The Owen Hart Chronicles: Dropping Gold to HBK and Stone Cold

***Everyone has seen Owen Hart’s matches with his brother Bret. But Owen had the talent, charisma, and ability to hang with anybody. That’s what we’re here to illustrate. These are “The Owen Hart Chronicles.”***

By Rob Siebert
Fanboy Wonder

You know what’s really surprising? This was not the main event of the May 26, 1997 edition of Raw.

Consider who we’ve got here. We’ve got our Tag Team Champions Owen Hart and the “British Bulldog” Davey Boy Smith, two company mainstays who’ve held the belts a long time, and also have both secondary titles.

They’re facing Shawn Michaels, one of the company’s biggest stars, who’s coming off a controversial injury. (This was when he “lost his smile.”) His tag partner is Stone Cold Steve Austin, the hottest rising star in the industry, and thus far one of its great untapped talents.

But what got the main event slot? A talking segment with the Undertaker and Paul Bearer. I love both those guys, but c’mon…

You can very much tell we’re in the era of pay-per-view quality matches being put on free TV. Given all the build-up that went into this could easily have been second from the top on an In Your House. Especially given the story of Austin and Michaels being reluctant tag team partners trying to take something from the Bret Hart and his group, the Hart Foundation.

Not surprisingly, Owen starts it out with Austin. In theory, you’d want to big deal out of Shawn’s entrance into the match, so you keep him on the sidelines at the beginning. Oddly enough, that’s not what ends up happening. Shawn’s entrance gets a tepid response. Owen, of course, is in there to start the match at a fast pace.

As is becoming a pattern here, despite being in the main event of Raw, this match isn’t necessarily about Owen specifically. Or in this case, Owen and Bulldog. The story they’re telling is about Austin and the returning Michaels teaming up to face the Hart Foundation at large. So even though the smaller story is about the Tag Team Titles, it’s Owen and Davey’s job to shine up their babyface challengers and make them look like the big heroes they are. Both men do that very well. What this essentially becomes is a glorified exhibition for Stone Cold and HBK.

Watching this match back in 2020, there’s an elephant in the room. A little more than two months after this match, Owen famously botches a piledriver at Summerslam and alters the course of Austin’s career. So there’s an added weight when those two are in the ring together. Perhaps it’s just hindsight coloring the match, but as good as they both were, to me it never seemed like those two had a lot of chemistry…

The finish to this match surprised me. Shawn superkicks Davey when the referee is distracted with Owen, allowing Austin to get the pin. I’m not sure why, but the whole thing came off very rushed and awkward. Not at all how I remembered it.

Lost in all the storyline hoopla was the fact that this match ended a roughly eight-month Tag Team Title reign for Owen and Bulldog. I don’t know that history remembers their team as much as it should. They were damn good. Certainly as good as any team you’ll see in any promotion today.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

George Lucas on Star Wars: Obi-Wan Kenobi, the Wise Mentor

***Think what you will about George Lucas, but in terms of Star Wars, it can all be traced back to him. That’s why I always find it so interesting to listen to him talk about it. His creative process, the reason certain decisions were made, and how these movies became pop cultural staples. This space is dedicated to just that. This is “George Lucas on Star Wars.”***

By Rob Siebert
Fanboy Wonder

THE SCENE(S): We are introduced to Obi-Wan Kenobi, a wise old hermit living in the deserts of Tatooine who was once a Jedi Knight. He guides Luke Skywalker throughout the film, teaching him the ways of the Force.

GEORGE LUCAS SAYS (VIA THE STAR WARS: A NEW HOPE COMMENTARY TRACK): “Most of the characters in this follow the classic mythological archetypes of the [in the case of Luke and Obi-Wan] the young hero and … the old wizard, the old man, the wise companion. … There’s always a teacher. Someone who mentors the young hero in what his destiny is.”

I SAY: Lucas famously read Joseph Campbell’s The Hero With A Thousand Faces before writing the original Star Wars treatment. So he’s very much a student of mythological motifs, archetypes, etc. One of which is, of course, the wise mentor.

Likely the most common example you’ll find is Merlin, who mentored King Arthur. But you’ve also got Biblical characters like Moses or Elijah, or Norse mythology characters like Odin or Mimir. The Iliad also has the likes of Nestor or Chiron. More modern examples include Gandalf from the works of J.R.R. Tolkien, Albus Dumbledore from the Harry Potter series, and even Mr. Miyagi from The Karate Kid.

