Tag Archives: Star Wars

Panels of Awesomeness: Obi-Wan Kenobi by Mike Mayhew

By Rob Siebert
Fanboy Wonder

CREATORS: Jason Aaron (Author), Mike Mayhew (Artist)

THE SCENES: Living as a hermit, Obi-Wan Kenobi watches over a young Luke Skywalker as he grows up on Tatooine.

WHY THEY’RE AWESOME: Lately I’ve been obsessed with the version of Obi-Wan Kenobi that Mike Mayhew drew for Marvel’s Star Wars title. Specifically, issues #15 and #20, which hit the stands in 2016.

Mayhew was by no means a stranger to the Star Wars universe at this point. Perhaps most notably, he was the artist for The Star Wars, which adapted an early draft of the original film. For Star Wars #15 and #20, however, he was tasked with depicting entries in what author Jason Aaron called “The Journals of Old Ben Kenobi.”

What I find so interesting about Mayhew’s version of Kenobi is that he didn’t take the obvious route, and draw him to look like Ewan McGregor. But he didn’t go the Alec Guiness route either. Mayhew opted for something more his own. A figure that captures the essence of the character, without being beholden to either one of the actors. That approach isn’t so far-fetched in the world of licensed comic books. Often it’s met with an eye-roll from yours truly.

This, on the other hand? This works. Something about it screams classic Star Wars. As if it’s transplanted from an era before the prequels, where we were still imagining what a young Obi-Wan Kenobi might look like. It achieves a warm and fuzzy nostalgic quality without feeling like it’s trying too hard for it.

Though Jason Aaron has been off Star Wars for awhile now, I’d love to see them revive this journal framework. If they can bring Mike Mayhew back for it, all the better!

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

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Toy Photography: C-3PO in the Snow

By Rob Siebert
Fanboy Wonder

This is what happens when you have writer’s block on your day off. You wind up trying your hand at toy photography. Whaddaya think? Not bad for a first-timer, right?

To an extent, I’m trying to mimic the shot from The Empire Strikes Back where Luke is lost in the snowstorm and the camera pulls back. As the landscape expands, we see just how alone he truly is. This shot doesn’t have the same effect, obviously. But there’s a certain cuteness to it that I enjoy.

Oddly enough, I originally just plopped Threepio into the snow and took the shot. But of course, the best action figure photos are the ones that allow you to forget you’re looking at little plastic toys. So I made some little footprints next to him so he didn’t simply look like a toy someone left outside. Now he’s impacting his environment. It actually turned out to be my favorite part of the image.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

YouTube Spotlight: Star Wars and the Catholic Church

By Rob Siebert
Fanboy Wonder

The other day, I stumbled across this video from the folks at Wisecrack, a channel that examines pop culture through a philosophical lens. It makes the extravagant, though not altogether inappropriate comparison between the Star Wars fandom and social systems facing a legitimation crisis. Case in point, fans rebelling against the direction Disney is taking the Star Wars franchise.

The most concrete comparison the video uses is to the legitimation crisis faced by the Catholic Church in the 1500s. The invention of the printing press allowed the masses to get their hands on more hard copies of the Bible, and thus develop their own interpretations of the text. At first, it’s an easy comparison to scoff at. But the video does a pretty convincing sell job. And the points it makes have stuck with me. So clearly it did something right.

Check it out for yourself, and may the Force be with you!

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Toy Chest Theater: Luke Skywalker by Scoundrels Stock

By Rob Siebert
Fanboy Wonder

Up to this point, “Toy Chest Theater” has been mostly about creating scenes, as opposed to custom characters. But this take on Luke Skywalker from Scoundrels Stock changed that. This thing deserves to be in the spotlight.

This figure is apparently inspired by the Star Wars expanded universe, i.e. the franchise’s seemingly endless litany of novels, comic books, video games, etc. Having consumed a lot of that stuff, I can definitely see it. This seems to be what Luke might look like 10 to 15 years after Return of the Jedi. I can respect keeping him mostly in black, too. As a more mature Jedi, it’s modest, yet imposing.

