Weekly Comic 100s: Three Jokers, Marvels X, Spider-Man, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Three Jokers #2
AUTHOR: Geoff Johns
ARTISTS: Jason Fabok, Brad Anderson (Colorist), Rob Leigh (Letterer)
RELEASED: September 29, 2020

Three Jokers is much more about Jason Todd than I imagined it would be. That’s not a bad thing.

This issue contains a romantic moment between Jason and Barbara Gordon. That is a bad thing.

Johns tries to tie the events of this story back to the murder of Thomas and Martha Wayne, which I find forced. I’d much rather spend those pages exploring the fact that there are, y’know, three Jokers!

Still, Jason Fabok and Brad Anderson present us with one of the most beautiful Batman books we’ve seen in a long time.

TITLE: Marvels X #5
AUTHOR: Alex Ross (Story), Jim Krueger (Script)
ARTISTS: Well-Bee, Cory Petit (Letterer). Cover by Ross.
RELEASED: September 30, 2020

There’s a page in here that’s particularly poignant, given the times we’re living in today. Our main character is talking to the Falcon about Captain America.

Falcon says it’s hard to be Cap’s friend at the moment, given all the anger in the country. As a hero, he has to worry about controlling his fellow citizens, as opposed to protecting them.

“It’s not a democracy anymore. It’s not about different voices. It’s about one voice. An angry, frightened one.”

Powerful stuff.

TITLE: Wonder Woman #763
AUTHOR: Mariko Tamaki
ARTISTS: Carlo Barberi, Matt Santorelli (Inker), Alejandro Sanchez (Colorist), Pat Brosseau (Letterer). Cover by David Marquez & Sanchez.
RELEASED: September 29, 2020

First and foremost, Liar Liar is a really stupid name for a villain. Better that she just go by Emma Lord.

Indeed, we found out last issue that Maxwell Lord has a daughter. I can’t say I saw that coming.

Carlo Barberi’s art is growing on me. He turns in some really dynamic and attractive work here. But I still can’t help but miss Mikel Janin, who’s not an easy act to follow for anybody.

This Diana partnership is growing on me too. Enough to get me to start picking up Wonder Woman again.

TITLE: Spider-Man #4
AUTHORS: J.J. Abrams, Henry Abrams
ARTISTS: Sara Pichelli, Elisabetta D’Amico (Inking Assistant), Dave Stewart (Colorist), Joe Caramagna (Letterer). Cover by Olivier Coipel.
RELEASED: September 23, 2020

On the whole, I’m liking this book. Especially the “sketchy” looking art, which is different than a lot of what Sara Pichelli has put out over the years. I really only have one major issue: Tony Stark.

Iron Man pulls focus. It’s a rule that’s osmosed into the comics from the movies. Thus, Tony’s presence in this story, even as a supporting character, takes some much-needed emphasis off this new Ben Parker character. We’ve only got one issue left in this mini. All the more reason to keep this a Spider-Man story.

TITLE: Suicide Squad #9
AUTHOR: Tom Taylor
ARTISTS: Bruno Redondo, Adriano Lucas (Colorist), Wes Abbott (Letterer). Variant cover by Travis Moore & Alejandro Sanchez.
RELEASED: September 22, 2020

We get a guest appearance from Superman in this issue, and I’ve gotta say, Redondo draws a hell of a Man of Steel.

The decision to make Ted Kord a villain in this series is an interesting one. He’s not a character that long-time readers would be inclined to hate, or even dislike.

It feels like Taylor wanted to do more in this series with Deadshot and his daughter. Here’s hoping he gets another chance somewhere down the line

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Kylo Ren, Doomsday Clock, Batman Finale

By Rob Siebert
Fanboy Wonder

Yeesh. Talk about a loaded week. Big finales, big debuts, and some Star Wars backstory we’ve been waiting years for. And of course, with big issues, come big upticks in pricing. Mostly at DC. They actually had the gall to charge $4.99 for the Tom King Batman finale. Oye.

But next week is largely a throwaway week. (Unless you’re Marvel. Kudos to them.) So I’ll be able to play a little catch up. So next week’s batch will include Family Tree #2, Shazam #9, Star Wars: Empire Ascendant, Batman/Superman #5.

