Tag Archives: superhero comics

Alex Ross Spotlight: Marvels X

By Rob Siebert
Editor, Fanboy Wonder

In the wake of Marvels X #1, I’ve been reading up on all things Earth X. In looking for more info and background on this alternate Marvel Universe, who better to look to than the man himself?

Here’s Alex Ross on the Earth X prequel 15 years in the making…

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: Marvels X, Batman #86, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

Earth X was probably the one big Alex Ross project I knew the least about. So I got myself a nice little education heading into this week’s Marvels X. Low and behold it’s a trilogy. Now a tetralogy, with Marvels X.

Looks like I’ve got some catching up to do. But in the meantime…

TITLE: Marvels X #1
AUTHORS:
Alex Ross (Story), Jim Krueger (Story and Script)
ARTISTS:
Well-Bee, Cory Petit (Letterer). Cover by Ross.
RELEASED:
January 8, 2020

Having not read Earth X, and with this being intended as a prequel, I’m forced to judge this issue simply at face value. And at face value, it’s absolutely fine.

Our main character, a teenager named David, is the one person on in this dystopian future who does not have super powers. Orphaned and alone, he sets out for New York City to find his idols: Captain America, Iron Man, and Spider-Man.

Seeing an artist like Well-Bee tackle a Ross/Krueger concept like this feels different, but intriguing. For now, my interest is piqued.

TITLE: Batman #86
AUTHOR: James Tynion IV
ARTISTS: Tony Daniel, Danny Miki (Inker), Tomeu Morey (Colorist), Clayton Cowles (Letterer)
RELEASED: January 8, 2019

For my money, Tynion has a better handle on Batman and his world than Scott Snyder or Tom King. So I’m anxious to see what he turns in.

As Bruce continues to mourn for Alfred, various assassins gather in Gotham. Meanwhile, the issue presents us with an intriguing idea: Over the years, Bruce has randomly sketched, essentially doodled, bits of Gotham’s skyline and architecture as he would have them look. In the wake of “City of Bane,” he has a chance to make those visions a reality. Also, something’s up with the Joker…

So far, so good.

TITLE: The Clock #1
AUTHOR: Matt Hawkins
ARTISTS: Colleen Doran, Bryan Valenza (Colorist), Troy Peteri (Letterer)
RELEASED: January 8, 2020

This is not the most gracefully executed issue. Naturally, it needs to get a lot of exposition out of the way, and it falls into the clunky dialogue trap that comes with that. Also, early on some of the the speech balloons are hard to follow. They don’t contrast with the backgrounds (specifically the outdoor ones) enough, so you have a hard time following who is saying what.

But under all that, The Clock might just be a good story about a super cancer threatening to wipe our half the Earth’s population. But the jury’s still out.

TITLE: Star Wars: The Rise of Kylo Ren #2 (of 4)
AUTHOR: Charles Soule
ARTISTS: Will Sliney, Guru-eFX (Colors), Travis Lanham (Letterer). Cover by Clayton Crain
RELEASED:
January 8, 2020

If you need to be sold on the idea of a book about Luke’s post-Return of the Jedi adventures, look no further than this issue. He faces the Knights of Ren, with both Lor San Tekka and a young Ben Solo at his side. Call it The Adventures of Luke Skywaker, as a take-off of one of Lucas’ early draft titles for Star Wars.

Ben’s interactions with Snoke have a slightly different flavor now that The Rise of Skywalker has come out. Snoke is also wearing his most flamboyant outfit yet. What’s up with the hat…?

TITLE: Teenage Mutant Ninja Turtles #101
AUTHORS: Kevin Eastman (Consultant), Tom Waltz (Consultant), Sophie Campbell (Script)
ARTISTS:
Campbell, Ronda Pattison (Colorist), Shawn Lee (Letterer).
RELEASED:
January 8, 2020

Basically, this book is doing what the 2007 TMNT movie did. Only, you know, better. The Turtles are split up and doing their own thing. And we’ve got kind of an Arkham City spin, as they’ve walled off a portion of New York to throw all the mutants in.

I like this. It’s a big status quo shake-up the series has probably needed for awhile now. Encouragingly, the character that shines the most in this issue is Jennika, our new female Ninja Turtle. Lots of fresh intrigue as this series moves forward.

