Tag Archives: Spyral

A Batman & Robin: Eternal #1 Review – The Burden of (Low) Expectations

Batman & Robin Eternal #1TITLE: Batman & Robin Eternal #1
AUTHORS: James Tynion IV, Scott Snyder
PENCILLER: Tony Daniel
PUBLISHER: DC Comics
PRICE: $3.99
RELEASED: October 7, 2015

***Readers might want to check out Grayson #12, as it sets this issue up quite nicely.***

By Rob Siebert
Editor, Fanboy Wonder

I’m going on record right now: If this book gets as tedious and stupid as Batman Eternal did, I’m out. For some ridiculous reason, I paid $156 for every issue of that series. And like every weekly series DC has put out that isn’t 52, it was a big waste of time and money. So if Batman & Robin Eternal goes off the rails, I won’t be sticking around to watch the awful blaze.

However, Batman & Robin Eternal may be better equipped for success. It’s only 26 issues, which means the creators hopefully won’t have to use as much fluff and filler as they did for its predecessor. Plus, a series with a cast of former Robins is an intriguing idea. The Robin legacy as a whole has been left so ambiguous in the New-52verse that spending some quality time with it would likely do it some good. This series will hopefully supply us with the sense of history we’ve sorely missed.

As an added bonus: This issue introduces Cassandra Cain into the New 52 continuity.

Cassandra Cain, Tony Daniel, Batman & Robin Eternal #1Playing off the events of Grayson #12, the rest of Dick’s surrogate family now knows he’s alive. This issue sees our favorite sexy super-spy help Red Hood and Red Robin catch a bad guy before returning to a familiar location on Spyral business. Then Dick is attacked by a group of well-dressed children with guns, as well as his Spyral partner, followed by a mysterious and lethal martial artist he doesn’t know. His assailant gives him a flash drive that leads him into a mystery in Batman’s past. Via recorded hologram, Bruce calls it his “greatest sin” and his “deepest regret.” The issue ends with a disturbing image which hints at what our mysterious villain, Mother, may be capable of.

Perhaps I’m reading into something that isn’t there, but this issue seems to hint that Dick, Jason, Tim, and others working with Batman was somehow preordained. As if somehow it was all part of a master plan connected to Mother. If that is what they’re going for, then I might as well tag out now. The notion that there was some sort of grand “Robin plan” in place, and that Dick and the others aren’t simply companions Bruce met during his journey, takes so much of the fun away from the Robin concept. The same goes for Batgirl. Bluebird, or whoever else Batman has taken under his proverbial wing. Can we please not make Robin into yet another stupid prophecy character?

Batman & Robin Eternal #1, Tony DanielApparently this series will also present us with the next chapter in Harper Row’s story. In this issue we see she’s capable of manipulating Jim Gordon’s Batman suit. A rivalry between those two could be interesting. But it’s more likely we’ll see why she’s “the key to everything they cannot know. And that is why you must die.” Uh oh, that’s nothing to sneeze at. Batman’s partners have a pretty bad mortality rate, even though they do all come back to life.

I’ve had a love/hate relationship with Tony Daniel and colorist Sandu Florea’s art since the New 52 began, but what we see here is mostly satisfactory. I imagine the scene between Dick, Jason, and Tim taking place in the glow of a big red light wasn’t an accident. The motorcycle chase scene with Dick, leading into the fight with Cassandra was very nicely done. We also have an assassin character called The Orphan who has a cool reveal.

Sadly, Daniel is already passing the artistic baton. For upcoming issues, the reigns will be passed between Paul Pelletier, Scot Eaton, Fernando Pasarin, among others. I suppose the best we can hope for are smooth transitions between the various pencillers.

I don’t have high hopes for Batman & Robin Eternal. But in truth, I’d almost be willing to endure another crappy weekly series if they worked in new costumes for the Red Hood and Red Robin. Take the Bat-Symbol off Jason’s chest, and just start from scratch on Tim’s costume. That thing’s been an eye sore since day one.

Image 1 from ign.com. Image 2 from flickeringmyth.com.

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A Grayson #12 Review – A Hero’s Homecoming

Grayson #12 (2015)TITLE: Grayson #12
AUTHORS: Tim Seeley, Tom King
PENCILLER: Mikel Janin
PUBLISHER: DC Comics
PRICE: $3.99
RELEASED: September 23, 2015

***Unfamiliar with Grayson? Check out our review of the very first issue!***

By Rob Siebert
Editor, Fanboy Wonder

Full disclosure: I’ve been absent for the past few issues of Grayson. That’s not to say the series has necessarily taken a downturn. But lately, the arrival of certain other books (Secret Wars, We Are Robin, Black Canary), pushed it down the priority list.

