George Lucas on Star Wars: Yoda and Qui-Gon Jinn

***Think what you will about George Lucas, but in terms of Star Wars, it can all be traced back to him. That’s why I always find it so interesting to listen to him talk about it. His creative process, the reason certain decisions were made, and how these movies became pop cultural staples. This space is dedicated to just that. This is “George Lucas on Star Wars.”***

By Rob Siebert
Wisconsin Raider

The Scene: As Anakin Skywalker slaughters Tusken Raiders over the death of his mother, a meditating Yoda feels his pain and suffering. He also briefly hears Qui-Gon Jinn calling to the young padawan.

George Lucas Says (Via the Attack of the Clones Commentary Track): “… we cut to Yoda, who is meditating, who hears this off-screen, and we do hear a voice in there. That voice is the voice of Qui-Gon Jinn. So we very subtly establish … Yoda is feeling the pain and suffering of Anakin and the Tusken Raiders, [and] he’s also making a connection, unwittingly with Qui-Gon Jinn. Up to this point we haven’t really established that you can make a connection with the departed in this world. That will become a factor in [Episode III].”

I Say: If by factor he means “afterthought,” then  yes, it became a factor in Episode III.

This has always been one of the more frustrating aspects of Revenge of the Sith for me, as it would have done so much to justify Qui-Gon’s entire presence in The Phantom Menace. Plus, they just would have been cool scenes.

The novelizations of Episode II and III both touched on Yoda communicating with Qui-Gon. The latter even had a brief dialogue between the two. But somehow they didn’t make it into the films. So the whole “training I have for you” thing at the end of Sith seemed comically tacked on.

Even The Rise of Skywalker got this one right, with Rey hearing the voices of all the Jedi at the end. It’s not like it was an entirely separate plot thread or anything. It would have taken maybe five to 10 seconds in Clones, and maybe a minute in Sith. All you need is a few lines of audio from Liam Neeson.

All to establish that Yoda has not gone bonkers when he tells Obi-Wan to talk to his dead master.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

The Rise of Skywalker Novelization Review – Rey Edition

***I just recently finished the Rise of Skywalker novelization by Rae Carson. Naturally, as the “Expanded Edition,” it’s intended to supplement the events of the film and hopefully fill some of those gaping plotholes. Naturally as a Star Wars geek, I’ve got opinions. Too many to fit into a single review. Thus, welcome to the third of my multi-part Rise of Skywalker novelization review!***

By Rob Siebert
A.K.A. Rob Skywalker

1. Force-Healing Powers.
Why did everybody get so bent out of shape about Rey’s Force-healing powers? Forget the fact that if you’re into Star Wars lore, you already know there were Jedi healers. But let’s say you’re not, and you’re still upset…

So the Force is a mystical energy field that binds the galaxy together, and the Jedi have access to it. What does that mean? For story purposes, it can mean whatever you want it to mean.

In the original film, it meant Obi-Wan could control people’s minds and make Stormtroopers hear things that weren’t really there. It also meant Luke could see through solid objects, hear Obi-Wan’s voice in his head, and move a proton torpedo with his mind.

Then in Empire, it also meant Luke could jump really high to avoid being frozen in carbonite, and that Darth Vader could stop blaster bolts with his hand.

In Return of the Jedi, it meant that if you were a bad guy, you could shoot lightning out of your fingers.

In The Phantom Menace, Qui-Gon and Obi-Wan could run super-fast like the Flash.

In The Last Jedi, it meant Luke could essentially project a hologram of himself across the galaxy. Oh, and that Snoke could link Kylo Ren’s mind with Rey’s.

Now in this movie it means Rey can heal a serpent monster, and Ben can save Rey’s life.

Folks, I know a lot of Expanded Universe stuff has been written about the Force, Jedi powers, etc. But at the end of the day, George Lucas was making this stuff up as he went along. He didn’t bend the rules of reality too far, but he used it to suit the story’s needs.

So if Force-healing has always been a thing, why didn’t Luke use it to save Vader’s life? Why didn’t Obi-Wan use it to save Qui-Gon’s? I don’t know. I just know they didn’t. That’s enough for me.

2. Rey Fixed Luke’s X-Wing
Okay, so healing someone with your magic powers? I’m okay with that. But fixing a spaceship that’s been underwater for years and is missing a wing? That’s where I draw the line, damn it!

In the movie when Luke raises his X-Wing out of the water on Ahch-To, it seems like it’s primed and set. As if he’s somehow been fixing it underwater in a translucent scuba suit or something. The book gives us further details. They don’t make the notion that Rey flew Luke Skywalker’s X-Wing into the unknown regions of space any less silly. But I’m glad they’re there.

On page 200 (of the original hardcover edition), we learn Rey didn’t just have to patch the wing that was serving as the door to Luke’s hut. She also had to use parts from Kylo Ren’s Tie Whisper, which she’d just set ablaze, and do a bunch of rewiring. The ship, might never fight againBut it was still fighter class, and its transition from vacuum to atmo was seamless.

Of course it was.

A little Wookiepedia research tells me that, assuming Luke went into exile soon after Ben destroyed his temple, that X-Wing was probably down there about six years. Jedi or not, plop my dirty Honda Civic in the ocean for six years and see how quickly you can get it running. Just sayin…

3. “Be With Me”
Like the movie, the book doesn’t specify who exactly is talking to Rey as all the Jedi of the past are rooting her on. It’s better that way, of course. After all, how would Rey know what Qui-Gon Jinn, Mace Windu, or Anakin Skywalker sound like? The only obvious tell is Yoda based on his speech patterns. And of course, she recognizes Luke.

There’s also an interesting line in here about not all these voices necessarily coming from beyond the grave…

Presences filled her awareness, some recent, some ancient, some still anchored to the living in a strange way. Rey didn’t understand. But she accepted.

I assume that’s in there not just to keep Ashoka Tano’s fate a secret, but because certain Force sensitives around the galaxy could feel what was happening and were cheering Rey on. Even if they weren’t quite aware they were doing it. “Broom boy” from The Last Jedi comes to mind. And of course there’s Finn.

4. The Lars Homestead; “Rey Skywalker”
Upon second viewing, the movie is better at covering Rey’s exploration of the Lars Homestead than I remembered. We get a lot of familiar shots, only these places are now partially buried in sand. Probably stripped for parts too.