One of the reasons this struck me so much is because I think this is the Luke Skywalker people wanted to see in The Last Jedi. The whole redemption story was interesting, partially because people didn’t expect that to be what happened to our great hero from the original trilogy. But this was the guy we were expecting. And perhaps in hindsight, should have gotten.

Scoundrels Stock can be found on Instagram and Facebook.

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Astonishing Art: Star Wars and Marvel by Melissa Thomas

By Rob Siebert
Fanboy Wonder

Awhile back, I stumbled on to the artwork of Melissa Thomas. I really wish I remembered how I found her. Then maybe I could do it again, and with any luck find more art that’s this much fun!

Thomas’ work is clearly inspired by some of the classic Disney animated films. You can easily see one of her characters walking out of Beauty and the Beast, Aladdin, or Mulan. Thus, it’s fitting that she so often uses it to depict characters from the Star Wars and Marvel universe.

Below are a few of my favorites among Thomas’ work. For more, I would encourage you to check her out on Behance, Instagram, and Twitter. She also has a store over at Society6.

Visit one of Thomas’ pages, and you’ll see she’s a big fan of The Clone Wars. Her Anakin Skywalker is particularly strong. The above sketches were my first exposure to her work. I wasn’t the only one to appreciate it, as the official Star Wars Instagram account re-posted it. Talk about reaching your target audience…

Obviously this one is much more refined. We have a filter over an actual still from Attack of the Clones, with Thomas giving us her take on Anakin and Padme. For yours truly, the sharper angles in the facial structure evoke some of the newer movies, as opposed to some of the classics. Anakin is giving me bit of a John Smith from Pocahontas vibe. That Disney romance charm is definitely there, though. She the refined product of royalty, and he the boyish charmer. If only Hayden Christensen had been allowed to be this likeable.

The premise of this one is interesting to me. Rey and Finn in an office setting. Two Star Wars characters in a setting that’s not at all like Star Wars. We’re almost journeying into alternate universe territory. This one actually reminds me of Paperman, the black and white short they put in theaters with Wreck-It-Ralph. Paperman is in black and white. But go watch it, and hopefully you’ll see what I mean.

We’re venturing into Marvel territory here, as Thomas captures the heart-wrenching goodbye we saw from Peter Parker in Infinity War. The big, tear-filled “Disney eyes” literally make the whole image. Thomas gives the piece just the right amount of emotional gravitas, without going too far. Peter is going away, but he doesn’t necessarily have the time to really process it. And just as he starts to process it, he fades away. Beautiful.

 

 

 

 

 

 

 

This last one is a simple sketch. An older one, at that. It’s based on a famous promotional shot of Harrison Ford for the original Star Wars.

I’m comparing the live image to the sketch because the latter is a perfect illustration (no pun intended) of how Thomas captures a character’s essence, while still maintaining her own style. In the photograph, Ford is playing it cool. He’s emotionally inaccessible. Thomas, on the other hand, gives Han a little smile. He’s every bit the charming rogue he should be. But the smile gives it that touch of Disney magic that Thomas is going for. So simple, yet so effective.

Email Rob at PrimaryIgnition@yahoo.com, or follow Primary Ignition on Twitter.

Wrestling Headlines: CM Punk in Court, Enzo’s “Consensual Penis,” and More!

By Rob Siebert
Fanboy Wonder

I actually thought this was going to be a slow news week. Turns out, not so much.

The Dr. Chris Amann/CM Punk/Colt Cabana case goes to trial. Like so many others who heard it, I was enthralled by the now infamous CM Punk/Colt Cabana podcast on Punk’s departure from WWE. So all these years later, it’s fascinating to see the fallout involving WWE’s Dr. Chris Amann. I’ve been following the coverage on WrestleZone.

Amann was treating Punk in the months prior to his WWE departure, and is suing for defamation. The real-life Phil Brooks said Amann misdiagnosed a staph infection, which lead to months of suffering. Amann refutes the accusation, and is seeking $1 million in damages.

