Weekly Comic 100s: Negan Lives, Ghostbusters, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

So can we all just stop with this “The Walking Dead comics are over” thing?

Negan Lives!, Robert Kirkman’s commendable attempt to drive readers back into comic shops came out this week. The Walking Dead #173, the “final” issue of the series, came out almost a year ago to the day. So they barely made it through another 12 months before coming back to the well. Mind you, no one could have predicted COVID-19. But my point still stands: The Walking Dead is not done. There’s too much money on the table, there’s still fan interest, and most importantly, the creators clearly still love doing it.

It might not come back as a monthly series. There might be years at a time where we don’t see it. But mark my words, The Walking Dead will rise again.

For the record, that’s not a bad thing. It’s a very, very good thing.

TITLE: Negan Lives!
AUTHOR: Robert Kirkman
ARTISTS: Charlie Adlard, Cliff Rathburn (Gray Tones), Rus Wooton (Letterer).
RELEASED: July 1, 2020

Negan Lives! is pretty much what you want it to be: A return to the Negan character, with the door left open for more stories. It’s a fun time, but nothing shocking enough to wake the dead.

For better or worse, this return to form did make me realize how much I miss The Walking Dead. All the more reason to cut the BS and bring it back, already.

TITLE: Ghostbusters: Year One #4
AUTHOR: Erik Burnham
ARTIST:
Dan Shoening, Luis Delgado (Colorist), Neil Uyetake (Letterer)
RELEASED:
July 1, 2020

This issue gave me the warm fuzzies for Harold Ramis. I suspect that sentimental factor is partially why they saved Egon for last.

Ghostbusters: Year One ends on an open-ended note related to Egon. As this book is meant to be a prelude of sorts to Ghostbusters: Afterlife, I’m wondering if this leads into something in the movie. On the other hand, it could be another Burnham/Schoening comic. Either way, the fans win.

TITLE: Devil’s Highway #1
AUTHOR: Benjamin Percy
ARTISTS:
Brent Schoonover, Nick Filardi (Colorist), Sal Cipriano (Letterer)
RELEASED:
July 1, 2020

Like Dead Body Road last week, the success of Devil’s Highway largely hinges on the likability of its female protagonist. In that sense, it’s successful. But thus far the book doesn’t have much else going for it in terms of uniqueness. It’s a standard horror story, with art that’s not particularly memorable.

I’ve been a fan of much of what AWA Studios – Upshot has been putting out lately. But I can’t say Devil’s Highway will be a high priority for me going forward.

TITLE: I Can Sell You A Body #4
AUTHOR: Ryan Ferrier
ARTISTS:
George Kambadais, Ferrier (Letterer)
RELEASED:
July 1, 2020

I’m not sure how I expected this book to end. But I enjoyed what they did. Denny and Henrietta don’t get a textbook happy ending. But they don’t get a tragic one either. They wind up in a fun middle-ground.

All in all, I’d call this book an overachiever. It managed to be both intriguing and funny. Moreover, it’s memorable. It stays with you after you close an issue. I’ll be keeping an eye out for both Ferrier and Kambadais going forward.

TITLE: Batman: The Adventures Continue #7
AUTHOR: Alan Burnett, Paul Dini
ARTISTS:
Ty Templeton, Monica Cubina (Colorist), Joshua Reed (Letterer). Cover by James Harren.
RELEASED:
July 2, 2020

This one is a mixed bag. I appreciated the different sort of way Azrael was introduced, the way Catwoman was involved, and that they let him have his original costume before putting him in the Knightfall Batman suit. But I’m not so much a fan of how the suit is created in the DCAU. It’s almost done as an afterthought. Or worse, something they did just to sell toys.

And in all fairness, maybe that’s why they did do it.

TITLE: That Texas Blood #1
AUTHOR: Chris Condon
ARTIST:
Jacob Phillips
RELEASED:
June 24, 2020

Think Criminal meets early Southern Bastards. Then you’ve got a decent idea of what That Texas Blood is all about. At least at this juncture.

Solicited as a “neo-Western crime series,” the issue has a certain southern-fried charm to it. Case in point, our main character, 70-year-old Sheriff Joe Coates, is trying to retrieve his wife’s casserole dish when he stumbles into trouble. Coates has a simple likability that should balance well with the violence that’s sure to ensue in the coming pages.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Batman: The Adventures Continue #1, and Much More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

This pandemic is really throwing a monkey wrench into my reading habits.