TITLE: Mighty Morphin Power Rangers/Teenage Mutant Ninja Turtles #2 (of 5)
AUTHOR: Ryan Parrott
ARTISTS: Simone di Meo, Walter Baiamonte (Colorist), Ed Dukeshire (Letterer). Cover by Dan Mora.
RELEASED: January 8, 2020

In this issue we find out why Tommy has joined the Foot Clan. He’s apparently trying to save another clan member we don’t know. This new person’s identity, and how he connects to Tommy, is now far more interesting than the interactions the Turtles are having with the other Rangers.

They pull a stunt with Shredder at the end that I can take or leave. Seeing him meet Rita is pretty cool, though.

God damn, these Dan Mora covers are amazing.

TITLE: Young Justice #12
AUTHOR: Brian Michael Bendis
ARTISTS: John Timms, Gabe Eltaeb (Colorist), Wes Abbott (Letterer)
RELEASED: January 8, 2020

At what point do we just make this the new Teen Titans ongoing? Young Justice feels the way that book should feel. At least that’s how I…feel?

This is a pretty dense issue with a lot of standing around and talking. But Superboy does punches a T-Rex. That always counts for something.

We now appear to be headed toward a big Wonder Comics team-up, i.e. Young Justice along with the Wonder Twins and the kids from Dial H For Hero. Thankfully, it looks like it’s all staying within Young Justice, as opposed to a crossover.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: Dr. Strange, Spider-Ham, Shazam!

By Rob Siebert
Fanboy Wonder

As promised, this week I’ve padded the rather slim pickings from December 26 with some leftovers from December 19.

By the way, folks, I tried to read Incoming!, the big issue that’s supposed to lead us into what Marvel’s doing in 2020. But I couldn’t get through it. It’s all supposed to link back to a mysterious murder, which was intriguing enough. But the massive scope of the story, with all the different plot threads and characters, was just too much to follow.

Thankfully, Marvel is pretty well represented this week…

TITLE: Dr. Strange #1
AUTHOR: Mark Waid
ARTISTS: Kev Walker, Java Tartaglia (Colorist), Cory Petit (Letterer). Cover by Phil Noto.
RELEASED: December 26, 2019

The twist here is that Stephen Strange now has use of his hands again. Now he can resume his work as a surgeon, while continuing on as a master of the mystic arts.

I’m not much of a Doctor Strange fan. But I can’t find much to fault this issue for. The opening page is its best. It’s got a Twilight Zone feel to it, while also reminding me of one of the opening splash pages for an issue of Saga.

I don’t feel a huge pull to come back next issue. But what the hell? I won’t rule it out.

TITLE: Spider-Ham #1 (of 5)
AUTHOR:
Zeb Wells
ARTISTS:
Will Robson, Erick Arciniega (Colorist), Joe Caramagna (Letterer). Cover by Wendell Dalit.
RELEASED: December 26, 2019

For yours truly, the biggest surprise coming out of Spider-Ham #1 was that our titular character is on a team with other anthropomorphic animal heroes. Iron Mouse, Squawkeye, Quacksilver, etc. Basically the same Looney Tunes concept, but with the Avengers.

If you like this sort of thing, or enjoyed the character in Into the Spider-Verse, then this Spider-Ham miniseries should be right up your alley. Me? While the issue was fine, I’ll take a pass on this one.

TITLE: Shazam #9
AUTHOR:
Geoff Johns
ARTISTS: Marco Santucci, Scot Kolins, Dale Eaglesham, Michael Atiyeh (Colorist), Rob Leigh (Letterer). Variant cover by Kaare Andrews.
RELEASED: December 18, 2019

Most of this book takes place in the “Wozenderlands,” an amalgamation of the worlds of The Wizard of Oz and Alice in Wonderland. We’re told there was a “crisis,” and the worlds had to be merged. So essentially, it was Crisis on Infinite Earths, but with these fairy tale settings and characters.

That is so friggin’ random, that I absolutely love it. Who in the hell could have called this? All the while, we continue to advance the story of Billy Batson and his family. Truly, Shazam! has become one of the best books DC has right now.

TITLE: Batman/Superman #5
AUTHOR: Joshua Williamson
ARTISTS: David Marquez, Alejandro Sanchez (Colorist), John J. Hill (Letterer)
RELEASED: December 18, 2019

This whole “Secret Six” thing ended up not being the mystery I wanted it to be. And at times Williamson’s dialogue is a little awkward. But at the end of the day, this first story arc was fine. I did love the nice little “trust moment” he gave our titular characters in this issue.