But for now, we’ve got a lot to get to…

TITLE: Star Wars: The Rise of Kylo Ren #1 (of 4)
AUTHOR:
Charles Soule
ARTISTS: Will Sliney. GuruFX (Colors). Travis Lanham (Letterer). Cover by Clayton Crain.
RELEASED:
December 18, 2019

I was ready to be mad at this issue for giving us stuff we should have gotten in one of the movies. As it turns out, this was benign.

In The Last Jedi, Luke says that after burning down the temple, Ben Solo left with some of his other students. Here, we learn that doesn’t quite mean what it sounds like. We also learn who the Knights of Ren are, which is welcome information.

Not the strongest first issue I’ve ever seen. But the intrigue around what happened to Ben Solo is enough to bring us back for more.

TITLE: Doomsday Clock #12
AUTHOR: Geoff Johns
ARTIST: Gary Frank, Brad Anderson (Colorist), Rob Leigh (Letterer).
RELEASED: December 18, 2019

From the beginning, we’ve known this book has been building toward Superman vs. Doctor Manhattan. A symbol of hope against a symbol of cynicism. The implication being that Superman would ultimately get through to Doc, and bring about a change of heart.

We do get a scene like that in this issue. But it’s so brief, and frankly a little contrived, that it was hardly worth the two years of build-up.

That’s right, folks. Doomsday Clock #1 came out in November 2017. It’s taken us more than two years to get here. Really takes the edge off, doesn’t it?

TITLE: Batman #85
AUTHOR: Tom King
ARTISTS: Mikel Janin, Hugo Petrus, Jordie Bellaire (Colorist), Clayton Cowles (Letterer). Cover by Tony Daniel.
RELEASED: December 19, 2019

Here we have yet another big finale that ends not with a bang, but with a whimper.

Tom King is a good writer. I believe that. But for whatever reason, this “City of Bane” story went on way too long, and he ended up overstaying his welcome on Batman. The truly sad part? There’s a good story in here if you rifle through it, and maybe rearrange some pieces.

On the upside? Mikel Janin’s work on Batman has been consistently great. As far as I’m concerned, he’s welcome back in Gotham any time.

TITLE: American Jesus #1
AUTHOR: Mark Millar
ARTISTS: Peter Gross, Jeanne McGee (Colorist), Cory Petit (Letterer). Cover by McGee and Frank Quitely.
RELEASED:
December 18, 2019

A 14-year-old Hispanic girl becomes the modern-day Virgin Mary in a story written by the guy who did books like Kick-Ass and Nemesis? Sure. Sounds harmless enough…

Maybe it’s me, but the art in this book seems a little weird. Like the proportions are just a touch off. It’s minor, just just prominent enough to be noticeable.

There’s a lot of intrigue here, given the sensitive topic and Millar’s penchant for the outlandish. While there’s nothing blasphemous in this issue (at least as far as I can see), I figure it’s just a matter of time.

TITLE: Spider-Man #3 (of 5)
AUTHORS: J.J. Abrams, Henry Abrams
ARTISTS: Sara Pichelli, Elisabetta D’Amico (Inking Assistant), Dave Stewart (Colorist), Joe Caramagna (Letterer). Cover by Olivier Coipel.
RELEASED: December 18, 2019

Tony Stark pops up in this book, and now our story has an Avengers angle to it. That’s disappointing. This is a story about the legacy of Spider-Man, and the strained relationship between a father and son. So why not keep the lens focused on Spidey’s world, and not open things up to the larger Marvel Universe until later? We need to be focusing on Ben right now. Not some wacky take on Tony Stark as an old man.

On the upside, we get further into who Cadaverous is. Good stuff, with Pichelli’s art on point.

TITLE: Suicide Squad #1
AUTHOR: Tom Taylor
ARTISTS:
Bruno Redondo, Adriano Lucas (Colorist), Wes Abbott (Letterer). Cover by Ivan Reis.
RELEASED:
December 18, 2019

While it lacks the impact and sizzle of a Jim-Lee-drawn debut, this issue has some intrigue to it. We’ve got three mainstays in Deadshot, Harley, and King Shark. But we’ve also got a big group of new characters. They kind of look like what Marv Wolfman and George Perez would produce if asked to produce a modern team of superheroes.

Mind you, some of them are dead when we close the issue. But if even one of them sticks for a decent amount of time, that’s an accomplishment.