My local comic shop is still working on getting me issues from March 25. I’ve stayed away from digital editions, as I want to support local shops as much as possible. Ergo, I’ve been waiting two weeks for certain issues. But sooner than later, the most recent editions of Action Comics, Batman/Superman, TMNT, and others will be reviewed here.

The only new issue I purchased this week was a digital exclusive. And how could I resist? It’s the return of the DC Animated Universe!

TITLE: Batman: The Adventures Continue #1
AUTHORS:
Alan Burnett, Paul Dini
ARTISTS:
Ty Templeton, Monica Cubina (Colorist), Joshua Reed (Letterer). Cover by Dave Johnson.
RELEASED:
April 1, 2020

This is exactly what it was supposed to be: A return to the old form, i.e. the comics of yesteryear that were based on the Bruce Timm animated shows. Heck, they even threw in a title card, a la Batman: The Animated Series.

A lot is thrown at us here. Bane. A giant robot attacking S.T.A.R. Labs. Lex Luthor and a mystery regarding Superman’s whereabouts. But what I took away from issue #1 is that they’re going that route. A route paved by Judd Winick about 15 years ago…

TITLE: Star Wars: Bounty Hunters #2
AUTHOR: Ethan Sacks
ARTISTS:
Paolo Villanelli, Arif Prianto (Colorist), Travis Lanham (Letterer). Cover by Lee Bermejo
RELEASED:
March 25, 2020

I got a little lost on this one.

I came away from last issue thinking about our main character, or at least one of them, Valance. Obviously I remembered Boba Fett and Bossk were there. But I struggled to remember the significance of T’onga, why different characters were going certain places, and when certain events took place. A quick re-read of issue #1 set me straight. But obviously that’s not something you want readers to have to do. Then again, maybe it’s just me.

TITLE: I Can Sell You A Body #3 (of 4)
AUTHOR: Ryan Ferrier
ARTISTS:
George Kambadais. Ferrier (Letterer).
RELEASED:
March 25, 2020

This issue unexpectedly hit me in the feels. I talked a bit about the Henrietta character last time. She’s very likable, but as a love interest, she’s all in with Denny very quickly. Not in the creepy way, either. It’s more like they just click.

It made me reminisce about the people I’ve clicked with like that. And not just in a romantic way. There’s a magic in that feeling that’s really great. So I Can Sell You A Body gained some surprising sentimental points from me with this one.

TITLE: Ghostbusters: Year One #3 (of 4)
AUTHOR: Erik Burnham
ARTISTS: Dan Shoening, Luis Delgado (Colorist), Neil Uyetake (Letterer)
RELEASED: March 25, 2020

If you’ve seen the trailer for Ghostbusters: Afterlife (as you should have), you know it’s probably not an accident they saved Egon for last.

The absolutely brilliant part of this issue? Part of it is plotted based on a line Casey Kasem had in the original film. When it comes to writing Ghostbusters, Erik Burnham is a damn genius.

Along those same lines, I love the way Burnham has the other characters describe Peter Venkman’s personality. Mostly because he then proceeds to prove them right.

TITLE: X-Men/Fantastic Four #3 (of 4)
AUTHOR: Chip Zdarsky
ARTISTS:
Terry Dodson, Rachel Dodson & Ransom Getty (Inkers), Andrew Crossley & Peter Pantazis (Colorists), Joe Caramagna (Letterer).
RELEASED:
March 25, 2020

Superheroes fighting. The older I get, the less I enjoy it. Maybe it’s all the division we see in the world today. But I didn’t get a huge kick out of seeing the X-Men and the Fantastic Four fighting.

On the upside, the art is gorgeous and the colors vibrant and fun. I remain somewhat surprised at how political this book is, i.e. relations between Latveria and Krakoa. But at it’s core, it’s really the relationship between Reed Richards and his son Franklin, and how the latter’s choices will ultimately effect the world.

TITLE: Suicide Squad #4
AUTHOR:
Tom Taylor
ARTISTS:
Daniel Sampere, Juan Albarran (Inker), Adriano Lucas (Colorist), Wes Abbott (Letterer). Cover by Bruno Redondo and Lucas.
RELEASED:
March 25, 2020

Captain Boomerang returns in this issue. One way or another, the band always gets back together.