WWE officials and personalities such as Kane, referee John Cone, and WWE’s Senior Director of Talent Relations Mark Carrano all testified via recording about Punk’s participation in the 2014 Royal Rumble Match the night before he walked out. It’s incredibly surreal to read their recollections, as they use all this pro wrestling jargon in a legal setting. Kane mentioned eliminating Punk from the Rumble “illegally.” Carrano described Punk after the Rumble as “one angry superstar.” It’s so weird…

In a bit of bizarre hilarity, the jury actually had to watch footage of Punk being eliminate by Kane in the 2014 Royal Rumble, which took place the night before his famous walk-out. When the judge said he didn’t know who Kane was, someone reportedly told him: “The big guy without a shirt on.”

Also, it’s now on record that the “CM” in CM Punk stands for “Chick Magnet.” So that’s a thing now, I guess…

Meanwhile, Punk’s next UFC fight is on June 9. It should be interesting to say the least.

The former Enzo Amore releases a rap video, calling himself Real1. Enzo isn’t exactly Jay-Z, and I’m not exactly sure what to make of what I’m seeing here. But this video does have over a million views. So he’s got that going for him…

Silly imagery aside, he’s rapping about a very real situation. Earlier this year the real-life Eric Arndt was the subject of a rape investigation, and ultimately fired by WWE for not cluing them in on it. The investigation was ultimately dropped due to insufficient evidence.

I hope to God I’m never in the position this guy was in. But if I am, I probably wont release any kind of public statement, rap or otherwise, that talks about “gripping my consensual penis.” It’s also probably not a good idea to alienate wrestling fans, many of whom were chanting “We want Enzo!” at Big Cass not long ago.

But hey, that’s just me.

John Cena says the Velveteen Dream might be “something special.” Cena was at MegaCon in Orlando this week, and someone asked him a question about facing wrestlers from NXT. While he also mentioned EC3 by name, the one he really put over was the Velveteen Dream.

“You know how in the Star Wars movies the old Jedis can look at the rookie Jedis and be like, ‘I think that’s the one,’” Cena said. “I kinda have a weird, odd Midichlorian feeling about Velveteen Dream. I think there’s something special there.”

That’s a hell of an endorsement for the real-life Patrick Clark Jr. But if you’ve seen the guy, you know it’s not exactly unfounded. I highly recommend his match with Aleister Black from NXT TakeOver: War Games.

Sasha Banks wins Women’s Gauntlet Match to take final spot in Women’s Money in the Bank Ladder Match. This match didn’t do much for me, mostly because the quick eliminations of Liv Morgan and Sarah Logan left a bad taste in my mouth. I understand wanting to give the women a spotlight like this. But if you’ve got younger ones on the roster that can’t hang in a match like this, keep them out! Morgan and Logan could have stayed on the outside and helped Ruby Riott beat Bayley, Mickie James, and Dana Brooke, only to have Sasha overcome the odds at the end.

Ruby ended up being the star here. She’s obviously a good hand in the ring. But she also has such a unique look, and can cut a decent promo. They obviously thought enough of her to give her a group named after her. I’ve got high hopes.

Samoa Joe def. Daniel Bryan and Big Cass to take the last spot in the Men’s Money in the Bank Ladder Match. So Cass wasn’t really hurt? Or at least he’s well enough to keep wrestling? Good. In terms of being a singles star, he doesn’t quite have it yet. But he might get there. Working with guys like Bryan and Joe certainly won’t hurt him.

Cedric Alexander def. Buddy Murphy to retain the WWE Cruiserweight Championship. I haven’t had a chance to watch a lot of 205 Live lately. But I heard some good buzz about this Cedric Alexander/Buddy Murphy match. Damn, I forgot how good 205 Live has become. Not being on Raw every week has also done Cedric a lot of good. He still comes off pretty bland. But he’s athletic as hell. And the development of Buddy Murphy as a character has been a pleasant surprise. This one’s worth checking out, folks.

Email Rob at PrimaryIgnition@yahoo.com, or follow Primary Ignition on Twitter.