The implication, at least the way I interpreted it, was that Rey would now be the one to train a new generation of Jedi. She’d do it from the Lars Homestead, where Luke’s journey began, and where Anakin also had strong ties.

As it turns out, that’s not the case. At the end of the book, she and BB-8 get back in the Falcon and fly off. Presumably back to Ajan Kloss.

That’s disappointing. Yes, I’m sure different Empire/First Order survivors or sympathizers across the galaxy know where Anakin and Luke were born. They’re likely more than capable of following their trail back to Tatooine.

But in terms of closing the book on the so-called “Skywalker saga,” it’s poetic not just to see it end where it began. But to see it begin there again. I understand why they closed the movie with the image of Rey and BB-8. But in terms of the book going with the whole “alone with friends” theme might have been better. Sure, BB-8 is there. But we’ve also got C-3PO to help translate old Jedi texts. R2-D2 to do astromech droid stuff, and provide anecdotes from his days with both Anakin and Luke. Then there’s Finn. Rey’s first student.

Finally, the book gives us a brief moment where Luke, as he and Leia’s spiritual presences look on at Rey, grants her permission to use his family name.

It’s yours, Rey.

And so we reach an ending. But every ending is also a beginning.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

The Rise of Skywalker Novelization Review – Leia Edition

***I just recently finished the Rise of Skywalker novelization. Naturally, as the “Expanded Edition,” it’s intended to supplement the events of the film and hopefully fill some of those gaping plotholes. Naturally as a Star Wars geek, I’ve got opinions. Too many to fit into a single review. Thus, welcome to the second of my multi-part Rise of Skywalker novelization review!***

By Rob Siebert
Would not be called “General Rob”

1. “General Leia”
When The Force Awakens came out, I understand why she was marketed as “General Leia.” The world had known her as Princess Leia for almost 40 years. Calling her General Organa, or even General Leia Organa, might be confusing for some. I don’t think the name Organa is said at any point in the original trilogy.

In the movies they did the right thing. She wasn’t General Leia. She was General Organa. Or just Leia. But in the Rise novelization she’s called “General Leia” a handful of times. It’s off-putting. Consider this: In Return of the Jedi we didn’t have General Han or General Lando. It was General Solo and General Calrissian.

So let’s get this down once and for all: In licensing meetings she can be General Leia. But in-story? She’s General Organa.

2. Luke Was Speaking to Leia From Beyond.
As the story begins, Leia knows she’s dying. Thanks in no small part to getting blown into space during The Last Jedi. She knew she had to maximize the time she had left. What’s more, she had a persistent voice telling her that her time to go was now.

Between helping Rey and bugging Leia, Luke was a busy Force Ghost.

Their first exchange in the book is simply…
“Leia. It’s time.”
“Not just yet.”

Brother later told sister, “There is only one thing left. Then you can rest.”

Finally, when Leia sacrificed herself reaching out to Ben and passes into the Force, she feels “a surge of welcome from Luke, who was not alone…”

I’d like to think he’s not talking about all the other Jedi we hear from later. Though that would mean she’d get to see her father, and even Obi-Wan Kenobi. To yours truly, the ideal vision is Anakin, Padme, Luke, Leia, and Han. The Skywalker family reunited in full. Sticklers will tell us that neither Padme nor Han could have preserved their consciousness in the Force.

But it’s intentionally left vague. I imagine there’s a reason for that.

3. Leia’s Jedi Training
With Luke gone, Leia was the only one left who could offer Rey anything remotely resembling Jedi training. She wasn’t a Jedi herself. But as we’d later learn, she was very much a qualified teacher.

The novel delightfully yet briefly touches on Luke’s training of Leia. Nothing too extensive. But we learn that her training, or at least much of it, took place on Ajan Kloss, the planet the Resistance is based on when the story begins. Luke would often compare Leia’s training to his with Yoda. Thus, he tended to refer to Ajan Kloss as “nice Dagobah.”

Certain things came naturally to Leia. Not long after the Battle of Endor, Luke tried to teach Leia a lesson in patience by having her stand on her head for a long period of time. Much like he did with Yoda. In response to taunts he threw her way, she used the Force floated up and on to her feet. “You’re going to make me a better teacher,” Luke said.

4. The Tantive IV
Remember the first ship we see in the original Star Wars? The blockade runner that gets captured by the Star Destroyer? Yeah, apparently that’s not only still functioning 34 years later, but it’s in this damn story. It’s even in the big space battle at the end. It goes down, though. Among the casualties aboard are Nien Nunb, Lando’s co-pilot from Return of the Jedi.

This movie and it’s original trilogy collectibles. Honestly.

5. “Leia Was Stronger Than All of Us”
Luke says that to Rey during their scene on Ach-To.

This book practically worships Leia. Which I’m actually okay with. Not because of Carrie Fisher’s death, though that does make it more poignant. It’s because in the end, Leia was the strongest person in the saga. There’s actually a line in the book

Rian Johnson touched on this in the commentary track for The Last Jedi. Over the course of her life, Leia…

– Was taken from her birth parents.
– Lost her adoptive parents when her world exploded, as she was forced to stand by and watch.
– Discovered her father was Darth Vader, who was the one to hold her in place and make her watch aforementioned explosion.
– Lost her son to the dark side, just as Vader had been lost to it.
– Lost her husband when he was murdered by aforementioned son.
– Lost her brother when he sacrificed himself to save the Resistance.
– Endured the death of so many friends. In the sequel trilogy she also lost Holdo, who’d been a childhood friend, and Admiral Ackbar, whom she’d known since the days of the Rebellion.

And yet, when the galaxy needed her to fight, she kept on fighting.

Turns out Leia, like Carrie Fisher, was as tough as they come.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

The Rise of Skywalker Novelization Review – Palpatine Edition

***I just recently finished the Rise of Skywalker novelization. Naturally, as the “Expanded Edition,” it’s intended to supplement the events of the film and hopefully fill some of those gaping plotholes. Naturally as a Star Wars geek, I’ve got opinions. Too many to fit into a single review. Thus, welcome to the first of my multi-part Rise of Skywalker novelization review!***

By Rob Siebert
Has a LOT of free time during quarantine.

