TITLE: Catwoman 80th Anniversary 100-Page Super Spectacular
AUTHORS: Paul Dini, Ann Nocenti, Tom King, Mindy Newell, Jeff Parker, Liam Sharpe, Mindy Newell, Chuck Dixon, Will Pfiefer, Ram V, Ed Brubaker.
ARTISTS: Emanuela Lupaccino, Robson Rocha, Mikel Janin, Jonathan Case, Sharpe, Lee Garbett, Kelley Jones, Pia Guerra, Fernando Blanco, Cameron Stewart. 1940s variant cover by Adam Hughes.
INKERS: Mick Gray, Daniel Henriques, Danny Miki
COLORISTS: Laura Allred, Alejandro Sanchez, Jordie Bellaire, Alex Sinclair, Steve Oliff, FCD Plascencia
LETTERERS: Wes Abbott, Saida Temofonte, Clayton Cowles, Tom Napolitano, Tom Orzechowski, Gabriela Downe
PUBLISHER: DC Comics
RELEASED: June 3, 2020
By Rob Siebert
She’s undoubtedly the hottest 80-year-old woman you’ll ever see.
That’s right, folks. Like several other pillar characters in the DC Universe, Catwoman turns 80 this year. So like those characters, she got her own 100-page celebration. I can’t say she doesn’t deserve it. In terms of feminist icons, there are some who would place her in Wonder Woman’s orbit. I’m not sure I’d go that far, but one simply can’t dispute how iconic she is. Thus, DC assembled a brilliant assortment of talent for her big birthday celebration.
We kick things off with Paul Dini, who is always welcome in the Batman universe. Though I can’t say this is one of his most memorable outings. He uses his eight pages to introduce is to a villain called the Taxidermist. That, as Selina herself says in the story, is very “Gotham.” The Taxidermist seems like the kind of idea that was good on paper, but in actual execution…meh. I wouldn’t expect to see him on a best villains list anytime soon.
On the plus side, what little the Taxidermist offers looks absolutely gorgeous. Emanuela Lupaccino, Mick Gray, and Laura Allred give us something truly worthy of Catwoman’s 80th. It’s funny, I wondered why I was so reminded of Mike Allred, despite him not being credited. Once Laura Allred’s name popped up, it was all quite clear.
We dive into Batman Returns territory for “Now You See Me,” as Robson Rocha quite obviously draws Selina in her stitched black leather costume. We even get a brief appearance from the Penguin. Thankfully it all looks pretty. Though the story itself, about Catwoman duking it out with a dirty security guard, is pretty forgettable.
Much less forgettable is Tom King’s follow-up to his “Some of These Days” story from Batman Annual #2. It presents a scenario where a (presumably) married Selina and Bruce Wayne get pregnant and have a baby. Ironically, Selina once had a canonical daughter, though not with Bruce. Poor kid got retconned out of existence by the New 52.
It’s a pretty story that puts King back with Mikel Janin. That chemistry between Bruce and Selina was always his greatest strength during his Batman run. That two-issue “Rooftops” story from issues #13 and #14 will go down as one of the best Batman/Catwoman stories ever published.
My only complaint? We get at least one night of a pregnant Catwoman fighting crime with Batman, costume and all. Ladies? If you happen to be expecting, please don’t try this at home. (As if you needed me to tell you that…)
Our old Batman ’66 friends Jeff Parker and Jonathan Case return for a story about Catwoman and…aliens? I’m sure it’s happened before. But it’s still such an odd match-up. Which, of course, is the point.
Parker and Case take full advantage of the absurd premise, giving us absurd aliens with absurd names and looks that could easily have come from the original Star Trek series. Not to mention the absurdity that the world gets saved by a villainess. Because wouldn’t ya know it, aliens just happened to land when Batman was out of town. Don’t cha hate when that happens?
Things get surprisingly bloody for “A Cat of Nine Tales,” written and drawn by Liam Sharpe. Once again, we have Catwoman and a security guard. When confronted, Selina proceeds to tell the poor guy about nine ways this scenario can end. Most of which involve somebody dying.
I’m not sure the Selina Kyle of 2020 would be this chatty. But I can’t find it in my heart to sling too much mud at this. Aside from Wes Abbott on the lettering, what we see here is all Sharpe. And he manages to tell a coherent story in only three pages. So while by no means perfect, this story is still an achievement.
“Little Bird” is written by Mindy Newell and drawn by…LEE GARBETT!!!! When was the last time he was in Gotham? I’ve still got such fond memories of his work on the Stephanie Brown Batgirl series from…what was it, a decade ago?!? And the man hasn’t lost a step since, as he turns in some fine work here. He and colorist Alex Sinclair do a fine job channeling Batman: Year One. We get a scene where Selina is in similar…er, we’ll call “escort gear” as we see in that story. They also do a hell of a job on the gray David Mazzucchelli Catwoman costume, tail and all.
I was, however, initially confused. The story involves Selina stealing an old mezuzah that belonged to a woman who cared for her as a child. It took me a moment or two to figure out what a mezuzah is, and the identity of this elderly woman in a nursing home. I initially thought we might have jumped into another alternate future for Selina…
Still, they stick the landing. The story speaks to the idea that underneath all the theft and crime, Catwoman has a heart of gold. A great destination, even if the road to get there was a little rocky.
Chuck Dixon, one of the unsung heroes of modern Batman lore, returns alongside Kelley Jones for a Clayface story. Though I hate to say it, this isn’t one of his better outings. Not much to this one. I assume they went with Clayface to suit Jones’ horror strengths. Catwoman finds him, a confrontation ensues, rinse and repeat. I get the sense the only real purpose for this story was to have Selina be in the purple costume from the ’90s.
I know Kelley Jones has his crowd. I’ve just never really been one of them. I will say, though, that his Catwoman is very expressive here. I was pleasantly surprised to see that from him.
Things get downright meta for author Will Pfiefer’s return to the book, as he takes Selina to a comic book convention. He creates a world where the characters themselves are the autograph-signing, question-answering celebrities.
As someone who’s been to a number of these conventions, I found this story charming. Once I got the hang of it, that is. I initially found it difficult to get my bearings. But its a nice little anniversary story, and Pia Guerra’s art is very accessible.
I confess budget constraints caused me to fall off the monthly Catwoman series, so I’m not sure if her sister Maggie has been a regular or not. I have to assume she is, as “Addicted to Trouble” is about the sisters road tripping back to Gotham from Villa Hermosa. Naturally, it’s got a cool car in it. Hijinks ensue.
Thanks to the actions of Black Mask in an early 2000s story by Ed Brubaker and Cameron Stewart (who oddly enough are on the next story), Maggie is unable to speak. But she still makes a nice road-trip buddy for Selina, and we even focus a little bit on that inability. I wish they would have at least mentioned Black Mask in passing, as he wound up being one of Catwoman’s most-hated rivals.
Brubaker and Stewart evoke memories of 2000s Catwoman the same way Kelley Jones does 90s Batman. So their closing story, “The Art of Picking a Lock,” is an automatic sentimental favorite for yours truly. This book wasn’t cheap, but seeing Stewart draw Selina, Holly, and Slam Bradley again is almost worth the price of admission by itself. And as you’d expect, Brubaker’s pulpy writing style is right at home in Gotham City. God damn I miss him being on a Bat-book.
I wouldn’t call this collection memorable. But it’s a nice little tribute to Catwoman with some A-listers contributing, and a couple of nice nostalgia trips to boot. If nothing else, it should make Selina’s fans smile. I certainly did.
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