Of course, Star Wars is filled with wise sages. After Obi-Wan in A New Hope, The Empire Strikes Back introduced us to Yoda, and then Qui-Gon Jinn in The Phantom Menace. Years later, Luke Skywalker, Princess Leia, and Han Solo would all play a version of the role in the sequel trilogy.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Rob Watches Star Trek: Klingons and Gene L. Coon

***What happens when I, a 30-something-year-old fanboy, decide to look at the Star Trek franchise for the first time with an open heart? You get “Rob Watches Star Trek.”***

SERIES: Star Trek

EPISODE: S1.E26 “Errand of Mercy”
STARRING: William Shatner, Leonard Nimoy
GUEST-STARRING: John Colicos, John Abbott

WRITER: Gene L. Coon
DIRECTOR: John Newland
ORIGINAL AIR DATE: March 23, 1967
SYNOPSIS: Kirk and Spock work to convince a peaceful world to fight back against occupation by the war-hungry Klingons.

By Rob Siebert
Trekkie-in-Training

There’s a beautifully hysterical moment in “Errand of Mercy” where the lead Klingon asks Kirk about the Federation Starfleet. Kirk, with the most sarcastically pleasant expression you’ve ever seen, simply says, “Go climb a tree.” (It’s at 29:14 on the Netflix version.)

You just know they wanted to write something like, “Go f#$k yourself.” It’s even got the same number of syllables. But somehow, William Shatner makes “Go climb a tree” work. You might call him a bad actor. But in that moment he was a goddamn genius in my book.

In this episode we meet the Klingons, whose presence in the Star Trek Universe has allowed them to transcend the show and gain a place in the collective pop cultural consciousness. Not bad, considering they started out as dudes covered in bronzer with vaguely racist facial hair. What’s more, based on wardrobe, it looks like they opted to invade a planet that looks a little bit like a Renaissance Fair on Ugg Boot Appreciation Day. But who am I to judge?

When I watched this episode, I noticed a name that’s continued to pop up over the course of “Rob Watches Star Trek”: Gene L. Coon, who has also been known by the pseudonym Lee Cronin. Thus far, we’ve seen him involved in the writing on episodes that brought us the Prime Directive, the famous episode about racism, Khan, the epic piece of camp glory that is the Gorn, and now the Klingons. These are all elements indelibly woven into the fabric of Star Trek. So while Gene Roddenberry may have created the show, Coon played a pivotal role in making it great. Much like an Irvin Kershner or Lawrence Kasdan did for the Star Wars universe.

As it turns out, Coon wasn’t just a writer on the show. He served as the showrunner for the first season and much of the second. He would ultimately leave the show over the direction of an episode called “Bread and Circuses,” which we’ll get to at the end of season two.

As for the Klingons themselves, they were conveniently created as a war-hungry authoritarian culture. One doesn’t need to jump through a lot of plot hoops to put them against Kirk and the Enterprise. I confess it’s somewhat unsettling to see them with, as Coon called them, “oriental” features, i.e. their facial hair. Supposedly they were a metaphor for the Japanese during World War II. Though I don’t think we can discount that the Vietnam War was happening at this time…

There’s a bit of deliciously twisted irony toward the end of this episode. Obviously “Errand of Mercy” is all about violence and war. We’ve got the peaceful Organians who are impossibly placid and neutral, caught in the middle of this war between the Federation and the Klingons.

Though they’re bound and determined to destroy one another, the two sides do end up coming together for a common cause: When the Organians use mysticism to prevent them from fighting, Kirk and the Klingon Governor Kor both insist they have the right to wage war on each other. Think about that. They’re standing up for their right to kill each other.

C’mon, Kirk. I’d have expected that from a Klingon. But you? Captain, I’m surprised at you. You’re better than that.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Negan Lives, Ghostbusters, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

So can we all just stop with this “The Walking Dead comics are over” thing?

Negan Lives!, Robert Kirkman’s commendable attempt to drive readers back into comic shops came out this week. The Walking Dead #173, the “final” issue of the series, came out almost a year ago to the day. So they barely made it through another 12 months before coming back to the well. Mind you, no one could have predicted COVID-19. But my point still stands: The Walking Dead is not done. There’s too much money on the table, there’s still fan interest, and most importantly, the creators clearly still love doing it.