Taylor still has me entertained with this more espionage-centered direction. We also learn much more about our new characters, and what exactly their agenda is.

Deadshot also has a great character moment in this issue. Or rather, Floyd Lawton does. He becomes very sympathetic, and you’re that much more invested.

TITLE: Alienated #2 (of 6)
AUTHOR:
Simon Spurrier
ARTISTS:
Chris Wildgoose, Andre May (Colorist), Jim Campbell (Letterer)
RELEASED:
March 18, 2020

This’ll definitely fill your teen angst quota for the week.

Despite being about three high schoolers finding an alien that gives them telepathic powers, what these characters are feeling is very real. In this issue, there’s lot of longing to be seen, noticed, or at least acknowledged. I think every teenager can relate to that at some point in their lives.

Chris Wildgoose has a hell of an issue. There’s a two-page spread that’s just gorgeous. He also gets to flex some otherworldly character design muscles. They come out looking pretty awesome.

Email Rob at at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Shazam! #10, Batman/Superman #10, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

The deadline for yesterday’s “Weekly Comic 100s” kinda snuck up on me. So consider this part two. But there’s plenty of first rate talent to be found. Geoff Johns, David Marquez, Peter Tomasi, Dale Eaglesham…

TITLE: Shazam! #10
AUTHOR: Geoff Johns
ARTISTS: Dale Eaglesham, Scott Kolins, Michael Atiyeh (Colorist), Rob Leigh (Letterer)
RELEASED:
January 22, 2020

The best page scene in this book? Tawky Tawny making dinner while Billy’s adoptive parents look on in apprehension. Change my mind.

We get a surprise return in this issue. It feels way out of left field. But let’s see how it plays out. Seeing this character mix it up with the Shazam family might be really compelling.

Dale Eaglesham and Scott Kolins are still splitting the art duties. I’m a Scott Kolins fan, but Eagleham’s style was made for a book like this. The more pages we get from him, the better.

TITLE: Batman/Superman #6
AUTHOR:
Joshua Williamson
ARTISTS: David Marquez, Alejandro Sanchez (Colorist), John J. Hill (Letterer)
RELEASED: January 22, 2020

It feels like they’re trying to channel the tension, paranoia, and mistrust that was hanging over DC titles all those years ago during the build-up to Infinite Crisis. This issue actually references The O.M.A.C. Project by name. Trouble is, DC had years worth of stories to lay the foundation for all that hostility. This series has only had six issues. So it feels like Williamson is referencing something that’s barely there at all.

On the upside, the next story could be really good. We’ve got two villains meeting for (I assume…?) the first time.

TITLE: I Can Sell You A Body #2 (of 4)
AUTHOR: Ryan Ferrier
ARTISTS: George Kambadais, Ferrier (Letterer)
RELEASED: January 22, 2020

They lay the comedy on thicker this month. For instance, we open with a scene in Vatican City. A priest actually says, “Feh. The Jesus card. That old chestnut. Childish.”

Someone also says, “Enough with the ghost dicks!”

This issue got me invested in Henrietta, Denny’s love interest. She’s a sweet lady who, as we learn on the closing page, is willing to stick her neck out for people she cares about. In this case, that trait may not pay off in either the short term or the long term.

TITLE: Detective Comics #1019
AUTHOR: Peter Tomasi
ARTISTS: Scott Godlewski, David Baron (Colorist), Rob Leigh (Letterer). Cover by Rafa Sandoval, Jordi Tarragona, and Baron.
RELEASED: January 22, 2020

This issue and last issue both felt like filler. Which you need sometimes. I just wasn’t hooked by the whole norse mythology thing. On the upside, the dialogue problem from last issue was fixed.

As I mentioned with Batman, they’re making sure Alfred’s death is felt heavily in the Bat-books. It seems like for now Lucius Fox has stepped up and become the “man in the chair.” Fair enough. There’s potential for character work there as Bruce and Lucius come to see each other in new ways.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: Star Wars #1, I Can Sell You A Body #1

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Nothing too in-depth here. Just straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

You know what sucks? When your favorite comic shop closes down.