I also feel like I haven’t heaped enough praise on David Marquez and Alejandro Sanchez. They’ve put together an absolutely beautiful book. Marquez can make virtually anything look good. Whether he’s working in the DC, Marvel, any other universe.

TITLE: Star Wars: Empire Ascendant
AUTHORS: Charles Soule, Greg Pak, Ethan Sacks, Simon Spurrier
ARTISTS: Luke Ross, Roland Boschi, Paolo Villanelli, Caspar Wijngaard. Cover by Ricardo Federici.
COLORISTS: Guru-eFX, Rachelle Rosenberg, Arif Prianto, Lee Loughridge
LETTERERS: Clayton Cowles, Travis Lanham
RELEASED: December 18, 2019

Empire Ascendant serves as a bridge into the four new Star Wars books Marvel’s releasing in the near future. Apparently they all take place after The Empire Strikes Back, as opposed to the previous ones, which were set beforehand.

We get four short stories set just before Empire. Not a lot from the main characters, Luke, Leia, etc. But if you give it a chance, this stuff actually has some meat to it. My personal favorite is the set-up for the Bounty Hunters series. I think The Mandalorian has wet the fandom’s collective appetite for more stuff like that.

TITLE: Family Tree #2
AUTHOR: Jeff Lemire
ARTISTS: Phil Hester, Eric Gapstur (Inker), Ryan Cody (Colorist), Steve Wands (Letterer)
RELEASED: December 18, 2019

Family Tree needs to be careful it doesn’t accidentally become a comedy.

It’s meant to be a horror/adventure comic about people being forcibly changed into trees. But there’s a flashback in this issue where Judd, the book’s resident grizzled old man character, is caring for a fully transformed…uh…tree person? When the tree tries to talk back to Judd, I couldn’t help it. My funny bone was tickled a bit. I still buy Family Tree as the horror story it’s trying to be. But sometimes there’s a thin like between horror and hilarity.

TITLE: The Low, Low Woods #1
AUTHOR: Carmen Maria Machado
ARTISTS:
Dani, Tamra Bonvillain (Colorist), Steve Wands (Letterer). Cover by J.A.W. Cooper.
RELEASED:
December 18, 2019

This feels like a Stephen King story. (Heh…)

The Low, Low Woods takes place in 1997, which hits a nostalgic soft spot for me. There’s a lot of exposition in this issue. We learn about a small town forever changed by a raging fire, and two teenage girls who discover some gory surprises.

If you like this sort of thing, I’d definitely recommend it. For me personally, this issue is a little low on intrigue. But the characters and the setting are interesting enough to at least get me to consider coming back for issue #2.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: MMPR/TMNT, Over the RopesBatman

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Nothing too in-depth here. Just straight, concise, and to the point.***

***Author’s Note: If I display a variant cover, it’s because I purchased the issue in question with that cover.***

By Rob Siebert
Fanboy Wonder

TITLE: Mighty Morphin Power Rangers/Teenage Mutant Ninja Turtles #1
AUTHOR:Ryan Parrott
ARTISTS: Simone di Meo, Walter Baiamonte (Colorist), Igor Monti (Color Assistant), Ed Dukeshire (Letterer). Variant cover by Goni Montes.
RELEASED: December 4, 2019

Surprisingly, they don’t go the trans-dimensional portal route with this one. This book seemingly has the Rangers and the Turtles living in the same universe. So…does that mean these are the Next Mutation Turtles that go on to meet the Space Rangers? *gulp*

This looks like it’s going to be a pretty standard first-time team-up story. The two teams start out against one another, then work together to face the enemy. But our heroes are in good hands with Ryan Parrott and Simone di Meo.

God damn, those Goni Montes covers are instantly iconic…

TITLE: Over the Ropes #1
AUTHOR: Jay Sandlin, Francesco Segala (Colorist), Justin Birch (Letterer).
ARTISTS: Antonello Cosentino
RELEASED: December 5, 2019

“Wrestling is like religion. You get it or you don’t.”

That’s amazing. Both as an opening line, and a simple philosophy regarding pro wrestling.

Wrestling comics have never really done it for me. Which makes no sense, of course. They’re my two big interests, yet I don’t like them together. But Over the Ropes held my interest, at least. They start off seemingly going with a standard “underdog’s quest for the title” story, but then we get a twist that shakes everything up.

I’ve got a good feeling about this one. I’ll be back for issue #2.