It might not come back as a monthly series. There might be years at a time where we don’t see it. But mark my words, The Walking Dead will rise again.

For the record, that’s not a bad thing. It’s a very, very good thing.

TITLE: Negan Lives!
AUTHOR: Robert Kirkman
ARTISTS: Charlie Adlard, Cliff Rathburn (Gray Tones), Rus Wooton (Letterer).
RELEASED: July 1, 2020

Negan Lives! is pretty much what you want it to be: A return to the Negan character, with the door left open for more stories. It’s a fun time, but nothing shocking enough to wake the dead.

For better or worse, this return to form did make me realize how much I miss The Walking Dead. All the more reason to cut the BS and bring it back, already.

TITLE: Ghostbusters: Year One #4
AUTHOR: Erik Burnham
ARTIST:
Dan Shoening, Luis Delgado (Colorist), Neil Uyetake (Letterer)
RELEASED:
July 1, 2020

This issue gave me the warm fuzzies for Harold Ramis. I suspect that sentimental factor is partially why they saved Egon for last.

Ghostbusters: Year One ends on an open-ended note related to Egon. As this book is meant to be a prelude of sorts to Ghostbusters: Afterlife, I’m wondering if this leads into something in the movie. On the other hand, it could be another Burnham/Schoening comic. Either way, the fans win.

TITLE: Devil’s Highway #1
AUTHOR: Benjamin Percy
ARTISTS:
Brent Schoonover, Nick Filardi (Colorist), Sal Cipriano (Letterer)
RELEASED:
July 1, 2020

Like Dead Body Road last week, the success of Devil’s Highway largely hinges on the likability of its female protagonist. In that sense, it’s successful. But thus far the book doesn’t have much else going for it in terms of uniqueness. It’s a standard horror story, with art that’s not particularly memorable.

I’ve been a fan of much of what AWA Studios – Upshot has been putting out lately. But I can’t say Devil’s Highway will be a high priority for me going forward.

TITLE: I Can Sell You A Body #4
AUTHOR: Ryan Ferrier
ARTISTS:
George Kambadais, Ferrier (Letterer)
RELEASED:
July 1, 2020

I’m not sure how I expected this book to end. But I enjoyed what they did. Denny and Henrietta don’t get a textbook happy ending. But they don’t get a tragic one either. They wind up in a fun middle-ground.

All in all, I’d call this book an overachiever. It managed to be both intriguing and funny. Moreover, it’s memorable. It stays with you after you close an issue. I’ll be keeping an eye out for both Ferrier and Kambadais going forward.

TITLE: Batman: The Adventures Continue #7
AUTHOR: Alan Burnett, Paul Dini
ARTISTS:
Ty Templeton, Monica Cubina (Colorist), Joshua Reed (Letterer). Cover by James Harren.
RELEASED:
July 2, 2020

This one is a mixed bag. I appreciated the different sort of way Azrael was introduced, the way Catwoman was involved, and that they let him have his original costume before putting him in the Knightfall Batman suit. But I’m not so much a fan of how the suit is created in the DCAU. It’s almost done as an afterthought. Or worse, something they did just to sell toys.

And in all fairness, maybe that’s why they did do it.

TITLE: That Texas Blood #1
AUTHOR: Chris Condon
ARTIST:
Jacob Phillips
RELEASED:
June 24, 2020

Think Criminal meets early Southern Bastards. Then you’ve got a decent idea of what That Texas Blood is all about. At least at this juncture.

Solicited as a “neo-Western crime series,” the issue has a certain southern-fried charm to it. Case in point, our main character, 70-year-old Sheriff Joe Coates, is trying to retrieve his wife’s casserole dish when he stumbles into trouble. Coates has a simple likability that should balance well with the violence that’s sure to ensue in the coming pages.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

George Lucas on Star Wars: The Cave Scene

***Think what you will about George Lucas, but in terms of Star Wars, it can all be traced back to him. That’s why I always find it so interesting to listen to him talk about it. His creative process, the reason certain decisions were made, and how these movies became pop cultural staples. This space is dedicated to just that. This is “George Lucas on Star Wars.”***

By Rob Siebert
Fanboy Wonder

The Scene: At Yoda’s behest, Luke walks into a cave. Inside, he’s confronted by Darth Vader. A fight ensues in which Luke beheads his opponent, only to discover his own face under Vader’s mask. It has all been an illusion.