Here’s to Rockhead’s Comics and Games in Kenosha, WI, for feeding my weekly comic fix for the last two years or so. You guys were awesome. I’m truly sad to see you go…

TITLE: Star Wars #1
AUTHOR: Charles Soule
ARTISTS: Jesus Saiz, Arif Prianto (Co-Colorist), Clayton Cowles (Letterer). Cover by R.B. Silva and GURU-eFX.
RELEASED:
January 1, 2020

This debut of Marvel’s post-Empire Strikes Back title is pretty much what you’d expect, with the characters reeling from what happened on Bespin.

But interestingly, this issue actually takes places during the events of Empire. A certain amount of time passes between the Star Destroyer escape and the closing scene. But how much time? When we open this book the Rebels don’t trust Lando, and Luke isn’t even sure he wants to be a Jedi any longer.

I’m hoping Luke doesn’t get a lightsaber in this series. The green one doesn’t come along until the next film, after all.

TITLE: I Can Sell You A Body #1 (of 4)
AUTHOR: Ryan Ferrier
ARTISTS: George Kambadais, Ferrier (Letterer)
RELEASED: January 1, 2020

What we have here is a mini about “reverse exorcisms,” i.e. spirits of the dead being found new bodies by our main character, Denny Little.  But things go awry when he gets mixed up with the mob. Y’know, the way you always do when you gain the power to communicate with the dead…

Ferrier and Kambadais don’t waste an inch of space here, putting out a really dense issue. But the story has promise, and the art has a nice charm to it. I can see myself following Denny for four issues.

TITLE: Action Comics #1018
AUTHOR: Brian Michael Bendis
ARTISTS: John Romita Jr., Klaus Janson (Inker), Brad Anderson (Colorist), Dave Sharpe (Letterer)
RELEASED: January 1, 2020

I was actually dreading this issue. Simply because of John Romita Jr’s art.

Romita can be hit-or-miss as it is. But Action Comics #1018 has a rushed quality, as if the deadline was breathing down his neck. As such, the end product often looks awkward. Or worse, bush league.

Case in point, the way Superman is posed on the cover. What is that stance, exactly?

As this issue is partially about the Justice League fighting the Legion of Doom in the middle of Metropolis, this was a particularly bad time for a performance like this. Bad form, JRJR.

TITLE: Detective Comics #1018
AUTHOR: Peter Tomasi
ARTISTS: Scott Godlewski, David Baron (Colorist), Rob Leigh (Letterer). Cover by Rafael Sandoval, Jordi Tarragona, and John Kalisz.
RELEASED: January 1, 2020

This dialogue in this issue is really awkward at times, which is not a problem Tomasi usually (if ever) has. For some reason, Batman is uncharacteristically chatty.

Case in point, he leaves a crime scene and says to the cops, “Got what I needed. Scene is immaculate. Left behind only my boot prints. Merry Christmas.”

Um…thanks?

On the plus side, Tomasi tugs at our heartstrings in his own special way by showing us Bruce spending his first holiday season without Alfred. Very reminiscent of the stuff he did on Batman and Robin all those years ago.

TITLE: Lois Lane #7 (of 12)
AUTHOR: Greg Rucka
ARTISTS: Mike Perkins, Gabe Eltaeb (Colorist), Simon Bowland (Letterer)
RELEASED: January 1, 2019

While I continue to love simply having that Greg Rucka, street-level aesthetic back at DC, I’m losing interest in the mystery of who’s trying to kill Lois Lane and why. Frankly, the subplot about the public believing she’s having an affair with Superman is far more interesting. I’m curious to see how Clark revealing his identity to the world will effect this story, if in fact they cross over.

The back and forth between Lois and Renee Montoya is fun. It’s obvious Rucka is happy to be working on his version of the Question once again.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Panels of Awesomeness: Her Infernal Descent #1

By Rob Siebert
Fanboy Wonder

CREATORS: Lonnie Nadler and Zac Thompson (Authors), Kyle Charles (Artist), Dee Cunniffe (Colorist), Ryan Ferrier (Letterer)

THE SCENE: A middle-aged woman continues to mourn the loss of her family before quite literally taking a journey into hell.

WHY THEY’RE AWESOME: In storytelling of any nature, much is made of the narrative “hook,” i.e. what the author uses in the opening moments of the story to draw their audience into the story.

