug

 

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

Superman KAl-El Returns Special 1, cover, 2022, Dan MoraTITLE: Superman: Kal-El Returns Special #1
AUTHORS: Mark Waid, Sina Grace, Marv Wolfman, Alex Segura
ARTISTS:
Various. Cover by Dan Mora.

RELEASED: November 29, 2022

By Rob Siebert
Fanboy Wonder

This issue contains four short stories, most of which show us the immediate reactions certain characters have to Superman being back. The best of which, for my money, shows what may be Mark Waid’s best work on Superman and Batman since he’s been back with DC. He writes the two as close friends and confidants, which is a sensible approach given how long they’ve known each other.

Plus, they give each other a bro hug in the opening scene. A Superman/Batman bro hug? I never thought I’d see the day…

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

The Death of Superman 30th Anniversary Special #1 Micro-Review –

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

Death of Superman 30th Anniversary Special 1, cover, November 2022, Dan Jurgens, Brett Breeding, Brad AndersonTITLE: The Death of Superman 30th Anniversary Special #1
AUTHORS: Dan Jurgens, Jerry Ordway, Roger Stern, Louise Simonson
ARTISTS:
Various. Cover by Jurgens, Brett Breeding, & Brad Anderson

RELEASED: November 8, 2022

By Rob Siebert
Fanboy Wonder

For those of us who were around back when Superman “died” in the early ’90s, this is a nice little supplement featuring many of the same creators who worked on the classic story.

The main feature sees a young Jon Kent learn about the big fight with Doomsday as his father fights an opponent named Doombreaker that’s almost identical. It’s a great performance on both the writing and art side by Dan Jurgens.

Meanwhile Steel gets a back-up story written by his creators Louise Simonson and Jon Bogdanove. The affection they have for him is evident on the page.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A Superman: Son of Kal-El #17 Micro-Review – The Big Talk

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

Superman Son of Kal-El 17, cover, 2022, Travis Moore, Tamra BonvillainTITLE: Superman: Son of Kal-El #17
AUTHOR: Tom Taylor
ARTISTS:
Cian Tormey, Ruairi Coleman, Romulo Fajardo Jr. (Colorist), Dave Sharpe (Letterer). Cover by Travis Moore & Tamra Bonvillain.

RELEASED: November 8, 2022

By Rob Siebert
Fanboy Wonder

This issue is centered around Jon being afraid to talk to his dad about his bisexuality. It should come as a surprise to absolutely no one that the matter ends on a high note. Because…y’know, his dad is Superman. He says all the right things. But it’s still a nice little window into what I’m sure a large percentage of LGBTQ people go through with their parents. Even those who aren’t as supportive as Superman.

Artistically, the opening scene in this issue is fun. A nice little race sequence between father and son. It made me smile.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A Superman: Space Age #2 Micro-Review – The Batman Trap

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

Superman Space Age 2, cover, 2022, Mike AllredTITLE: Superman: Space Age #2
AUTHOR: Mark Russell
ARTISTS:
Mike Allred, Laura Allred (Colorist), Dave Sharpe (Letterer)

RELEASED: September 27, 2022

By Rob Siebert
Fanboy Wonder

This issue is largely about power, and what Superman does with his power compared to what other characters do with theirs. It’s a theme that Mark Russell handles almost perfectly…

After such a glorious first issue, I was borderline angry to see this one fall into the Batman trap. In other words, it overemphasizes Batman in a story that’s not supposed to be about Batman. This is sadly common in Superman stories in particular. It’s a damn shame it happened here.

On the upside, the art continues to be amazing. So at least there’s that.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A Superman #2 Review – Superman Smiles

Superman #2, 2016, Patrick GleasonTITLE: Superman #2
AUTHORS: Peter Tomasi, Patrick Gleason
PENCILLER: Gleason
PUBLISHER: DC Comics
PRICE: $2.99
RELEASED: July 6, 2016

By Rob Siebert
Editor, Fanboy Wonder

I’m aware this series doesn’t mark the first time Superman has smiled in the last five years. But it sure feels like it. Peter Tomasi and Patrick Gleason’s effort to inject optimism back into the character makes for a refreshing departure from recent attempts to darken him. Truth, justice, hope. Dare I say, love? These are the things we need from Superman in 2016.

The Superman of the pre-New 52 Earth has finally put the cape on again in this new universe. At the same time, his young son Jon is discovering super powers of his own. When we open this issue, the Man of Steel has taken his son to observe him on a routine rescue. But when things go awry, Jon is pulled into the action. Will this new “Superboy” see his run tragically cut short?

In working on Superman, Peter Tomasi has two tremendous advantages over many of his peers. First, he’s inherently good at writing heart-felt stories that highlight the humanity of these iconic, often god-like heroes. As evidence, I direct you to yet another of father and son story by he and Gleason, Batman & Robin: Born to Kill.

