A Miles Morales: Spider-Man #3 Micro-Review – The Spider-Man of Milwaukee?

**This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

Miles Morales Spider-Man 3, cover, February 2023, Dike Ruan, Alejandro SanchezTITLE: Miles Morales: Spider-Man #3
AUTHOR: Cody Ziglar
ARTISTS:
Federico Vicentini, Bryan Valenza (Colorist), Cory Petit (Letterer). Cover by Dike Ruan & Alejandro Sanchez.
RELEASED: 
February 1, 2023

By Rob Siebert
Fanboy Wonder

This issue goes by pretty fast. But it does give us a backstory for our villain, who we see on the cover. It’s a pretty good one, too. One that, in hindsight, I’m surprised wasn’t thought of sooner.

A thought has stuck with me through these last three issues: Does New York City really need two Spider-Men? Couldn’t Miles have branched out to another city? Like say, Milwaukee? (Which happens to be the closest major city to me.) I mean, Milwaukee could be ripe with supervillains! All dying for a chance to steal that statue of the Fonz

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Toy Chest Theater: Miles Morales Takes Flight!

By Rob Siebert
Fanboy Wonder

I adore this shot from Boris Lechaftois. It’s a perfect mid-action shot of Miles Morales leaping out the window and into action as Spider-Man. It’s very cinematic in nature, in that we can practically see Miles sailing through the air and then dropping out of view. Beautiful work!

Spider-Man, Miles Moreles, Toy Chest Theater, Boris Lechaftois

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Alex Ross Spotlight: Spider-Man and The Electric Company

By Rob Siebert
Fanboy Wonder

It all started with Spider-Man.

Alex Ross has that in common with a lot of comic book fans, who were drawn to Spidey as their first superhero. But for Ross, it wasn’t a comic book or a cartoon or a movie that introduced him to the character. It was The Electric Company, a PBS show meant to teach children about reading, that opened the door to Spider-Man, and by extension a lifetime love of comic books and superheroes.

“Spider-Man was the opening door,” Ross said in Marvelocity: The Marvel Comics Art of Alex Ross. “That was the first time I had seen him – or anyone had – in three dimensions, and in action. It was weird and stilted, but it was thrilling: There he was, the costume was vibrant, he was alive! I hadn’t seen the comics yet, but soon did, and that led to all the other characters: Cap and the rest of the Avengers, the Green Goblin, the Invaders. It was amazing to me.”

Ross would later elaborate on the importance of Spider-Man in his love of superheroes via a YouTube video

“If I had seen Superman or Batman or anybody else before then, I can’t recall it … But I was just knocked out. I thought he was the coolest thing I’d ever seen. And I wanted to dress up like him and I wanted to draw him. … Once I saw Spider-Man at the age of four my interest turned really sharply in that direction. And so for the remainder of my life I was drawing characters focusing around superhero themes.”

The Spider-Man costume in particular would impact Ross, and his perception of superheroes at large.

“It was just transformative – that completely covered body, no trace of exposed flesh, was the most exciting thing I’d ever seen,” he said in Marvelocity. “Spider-Man was the design for me, by which all others would be measured.”

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Epic Covers: Spider-Man: The Lost Hunt #2 by Ryan Brown

By Rob Siebert
Fanboy Wonder

True story: My father-in-law is a hunter and has a bunch of deer skulls mounted on his office wall. So this cover to Spider-Man: The Lost Hunt #2 by Ryan Brown hit close to home in that respect.

Skulls and skeletons are a near-universal symbol for death. So they’re usually a pretty safe bet in terms of grabbing attention. I like the added touch of the torn Spider-Man mask. Because let’s face it: If you’d killed Spider-Man and were mounting his head on your wall, you’d want the mask too.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A Miles Morales: Spider-Man #1 Micro-Review – The Honey Punch?!?

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

TITLE: Miles Morales: Spider-Man #1
AUTHOR: Cody Ziglar
ARTISTS: 
Federico Vicentini, Bryan Valenza (Colorist), Cory Petit (Letterer). Cover by Dike Ruan & Alejandro Sanchez.

RELEASED: December 7, 2022

By Rob Siebert
Fanboy Wonder

There’s a bee-themed villain in this issue called Bumbler, and he hits Miles with a move he calls the “Honey Punch.” I really shouldn’t have laughed as hard as I did…

I consider myself more of a casual Marvel fan. And by casual Marvel fan standards, I probably couldn’t have asked for much more from Miles Morales: Spider-Man #1. The art in particular is very strong. It’s got an edgy quality to it that compliments a street-level Spider-Man very well.