Her Infernal Descent is a modern re-telling of Dante’s Inferno. Desperately longing to see her dead family again, our main character Lynn is approached by the spirit of William Blake. Despite the risk, she descends into hell with him and begins her journey through its nine circles.

But before any of that happens, we spend a handful of pages with Lynn at home (shown at right). They’re absolutely heartbreaking. It’s all so excruciatingly realistic. Look at some of the backgrounds. The kitchen is an absolute wreck. There are dirty dishes in the sink as she eats a casserole out of the dish. All the boxes from packing up. The cluttered on the floor. The empty wine glasses. Dee Cunniffe’s colors are so beautifully muted. Even when Lynn sees the sun, there’s a bleakness to it. Note the details Kyle Charles gives us with her body language. Look at Lynn’s face. Look at her posture. The unkempt hair.

But what pushed these three pages over the edge for me was the script. I’m not sure how Lonnie Nadler and Zac Thompson broke down the writing duties. But these lines punch you right in the gut because they’re so relatable. The ones that really got me were the ones about the silence in the house:

“…the first thing I noticed was the quiet. I thought I could handle it. But I can’t. I wake up and there’s nothing. I’ve hardly said a darn word to anyone since. When I was with them, they drove me up a wall. Now I’d do anything to feel that again.”

I mean, holy crap…

From there we go into a two-page spread. It’s Lynn climbing up into the attic. There are so many memories up there, and she’s flooded with them. I wont’ show it to you here, because I want you to see the issue for yourself.

Her Infernal Descent #1 is published by AfterShock, and hit comic shops April 18. It’s also available on Comixology. The next issue is solicited for release on May 23.

Email Rob at PrimaryIgnition@yahoo.com, or follow Primary Ignition on Twitter.

A Mighty Morphin Power Rangers, Vol. 4 Review – When Zordon Steals the Show

TITLE: Mighty Morphin Power Rangers, Vol. 4
AUTHORS: Kyle Higgins, Ryan Ferrier
PENCILLERS: Hendry Prasetya, Bachan, Daniel Bayliss. Cover by Goni Montes.
COLLECTS: Mighty Morphin Power Rangers #13-16
FORMAT: Softcover
PUBLISHER: BOOM! Studios
PRICE: $16.99
RELEASED: 
October 25, 2017

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

The first act in the larger story of Lord Drakkon comes to an end in Mighty Morphin Power Rangers, Vol. 4. Tommy’s evil doppleganger looks great here, and we also get an awesome character spotlight. Overall, this MMPR series still has a big up side. But once we get into issue #16, particularly the last few pages, things start to get rocky.

When we open the book, Tommy and Billy are still trapped in an alternate universe where the Green Ranger remained with Rita Repulsa after the events of “Green With Evil.” This turn of events led to the destruction of the Power Rangers, and Tommy’s rise as the evil Lord Drakkon. Now the Tommy and Billy that we know must join up with a resistance force (led  by familiar faces) to bring Drakkon down. Meanwhile, Jason and the others face Rita and her minions with reduced powers, and without Zordon. And where is Zordon anyway?

We get the answer to that last question in issue #15, and it’s the creative highlight of the book. Zordon has been absent for several issues at this point, so it’s obviously good to check in with him. But this issue goes above and beyond, following him into a rift between the dimensions. We see him meet his counterpart from Drakkon’s world, and how Zordon has continued to play a role in the conflict despite current predicament. More importantly, after witnessing how events have unfolded in this alternate reality, we see him speak from a place of uncertainty. We aren’t always shown that perspective from a wise old sage character like this. It’s an intriguing change up, which in the end cuts to the very heart of who Zordon is.

Daniel Bayliss hits a home run with the pencils, inks, and colors. His renderings of a full-bodied Zordon interacting with the time warp around him, and later his other self, are compelling, gorgeous, and hit the mark emotionally. He also gets to play around with some of the the war sequences we’ve seen in previous issues. We get some familiar images of Rita’s forces in Washington, Drakkon holding the Red Ranger helmet, and a few glorious shots of the Thunderzords. Bayliss can’t come back to the Rangers soon enough.

We closed the previous volume with the reveal of Trini, Bulk, and Aisha (who we know as the future Yellow Ranger) as members of the resistance. Having Aisha show up is a nice bit of fan service. But that’s all it amounts to. I won’t complain about that, considering how much griping I’ve already done about Tommy and Billy seeing things from their future.