Superman #2, Patrick Gleason, family shot, 2016Second, and more importantly, he understands Superman. (I assume Gleason does too. I speak of Tomasi because we’ve obviously seen more of his writing. Gleason has mainly been an artist.) Case in point, our hero saying the following to his son: “It’s not about our powers, or strength, or heat vision. It’s about character. It means doing the right thing when no one else will, even when you’re scared…even when you think no one is looking.”

Yes. A thousand times, yes.

What so many people either don’t understand or don’t appreciate about Superman is the importance of what he stands for. He’s not a boy scout. He’s not a sell out. He’s not an outdated product of a bygone era. It’s not as simple as that. He’s a man with a set of principles, and he acts on those principles in the hopes of making the world a better place. Tomasi understands all of this, and knows it’s critical that Clark and Lois raise Jon with these same principles. As Clark himself says in this issue, Jon may be need to wear the iconic S symbol sooner than later.

It’s very fitting that we’ve re-emphazied these elements in a story that has brought back a previous version of Clark. In a very real sense, this feels like Superman is back.

From an artistic stance, the colors are on point. In particular, John Kalisz’s reds and oranges really pop. Superman’s cape looks fantastic, which makes me miss his red boots even more. There’s also a sequence where Jon is trying to hone his heat vision, and the scene becomes engulfed in an intense red that really brings you into the moment.

Superman #2, 2016, Patrick GleasonIn interviews, I seem to recall Tomasi and Gleason talking about being fathers themselves. In Gleason’s case, that would explain why much of the body language in Superman, as well as Batman & Robin, seems very natural. Not always real, per se. But natural within the context of this world. The panel to the right is my favorite in the issue. That face says a lot. We’ve got patience, compassion, reassurance, protectiveness, and of course, love. Where has this Superman been?

Obviously this new Superman series is meant to be a starting point for new readers. But I maintain that the replacement of the New 52 Superman with the post-Crisis Superman from another universe makes things confusing for new readers. Especially once you get to the end of the issue, where a villain from the post-Crisis era seems to resurface. Mind you, this isn’t Tomasi or Gleason’s fault. And for the record, I’m in favor of this new direction for the Superman books. But this shake-up has come at a price. Picture yourself as a newbie picking up this series. You’d have all kinds of questions about where this Superman came from, what that other universe was like, and where it went. The upside is that might entice one to buy trade paperbacks. But someone on the fence might simply drop the book.

Either way, once you get past the confusion, this is good stuff. Tomasi and Gleason did about 40 issues on Batman & Robin. Obviously Gleason can’t be expected to do that many consecutive issues on a bi-weekly series. But if this team sticks with Superman for the foreseeable future, the smart bet is they’ll deliver quality comics. More often than not, that’s what they do.

Images from readcomics.net.

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A Justice League #52 Review – Aren’t You Forgetting Something?

Justice League #52, 2016TITLE: Justice League #52
AUTHOR: Dan Jurgens
PENCILLER: Tom Grummett. Cover by Paul Pelletier.
PUBLISBER: DC Comics
PRICE: $3.99
RELEASED: June 22, 2016

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy

For such a smart man, Lex Luthor makes a pretty big mistake in the design of his Superman armor. It’s a pretty obvious one. If you’re looking for it, it’s right there on the cover…

Lex Luthor and the world at large are still reeling from the death of Superman. Having just returned from Apokolips after the events of Darkseid War, Luthor is prepared to assume a new role as Metropolis’ new Man of Steel. The question is, why? Why would Luthor want to assume the role once occupied by his nemesis?

This move for Luthor makes sense to me. He’s always wanted to be revered as a savior the way Superman is. So it’s believable that he would try to step in and take Superman’s place, even wearing the same emblem and cape. And of course, Luthor has a much darker approach to things. His attempt at reasoning with a gunman is to give him a choice between paralysis and death.

Justice League #52, Luthors

But one of the elements that makes Lex so intriguing is the sense of nobility that’s mixed with the narcissism and greed. As he should, Dan Jurgens brings that to the forefront here. We see Lex does indeed love his currently comatose sister Lena, and he wants to prove to her that he can be a good man. Hearing him speak of himself in that regard, and watching him reinvent himself in Superman’s image is surreal in the best possible way.

Tom Grummett, no stranger to Superman books, turns in a commendable performance here. His style is a fascinating mix or characters with an animated look, conveying emotions that feel very real. He’s a very good “acting” artist, in that sense. His Luthor looks like something you’d expect to see in a superhero comic. But his expressions aren’t dynamic or cartoony. The Lex we see here, regardless of the scenario he’s in, is stoic and reserved. It’s exactly the way he should be. It’s a really interesting balance Grummett has been able to do it at least as far back as his work on Batman: A Lonely Place of Dying. That’s right, folks. Tom Grummett helped create Tim Drake.