TITLE: Batman #84
AUTHOR:
Tom King
ARTISTS:
Jorge Fornes, Jordie Bellaire (Colorist), Clayton Cowles (Letterer). Cover by Mikel Janin.
RELEASED:
December 4, 2019

We should have gotten this content several months ago. It wouldn’t have saved “City of Bane,” but it would have added some valuable depth to Thomas Wayne.

This book consists mostly of flashbacks, but done in reverse order. We start with the Flashpoint Batman’s recent actions in Gotham City, and go all the way back to before young Bruce Wayne was murdered. (See Flashpoint.)

The reverse order thing is cute in theory, but I found it tough to follow. It didn’t always jog the memories it was supposed to. You might be better off reading this issue back to front.

TITLE: Young Justice #11
AUTHOR: Brian Michael Bendis
ARTISTS: John Timms, Gabe Eltaeb (Colorist), Wes Abbott (Letterer)
RELEASED: December 4, 2019

A decent issue. But it left me with some questions…

So let’s say I get transported elsewhere in the multiverse. Then somebody goes back in time and causes a dramatic temporal shift, altering the course of the world, and my life with it. If I’m elsewhere in the multiverse when that happens, am I somehow unaffected? Wouldn’t my memories change? And if/when I come back to my now altered world, does my mere presence restore their memories of me from the prior timeline? Do the ripples caused by a said shift not reach across the multiverse?

Asking for a friend.

TITLE: Collapser #6
AUTHORS: Mikey Way, Shaun Simon
ARTISTS:
Ilias Kyriazis, Cris Peter (Colorist), Simon Bowland (Letterer)
RELEASED:
December 4, 2019

You know what sucks? When you really get into a new series, and then remember it’s not a series. It’s a six-issue mini. Rrrrgh.

Either way, Collapser wound up being pretty damn good. This is a book you can hold up as an example of what the Young Animal imprint is capable of, and how it’s different. In terms of both writing and art.

Here’s what I will say: This issue felt a little rushed. I’m inclined to think that means they had a bit more story they could have told. If that’s the case, it’s a cryin’ shame.

TITLE: Lois Lane #6
AUTHOR: Greg Rucka
ARTISTS: Mike Perkins, Gabe Eltaeb (Colorist), Simon Bowland (Letterer)
RELEASED: December 4, 2019

This issue is all about the death of General Sam Lane, Lois’ father, in Event Leviathan. Perhaps fittingly, the pre-New 52 Sam Lane was killed off in an event comic as well. The poor guy is just snake bit…

It’s frustrating that we’ve brought the story to a full stop just so we could lament the death of Sam Lane. But with the exception of an awkwardly drawn facial expression Lois has while accepting an American flag at the funeral, the issue is at least done well. It also sticks its landing with a genuinely touching final page.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

A Batman: Bride or Burglar? Review – What Might Have Been…

TITLE: Batman, Vol. 6: Bride or Burglar?
AUTHOR:
Tom King
PENCILLERS: Travis Moore, Joelle Jones, Mikel Janin
COLLECTS: Batman #3844
FORMAT:
Softcover
PUBLISHER: DC Comics
PRICE: $16.99
RELEASED: July 25, 2018

By Rob Siebert
Fanboy Wonder

This is the part of Tom King’s Batman run where things start to get weird. Like, really, really weird.

Bride or Burglar? is book-ended by two strong single issues. But in between, King starts needlessly messing around with space-time. He also plants some seeds for Heroes in Crisis that, like much of that ill-conceived event comic, are needlessly awkward and forced. There’s one bit that’s downright blasphemous. From a quality standpoint, this is the lowest the series has dipped up to this point.

But let’s start by focusing on the positives, shall we? And to do that, we have to jump to the last story in this collection…

1. History Lesson
The highlight of the trade is easily Batman #44, which features the titular “Bride or Burglar” story. It sees Selina hunting for a wedding dress as only Catwoman can. But interspersed among the story are actual scenes from Batman and Catwoman’s history that King and Janin make their own, with most of the original dialogue intact. We go as far back to the original Batman #1 in 1940, through the ’50s, on into the ’60s, ’70s, and ’80s, all the way to the present.

While they do take certain creative liberties, they keep Catwoman’s various different costumes intact. As such, we not only get a sense of how her relationship with Batman has evolved, but how her Catwoman persona has evolved over its lifespan. For history buffs like yours truly, it’s an absolute treat. Story-wise, there’s also a wonderful little moment between Selina and Alfred on the final page.