For whatever reason, this series is bound and determined to cast the fun-loving Zack as a brooder. We get more of that here. But it’s an alternate version of Zack, who has lost nearly everything and become the leader of the resistance. Given how dark the world around him has grown, I’m alright with this version of Zack being more dour. It even makes for a cool little moment with the canonical Zack toward the end.

This volume also sees Finster create Goldar clones of all builds and sizes to fight against the Rangers. I love this idea. It makes sense. Goldar has failed Rita time and again, so she has Finster “improve” on him. This might have worked as an idea for the show, time and costumes permitting. We even get to see Goldar without his armor on the very first page. I didn’t even know he could take the armor off.

Kyle Higgins deserves a lot of the credit for the more sinister Finster we’ve gotten from the BOOM! books. The crowning example is what we got from Trey Moore and Frazer Irving in the 2017 annual. But the Finster we get in this book has a nice underlying creepiness to him. By comparison, the Finster we got on the show was almost a kind old man at times.

One of the subplots we get in this book involves the Trini of Drakkon’s world coming to grips with seeing Billy, as the Billy of her world died saving her life. If Higgins and Hendry Prasetya are playing at an eventual Billy/Trini romance, they’re doing it in a very subtle manner. The potential romance between Billy and Trini thing is something some of us have been talking about since we were kids. They almost have to address it at some point. Even if it’s just an issue about how they don’t have those kind of feelings for each other. Matters aren’t helped when you consider Prasetya’s strengths are the super-powered action scenes, and not the quiet interpersonal stuff. So one can argue that material isn’t fully maximized.

On the flip side, Prasetya’s fight sequences with a morphed Lord Drakkon are epic in the inevitable good Tommy vs. evil Tommy fight. This is obviously the first time we’ve gotten to see that costume in action. It’s very evocative of classic Power Rangers. The costume is obviously visually similar to the White Ranger suit. Darken is even holding Saba for much of the battle. You can easily hear Jason David Frank’s cheesy “evil” voice when reading some of Drakkon’s dialogue. (“Hello again, Tommy.”)  There’s also a teamwork theme in effect here, which is something that’s remained present for the entire series.

The Yellow Ranger also gets a Battlizer of sorts in issue #16. It comes out of nowhere, but looks cool enough. I also appreciate that it’s Trini who gets it. She was always the most underdeveloped character on the show, and remains that way in the comics. So this is a cool moment for her.

At this point we’ve built this Lord Drakkon story up for four books. Everything has built to this confrontation between the two Tommys, and the Power Rangers finally striking back against Rita’s forces. The ending makes sense. But when I read issue #16 during it’s initial release, I was disappointed. We’d built to those big showdowns for so long, only for them to pass fairly quickly. This felt like it should have been a big, epic finale. The Megazord makes a big comeback against the Goldar clones, and Tommy and Drakkon make some kind of startling discovery about each other that leads into the next phase of the story. Instead the resolution, particularly the bit with the teens back at school, feels very rushed and slapped together. All the right ingredients are there. But we aren’t given enough time with them.

However, I will say that what happens to Drakkon at the very end has the potential to be very interesting…

Our Bulk and Skull back-up stories are no more, now replaced by “The Ongoing Misadventures of Squatt & Baboo.” Like their predecessors, these stories were fairly benign additions to each single issue that are now collected long form. Ryan Ferrier and Bachan set a similar goofy tone. But while the Bulk and Skull stories got old after just a few issues, I somehow find Squatt and Baboo’s adventures a little more palatable. Perhaps it’s because they got a fraction of the screen time Bulk and Skull did, so there’s a refreshing quality to them getting the spotlight here. The collective story is about them visiting an alternate dimension and running into Goldar. It’s mildly amusing, and Bachan has a cool take on our “heroes.”

Mighty Morphin Power Rangers, Vol. 4 has a few more problems than the previous volumes do. But all the elements that make the series great are still there. Namely, Higgins’ willingness to write an objectively silly concept in a more serious and dramatic voice, Hendry Prasetya’s awesome work on the words and costumes, and the added depth injected into the characters. For Power Rangers fans young and old, this series remains a must-read.