1. After the Big Boom
The book confirms something that a lot of fans already suspected: The Palpatine we saw in The Rise of Skywalker was indeed a clone. Or rather, the real Palpatine’s consciousness in a clone’s body.

There are more than a few Darth Plagueis references in the novel, which is a nice touch. Having learned from his old master how to cheat death, the Emperor began working on his contingency plan when he sensed the conflict in Darth Vader.

Palpatine’s consciousness left his body as he fell toward the Death Star core in Return of the Jedi. It traveled “far, far away to a secret place he had been preparing.” I can only assume that secret place was Exegol. But his new body wasn’t fully prepared, and his various Sith heretics rushed to sustain him. Obviously they never fully succeeded, as he would eventually plan to take Rey’s body as his own.

I know some fans thought Palpatine’s survival essentially negated the end of Return of the Jedi. I never really got that logic. Darth Vader was redeemed, the Empire was dealt a fatal blow, and the galaxy had three decades of peace. Not a bad deal as far as I’m concerned.

2. “They turned our kids into our enemies.”
Since The Force Awakens, one concept that’s both fascinated and frustrated me is the formation of the First Order. How they came together, what they want, how they’re different from the Empire, etc.

Lando has a few lines in this book that I really wish they’d put in the movie. During the scene on Pasaana where he tells Rey and the others he’s not coming back with them, he says…

“First Order went after us – the leaders from the old wars. They took our kids. … My girl wasn’t even old enough to walk. Far as I know, she’s a stormtrooper now. … They turned our kids into our enemies. My girl. Han and Leia’s son, Ben. To kill the spirit of the Rebellion for good.”

When you take into account Palpatine was been behind the First Order from the start, and that he’s essentially the most patient villain in pop culture history, that makes all the sense in the world. What better way to not only take the galaxy back, but to exact revenge on the heroes of the Rebellion than by targeting the next generation? You turn Han and Leia’s son into your unwitting apprentice, and you get Lando’s daughter as a bonus. The movie never even indicated that Lando had a daughter…

To an extent, the whole “They took our kids” thing applies to Luke as well. Remember, all his students ended up dead. All of them.

Ultimately, Palpatine’s plan worked, didn’t it? Han and Leia’s family imploded, Luke went into exile, and Lando ran away from it all.

3. Stormtroopers and Sith Troopers
The book tells us that the Sith Troopers, a.k.a. the red stormtroopers, were pulled from the regular stormtrooper roster, and designated lost in action somehow.

While the novel never indicates this explicitly, I think putting Palpatine in charge of the First Order adds a nice little irony to the stormtroopers being taken as children and forced into training. Because, to an extent, that’s exactly what the Jedi did.

Granted, you can make that argument without Palpatine. But it’s much more poignant with him.

4. You Have One Unheard Message
The first paragraph of the opening title crawl tells us “The galaxy has heard a mysterious  broadcast, a threat of REVENGE in the sinister voice of the late EMPEROR PALPATINE.”

Gotcha. But what did he say exactly? We never hear it in the movie.

Thankfully, the book fills us in…

“At last the work of generations is complete. The great error is corrected. The day of victory is at hand. The day of revenge. The day of the Sith.”

5. More From Dark Empire
While I’m about to talk about this book yet again in relation to The Rise of Skywalker, it must be said that Dark Empire is one of the most atrociously colored books I’ve ever seen. Obviously it was a style choice. But hindsight being 20/20, a different choice would have been better.

This isn’t so much about the novelization as the story itself. In Dark Empire, Palpatine comes back in a clone body and has a fleet of “World Devastators” at his disposal. In the end, he’s defeated by Luke and Leia as they draw strength from words spoken by Yoda as he trained Luke.

Would Star Destroyers with attached Death Star lasers count as “World Devastators?” Asking for a friend…

I’m not trying to make any sort of salacious allusions here. I just find it amazing how prophetic this story from 1995 would turn out to be in terms of a movie that would come out 25 years later. And feature a much older Luke and Leia.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Star Wars Adventures, Lois Lane #9, and..Other Stuff…

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

So yeah…how’s your quarantine been?

Like every other business on Earth, the comic book industry is being hit hard by the Coronavirus pandemic. As such, comic shops will receive no new issues this week. What exactly will happen with digital releases remains to be seen. But Image, IDW, Dark Horse, and Oni Press have all opted out of digital releases until print issues return to stores.

As for me, “social distancing” kept me out of my comic shop this week. My issues are being shipped to me, but they won’t arrive until….today. Because of course.

But in the spirit of wanting to put something in this space this week, I’ve done some digital shopping of my own. I put some issues in my cart that aren’t the most recent, but that piqued my interest. First among these was Lois Lane #9, which for some reason has alluded me for several weeks now…

As for what’ll be in this space over the next several weeks, all I can say is something will be here. Even if I’ve got to review comics from decades ago. But next time, we’ll get into the issues I’m about to get in the mail. Such issues include Batman/Superman, Star Wars: Bounty Hunters, andI Can Sell You A Body, and more.

TITLE: Lois Lane #9
AUTHOR: Greg Rucka
ARTISTS: Mike Perkins, Andy Troy (Colorist), Simon Bowland (Letterer)
RELEASED: March 4, 2020

Batman shows up in this issue, seemingly for no reason other than to pad the story. Still, it is good to see Rucka writing him again. Even like this.

As the cover suggests, there’s an immigration angle here. If, like Batman, it were shoehorned in for no reason I’d take issue with it. But Rucka weaves it into the mystery of who is out to kill Lois. So it works for me.

Also, do yourself a favor and Google “Jessica Midnight.” Just a heads up.

TITLE: Star Wars Adventures #31
AUTHORS: Michael Moreci, Cavan Scott
ARTISTS: Arianna Florean, David M. Buisan, Valentina Taddeo (Colorist), Charlie Kirchoff (Colorist), Jake M. Wood (Inker)
RELEASED: March 18, 2020

I’ve had my eye on this title, as it was recently announced it’ll contain stories set after The Rise of Skywalker. But apparently that’s not until May…

What we get here is perfectly serviceable. First is a story about Rey flying an X-Wing for the first time. I assume that’s meant to foreshadow what she does near the end of Rise. Then we get a back-up about a young explorer in wild space. Frankly, the back-up intrigued me more than the main story did. We haven’t seen much (or any?) of wild space, have we?