George Lucas Says (via The Empire Strikes Back commentary track): “Part of the [cave scene] is learning about the Force, learning the fact that the Force is within you and at the same time you create your own bad vibes. So if you think badly about things, or you act badly, or you bring fear into a situation, you’re going to have to defend yourself, or you’re going to have to suffer the consequences of that. In this particular case, he takes his sword in with him, which means he’s going to have combat. … He is creating this situation in his mind, because on a larger level, what caused Darth Vader to become Darth Vader is the same thing that makes Luke bring that sword in with him. … [Luke] has the capacity to become Darth Vader, simply by using the hate, and fear, and using weapons, as opposed to using compassion, caring, and kindness.”

I Say: This is probably blasphemous to many, but those words from Lucas being to mind a line from The Phantom Menace: “Your focus determines your reality.” Lucas may suck at writing dialogue, but at least he’s consistent.

Something I’ve always been a little unsure of is Yoda’s relationship to the cave. On this same commentary track, Empire director Irvin Keshner says that Yoda is “setting it all up, what’s going to happen in the cave.” That always seemed to be the indication based on the cinematic language of this sequence. But if you listen to Lucas tell it, the cave seems to have mystical elements on its own, and Luke taps into them via his connection to the Force.

That idea is supported by other Star Wars creators as well, including Timothy Zahn in his Thrawn trilogy of books, and a recent Supreme Leader Snoke comic written by Tom Taylor.

I’m inclined to think this is a situation where everybody is right, and we just don’t know how all the dots are connected yet.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Rob Watches Star Trek: Glory, Thy Name is Gorn

***What happens when I, a 30-something-year-old fanboy, decide to look at the Star Trek franchise for the first time with an open heart? You get “Rob Watches Star Trek.”***

SERIES: Star Trek
EPISODE: S1.E18 “Arena”
STARRING: William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan, Nichelle Nichols
WRITERS: Fredric Brown (Story), Gene L. Coon (Teleplay)
DIRECTOR: Joseph Pevney
ORIGINAL AIR DATE: January 19, 1967
SYNOPSIS: Captain Kirk is trapped in a fight for his life against a reptilian creature called a Gorn.

By Rob Siebert
Trekkie-in-Training

I picked a disconcerting point in history to be watching Star Trek for the first time. One of the things that’s so great about this show is it’s tackling of cultural and ethical questions, issues of violence and nonviolence, etc.

Star Trek looks at humanity’s future with a hopeful eye. Kirk, Spock, and the others are by nature very pacifistic. And as we saw a few weeks ago, they’ve long since outgrown issues of race like the ones we see on the news nowadays. In “Arena,” Kirk and another creature called a Gorn are placed in a fight-to-the-death conflict resolution scenario. A powerful alien force deems both races uncivilized. Thus they’re placed in a violent situation befitting such a demeanor. Of course, in the end Kirk proves them wrong. About humans at least. So Star Trek predicts humanity will ultimately rise above its more violent tendencies. Cooler heads will prevail. Logic and compassion will win the day.

Keep in mind, this episode aired in 1967. More than 50 years later, are we any closer to being like Kirk? No. Not really. Certainly not if you take to heart all this COVID craziness, and then the fallout from George Floyd’s death…
Oye. Talk about a sobering train of thought.

Keep in mind, this episode aired in 1967. More than 50 years later, are we any closer to being like Kirk? No. Not really. Certainly not if you take to heart all this COVID craziness, and then the fallout from George Floyd’s death…

Oye. Talk about a sobering train of thought.

MEANWHILE, ON JANUARY 19, 1967: Major Bernard F. Fisher of the United States Air Force becomes the first to win the Air Force Medal of Honor. The prior year, Fisher had landed his plane in South Vietnam to prevent a fellow soldier from being captured by North Vietnamese forces.

Not so sobering? The goddamn Gorn!!!! I absolutely love this friggin’ thing. Not since “The Cage” have I seen Star Trek really embrace that campy, ’60s sci-fi glory. It’s not hard to see why that whole sequence with Kirk and the Gorn is so fondly regarded.

Here’s my question: Would it have been better to just have the Gorn be nude, as opposed to putting it in that weird loin-cloth thing? I understand it’s supposed to be a ship captain. But going with the “its okay for animals to be naked” logic works for characters like Chewbacca. Why can’t it work for the Gorn? (Although I’m guessing far less thought was put into the Gorn.)