TITLE: Mighty Morphin Power Rangers #46
AUTHOR: Ryan Parrott
ARTISTS: Daniele Di Nicuolo, Walter Baiamonte (Colorist), Katia Ranalli (Color Assistant), Ed Dukeshire (Letterer). Cover by Jamal Campbell.
RELEASED: December 18, 2019

A few little things I noticed that aren’t out of character per se, but perhaps show how these characters are different in this time period…

– Tommy’s more relaxed demeanor now that they’re seemingly no longer Earth’s last line of defense.

– Kimberly stepping up into more of a leadership role with the three new Rangers.

– Trini’s more sarcastic personality. It’s not how I would write the character, as she’s normally more reserved. But we can chalk it up to her gaining confidence through her experiences as a Power Ranger.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: Spider-Man #2, Batman #81

*”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Nothing too in-depth here. Just straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Spider-Man #2
AUTHORS:
J.J. Abrams, Henry Abrams
ARTISTS:
Sara Pichelli, Elisabetta D’Amico (Inking Assistant), Dave Stewart (Colorist), Joe Caramagna (Letterer). Cover by Olivier Coipel and Dave Stewart. 
RELEASED:
October 16, 2019

Whether you like this J.J. Abrams stuff or not, I can say his name value got me to buy a Spider-Man comic again.

Ben Parker got into this dad’s old costume pretty quickly. But I buy his motivation: He does it to impress a girl. I mean, c’mon! He’s a ninth grade boy. That’s usually about as complex as their motivations get.

Sara Pichelli continues to turn in not just awesome art, but art that’s distinctly different from her work on Miles Morales. Needless to say, she’s become one of the definitive Spider-Man artists of this era.

TITLE: Batman #81
AUTHOR:
Tom King
ARTISTS:
John Romita Jr (Penciller), Klaus Janson (Inker), Tomeu Morey (Colorist), Clayton Cowles (Letterer) Mitch Gerads (Co-Penciller, Co-Inker, Co-Colorist)
RELEASED:
October 16, 2019

I’m not the world’s biggest Tony Daniel fan. But the switch from his art to John Romita Jr’s has been jarring.  The look and texture of the story has changed halfway through. That’s rarely a good thing.

When Tom King tries to pull the “Batman had a plan all along” card, my initial was, “I don’t buy it.” Also, King makes the Flashpoint Batman’s fighting prowess so exceptional it almost becomes cartoonish. Especially with how it’s executed.  Maybe these opinions will change once the story ends, or I have more time to absorb it. But for now, they’re losin’ me…

TITLE: Star Wars: Allegiance #2
AUTHOR: Ethan Sacks
ARTISTS: Luke Ross, Lee Loughridge (Colorist), Clayton Cowles (Letterer). Cover by Marco Checchetto
RELEASED: October 16, 2019

I’m finding myself wanting more Kylo Ren in this book. Especially after reading that Snoke one-shot they put out a few weeks ago, where the two characters go to Dagobah. Still, I understand why they might not be able to do that, as we’re obviously building to the movie. We do, however, get to spend some quality time with Rey, which is nice.

We learn in this issue that Admiral Ackbar has a son, but only met him once because “his focus was elsewhere.” Apparently the only good dad in the galaxy was Bail Organa…

TITLE: Something is Killing the Children #2
AUTHOR: James Tynion IV
ARTISTS: Werther Dell-Edera, Miquel Muerto (Colorist), Andworld Design (Inks)
RELEASED: October 16, 2019

I’m digging this book so far. Attention-grabbing title aside, Tynion, Dell-Edera, and the rest of this team have started a great horror-mystery. It’s got kind of a Stephen King/YA novel/Twilight Zone feel to it.

As the mystery of this supernatural child-devouring menace unfolds, the book manages to entice the hell out of you with how gorgeously grotesque some of these things are. The intrigue there, along with our likable female anti-hero, makes it easy to come back for more.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

A Spider-Man/Spider-Gwen: Sitting in a Tree Review – Across the Spider-Verse

TITLE: Spider-Man/Spider-Gwen: Sitting in a Tree
AUTHOR: Brian Michael Bendis, Jason Latour
PENCILLERS: Sara Pichelli, Robbie Rodriguez
COLLECTS: Spider-Man #1214Spider-Gwen #1618
FORMAT: 
Softcover
PUBLISHER: Marvel
PRICE: $17.99
RELEASED: May 24, 2017

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

Who says there’s no such thing as modern romance? A good love story, especially in a teenage superhero book, can really hit the spot sometimes. But surprisingly, Sitting in a Tree doesn’t hit that spot in that respect. It never really delivers like you think it will.