Follow Primary Ignition on Twitter, or at Facebook.com/PrimaryIgnition.

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A Mighty Morphin Power Rangers #20 Review – Summer of ’69

TITLE: Mighty Morphin Power Rangers #20
AUTHORS: Kyle Higgins, Ryan Ferrier
PENCILLERS: Daniele Di Nicuolo, Bachan. Cover by Jamal Campbell.
PUBLISHER: BOOM! Studios
PRICE: $3.99
RELEASED: October 25, 2017

By Rob Siebert
Editor, Fanboy Wonder

One thing you can’t take away from Mighty Morphin Power Rangers #20? It knows how the moon works.

Throughout the show’s history, Power Rangers has had a really weird take on the moon. The most notable example is probably the iconic “Forever Red” episode, where we see 10 years worth of Red Rangers fighting unmorphed on the lunar surface. They can breathe freely, and the gravity is the same as on Earth. The entire sequence looks suspiciously like it takes place in California somewhere…

That’s not the moon we get here. This is the genuine article. How do we know? Because the issue opens with the moon landing in 1969. In true Power Rangers fashion, our astronauts accidentally unleash an alien threat. And so, decades before Jason and the others take up arms against Rita Repulsa, Zordon must choose a team of heroes to protect the Earth. They are Earth’s first Power Rangers, and their story isn’t quite as happy as that of their successors.

I initially frowned upon the idea of Jason’s team not having the distinction of being the “original” Rangers of Earth. But transplanting the Power Rangers concept into the ’60s is too good an idea to pass up. It’s just a shame we don’t have time to flesh it out. Everything gets crammed into this one issue, and certain elements suffer as a result.

Our leader and Red Ranger is Grace Sterling, whose older self we’ve met in previous issues. She’s a secretary at the PR equivalent of NASA, with dreams of going into space. At her side are a British rock musician, a Russian communist, a Vietnam War veteran, and an idealistic youngster. Obviously these characters are written to clash. The problem is making it believable and organic in such a short time. For instance, there’s an exchange between the Pink and Yellow Rangers about whether the war is right or wrong. But they’re on the moon! Plus, because we know so little about these people, and the conflict only lasts about two panels, it’s almost not even worth it. In a perfect world, giving this story three or four issues would have granted it much-needed breathing room.

As this MMPR series has progressed, we’ve seen Kyle Higgins cherry pick elements and ideas from around the Power Rangers timeline. He does that here with the use of Psycho Green, a villain spinning out of the evil Psycho Ranger team from Power Rangers in Space.  I’ve gotten on Higgins’ back for muddying the pre-established continuity, but this is harmless enough. It’s a nice little tribute to PRiS. Interestingly enough, Psycho Green is apparently the right hand to another PRiS villain, Dark Specter.

MMPR: Pink artist Daniele Di Nicuolo is back for this issue, and is also solicited for issue #21. Di Nicuolo does well in the Power Rangers universe. But I was a little caught off guard by how jacked the male Rangers looked in morphed form. It’s fairly consistent with what he gave us in Pink. Maybe the alternate costumes distracted from it?

Either way, Di Nicuolo draws an awesome Psycho Green. The gender swap element in this book is also interesting to look at. Our Red and Black rangers are women, while our Yellow and Pink Rangers are men. That’s a nice little twist on things.

The scene with our five new Rangers in the Command Center is an issue highlight for me. Zordon has been absent for much of this series (the amazing issue #15 notwithstanding), so it’s great to spend a little time with him. It’s also the only time we get to see our unmorphed heroes interact with one another. Di Nicuolo gets to play with facial expressions, body language, etc.

“The Ongoing Misadventures of Squatt and Baboo” continue as well. For whatever reason, I’ve found these a little more palatable than the Bulk and Skull stories we got in earlier issues. Squatt and Baboo fight the Megazord this issue, which goes about as well as you’d imagine.

Considering how much hype MMPR #20 was given, not spending more time with this 1969 team seems like a wasted opportunity. Obviously what we saw here will factor into the coming issues, as Grace continues to interact with the Rangers. So in all fairness, we don’t have the whole story yet. But my immediate reaction is that they could have done so much more with this idea. But I’ll credit the BOOM! Studios crew for at least making it a reality. It’s a nice bit of world-building, in a series that’s already given so much to the Power Rangers mythos.

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