TITLE: Outlawed #1
AUTHOR: Eve L. Ewing
ARTISTS:
Kim Jacinto, Espen Grundetjern (Colorist), Clayton Cowles (Letterer). Cover by Pepe Larraz and David Curiel.
RELEASED:
March 18, 2020

This book is here to set the table for yet another Champions relaunch. After the most recent relaunch ended this past October with only 10 issues. I mean…alright? If you’re sure.

This issue feels very Civil War-ish. A big explosion during a battle involving the Champions prompts the government to adopt a law prohibiting those under 21 from acting as superheroes.

This issue on its own didn’t do much for me. But I really liked the Mark Waid/Humberto Ramos Champions line-up. So if this kicks off a good story for them, I’m all in.

TITLE: Marvels Snapshots: Sub-Mariner
AUTHOR:
Alan Brennert
ARTISTS:
Jerry Ordway, Espen Grundetjern (Colorist), Travis Lanham (Letterer). Cover by Alex Ross.
RELEASED:
March 11, 2020

I’ve got the unique perspective of reading Marvels at the same time all this supplemental material is coming out. It’s a lot to take in. But the process has been fun.

Though he comes from Atlantis, virtually a different world, this issue shows us Namor is just as vulnerable to the scars of war as his human cohorts. Set shortly after World War II, and told from the perspective of his love interest Betty Dean, this “snapshot” shows us how Namor both is and isn’t human. Ordway and Grundetjern set the period brilliantly with their art.

TITLE: The Resistance #1 (of 6)
AUTHOR: J. Michael Straczynski
ARTISTS:
Mike Deodato Jr., Frank Martin (Colorist), Sal Cipriano (Letterer). Cover by Rahzzah.
RELEASED:
March 18, 2020

Good lord. This one might actually be too timely. Read at your own risk as far as triggers go.

Quick summary: A deadly virus sweeps the planet, killing hundreds of millions. Then suddenly, it goes dormant. In response, a new American president is elected that promises to keep the pubic safe if the virus returns. But some of the survivors have inexplicably acquired superpowers. So what the hell happens now?

This sparked my interest enough to read more. Much of what we see here feels disturbingly realistic, particularly in terms of how the public reacts to certain things…

Email Rob at at primaryignition@yahoo.com, or check us out on Twitter.

 

Weekly Comic 100s: Marvels X, Batman #86, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

Earth X was probably the one big Alex Ross project I knew the least about. So I got myself a nice little education heading into this week’s Marvels X. Low and behold it’s a trilogy. Now a tetralogy, with Marvels X.

Looks like I’ve got some catching up to do. But in the meantime…

TITLE: Marvels X #1
AUTHORS:
Alex Ross (Story), Jim Krueger (Story and Script)
ARTISTS:
Well-Bee, Cory Petit (Letterer). Cover by Ross.
RELEASED:
January 8, 2020

Having not read Earth X, and with this being intended as a prequel, I’m forced to judge this issue simply at face value. And at face value, it’s absolutely fine.

Our main character, a teenager named David, is the one person on in this dystopian future who does not have super powers. Orphaned and alone, he sets out for New York City to find his idols: Captain America, Iron Man, and Spider-Man.

Seeing an artist like Well-Bee tackle a Ross/Krueger concept like this feels different, but intriguing. For now, my interest is piqued.

TITLE: Batman #86
AUTHOR: James Tynion IV
ARTISTS: Tony Daniel, Danny Miki (Inker), Tomeu Morey (Colorist), Clayton Cowles (Letterer)
RELEASED: January 8, 2019

For my money, Tynion has a better handle on Batman and his world than Scott Snyder or Tom King. So I’m anxious to see what he turns in.

As Bruce continues to mourn for Alfred, various assassins gather in Gotham. Meanwhile, the issue presents us with an intriguing idea: Over the years, Bruce has randomly sketched, essentially doodled, bits of Gotham’s skyline and architecture as he would have them look. In the wake of “City of Bane,” he has a chance to make those visions a reality. Also, something’s up with the Joker…

So far, so good.

TITLE: The Clock #1
AUTHOR: Matt Hawkins
ARTISTS: Colleen Doran, Bryan Valenza (Colorist), Troy Peteri (Letterer)
RELEASED: January 8, 2020

This is not the most gracefully executed issue. Naturally, it needs to get a lot of exposition out of the way, and it falls into the clunky dialogue trap that comes with that. Also, early on some of the the speech balloons are hard to follow. They don’t contrast with the backgrounds (specifically the outdoor ones) enough, so you have a hard time following who is saying what.

But under all that, The Clock might just be a good story about a super cancer threatening to wipe our half the Earth’s population. But the jury’s still out.

TITLE: Star Wars: The Rise of Kylo Ren #2 (of 4)
AUTHOR: Charles Soule
ARTISTS: Will Sliney, Guru-eFX (Colors), Travis Lanham (Letterer). Cover by Clayton Crain
RELEASED:
January 8, 2020

If you need to be sold on the idea of a book about Luke’s post-Return of the Jedi adventures, look no further than this issue. He faces the Knights of Ren, with both Lor San Tekka and a young Ben Solo at his side. Call it The Adventures of Luke Skywaker, as a take-off of one of Lucas’ early draft titles for Star Wars.

Ben’s interactions with Snoke have a slightly different flavor now that The Rise of Skywalker has come out. Snoke is also wearing his most flamboyant outfit yet. What’s up with the hat…?

TITLE: Teenage Mutant Ninja Turtles #101
AUTHORS: Kevin Eastman (Consultant), Tom Waltz (Consultant), Sophie Campbell (Script)
ARTISTS:
Campbell, Ronda Pattison (Colorist), Shawn Lee (Letterer).
RELEASED:
January 8, 2020

Basically, this book is doing what the 2007 TMNT movie did. Only, you know, better. The Turtles are split up and doing their own thing. And we’ve got kind of an Arkham City spin, as they’ve walled off a portion of New York to throw all the mutants in.

I like this. It’s a big status quo shake-up the series has probably needed for awhile now. Encouragingly, the character that shines the most in this issue is Jennika, our new female Ninja Turtle. Lots of fresh intrigue as this series moves forward.