This is a solid jumping-on point for new readers, as any good first issue should be.

Email Rob at PrimaryIgnition@yahoo.com, or check us out on Twitter.

Toy Chest Theater: Spidey and the Symbiote by Alan Parma

By Rob Siebert
Fanboy Wonder

Spider-Man returns to “Toy Chest Theater” this week courtesy of Alan Parma, who does something with this image that I’ve never seen. He uses hot glue for the symbiote goo that gives Spidey his classic black costume, and ultimately turns Eddie Brock into Venom. The texture of the glue actually looks believable as an alien substance.

What’s more, he went through the hassle of removing the glue from the figure. Nobody ever said thinking outside the box was easy…

Spider-Man, symbiote, Alan Parma

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

The Amazing Spider-Man #14 Micro-Review – Swinging Out (For Now…)

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

The Amazing Spider-Man 14, cover, November 2022, John Romita Jr., Scott Hanna, Zeb WellsTITLE: The Amazing Spider-Man #14
AUTHOR: Zeb Wells
ARTISTS:
Various. Cover by John Romita Jr., Scott Hanna, & Marcio Menyz.

RELEASED: November 23, 2022

By Rob Siebert
Fanboy Wonder

Good news first: This issue is a potpourri of great art from names like Terry Dodson, Ryan Stegman, Michael Dowling, Kyle Hotz, and more. Truly a joy to look at…

That being said, this issue proved to be a jumping-off point for me. I have little to no interest in the Dark Web crossover stuff, and this issue did very little to pique my interest. That’s always the risk you run with crossover storylines. I’ll probably be back once the book is doing its own thing again.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

The Amazing Spider-Man #13 Micro-Review – Spidey’s Helmet

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

The Amazing Spider-Man 13, cover, 2022, John Romita Jr, Scott Hanna, Marcio MenyzTITLE: The Amazing Spider-Man #13
AUTHOR: Zeb Wells
ARTISTS:
John Romita Jr., Scott Hanna (Inker), Marcio Menyz (Colorist), Joe Caramagna (Letterer)

RELEASED: November 9, 2022

By Rob Siebert
Fanboy Wonder

The high quality, high octane glider battle between Spider-Man and the Hobgoblin(s) continues in this issue. I was surprised to learn along the way that the headpiece on this version of Spidey’s suit is a helmet. It seems obvious in hindsight, especially when you look at how it appears on the cover to this issue. But somehow I missed it…

Does this issue mark the beginning of the end for Norman Osborn’s attempt to be a good guy? I hope not. I’ve actually come to enjoy this little ride we’re on with him.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

The Amazing Spider-Man #12 Micro-Review – Sympathy For the Devil

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

The Amazing Spider-Man 12, cover, 2022, Hobgoblin, John Romita Jr.TITLE: The Amazing Spider-Man #12
AUTHOR: Zeb Wells
ARTISTS:
John Romita Jr., Scott Hanna (Inker), Marcio Menyz (Colorist), Joe Caramagna (Letterer)

RELEASED: October 26, 2022

By Rob Siebert
Fanboy Wonder

I love the idea of a glider fight between Spidey and Hobgoblin. To this issue’s credit, it really delivers on that idea.

So it’s been 12 issues now, and we have yet to really follow up on the revelation from issue #1 about Mary Jane’s family. Is that a let-down? Or is it simply long-term storytelling? Maybe both?

Norman Osborn seems to get more and more sympathetic with each issue. Zeb Wells deserves a lot of credit for that. It’s not easy to have sympathy for the devil. Even when he’s not acting like the devil…

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

The Amazing Spider-Man #11 Micro-Review – Instant Heat

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

The Amazing Spider-Man 11, cover, 2022, John Romita Jr, Scott Hanna, Marcio MenyzTITLE: The Amazing Spider-Man #11
AUTHOR: Zeb Wells
ARTISTS:
John Romita Jr., Scott Hanna (Inker), Marcio Menyz (Colorist), Joe Caramagna (Letterer)

RELEASED: October 12, 2022

By Rob Siebert
Fanboy Wonder

As relatively new parent, scenes where bad guys kidnap or generally mess with little children hit different now. So Hobgoblin got instant heat with me early in this issue.

I’ve been a critic of John Romita Jr’s in the past. But I will say this: He draws a really good Hobgoblin. He gives a great texture to the character’s costume.

Zeb Wells is doing a good job making Norman Osborn sympathetic, like someone who’s trying to genuinely redeem himself. Thus, it’ll be all the more heart-wrenching when he inevitably goes back to the dark side.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.