Tom King’s Batman run has gotten a lot of flack, much of which is justified. But I’ll never knock the way he makes Bruce and Selina’s chemistry radiate off the page. Their familiarity, their intimacy with one another on a strictly verbal scale, is enough to make you believe they love each other, and perhaps should be married.

2. Who is Bruce Wayne?
Jumping back to the start of Bride or Burglar, Batman #38 introduces us to one of the most unlikely villains in all of Batman lore. I won’t spoil the specifics of who it is, but the character’s M.O. is that he models himself after Bruce Wayne. He essentially wants to become Bruce Wayne, which naturally puts Batman in a rather awkward spot. It’s been said that many of Batman’s enemies are, at their core, different versions of what Bruce could have become after his parents were killed. This premise takes that idea so literally that it’s actually pretty clever. We also spend some time doing C.S.I. type stuff with Batman and Commissioner Gordon, which is always fun.

Our guest artist for the issue is Travis Moore, joined by colorist Giulia Brusco. I can’t say I fell in love with their work here. But it was serviceable. No harm no foul.

3. The Eternal Vow
Here’s where we start to run into trouble.

In issue #39 we meet the Gentle Man, a warrior from another realm who spends night and day single-handedly fending off an army of monsters called the Hordes of Gehenna. Apparently, some time in the past Batman and Wonder Woman met and fought alongside the Gentle Man. They offered to take up his fight for a day and allow him to rest. But what he neglects to tell them is that minutes on Earth equate to years in this other realm. Thus, Bruce must not only fight alongside Diana for what winds up being about 30 years in relative time, but he must remain faithful to Selina. That’s not necessarily easy when you’re in the trenches with an Amazonian Princess.

While Joelle Jones is very much in her element with the battle scenes, this whole “Eternal Vow” story winds up being stupid and pointless filler on the path to the wedding in Batman #50. Bruce and Selina didn’t need a fairy tale story like this to emphasize the love they have for each other. A huge part of their appeal is that they’re not the fairy tale lovers destined to be together. They’re two orphans who met when their bizarre and violent paths happened to cross, and they fell into a unique kind of love. That’s all you need with them.

Furthermore, I don’t buy that Bruce comes out of that realm the same person. Yes, he’s Batman. But that’s not a get-out-of-jail-free card for crap like this. Both he and Diana would be shells of their former selves. Nearly unrecognizable to anyone who knew them before.

As if that weren’t enough, Tom King has trouble writing Wonder Woman. Her dialogue is acceptable, but very weird. At this point, she’s been an active hero for years, right? But King writes her as if she’s just stepped out of Themyscira. It’s needlessly off-putting. And sadly, Diana isn’t the only Justice Leaguer to get a bad shake here…

4. Crazy Love
In “Everyone Loves Ivy,” Poison Ivy is able to gain control over the minds of everyone on the planet, except for Batman and Catwoman, who are able to fight it off using comic book science. Thus, it’s literally them against the world.

I like parts of this idea. It puts Ivy over huge, as she becomes a Justice-League-level threat, and is ultimately victorious. How she went about gaining the mind control is believable. The way they beat her is a little hokey, but acceptable given the parties involved.

Mikel Janin is back for these issues, and he really knocks it out of the park with all the greenery and foliage this story requires. Rarely has a Poison Ivy lair looked so good. I also give King and Janin credit for showing us what would actually happen if Superman full-on punched Batman in the face. It ain’t pretty, folks.

Sadly, I was yanked out of the story rather abruptly during the first issue. Ivy attempts to use the Flash against Batman. Barry Allen runs at him, or more specifically at Alfred, using his super-speed. Batman knocks him out with a single punch, effectively an inexplicably knocking him out of super-speed. What’s worse, this happens three more times in the following issue. Not just to Barry, but to Wally West and Kid Flash. Apparently Catwoman is also inexplicably capable of defeating the Flash with a single blow…

Bull. Shit.

I normally shy away from profanity. But this one deserved it. Shame on both Tom King and the Batman editorial team. You don’t get to turn the Flash and his supporting cast into a gag because you aren’t creative enough to find a better way to neutralize them. This is especially offensive in hindsight, given what King does to Wally in Heroes in Crisis.