TITLE: Mighty Morphin Power Rangers/Teenage Mutant Ninja Turtles #2 (of 5)
AUTHOR: Ryan Parrott
ARTISTS: Simone di Meo, Walter Baiamonte (Colorist), Ed Dukeshire (Letterer). Cover by Dan Mora.
RELEASED: January 8, 2020

In this issue we find out why Tommy has joined the Foot Clan. He’s apparently trying to save another clan member we don’t know. This new person’s identity, and how he connects to Tommy, is now far more interesting than the interactions the Turtles are having with the other Rangers.

They pull a stunt with Shredder at the end that I can take or leave. Seeing him meet Rita is pretty cool, though.

God damn, these Dan Mora covers are amazing.

TITLE: Young Justice #12
AUTHOR: Brian Michael Bendis
ARTISTS: John Timms, Gabe Eltaeb (Colorist), Wes Abbott (Letterer)
RELEASED: January 8, 2020

At what point do we just make this the new Teen Titans ongoing? Young Justice feels the way that book should feel. At least that’s how I…feel?

This is a pretty dense issue with a lot of standing around and talking. But Superboy does punches a T-Rex. That always counts for something.

We now appear to be headed toward a big Wonder Comics team-up, i.e. Young Justice along with the Wonder Twins and the kids from Dial H For Hero. Thankfully, it looks like it’s all staying within Young Justice, as opposed to a crossover.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Star Wars: The Rise of Skywalker: 10 Lingering Questions

By Rob Siebert
Fanboy Wonder

I might have been the last die-hard Star Wars geek to see The Rise of Skywalker. Such things are the case when you’ve got a six-month-old. You can’t very well bring an infant with you to a movie with this many pew-pews and explosions. Although you just know that somebody, somewhere, totally did.

At this juncture, a traditional review is essentially pointless. So I thought I’d try something a little different, and just ask some questions. Some you’ve probably heard by now. But certain others, perhaps not…

In case it needs to be said at this point, ***SPOILERS AHEAD!!!!!***

1. Why so much?
The most common complaint I’ve heard about The Rise of Skywalker is how overstuffed it is. It seemed like J.J. Abrams and his co-writer Chris Terrio were trying to make up for lost time, i.e. The Last Jedi. They had to straighten everything out with Palpatine, Snoke, Kylo Ren, the Sith, etc. We had to send our heroes on a bunch of different quests, then deal with Rey’s parentage, have Leia die, and then have the biggest space battle ever you guyz.

As such, the pacing is way too fast. We barely have time to digest anything. You can call that a non-stop, rip roarin’ action adventure if you like. But those quieter character moments are every bit as important, if not more. Rey and Kylo had their share. C-3PO did too. But we didn’t have time for anyone else.

My question is, why overstuff it so much? For instance, going to the planets Kijmi and Pasana. For me, the most interesting planet in this movie was Kijmi, where we met Kerri Russell’s character. Why not just have Rey and the others take the Falcon straight there, find out where the Sith McGuffin thing is, and skip Pasana all together? Did we really need yet another desert planet in the Star Wars universe? They could have found Lando, done the TIE Fighter stunt, and faked Chewie’s death just as easily on Kijmi, and it would have saved us some time.

2. Has Disney learned its lesson about planning this stuff out in advance?
It’s amazing to me that the Marvel Cinematic Universe, with its dozens of movies featuring different characters and settings, exists under the same umbrella as this new Star Wars trilogy, which couldn’t stay consistent through three consecutive films.

We learned from The Last Jedi writer/director Rian Johnson that by the time he signed on, the Disney/Lucasfilm brain trust hadn’t figured anything out beyond The Force Awakens. To this day, that’s staggering to me. They had access to Lawrence Kasdan, who co-wrote The Empire Strikes Back and Return of the Jedi. Not to mention George Lucas himself. And yet they couldn’t be bothered to at least come up with some basic bullet points? If you need to change course at some point, then do so. But at least draw a friggin’ map before you start the trip…

3. Was Chewie really that upset over the whole medal thing? Both The Last Jedi and The Rise of Skywalker go out of their way to “fix” something with Chewbacca.

In The Force Awakens, fans called foul when, upon their return from Starkiller Base, Rey got a hug from Leia, while Chewie seemingly walked by unnoticed. Remember, Han Solo, Leia’s former husband and Chewie’s BFF, had just been killed. By his own son no less. So in The Last Jedi, Rian Johnson had Leia exclaim, “Chewie!” and then give him a big hug. A cute little wink. Harmless.

Since the original film, it’s been a running joke that while Luke and Han got medals for destroying the Death Star, Chewie was left empty-handed. Kind of funny, but again, harmless.

And yet in this movie, after the battle is won, Maz Kanata gives our fuzzy friend one of those Death Star medals. (Presumably Han’s?) I get the gesture. But in a movie that’s already so long…why? After more than three decades, was Chewie still sore that he didn’t get a trinket? It’s not like they made him sit in the audience. He was standing up there with them! He ain’t easy to miss, either.

Also, where does Maz Kanata get her original trilogy collectibles? We never did find out how she got her hands on Luke’s lightsaber…

4. Is there a “cutesy character quota” in every Star Wars project now?
Everybody seemed to like Babu Frik, the little puppet who worked on C-3PO. With a fanbase as divisive as this one can be, something universally praised is a pretty big deal.

Between Babu Frik and Baby Yoda in The Mandalorian, I’m starting to wonder if there’s going to be a “cutesy character quota” every Star Wars project has to meet from here on out.

“Well Mr. Feige, I like what you’ve turned in here. But let me ask you this: How would you feel about adding a baby Ewok?”

5. What’s the deal with Palpatine’s body?
I don’t have an issue with them bringing Palpatine back. They shouldn’t have needed to, but that’s another story. If the Jedi can come back as “Force Ghosts,” then there’s no reason Palpatine couldn’t have used some kind of Sith alchemy to preserve himself after death. It fits with all that talk about cheating death in Revenge of the Sith.

And yes, there is a comic book that uses a similar concept with Palpatine transferring his consciousness into different bodies. Dark Empire, circa 1992. There’s even a similar line that we hear in The Rise of Skywalker about how, “It was not the first time I died…Nor will it be the last.” (Shown above.)

However, the movie doesn’t get into specifics about what exactly is going on with Palpatine. Is it a cloning thing? Is that somehow his original body? I’m hoping the novelization clears up the specifics of what exactly it is.