A Solo Bullet-Point Review – “Unnecessary” Excellence

By Rob Siebert
Fanboy Wonder

***WARNING: The following contains some minor, fairly harmless spoilers for Solo: A Star Wars Story.***

I loved this movie. No, seriously. I loved it. It surpassed my expectations in almost every conceivable way. The characters (yes, even the new ones) were fun and engaging. The thrilling Star Wars action component was on point. Alden Ehrenreich and Donald Glover nailed the Han and Lando characters, while at the same time adding a little something themselves. It had he obligatory scenes you expected to see, i.e. Han meeting Chewie, winning the Milennium Falcon, etc. But it didn’t pile on the nostalgia the way Rogue One did. I left Solo with a smile on my face, which is more than I can say for either Rogue One or The Last Jedi.

So let’s do this. Punch it!

– Ron Howard. The production of Solo was mired in controversy. Directors Phil Lord and Christopher Miller departed during filming, citing “creative differences.” Word broke of Lucasfilm bringing in an acting coach for Alden Ahrenreich, the actor who plays Han. That didn’t exactly inspire confidence. Toss in the polarizing reaction The Last Jedi received, and it was looking like it was going to be a disaster.

I’d be very curious to learn what exactly Ron Howard changed about this movie. Because I don’t think we can deny just how vital his touch was to the creative success of Solo. Not just because he’s directed movies like Apollo 13, A Beautiful Mind, and Frost/Nixon. But because he’s got such a long-lasting friendship with George Lucas. He’s had direct access to the mind that sparked the creation of this whole phenomenon. So I would imagine few filmmakers are more qualified to create something faithful to his vision.

– “Unnecessary.” I don’t understand the critique that Solo is unnecessary, or adds nothing new to the franchise. Yes, the movie largely plays into pre-established exposition. But if you go by that logic, what was the point of even attempting to make the prequels? Or Rogue One? What exactly qualifies one of these movies “necessary?” What does that even mean?

Furthermore, Solo is hardly devoid of fresh ideas. But we also learn new information about Han, Chewie, and Lando. We’re also introduced to new faces, like Qi’ra, L3-37, Tobias Beckett, Enfys Nest, and Crimson Dawn. Hell, I was even partial to Rio Durant.

In the end, Solo is fun. That’s what matters. It’s certainly all the “necessity” I require.

– When Han met Chewie. Laying the groundwork for the Han Solo/Chewbacca friendship was a vital component here. Their relationship is one of the most important in the entire Star Wars saga. I was struck by the believably and downright simplicity of how Solo sets that up. They save each other’s asses a few times and build up trust to the point that a genuine friendship forms.

Actually, I was surprised with how well Solo handled most of the pre-established stuff. Lando owning the Falcon, the card game, the Kessel Run. It all pretty much worked. At least it did for me. Consider how fickle fanboys like me can get about this stuff, that’s nothing to sneeze at.

– No Jabba. No Mos Eisley. No Luke or Ben. Solo has no shortage of references, winks, or nods. The folks over at Red Letter Media speculated that the movie would end somewhere during the events of A New Hope, much like Rogue One did. Specifically, with Han in the Mos Eisley Cantina. It could very well have ended with Han sitting at the table, and a shot of Obi-Wan and Luke walking over. I was very pleased they restrained themselves in that respect. For that matter, while he’s referenced, we don’t see Jabba the Hutt in Solo. There isn’t even a mention of Boba Fett or Greedo.

But I imagine one of the reasons they were a little more conservative with this one is because they’re saving those tricks for later…

– Sequels. Solo leaves a lot of room or sequels, and even spin-offs. There’s already been talk of a Lando movie. There’s also a surprise return that comes about as far out of left field as you can get. If you’ve seen it, you know who I’m talking about. They can go in that direction for another Solo movie, but the returning character would also make for a heck of a box office draw in their own right.

In the end, Solo wound up being the best case scenario for one of these  “anthology” movies. It’s a hell of a lot of fun, stands up on its own, and paved the way for continued storytelling.

To put it another way, “Great shot, kid! That was one in a million!”

Email Rob at PrimaryIgnition@yahoo.com, or follow Primary Ignition on Twitter.