Lex Luthor, Justice League #52, 2016, Tom GrummettNow, let’s get to that armor he’s wearing. I don’t know who designed this thing, but it’s got a big logic flaw: There’s no headpiece. Luther stops a mugging in this issue, and gets shot at in the process. The bullets bounce off the armor, of course. But if the muggers had simply aimed a bit higher and SHOT HIM IN THE HEAD all their problems would have been solved. This flaw in logic not only makes the muggers look incredibly stupid, but it makes Luthor look stupid for not thinking of it. It’s not limited to this issue, either. In Action Comics #958 (also written by Jurgens), there’s a moment where Doomsday, the gigantic indestructible monster that killed Superman, grabs Luthor by his head. This is in the middle of a battle! Luther’s head could, and should, have been crushed like a grape.

Here’s an idea: Why not get him a retractable, clear helmet like Buzz Lightyear had? You know, with that “whoosh thing.” I’m only half joking. It’s better than getting your head crushed by Doomsday.

This volume of Justice League meets its end here. Though it obviously doesn’t so much serve to send the series off, as it does set up the events unfolding in Action Comics. That’s fair enough. It’s not like the League is disbanding, or we’re getting a new roster or anything. And if you are indeed reading Action Comics, you’ll want to pick this up.

Image 1 from insidepulse.com. Image 2 from batman-news.com. 

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A Superman: American Alien #6 Review – A Little Slice of Home

Superman: American Alien #6 (2016)TITLE: Superman: American Alien #6
AUTHOR: Max Landis
PENCILLERS: Jonathan Case. Cover by Ryan Sook.
PUBLISHER: DC Comics
PRICE: $3.99
RELEASED: April 20, 2016

By Rob Siebert
Editor, Fanboy Wonder

Long story short? This issue gives us more of the same. Great art, good writing, and more out-of-place Batman stuff. Max Landis could be such a great Superman writer if he’d just let go of Batman…

Pete Ross and Kenny Bravermen, two of Clark’s buddies from Smallville, have come to visit him in Metropolis. Understandably, the city has one thing on its mind: Superman. It has at least that much in common with Pete and Kenny. But Clark’s friends have a different perspective on the Man of Steel than anyone in the city. So what do those who know Clark Kent think about his newfound fame?

My single biggest complaint about American Alien has been Landis’ use of Batman. In issue #4 he gratuitously used The Dark Knight, and in issue #5 he established Clark Kent wore Batman’s cape as part of a pre-Superman costume. In this issue, we get a page and a half of Clark and his buddies talking about Batman. Then on the next page, when talking about Clark flying around in a costume, Pete says: “Batman got in your head.”

Superman: American Alien #6, 2016, Jonathan CaseI understand not everyone feels the way I do. But as a fan of both Superman and Batman, I find this offensive. I won’t re-tread ground here. Read the reviews linked above if you’d like my arguments as to why this is so offensive. But sadly, what started as an annoyance has became a major flaw.

What makes it all the more frustrating is that this Batman stuff is stuck in the middle of an otherwise great issue. It gives us what you might expect from a story with two of Clark’s old friends. They look at what he’s become and have reservations, largely because they care about him. And he cares for them too. Landis shines a nice spotlight on both the human and alien qualities that make Superman who he is. What’s more, the dialogue between Clark and his friends feels very natural. That’s something Landis has excelled at from the start.

Penciller Jonathan Case shines in this issue. His style has a retro feel to it that made him a good fit for Batman ’66. But I’d love to see him take a crack at an ongoing Superman title. His art might not be what we’re used to seeing on Superman or Action Comics, but isn’t that the point?

Ryan Sook has been on the covers for this series, and this one is his best yet. What’s so hilarious is that it took me a couple of looks to see Clark Kent in the image. Therein lies the brilliance. This cover is a visual metaphor for Clark Kent’s existence, and how he’s able to stay hidden. No one is looking for Clark Kent. They’re all looking for Superman. And of course, the image is beautifully drawn as well.

Superman: American Alien #6, 2016, Jonathan CaseWe’ve got one issue left of Superman: American Alien. Based on these last three issues, I’ve got a pretty good idea of what to expect. We’ll get some good dialogue, along with some excellent artwork (Jock is on the pencil next month). We’ll also have a sense that our writer truly cares about the Man of Steel, and understands him in a way previous few writers do.

But there’ll also be an infuriating idea in there that drags the whole thing down.

What a shame. What a crying shame.

Images from flickeringmyth.com.

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