6. Really? Palpatine’s entire throne room survived the second Death Star explosion?
Because this movie, like the prequels, relies way too heavily on original trilogy nostalgia, Rey and Kylo Ren wind up fighting inside the remains of the second Death Star, which crashed on Endor. Including the Emperor’s throne room.

Point blank: This was stupid. Not just that we had to go back to Endor, but that so much of the second Death Star survived at all, much less the Emperor’s damn chair. We were going to see Palpatine later on anyway. There was no reason to have it in there other than a lazy play at nostalgia. Ditto for when Wicket made that cameo for no real reason.

To quote Luke, “That was a cheap move.”

7. Couldn’t R2-D2 have gotten in on the fun? Artoo has never been a main character. But he always had a prominent supporting role in both the original and prequel trilogies. George Lucas had a soft spot for him. He could be an unlikely hero, while also providing some comic relief.

But in this sequel trilogy, Artoo really only serves one purpose: Plot convenience. In The Force Awakens, he completes the map to Luke. In The Last Jedi, he convinces Luke to talk to Rey about the Jedi. In The Rise of Skywalker, he’s there to restore Threepio’s memories. Yes, he flies in Poe’s X-Wing during the end battle. But that’s supposed to be BB-8’s job, isn’t it? What’s more, it really should have been Artoo at the Lars Homestead with Rey. Assuming she’s setting up her own little Jedi Academy there, he’d be a great source of information, having spent all those years with Anakin and Luke. Instead, she brings BB-8.

It is indeed BB-8 we have to thank for Artoo sitting on the sidelines like this. I like the little guy and all, but he essentially took Artoo’s job as the resident hero droid. With BB-8 around, Artoo had nothing to do. That’s a damn shame. As one of the more iconic Star Wars characters, he deserved better.

8. What was with all the dead Jedi voices Rey heard?
Yes, the prequels turned out pretty rough. Even so, hearing the voices of Liam Neeson (Qui-Gon Jinn), Samuel L. Jackson (Mace Windu), and yes, even Hayden Christensen (Anakin Skywalker) during Rey’s big crowning moment was awesome. Like much of the film, it was hard to digest it all. But apparently, in addition to Luke, Obi-Wan Kenobi and Yoda, we also heard TV characters like Ahsoka Tano and Kanan Jarrus.

But while I loved it, I have to ask…how?

In the prequels, the first one to learn how to retain your consciousness in the Force, i.e. become a Force Ghost, was Qui-Gon. In the years between Revenge of the Sith and A New Hope, a spectral Qui-Gon taught both Yoda and Obi-Wan how to do it. I think it’s fair to assume Luke learned how to do it at some point after the fall of the Empire. But what’s the story with everybody else? Presumably, none of those other characters had the chance to learn that ability.

And as long as we’re on the subject, how did Anakin appear as a Force Ghost in Return of the Jedi? It was less than a day after he died!

The only explanation I can come up with is that Qui-Gon, Obi-Wan, and the others are somehow able to reach out to whatever spectral trace remains of their fallen comrades, and allow them to briefly speak. Or in certain special cases, even grant them the ability in the moments after their death, i.e. Anakin in Jedi. Given this is the Star Wars Universe we’re talking about, it’s about as plausible as anything else…

Would this whole trilogy have been better if Poe had died in the The Force Awakens?
According to a documentary among the special features on The Force Awakens Blu-ray, the Poe Dameron character was originally supposed to be killed off. I can only assume it would have been in the TIE Fighter crash on Jakku. But Oscar Isaac had been killed off early in some other movies, and didn’t want to do that again. The filmmakers obliged.

So, if I’m understanding this correctly, the only reason Poe made it through the movie is because Oscar Isaac would have declined the role otherwise? Um…what? He’s a great actor, but did Star Wars really need Oscar Issac that badly? If he wasn’t up for the role, I’ve got a hunch there might have been other actors willing to step in. I mean, y’know, maybe a few?

It makes you wonder, doesn’t it? What could The Last Jedi and The Rise of Skywalker have been like if they hadn’t had to balance Poe’s plotlines along with everyone else’s? Imagine how much more time they could have devoted to Finn’s development. We could have skipped all that Canto Bight stuff, and maybe had Finn be the one in conflict with Holdo. They might not have felt the need to cram so much stuff in. We could have gotten a little more breathing room…

10. What happens now?
The interesting thing about The Rise of Skywalker compared to both Return of the Jedi and Revenge of the Sith, is that despite being the final chapter of the trilogy, there’s so much more meat on the bone from a storytelling perspective.

Just off the top of my head…

– Rey attempting to succeed where Luke failed, starting her own low key Jedi Academy based out of the Lars Homestead on Tatooine. She’s now in a position to redefine what it means to be a Jedi. There’s probably two or three movies worth of content there alone. Especially if Finn is Force sensitive, as the film seemed to suggest. Maybe weave in a potential romance between the two? That obviously contrasts with the old Jedi ways.

– Assuming the 82-year-old Billy Dee Williams is willing and able to do it, a follow-up on the question of Jannah’s lineage, and whether Lando is her father. Bring Threepio and Artoo along. Why the hell not?

– What happens with the government now? Is the New Republic gone? Do they have to start from scratch? If so, how? Almost everybody died when Starkiller Base blew up the Hosnian system. Maybe look at it from Poe’s perspective? As one of the de-facto leaders of the Resistance, he’d undoubtedly get looped into things. Finn too.

– After Order 66, Darth Vader, the Inquisitors, and the Empire at large hunted and killed the surviving Jedi. The Resistance can do the same thing here with surviving Palpatine loyalists and First Order figureheads. Is the First Order even completely gone?

Granted, much of this depends on whether they can get the actors back. Neither Daisy Ridley or John Boyega seem anxious to come back. I can’t imagine Oscar Isaac is, either.

In the end, I think the reason there’s so much uncharted territory here is because, sadly, there’ve been so many missed storytelling opportunities with these new movies. I didn’t necessarily dislike The Rise of Skywalker. I didn’t totally hate The Last Jedi either.