Apparently our latest Earth-like planet isn’t the only one in the universe that looks like the deserts of Los Angeles County. Apparently Star Trek shot in this area so much that a prominent rock formation has been affectionately named “Kirk’s Rock.”

Frankly, it deserves that distinction for this episode alone. Are you gonna tell me that entertainment gets any better than this? I don’t think so.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Batman, Dead Body Road, TMNT, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

Last week I said I missed Star Wars and TMNT comics. This week we got the return of Bounty Hunters, and a double-dose of TMNT. Where are you gonna find a more fair friggin’ deal than that?

This week’s new releases are pretty light. So I’m holding a few back from last week’s pull list. That Texas Blood is one of them. We might also see Marvels Snapshot: Captain America and/or Harley Quin: Black + White + Red.

TITLE: Batman #93
AUTHOR: James Tynion IV
ARTISTS: Guillem March, Javier Fernandez, Tomeu Morey & David Baron (Colorists), Clayton Cowles (Letterer). Cover by Tony Daniel.
RELEASED: June 23, 2020

The Designer’s role in this story more or less wraps up in this issue. That’s a little sad, as I liked that character concept. Even if the costume was a little bit much.

Punchline, the Joker’s new answer to Harley Quinn, gets put over pretty strong here. They obviously want her to be a big deal. She’s got an interesting worldview, and it’s not as crazy as you might think. Her costume is definitely cosplay-friendly. Not quite as much as Harley, but expect to see her around the convention scene.

TITLE: Dead Body Road: Bad Blood #1
AUTHOR: Justin Jordan
ARTISTS: Benjamin Tiesma, Mat Lopes (Colorist), Pat Brosseau (Letterer). Cover by Matteo Scalera & Morena Dinisio.
RELEASED: June 24, 2020

This issue has a strong hook. For yours truly, most of that has to do with our heroine, Bree Hale. We establish her as a small town girl-next-door type. But obviously she has a history that allows her to kick all kinds of ass and escape perilous situations. She’s particularly strong in the climactic sequence as she fights off a sadistic interrogator.

My understanding is this isn’t connected with the previous Dead Body Road mini at all, and that it’s an anthology book like Criminal. So you should be okay coming in cold.

TITLE: Teenage Mutant Ninja Turtles #105
AUTHORS: Sophie Campbell (Script), Kevin Eastman & Tom Waltz (Story Consultants)
ARTISTS: Campbell, Ronda Pattison (Colorist), Shawn Lee (Letterer).
RELEASED: June 24, 2020

There’s a big moment between Raph and Alopex in this issue that leads me to believe we’re headed toward fairly uncharted waters: Romantic interests for the Turtles.

And no, don’t talk about Mitsu in TMNT III. Please.

I’m game for really putting the Teenage in Teenage Mutant Ninja Turtles. Especially now that they’re doing this Mutant Town story. Between the Raph/Alopex scene and the concert setting, this issue really does that well. They’ve got a chance to break some new ground here. Let’s hope they take it.

TITLE:TMNT: Jennika #3
AUTHOR:
Braham Revel, Ronda Pattison
ARTISTS:
Revel, Jodi Nishijima, Pattison (Colorist), Shawn Lee (Letters).
RELEASED:
June 24, 2020

I can’t get over how much Braham Revel’s style reminds me of the 2012 Nickelodeon show.

It’s amazing to think how virtually everything The Next Mutation did wrong with Venus di Milo, IDW has done right with Jennika. Although based on how the IDWverse has been put together, we might actually see Venus in the comics at some point.

Bebop and Rocksteady show up here. Why does Rocksteady carry an average-sized sledgehammer? It feels like it should be bigger. Mutant-sized. That, or a giant blaster like on the old cartoon.

TITLE: Mighty Morphin Power Rangers #50
AUTHOR:
Ryan Parrott
ARTISTS:
Daniele Di Nicuolo, Walter Baiamonte (Colorist), Katia Ranalli (Color Assistant), Ed Dukeshire (Letterer). Cover by Jamal Campbell.
RELEASED:
June 24, 2020

Ryan Parrott does Rocky, Adam, and Aisha a lot of justice in these books. That’s one of those things that’s expected, but still really nice when you actually see it. Rocky is also sans mullet, which I appreciate.

“Necessary Evil” might have gone a little long. But it was still a story very much worth telling. Well executed too, in terms of both the writing and the visuals.

