***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***
By Rob Siebert
This pandemic is really throwing a monkey wrench into my reading habits.
My local comic shop is still working on getting me issues from March 25. I’ve stayed away from digital editions, as I want to support local shops as much as possible. Ergo, I’ve been waiting two weeks for certain issues. But sooner than later, the most recent editions of Action Comics, Batman/Superman, TMNT, and others will be reviewed here.
The only new issue I purchased this week was a digital exclusive. And how could I resist? It’s the return of the DC Animated Universe!
This is exactly what it was supposed to be: A return to the old form, i.e. the comics of yesteryear that were based on the Bruce Timm animated shows. Heck, they even threw in a title card, a la Batman: The Animated Series.
A lot is thrown at us here. Bane. A giant robot attacking S.T.A.R. Labs. Lex Luthor and a mystery regarding Superman’s whereabouts. But what I took away from issue #1 is that they’re going that route. A route paved by Judd Winick about 15 years ago…
I got a little lost on this one.
I came away from last issue thinking about our main character, or at least one of them, Valance. Obviously I remembered Boba Fett and Bossk were there. But I struggled to remember the significance of T’onga, why different characters were going certain places, and when certain events took place. A quick re-read of issue #1 set me straight. But obviously that’s not something you want readers to have to do. Then again, maybe it’s just me.
This issue unexpectedly hit me in the feels. I talked a bit about the Henrietta character last time. She’s very likable, but as a love interest, she’s all in with Denny very quickly. Not in the creepy way, either. It’s more like they just click.
It made me reminisce about the people I’ve clicked with like that. And not just in a romantic way. There’s a magic in that feeling that’s really great. So I Can Sell You A Body gained some surprising sentimental points from me with this one.
If you’ve seen the trailer for Ghostbusters: Afterlife (as you should have), you know it’s probably not an accident they saved Egon for last.
The absolutely brilliant part of this issue? Part of it is plotted based on a line Casey Kasem had in the original film. When it comes to writing Ghostbusters, Erik Burnham is a damn genius.
Along those same lines, I love the way Burnham has the other characters describe Peter Venkman’s personality. Mostly because he then proceeds to prove them right.
TITLE: X-Men/Fantastic Four #3 (of 4)
AUTHOR: Chip Zdarsky
ARTISTS: Terry Dodson, Rachel Dodson & Ransom Getty (Inkers), Andrew Crossley & Peter Pantazis (Colorists), Joe Caramagna (Letterer).
RELEASED: March 25, 2020
Superheroes fighting. The older I get, the less I enjoy it. Maybe it’s all the division we see in the world today. But I didn’t get a huge kick out of seeing the X-Men and the Fantastic Four fighting.
On the upside, the art is gorgeous and the colors vibrant and fun. I remain somewhat surprised at how political this book is, i.e. relations between Latveria and Krakoa. But at it’s core, it’s really the relationship between Reed Richards and his son Franklin, and how the latter’s choices will ultimately effect the world.
Captain Boomerang returns in this issue. One way or another, the band always gets back together.
Taylor still has me entertained with this more espionage-centered direction. We also learn much more about our new characters, and what exactly their agenda is.
Deadshot also has a great character moment in this issue. Or rather, Floyd Lawton does. He becomes very sympathetic, and you’re that much more invested.
This’ll definitely fill your teen angst quota for the week.
Despite being about three high schoolers finding an alien that gives them telepathic powers, what these characters are feeling is very real. In this issue, there’s lot of longing to be seen, noticed, or at least acknowledged. I think every teenager can relate to that at some point in their lives.
Chris Wildgoose has a hell of an issue. There’s a two-page spread that’s just gorgeous. He also gets to flex some otherworldly character design muscles. They come out looking pretty awesome.