Miles Morales’ father, now an agent of S.H.I.E.L.D. again, has gone missing. A mission gone awry has seemingly left him lost in the multiverse. As such, Maria Hill recruits Miles for an off-the-books inter-dimensional search-and-rescue mission. Our hero’s search quickly takes him to Earth-65, a world where Gwen Stacy was bitten by a radioactive spider, and has become Spider-Woman. The two are already acquainted. So in Gwen, Miles finds a partner in his search. But does he also find an unlikely romance?

Typically, one of the goals of a crossover like this is to get readers of one book (in my case, Spider-Man) to start picking up another (Spider-Gwen). Years of comic book reading have left me pretty callous to such attempts. But as someone with little to no exposure to Spider-Gwen, I found myself pretty intrigued by what I saw. That’s a credit to Jason Latour, Robbi Rodriguez, and everybody on that book. Spider-Gwen #16 explores the Earth-65 New York City, as we meet it’s alternate versions of Matt Murdock (Daredevil) and Doctor Octopus. We also get a quick refresher as to how this world’s Peter Parker was different from the one we all know. It’s a great introduction to that character and her world.

More importantly, Robbi Rodriguez’s funky animated style is a treat. Combined with colorist Rico Renzi’s relatively bright palette, what we get is pretty unique. I found myself looking forward to Spider-Gwen just to see what they’d give us next. Renzi in particular gets to show off when we get to the Club Scorpion scene in issue #16 (shown left).

On the subject of art, I can’t find a lot of bad things to say about Sara Pichelli and colorist Justin Sponsor’s work here. Any time they work together on Miles it feels like a homecoming, as they did his earliest stories in Ultimate Comics: Spider-Man. That’s why it was so cool to have them on those early issues of Spider-Man. Pichelli gets to play with the multiverse stuff in issue #14, as Miles and Gwen jump into the Spider-Man: Noir universe, the Marvel Zombies universe, and then even the DC Universe for a quick jab at the competition (shown below). The latter got under my skin, but it also got a begrudged chuckle.

So the big selling point for Sitting in a Tree is the blossoming romance between Miles and Gwen. The premise made me think of how amazingly Bendis wrote Peter Parker and Mary Jane Watson in Ultimate Spider-Man. When he wants to do the teenage romance stuff, he’s as good as anybody…

Which is why it’s a pretty big disappointment that the romance stuff almost gets glossed over until the third act. Even then, we don’t get much. Instead of this being the story where the two get together, it’s the story that lays the foundation for them to get together later. There’d be nothing wrong with that, except the book’s title and cover suggest otherwise. You close the book feeling like you were sold one thing but given another.

Still, it’s fun seeing our creators play with around with the Spider-Verse stuff. Spider-Ham pops up during the third act, and he brings in some extra back-up during the finale. It doesn’t make up for us not getting the inter-dimensional love affair the book advertises. But it’s a cool little bonus.

Sitting in a Tree is…fine. That’s it. Just fine. It’s got elements of an epic crossover between titles, but it comes up short of meeting its dramatic needs. What can I say? Some days I’m a hopeless romantic. I have no idea if they plan to come back to this Miles/Gwen thing at any point. But by God, if anybody can make the cross-dimensional romance thing work, it’s those two crazy kids!

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A Spider-Man #1 Review – The Rise of Spidey Jr.

Spider-Man #1, 2016, Sara PichelliTITLE: Spider-Man #1
AUTHOR: Brian Michael Bendis
PENCILLER: Sara Pichelli
PUBLISHER: Marvel
PRICE: $3.99
RELEASED: February 3, 2016

By Rob Siebert
Editor, Fanboy Wonder

As someone who followed Miles Morales’ adventures in the now defunct Ultimate Universe, Spider-Man #1 was an adjustment, and initially confusing. While this issue was mostly enjoyable, it left me wondering if Miles’ inclusion in the Marvel Universe proper will be a good thing for him in the long run.