Definitely a worthy issue #50. And if the cliffhanger at the end is any indication, PR fans are going to want to come back for issue #51.

TITLE: Suicide Squad #6
AUTHOR:
Tom Taylor
ARTISTS:
Bruno Redondo, Adriano Lucas (Colorist), Wes Abbott (Letterer). Cover by Redondo & Marcelo Maiolo.
RELEASED:
June 24, 2020

The humor in this issue is on-point. Especially with Batman doing a guest shot. That’s a high compliment coming from me, as I don’t usually get into Harley-Quinn-style comedy.

We’re teased with a separation of Harley and Deadshot from all the various new characters in the group. That would be interesting, though I expect ultimately a bad move for sales. I’d stick around, though. Again, a pretty high compliment from yours truly.

TITLE: Star Wars: Bounty Hunters #3
AUTHOR: Ethan Sacks
ARTISTS: Paolo Villanelli, Arif Prianto (Colorist), Travis Lanham (Letterer). Cover by Lee Bermejo.
RELEASED: June 24, 2020

Boba Fett is teased for this issue, but doesn’t show. I’m curious as to how much of him we’ll need to see to keep this series afloat as the months go by. That’s not to say characters like Bossk and Valance aren’t appealing. But Boba’s drawing power is obvious at this point. You could easily make the argument for doing a Boba Fett series, much like the Darth Vader one.

I grow a little weary of the story they’re telling about all these hunters having a common target. The target in question simply isn’t that interesting. Not yet, at least.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Toy Chest Theater: Fishing with Namor

By Rob Siebert
Fanboy Wonder

I have a lot of respect for anyone that can do comedy in this medium. It’s not just a matter of putting toys in funny poses. You’ve got to have a good premise, the posing and “timing” of the shot has to be precise. It’s a lot of the same rules you find in cinema.

When I came across this image from petemenocal on Instagram, I got an immediate chuckle out of it. Like so many great shots do, it projects an entire moment or scene into your brain. In this case, a very cartoony few seconds in which you’ve got someone fishing in largely tranquil waters. Then suddenly Namor dives upward, only to quickly dive back down again. And the tranquility returns, with no explanation as to what’s happening underwater. It’s all left to the imagination.

It’s such a simple image. Yet it does so much. That’s one of the hallmarks of a great toy photographer.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

George Lucas on Star Wars: Staying Together

***Think what you will about George Lucas, but in terms of Star Wars, it can all be traced back to him. That’s why I always find it so interesting to listen to him talk about it. His creative process, the reason certain decisions were made, and how these movies became pop cultural staples. This space is dedicated to just that. This is “George Lucas on Star Wars.”***

By Rob Siebert
Fanboy Wonder

The Scene: Like the various groups throughout the Star Wars saga, the heroes of The Phantom Menace are a diverse lot. We have two Jedi, a young queen, a gungan fool, a liberated slave, among others.

George Lucas Says: “One of the difficulties in writing a script with lots and lots of characters is you have to be able to rationalize why everybody is along. If you have a film like Dirty Dozen, where you sort of establish they’re all going out on a mission together, and you gather them all up and they go, it’s pretty easy. But when you have a situation like this where there isn’t any mandate that they stay together, and they’re there for transitory reasons that are constantly having to be renewed as the plot progresses, it becomes much more difficult to be able to get all the characters in on the act and take them along…”

I Say: I can appreciate what he’s saying here, and I appreciate its value. But I’m only half joking when I say it still doesn’t explain why Qui-Gon brought eight-year-old Anakin into a war zone.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Astonishing Art: TMNT by Alex Donovan

By Rob Siebert
The 5th Turtle

I love a good play on a classic comic book cover. And of course, Giant-Size X-Men #1 is one of the most important superhero comics of the last 50 years. It marks the first appearance of Storm, Nightcrawler, and Colossus. They among others, including a scrappy Canadian brawler called Wolverine, were all brought on to the X-Men for the first time. It marked the dawning of a new era.

In terms of homages, what you see below is pretty damn cool.

My favorite part of what Alex Donovan did with this piece is contrast the colorful cartoon Ninja Turtles with the ones we saw from the Eastman & Laird comics. When that cartoon hit the air waves, it ushered in the golden age of the TMNT. And indeed, the dawning of a new era in pop culture. Turtlemania was officially running wild!

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.