But by the Force, imagine what those movies could have been…

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: Kylo Ren, Doomsday Clock, Batman Finale

By Rob Siebert
Fanboy Wonder

Yeesh. Talk about a loaded week. Big finales, big debuts, and some Star Wars backstory we’ve been waiting years for. And of course, with big issues, come big upticks in pricing. Mostly at DC. They actually had the gall to charge $4.99 for the Tom King Batman finale. Oye.

But next week is largely a throwaway week. (Unless you’re Marvel. Kudos to them.) So I’ll be able to play a little catch up. So next week’s batch will include Family Tree #2, Shazam #9, Star Wars: Empire Ascendant, Batman/Superman #5.

But for now, we’ve got a lot to get to…

TITLE: Star Wars: The Rise of Kylo Ren #1 (of 4)
AUTHOR:
Charles Soule
ARTISTS: Will Sliney. GuruFX (Colors). Travis Lanham (Letterer). Cover by Clayton Crain.
RELEASED:
December 18, 2019

I was ready to be mad at this issue for giving us stuff we should have gotten in one of the movies. As it turns out, this was benign.

In The Last Jedi, Luke says that after burning down the temple, Ben Solo left with some of his other students. Here, we learn that doesn’t quite mean what it sounds like. We also learn who the Knights of Ren are, which is welcome information.

Not the strongest first issue I’ve ever seen. But the intrigue around what happened to Ben Solo is enough to bring us back for more.

TITLE: Doomsday Clock #12
AUTHOR: Geoff Johns
ARTIST: Gary Frank, Brad Anderson (Colorist), Rob Leigh (Letterer).
RELEASED: December 18, 2019

From the beginning, we’ve known this book has been building toward Superman vs. Doctor Manhattan. A symbol of hope against a symbol of cynicism. The implication being that Superman would ultimately get through to Doc, and bring about a change of heart.

We do get a scene like that in this issue. But it’s so brief, and frankly a little contrived, that it was hardly worth the two years of build-up.

That’s right, folks. Doomsday Clock #1 came out in November 2017. It’s taken us more than two years to get here. Really takes the edge off, doesn’t it?

TITLE: Batman #85
AUTHOR: Tom King
ARTISTS: Mikel Janin, Hugo Petrus, Jordie Bellaire (Colorist), Clayton Cowles (Letterer). Cover by Tony Daniel.
RELEASED: December 19, 2019

Here we have yet another big finale that ends not with a bang, but with a whimper.

Tom King is a good writer. I believe that. But for whatever reason, this “City of Bane” story went on way too long, and he ended up overstaying his welcome on Batman. The truly sad part? There’s a good story in here if you rifle through it, and maybe rearrange some pieces.

On the upside? Mikel Janin’s work on Batman has been consistently great. As far as I’m concerned, he’s welcome back in Gotham any time.

TITLE: American Jesus #1
AUTHOR: Mark Millar
ARTISTS: Peter Gross, Jeanne McGee (Colorist), Cory Petit (Letterer). Cover by McGee and Frank Quitely.
RELEASED:
December 18, 2019

A 14-year-old Hispanic girl becomes the modern-day Virgin Mary in a story written by the guy who did books like Kick-Ass and Nemesis? Sure. Sounds harmless enough…

Maybe it’s me, but the art in this book seems a little weird. Like the proportions are just a touch off. It’s minor, just just prominent enough to be noticeable.

There’s a lot of intrigue here, given the sensitive topic and Millar’s penchant for the outlandish. While there’s nothing blasphemous in this issue (at least as far as I can see), I figure it’s just a matter of time.

TITLE: Spider-Man #3 (of 5)
AUTHORS: J.J. Abrams, Henry Abrams
ARTISTS: Sara Pichelli, Elisabetta D’Amico (Inking Assistant), Dave Stewart (Colorist), Joe Caramagna (Letterer). Cover by Olivier Coipel.
RELEASED: December 18, 2019

Tony Stark pops up in this book, and now our story has an Avengers angle to it. That’s disappointing. This is a story about the legacy of Spider-Man, and the strained relationship between a father and son. So why not keep the lens focused on Spidey’s world, and not open things up to the larger Marvel Universe until later? We need to be focusing on Ben right now. Not some wacky take on Tony Stark as an old man.

On the upside, we get further into who Cadaverous is. Good stuff, with Pichelli’s art on point.

TITLE: Suicide Squad #1
AUTHOR: Tom Taylor
ARTISTS:
Bruno Redondo, Adriano Lucas (Colorist), Wes Abbott (Letterer). Cover by Ivan Reis.
RELEASED:
December 18, 2019

While it lacks the impact and sizzle of a Jim-Lee-drawn debut, this issue has some intrigue to it. We’ve got three mainstays in Deadshot, Harley, and King Shark. But we’ve also got a big group of new characters. They kind of look like what Marv Wolfman and George Perez would produce if asked to produce a modern team of superheroes.

Mind you, some of them are dead when we close the issue. But if even one of them sticks for a decent amount of time, that’s an accomplishment.

TITLE: Mighty Morphin Power Rangers #46
AUTHOR: Ryan Parrott
ARTISTS: Daniele Di Nicuolo, Walter Baiamonte (Colorist), Katia Ranalli (Color Assistant), Ed Dukeshire (Letterer). Cover by Jamal Campbell.
RELEASED: December 18, 2019

A few little things I noticed that aren’t out of character per se, but perhaps show how these characters are different in this time period…

– Tommy’s more relaxed demeanor now that they’re seemingly no longer Earth’s last line of defense.

– Kimberly stepping up into more of a leadership role with the three new Rangers.

– Trini’s more sarcastic personality. It’s not how I would write the character, as she’s normally more reserved. But we can chalk it up to her gaining confidence through her experiences as a Power Ranger.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

“The Skywalker Saga”: Can We Please Shut Up About It?

By Rob Siebert
Fanboy Wonder

I was one of the millions that saw the trailer for Ghostbusters: Afterlife yesterday. For the uninitiated, this one is different from the 2016 film, in that it’s actually a sequel to the first two movies. The ones with Bill Murray, Sigourney Weaver, etc. The trailer hits you right in the feels. Especially you’ve got a special place in your heart for this story and these characters.

Another story with a special place in my heart? Star Wars. I’m doing my best to go into The Rise of Skywalker with my expectations tempered. But it’s tough, as they’re trying to pull you into the theater by your heartstrings. The footage of Carrie Fisher. Mark Hamill’s voiceover. Rey and Kylo Ren facing off one last time. C-3PO taking “one last look at my friends.” And the proclamation that, once and for all, “The saga will end”…

Pffft. Yeah, okay.