After the events of Secret Wars, Miles and his cast of supporting characters have been retconned into the main Marvel Universe. In terms of backstory, our intro tells us the basics: Miles was bitten by a radioactive spider, became Spider-Man, and has only shared his secret with his father and his best friend Ganke. We see Miles try (unsuccessfully) to balance life as a teenager, and life as a superhero. But when Blackheart terrorizes New York City and leaves the Avengers laying, Miles can’t simply sit in class and do nothing…

I found a bit of dark humor in Blackheart’s appearance here. He’s the son of Mephisto, the demon who warped reality for Peter Parker (for better or worse) back in One More Day, and now that reality has been changed for Miles, Mephisto’s son pops up. Maybe that’s why Spider-Man has such notorious bad luck. He’s always got the devil watching him.

Spider-Man #1, Sara PichelliSpider-Man #1 confirms that much of what we enjoyed about Miles in the Ultimate Universe is still intact here. The most important of which are his wit and personality, and his friendship with Ganke. What it doesn’t tell us is how things have or have not changed. Miles apparently remembers everything that happened during his time in the Ultimate Universe, and on Battleworld. But this issue doesn’t tell us that. I myself had to find that out via an interview with Bendis. So if Miles remembers, does his father remember too? What about Ganke? If not, did he tell them? What about Peter Parker? What does he know about where Miles came from?

This is an instance where an issue #0 might have come in handy. I’m not suggesting one needs to know all of Miles’ exposition before reading Spider-Man #1. But it would have helped bridge the gap between this issue and Secret Wars. We wouldn’t have had to comb through every inch of Miles’ continuity. Just a brief look at what the Ultimate Universe was, and how Miles fits into the primary Marvel Universe. That way, all the nagging questions are answered. Hopefully Bendis is planning on addressing those questions sooner rather than later anyway. But an issue #0 would have been an easy access point.

Spider-Man #1, 2016, Sara Pichelli, spash pageDespite the confusion, Miles is nicely portrayed as a teenage superhero torn in so many different directions. Parents, grades, girls, not to mention the Avengers-level threat attacking the city. It’s classic Spider-Man stuff, really. There’s a great scene where Miles tries to talk his way out of class, hears no from his teacher, and then simply walks out. Even if this is your first exposure to him, I imagine it’d be hard not to root for Miles here.

It’s difficult to overstate the importance of Ganke to Miles and his world. They’ve almost got a Frodo/Sam dynamic going on. Miles is obviously the hero, and that’s okay with Ganke, who is simply happy to help his friend however he can. He’s very endearing that way. Miles and Ganke can also consistently pull off “Bendis Banter,” i.e. Bendis’ trademark hit-or-miss attempts at witty dialogue, without it grating on the reader. Perhaps that’s because coming from two teenage boys, it feels more believable than usual. In any event, readers can be grateful Ganke jumped universes alongside his best bud.

Sara Pichelli is once again drawing Miles in this issue, and that’s something fans can be thankful for. As the artist who drew his origin story, there’s a special vibe any time she’s with the character. To her credit, she’s aged him very convincingly. As awkward as it sounds, if you’ve followed Miles from his first appearance up to Spider-Man #1, it legitimately looks like we’ve seen this character go through puberty. So often, comic books are like revolving doors when it comes to writers and artists that we don’t typically see that happen.

Spider-Man #1, 2016, Sara Pichelli, While we don’t see much of him in this issue, it looks like we’ll soon be diving into how Peter Parker effects Miles’ life, and his role as Spider-Man. Quite frankly, I’m nervous about that.

In the Ultimate Marvel line, Miles became Spider-Man after Peter Parker died. That was part of what garnered so much publicity when the character made his debut. He wasn’t just some spinoff character. He was the Spider-Man. In this new series, he’s a Spider-Man. The tried and true Spidey is still alive and well, and from the get-go, Miles is somewhat redundant. The two characters even share the same home city. Miles may as well be called Spidey Jr. I’m reminded of the brief period when Bruce Wayne and Dick Grayson both wore the mantle of Batman before the New 52 launched. That didn’t last long, and typically this kind of dichotomy doesn’t. So what happens to Miles when it’s time for there to be only one Spider-Man?

Furthermore, this whole All-New, All-Different initiative is obviously a hook for new readers. But to what degree does having two Spider-Men cause confusion among those readers?

Still, despite lingering questions Spider-Man #1 delivers. For those of us familiar with Miles, we get the next chapter in his story. New readers are introduced to a young hero, who depending one’s perspective, may be the rightful Spider-Man of the 21st century.

Images from author’s collection.