This issue, however, merited a look. After deceiving the world into thinking Dick Grayson/Nightwing died during the events of Forever Evil, Dick returns to Gotham City to come clean to his surrogate family. This includes the amnesiac Bruce Wayne, who as Batman, was the one who sent Dick to infiltrate Spyral in the first place. And speaking of Spyral, they’re not going to let Agent 37 leave without a fight.

Grayson #12, Mikel Janin, Bruce WayneSeeley, King, and Janin use a unique device in this issue. Each time Dick reunites with someone, we get a splash page with a black background and various pieces of actual dialogue from the 75-year history of Batman’s world. Naturally, they correspond with Dick’s relation to that character. This not only gives the reader a very real sense of what the dynamic was between Dick and the character in question, but it’s a fitting substitute for the repeated and redundant “You’re alive!” moments we might have seen under a different creative team. It’s also extremely cool that actual dialogue is used. These quotes can actually be traced back to specific issues. You certainly can’t say effort wasn’t made in terms of research.

The device works best with Bruce, who due to events in Batman, has no memories of his time in the costume. The original Dynamic Duo look like a distant memory here, which is fairly sad. But the Grayson team makes good use of its time in the Snyder/Capullo sandbox, particularly when Dick has to protect his former partner, using the very skills Bruce taught him years ago!

The reunion between Dick and Damian is the only one that bucks the “You’re alive!” moment pattern. Apparently, Dick had no idea Damian had been resurrected. From an in-story perspective, that’s really weird. Dick knew Bruce was trying to bring Damian back. He even made a brief appearance in the Robin Rises story. How could he not have known? Is Dick feigning surprise for some reason?

Birds of Prey #8, 1999, Greg Land, Nightwing, OracleWith the splash page/quotes device, this issue harkens back to the pre-New 52 continuity in a way that still maintains a certain fluidity. But surprisingly, Seeley and King harken back to something very specific in the reunion between Dick and Barbara: The trapeze scene from 1999’s Birds of Prey #8. Written by the great Chuck Dixon and drawn by Greg Land, the issue saw Dick take Barbara on a date of sorts to Haly’s Circus. In an empty tent, Dick and the partially paralyzed Barbara go swinging on a trapeze, in a sequence that culminates with a kiss. To my knowledge, this is the first time this event has been mentioned in the New 52 continuity, and it’s really cool to see them show this moment such reverence.

On the flip side of the memories coin, this issue has plenty of flashback images featuring “Red Nightwing,” a.k.a. Nightwing in the red and black suit. If we’re using quotes and plot points from the pre-New 52 continuity, can we at least acknowledge that Nightwing wore a black and blue suit at one point? Yes, I understand it’s probably an editorial mandate. But still, you’re killin’ me…

The conclusion to this issue does the Dick Grayson character a lot of justice. While Bruce Wayne is a natural loner, Dick is a people person, and is more than comfortable as part of a team. In Grayson #12 we see that is a strength, not a weakness. Not only did Seeley and King nail the character, they showed us that with Bruce on the sidelines, Dick Grayson may in fact be the glue that holds the Bat-Family together.

Image 1 from craveonline.com. Image 2 from comicbookresources.com.

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A Grayson #1 Review – “Dick” Jokes, Guns, and The Midnighter

Grayson #1 (2014)TITLE: Grayson #1
AUTHOR: Tim Seeley, Tom King
PENCILLER: Mikel Janin. Cover by Andrew Robinson.
PUBLISHER: DC Comics
PRICE: $2.99
RELEASED: July 9, 2014

By Rob Siebert
Editor, Fanboy Wonder

Though this issue just hit the stands this week, Grayson has, for my money, had problems for months…

First and foremost, the series tag line: “You think you know Nightwing…You don’t know Dick.” That’s literally the worst promotional line I’ve ever read for anything, ever. His name is Dick. Dick is also a phallic euphemism. So let’s go ahead and use the same stupid, third grade quality pun we heard in that timeless cinematic classic, Batman and Robin. That’ll hook the fans! To me, that line borders on disrespecting the Dick Grayson character, who by the way, is one of the founding heroes of the DC Universe. Having made his debut in 1939, he predates Wonder Woman, Green Lantern, and most of the other pillars of the company’s mythos. “You don’t know Dick.” What a joke.