In the end, Heroes in Crisis was the master this story served. It planted the seed (no pun intended) for Ivy’s role there. As such, her motivation involves a specific trauma from The War of Jokes and Riddles that we never saw, and thus can’t connect with as easily. So when the story tries to pivot and make her a victim, it fails because despite that trauma, she still took over the damn world. To an extent, she just made victims out of billions of innocent people. So you’ll pardon me if I’m rather unsympathetic.

5. The Verdict
Bruce proposed to Selina in Batman #24. I’m assuming by that point the knew the wedding was going to be in issue #50. So they had 25 issues to fill before the big pay-off. Some of the storytelling was very organic, i.e. the one with Talia al Ghul from Rules of Engagement. “Bride or Burglar” worked very well. The stuff with Superman and Lois Lane was fun.

But then you’ve got stuff like “Eternal Vow” and “Everyone Loves Ivy,” which are somewhat apropos, but still bizarre choices to fill that gap. It seems like we could have spent at least some of those issues figuring out how Selina adjusts to being in Batman’s inner circle. What sort of changes does it require of her? Are Batman and Catwoman essentially the new Dynamic Duo of Gotham City? What about Thomas and Martha Wayne? What was their wedding like? And how does Bruce think they’d react to his choice for a bride?

This obviously isn’t going to be the status quo forever. So why not mine this wedding stuff for as much character exploration as possible? They could still have told fun and compelling stories along the way. But instead we’re left with a feeling of missed opportunities, and the nagging question of what might have been.

For more of Tom King’s run on Batman, check out I Am Gotham, I Am Suicide, I Am Bane, Batman/The Flash: The Button, The War of Jokes and Riddles, and The Rules of Engagement.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

 

Weekly Comic 100s: Shazam!, Killadelphia, MMPR

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Nothing too in-depth here. Just straight, concise, and to the point.***

***Author’s Note: If I display a variant cover, it’s because I purchased the issue in question with that cover.***

By Rob Siebert
Fanboy Wonder

TITLE: Shazam! #8
AUTHOR: Geoff Johns
ARTISTS: Scott Kolins, Michael Atiyeh (Colorist), Rob Leigh (Letterer). Variant cover by Michael Cho.
RELEASED: November 27, 2019

I’ve always admired the firm grasp Geoff Johns has on the less renowned DC characters like Green Lantern, the Teen Titans, and now Shazam. He can do anything…except get these books to come out on time.

This issue misses Dale Eaglesham, whose pencils have provided the sense of fun, adventure, and fantasy elements that define this book’s identity. Still, Scott Kolins is more than serviceable, especially during the scenes in the undead “Darklands” realm. Michael Atiyeh makes them very interesting from a color contrast standpoint. It’s like this bright red superhero has stepped into an old Universal monster movie.

TITLE: Killadelphia #1
AUTHOR: Rodney Barnes
ARTISTS:
Jason Shawn Alexander, LuisNCT (Colorist), Marshall Dillon (Letterer)
RELEASED:
November 27, 2019

I mean, c’mon. The title alone makes this worth a look.

If you’re into the stuff Ed Brubaker and Sean Phillips do, you’ll like Killadelphia. Or at least this first issue. It’s got a great pulp-noir-meets-horror feel. A second generation cop investigates the most bizarre case his famous father ever worked. What he uncovers is, as the book itself puts it, “There are vampires in Philadelphia.”

Best page in the book? When our main character opens a door, sees a bunch of vampires hanging from the ceiling, and runs away in terror when they give chase…

TITLE: Mighty Morphin Power Rangers #45
AUTHOR: Ryan Parrott
ARTISTS: Daniele Di Nicuolo, Walter Baiamonte (Colorist), Katia Ranalli & Igor Monti (Color Assistants), Ed Dukeshire (Letterer). Cover by Jamal Campbell.
RELEASED: November 27, 2019

“Necessary Evil” progresses nicely with a great “heel turn” this month. Parrott and Di Nicuolo are usually my guys as far as PR comics go. But one particular moment felt wrong…

There’s a scene where Zordon, talking to the Red Omega Ranger (Does he know it’s Jason?), says that Lord Zedd is formidable, yet “an adversary I was confident that they could handle.” While I’m sure this isn’t how Parrott meant this, that makes it sound like Zordon considers Zedd more of a nuisance than a threat. Didn’t he originally describe Zedd’s arrival as “the thing I have feared most”?