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An Ultimate Comics Spider-Man, Vol. 1 Review – ANOTHER Genetically Altered Spider…

Ultimate Comics Spider-Man, Vol. 1, 2016TITLE: Ultimate Comics Spider-Man, Vol. 1
AUTHOR: Brian Michael Bendis
PENCILLER: Sara Pichelli
COLLECTS: Portion of Ultimate Fallout #4Ultimate Comics Spider-Man #1-5
FORMAT: Hardcover
PUBLISHER: Marvel
PRICE: $24.99
RELEASED: February 15, 2012

By Rob Siebert
Editor, Fanboy Wonder

Miles Morales hasn’t even been around a year, and he’s already one of the most intriguing characters in all of comics, and it’s not just because he’s a half black, half Latino Spider-Man.

Shortly before Peter Parker’s death at the hands of the Green Goblin and the rest of his rivals, yet another genetically altered spider is stolen from Oscorp. The spider finds its way on to the hand of young Miles Morales, and bites him. Miles, who has just been chosen via lottery to attend a prestigious charter school, quickly develops abilities much like Spider-Man’s, with a few bonuses: He can also become invisible, and deliver a stinging “venom strike.” Miles is initially hesitant to take on a hero role, but after he sees Peter’s death firsthand, he is inspired to succeed him as New York City’s friendly neighborhood web slinger. But is the city ready for a new Spider-Man? And what will Peter’s comrade’s at S.H.I.E.L.D. have to say about this?

Ultimate Comics Spider-Man #1, 2011, Sara PichelliThe structure is similar, but the specifics are different. To an extent, it’s the same thing here with the origins of Peter Parker and Miles Morales (only the newer installment isn’t sub-par). They’re both basically good people, with strong moral influences in their lives. They get these incredible powers and don’t know what to do with them. Then tragedy strikes, and they blame themselves for not preventing it. Thus, they have their call to action. Same basic story, different characters, different specifics. I give Bendis a lot of credit for staying true to Spider-Man’s “power and responsibility” values in the creation of the Miles character, while not flat out rehashing Peter’s origin.

Miles’ supporting cast is a nice mix of new and established characters. Unlike Peter, both of his parents are alive as he starts his journey. His father, while seemingly opposed to the existence of mutants, has a solid sense of right and wrong, and tries to instill that in Miles. His best friend Ganke is the first person he tells about his new abilities, and Ganke proves more enthusiastic about Miles’ powers than he initially is. Also in Miles’ life is his uncle Aaron, a thief who calls himself The Prowler (a name Marvel fans may know). Miles trusts his uncle, much to his father’s chagrin. Spider-Woman and Nick Fury both play roles here. Gwen Stacy also plays a brief, yet important part.

I’m a big fan of the black and red costume, though we see it very little in this story. It’s a nice hybrid of the classic suit and the black symbiote suit. It’s not nearly as “busy” as the classic suit, and has a nice sleek look to it. Pichelli also does a wonderful job establishing the Miles character, conveying his emotional roller coaster as effectively as one could hope for. What Bagley did for Peter in the original series, Pichelli has done for Miles here. For better or worse, this is her Spider-Man now.

Ultimate Comics Spider-Man, Miles Morales, Sara PichelliFrom a collection standpoint, my only real complaint with this volume is that we don’t see very much action. Miles doesn’t officially become Spider-Man until the very end of the book. I’m assuming Marvel was anxious to get this book on the stands so that readers waiting to see how Miles’ story played out could get a look at him, and possibly jump on to the monthly title. That’s understandable, but I wish we could have seen our new Spider-Man in action. He actually apprehends a D-list supervillain in this book, but we skip over the fight itself, which is frustrating.

One of the thing’s that so great about this title is that there’s so much to look forward to. With the original Ultimate Spider-Man book, we had a sense of the broad strokes. We knew who most of the characters were, and to an extent we could predict what would happen to them (Gwen Stacy dies, Eddie Brock becomes Venom, etc). But this is a whole new ball game. Most of the classic characters are still around, but now there are no rules. Bendis can essentially do whatever he wants with whomever he wants. Throw in a new hero that’s very easy to root for, and that’s grounds for very interesting storytelling. I’m very anxious to see what’s next.

Ironic, isn’t it? Peter Parker’s death may make way for some of the most interesting Spider-Man content in quite awhile.

RATING: 9/10

Image 1 from comiclist.com. Image 2 from author’s collection. Image 3 from spidermancrawlspace.com. 

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