Grayson #1, Robin, NIghtwingSecondly, while putting Dick Grayson in this super spy role does indeed have some interesting storytelling potential, exactly how much desire was there from a fan’s perspective to have him removed from the Nightwing role? Nightwing possesses that oh-so-important cool factor that many of DC’s heroes are (arguably) lacking. At the tail end of his career as Robin, he stood up to Batman and opted to become his own man, with his own set of principles. That being said, he still loved Bruce like a father, and would chip in and help when he needed to. Then in the ’90s he got that awesome black costume with the blue “V” stripe, he got his own city to protect, his own series, and he was off to the races. He also had plenty of sex appeal for female readers. Dick was a ripped, athletic superhero with a dark and tragic origin who you could also take home to mom. Mind you, some of his appeal has been watered down since the New 52 reboot. But it was still a fact: Nightwing rules. Yes, this spy stuff has potential. But why fix what isn’t broken?

Thirdly, the cover. Dick Grayson with a gun. No. BIG no. Granted, Tim Seeley has said they’re going to dive into the issue of Dick having to use a gun on the job, which is fine. But still, no. There were plenty of other directions they could have gone in. And even if they had to use the gun, this cover still sucks. I like the use of color, but what does Dick’s face say? Nothing. It’s essentially a blank expression. His body also looks too slim and lanky for my taste. Oddly enough, somewhere along the line his hair got changed. In the original solicitation (shown left), his hair was short, and bit more militaristic looking. Now it’s longer, and more reminiscent of his Nightwing look. I’ll give them this much: That was a positive change.

Grayson #1, rescueAnd so, with all that working against it, we open Grayson #1 and find something that’s really not so bad.

After the events of Forever Evil, Dick Grayson/Nightwing is thought to be dead. In reality, he’s been dispatched by Batman to be a mole in the top secret espionage organization known as Spyral (see Batman Incorporated). Now, guided by the mysterious Mr. Minos, Grayson and his new partner Helena Bertinelli must save the life of a Russian man carrying a bioweapon inside his body. And in this first issue, Dick crosses paths with none other than The Midnighter of The Authority fame.

Our first page is somewhat akin to what we saw when we opened All Star Superman #1. Four panels, each with sentence fragments to fill us in on Dick’s backstory. It’s not nearly as epic as it could have been, because we’re stuck with the crappy New 52 Robin and Nightwing costumes. But Seeley and Janin got most of the exposition out of the way early, so I give them credit for that.

Grayson #1, MidnighterDick starts out the issue in a blonde wig, which is pretty damn surreal. But once he takes it off and the action kicks in, it becomes apparent that this is in fact the Dick Grayson we know and love. As a longtime Nightwing fan, that was a big relief. Seeley and King have changed the character’s M.O., but they’ve kept his personality intact. What’s more, Seeley writes a better Dick Grayson than I’ve seen in awhile. Maybe the best since the New 52 began.

The Midnighter’s appearance in this issue came as a surprise, though not an unwelcome one. It serves as an interesting reminder that there are other black ops heroes out there whose interests could collide with Spyral’s (Checkmate also gets name-dropped in this issue). The motion effects do a lot to accentuate the fight, and add a certain flow to the proceedings. There’s also some pretty good dialouge in there…

Midnighter: “Disciplined, but not averse to improvisation. You fight like jazz.”

Dick: “…you talk an awful lot for the grim and gritty type.

We also get a little more time with the New 52 incarnation of Helena Bertinelli (not to be confused with Huntress, who is from Earth-2). Now an African American agent of Spyral, she’s apparently attracted to her new partner. But Dick isn’t keen to let her get too close, as he’s a mole in the Spyral organization. That’s obviously an interesting dynamic, and of course, plays up Dick’s status as the company’s resident male sex symbol. So the pieces are in place for some interesting storytelling there.

In the end, Grayson #1 is flawed. But it’s not nearly as flawed as it could have been. Tim Seeley, Tom King, Mikel Janin, and everybody involved with this series has turned it into a potential hot commodity. But let’s make sure we underscore potential. It’s only one issue, folks. There are a lot of places we can go from here.

Images 1 and 2 from newsarama.com. Image 3 from dreamwidth.org.

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