TITLE: Action Comics #1017
AUTHOR:
Brian Michael Bendis
ARTISTS:
John Romita Jr., Klaus Janson (Inker), Brad Anderson (Colorist), Dave Sharpe (Letterer)
RELEASED:
November 27, 2019

On page one, panel one, we get a big dumb Batman robot suit. For me, that’s about the worst way to start an issue of anything.

This issue does a nice job forwarding the “Invisible Mafia” story as it crosses over with the “Year of the Villain” stuff. It looks like we’ve got a big Justice League vs. Legion of Doom fight coming at us next time.

Justice League hasn’t been on my pull list since “YOTV” started. *sigh* I suppose I should probably catch up if I’m going to fully grasp what’s happening with Lex  and the gang.

TITLE: Detective Comics #1016
AUTHOR: Peter Tomasi
ARTISTS:
Doug Mahnke, Tyler Kirkham (Co-Penciller and Co-Inker), Christian Alamy (Co-Inker), Keith Champagne (Co-Inker), Mark Irwin (Co-Inker), David Baron, (Colorist), Rob Leigh (Letterer)
RELEASED: November 27, 2019

Ugh. There’s another stupid modified Batsuit in this issue. What happened to the Hellbat armor Tomasi used in Batman & Robin and Superman? Wouldn’t a modified version have worked here?

Bad costume notwithstanding, I love the way this Victor/Nora story ends. “A vicious circle,” as Batman calls it. Tomasi also works in an amazing callback to a New 52 event. Continuity, ladies and gentlemen. Use it well, and it’ll do wonders for you.

This story leaves Mr. Freeze’s status quo dramatically altered. Now it’s just a question of how long DC keeps it that way.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: Star Wars Finale, Batman/Superman, The Question

*”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Nothing too in-depth here. Just straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Star Wars #75
AUTHOR:Greg Pak
ARTISTS: Phil Noto, Clayton Cowles (Letterer)
RELEASED: November 20, 2019

A fine way to end the series. Great pacing, mixed with good character work and some nice action scenes. Once again, Greg Pak and Phil Noto shine a glowing spotlight on Chewbacca and C-3PO. What’s more, they find a way to subtly weave the tragedy of Darth Vader into everything. (See the closing page.)

In particular, I’m sad to see Pak go. He’s proven here that he knows how to tell a good Star Wars story. And as we’ve learned through a couple of the recent movies, that’s not something everyone can do.

TITLE: Batman/Superman #4
AUTHOR: Joshua Williamson
PENCILLER:
David Marquez, Alejandro Sanchez (Colorist), John J. Hill (Letterer)
RELEASED:
November 20, 2019

In this issue we learn the identities of the six “Jokerized” heroes, a.k.a. the “Secret Six.” They didn’t play it up as a mystery the way I hoped they would. It was essentially reveal after reveal after reveal. A disappointing execution for what is still a compelling story concept.

Can we come up with a nickname for the Batman Who Laughs? Saying the whole thing every time makes for awkward dialogue. (“Don’t listen to the Batman Who Laughs, Donna!”) If this guy’s sticking around for the long haul, that’s something that needs to be fixed.

TITLE: Batman #83
AUTHOR: Tom King
ARTISTS: Mikel Janin, Jordie Bellaire (Colorist), Clayton Cowles (Letterer)
RELEASED: November 20, 2019

This is the issue where Bruce finally discovers what’s happened to Alfred. Keep in mind it happened back in August. That tells you all you need to know about whether they’re padding this thing out…

As a framing device, the issue uses a recording of Alfred. I always like when writers use Alfred’s journal like that, so King’s twist on it was cool. Janin has the unenviable, yet in the end quite successful task of showing us Batman grieving for several pages.

I’ve been ready for this climactic battle for awhile now. So let’s get on with it, shall we?

TITLE: Something is Killing the Children #3
AUTHOR: James Tynion IV
ARTISTS: Werther Dell-edera, Miquel Muerto (Colorist), Andworld Design (Lettering)
RELEASED: November 20, 2019

After a very strong opening page, and our longest scene yet with one of the monsters, we spend the bulk of the issue with our heroine, the bad-ass Erica Slaughter. There’s an eight-page sequence with her in a police station that’s a lot of fun.

We still don’t know much about…anything. What these monsters are, who Erica is, who she’s working for, etc. Sometimes that sort of mystery works, sometimes it doesn’t. It works here. The nervous dynamic James has with Erica doesn’t hurt in that regard. It’s not romantic. But it’s cute in its own way.

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