The movie itself actually looks pretty good. Given J.J. Abrams’ involvement, I think we all have reason to be hopeful. But all this “end of the Skywalker Saga” stuff grates on me.

They don’t mean the end of Star Wars, of course. They mean the end of this nine-part story that’s mainly about the Skywalker family. The tragedy of Darth Vader. Luke and Leia’s rebellion against the Empire. And finally, Leia and Han’s son Ben, and his role in the rise of the First Order. Supposedly, we’ve got other Star Wars movies coming down the pipeline. What they’re about is anybody’s guess.

But let me tell you a little something about this “Skywalker Saga,” a term they’ve only just started using in the promotion of this film.

It’s only the end until the next beginning.

See, the Skywalker Saga has actually already ended. Twice. The first time was way back in 1983, in a little movie called Return of the Jedi. Anakin Skywalker was redeemed by his son Luke, and ultimately died in the process. Also, the Rebel Alliance blew up yet another Death Star, leading to the fall of the Empire. Sure feels like an ending to me. Pretty cut and dry.

Only then, they decided to make the prequels. And in 2005, Revenge of the Sith closed the loop between Episode I and Episode XI. We now had six movies chronicling the rise and fall of Darth Vader. Honest to God, if I had a nickel for every ad I saw that said, “The circle is now complete.” But in any event, George Lucas’ magnum opus in space was finally finished!

Until he sold it to Disney in 2012, and they said, “But wait! There’s more!” Three movies later, and we’re at another ending.

Look, I love Star Wars, warts and all. So I’ve got no issue calling this “Skywalker Saga” out for what it is: A sleazy marketing gimmick.

Some die-hards will tell you about George Lucas giving Time a quote about there being plans for nine Star Wars movies. Three trilogies, Luke and the gang coming back in the third one, etc. He said that in 1978, two decades before he decided Star Wars was a six-film saga, and the prequels would be the last Star Wars movies. In a 2005 interview with 60 minutes, he said point blank, “There is no Episode VII.”

Until there was. As the story goes, Lucas was working on another three Star Wars movies before he opted to sell to Disney.

Don’t get me wrong. I’m happy the sequel trilogy was made, and I’m grateful Star Wars can continue on in the hands of other filmmakers. (Specifically ones that can write actual human dialogue.) But let’s not kid ourselves, folks. Call him brilliant, call him a visionary, call him a genius, call him whatever you want. But George Lucas was making it up as he went along. Just like Disney is making it up as they go along. That’s not even a bad thing, per se. I believe George had vague ideas about what might happen in a sequel trilogy. But there was no grand plan. No nine-film blueprint.

Which means, if these “non-Skywalker” films don’t work out, Disney can once again say, “But wait! There’s more!” Kylo Ren banged some chick on a Star Destroyer, and has a kid he never knew about! Ladies and gentlemen, I give you…Damian Skywalker! (Or would it be Damian Solo?) Learn all about him in Episodes X, XI, and XII!

Hey Disney? We love ya. But most of us have been through this before. We understand Star Wars movies come three to a pack. You don’t have to beat us over the head with this Skywalker Saga stuff. You’re being pretty presumptuous about the whole thing. Star Wars doesn’t need to be chained to this one messed up family that chops each other’s limbs off. But if somebody has a good idea for a next-gen “Skywalker” story down the line, why not go for it? Why write yourself into a corner?

Back on the subject of magazine interviews, Esquire recently asked Billy Dee Williams about the possibility of playing Lando Calrissian again someday. Williams replied…

[The Rise of Skywalker] is a conclusion —certainly it depends on how much money is generated. That’s when they determine where’s the conclusion. … The one thing about show business, you can resurrect anything.”

You can resurrect anything. Even a war against a space dictatorship that spans entire galaxies, and has a bunch of people in robes hitting each other with laser swords.

Smart man, that Billy Dee.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: TMNT, Star Wars, Batman Annual

*”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Nothing too in-depth here. Just straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Teenage Mutant Ninja Turtles #99
AUTHORS:
Kevin Eastman, Bobby Curnow, Tom Waltz
ARTISTS:
Dave Wachter, Ronda Pattison (Colorist),
RELEASED:
 October 30, 2019

This damn thing cost $7.99. I’ve been following this main TMNT series since the beginning. But damn. That hurts.

But devil’s advocate: They jam a lot in here. Dozens of heroes and villains battle, with the fate of New York City at stake. Not to mention the lives of various mutants, and even children.

It all culminates in…well, I can’t say I knew for sure they were going in this direction. But after issue #50, I had a pretty good feeling a certain character would be on his way back by now.

TITLE: Star Wars: Allegiance #4
AUTHOR: Ethan Sacks
ARTISTS: Luke Ross, Lee Loughrige (Colorist), Clayton Cowles (Letterer). Cover by Marco Checchetto.
RELEASED: October 30, 2019

Again, no Kylo Ren in this issue. Not even a closing shot of him in the last few pages. Lame. Sauce.

On the way to The Rise of Skywalker, Allegiance basically tells us two things: What the Resistance has been doing since the Battle of Crait, and how they obtained some of the resources they’ll undoubtedly have in the movie. It’s not the most fun Star Wars book you’ll ever read, and I doubt it’ll hold up to repeat readings. But as a little appetizer for the release of Episode IX, it works fine.

TITLE: Batman Annual #4
AUTHOR: Tom King
ARTISTS: Jorge Fornes, Mike Norton, Dave Stewart (Colorist), Clayton Cowles (Letterer)
RELEASED: October 30, 2019

This issue quick-fires a bunch of mini-stories at us, narrated via Alfred’s journal. “Everyday” moves day by day from April 7 to April 24.

I’d like to think these are a bunch of cooky ideas Tom King had while brainstorming for his Batman run, but couldn’t squeeze in. Based on what we’ve seen, some of these ideas really feel like his. Batman fights a dragon, takes on an MMA fighter for charity, solves a whodunnit, etc.

Mike Norton tags in for Jorge Fornes for several pages. So we got from a David Mazzuchelli, Year One-ish look to something more akin to Michael Lark.

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