A Go Go Power Rangers #4 Review – The Mystery of Salad Girl

TITLE: Go Go Power Rangers #4
AUTHOR: Ryan Parrott
PENCILLER: Dan Mora
PUBLISHER: BOOM! Studios
PRICE: $3.99
RELEASED: October 18, 2017

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

Go Go Power Rangers #4 opens with a flashback to what I’ll call the “Salad Girl scene.” It’s a story from Kimberly and Zack’s recent past that’s been referenced a bunch of times in the series. Until now, when a character would mention “Salad Girl,” I had no idea if I was missing a joke or a plot detail. So if this issue accomplishes nothing else, it at least solves the mystery of Salad Girl.

Thankfully, there’s more to Go Go Power Rangers #4, as the book wraps up its first arc, while still leaving a plot thread hanging for next time. As Rita begins her second attack on Angel Grove, Kimberly is in a tough spot. She must choose between saving her boyfriend Matt, and protecting the city at large as the Pink Ranger. Meanwhile, Jason is also on the sidelines for fear of being exposed as the Red Ranger. Our heroes once again have their backs against the wall!

Dan Mora and colorist Raul Angulo have a very distinct energy they bring to the Power Rangers universe. Thus far, that’s been best exemplified in their sequences with the zords. They opened the series on a high note with their brief take on the climactic fight from “Day of the Dumpster.” They recapture that magic here, as we see the individual zords in action, followed by the Megazord. Mora somehow has a knack for drawing comic book style destruction on a grand scale. Part of it is that he’s awesome with action sequences (see the Jason/Trini sparring session from issue #2). But there’s something immensely satisfying about how these giant machines kick up debris when they’re summoned, or how the action lines wonderfully convey the speed and impact of certain blows. It also doesn’t hurt that this book has an almost regal take on the Megazord. One of the highlights of the issue is a splash page showing us the Megazord formation.

Incidentally, Mora and Angulo also give us a terrific version of our resident school principal, Mr. Caplan (shown above). His shtick on the show was that he wore a toupee. I think we can safely say they nailed that one.

On the writing front, things still look pretty good. Although late in the issue, we get a scene that seems to come out of nowhere. Zack shows up in the Command Center alone, and asks Zordon why he wasn’t chosen as team leader. He cites Jason’s absences from two recent conflicts, and in all fairness he does have a point given how early this is in their run as heroes. Parrott did plant a seed for this back in issue #2. But this still feels very sudden. Thankfully, Zordon gives him a good answer.

It’s not necessarily a good use of one’s time to apply logic to content created for young children two decades ago. But seeing as I’ve already made a habit of it, let’s go ahead. We get a trademark Rita Repulsa move here, as she uses her big wand to make her monster grow giant-sized. Standing at her side, her henchman and monster-maker Finster asks why she’d do this. This is what she says…

“We must see every skirmish to its conclusion. It’s been this way on countless worlds. Every move, every battle, every monster is a wound. Individually, each cut may miss the mark. But eventually, with enough cuts, one will strike the target…”

She’s essentially saying it’s a numbers game. If you throw the dart enough times, you’re bound to hit the bull’s eye sooner or later. I’m not in love with this approach. It almost makes it seem like Rita is resigned to a certain amount of failure from the start. Given how short-tempered she always was on the show, it feels like a contradiction. I will, however, credit the book for trying to make some kind of sense out of it. At least if you separate the strategy from the character, it works.

Nitpicks notwithstanding, we’re only four issues in, and I adore this series every bit as much as Mighty Morphin Power Rangers, if not more. Part of this book’s concept is that we get to spend a little more personal time with Jason and the others. It’s a strategy that’s paying off, and that isn’t a surprise. It’s been 25 years, but people still remember these characters, and the qualities the actors were able to inject them with. As it turns out, Ryan Parrott, Dan Mora, and the BOOM! Studios crew are bringing some pretty Morphenominal stuff to the table as well.

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Neville No More? Is the “King of the Cruiserweights” Gone?

By Rob Siebert
Editor, Fanboy Wonder

When I closed out last week’s Raw review with a question about where Neville was, this wasn’t quite what I was expecting.

But low and behold, here we are. The real-life Benjamin Satterley reportedly walked out on WWE before Raw this past Monday. There are conflicting reports on whether it happened that day, or some time the previous week. But either way, the “King of the Cruiserweights” is likely gone from WWE TV. At least for the foreseeable future.

Jim Ross, who once served as WWE’s head of Talent Relations, has said that the reason a talent leaves the company is usually about one of two things: Cash or creative. With Neville, it’s reportedly both. Obviously we’re in the dark about much of this. But allegedly two of the factors for Satterley walking out were the direction of his character, and being left off the Wrestlemania 33 DVD. The later was also a factor in Austin Aries, ironically Neville’s opponent at the event, leaving the company. Not being on the DVD affects a talent’s royalties in a big way. I expect that was a big shot to Satterley’s wallet. 

It’s not really my place to talk about the money involved here, as I don’t know the particulars. However, from a creative perspective, this is a real shame. I’m not immensely familiar with Satterley’s pre-WWE work. But having watched him these last two years, it seemed like things finally picked up for him when he became a part of the 205 Live crew. He might be the only one who can make that claim. Sorry TJP, Rich Swann, and almost everyone from the Cruiserweight Classic

My big criticism of the Neville of 2015 and most of 2016 was that he had no personality. He was like a video game character who could do all these cool flippy moves, and of course the breathtaking Red Arrow. But there was no substance or personality to him beyond that.

But Neville’s entry into the Cruiserweight Division, more specifically the accompanying heel turn, gave him a chance to finally showcase some charisma. In doing so, he became far and away the star of 205 Live, and dare I say one of the best heels in the entire promotion. He found the missing ingredient, and seemed to be on track to bigger and better things.

So why walk out? Obviously, all this is all speculation. And as I said, I’m not going to dive into the financial element. But there are clues to be found…

First, let’s consider how WWE isolates the Cruiserweight Division compared to the rest of its roster. It’s rare to see a designated Cruiserweight get to wrestle someone outside the 205 Live roster. For instance, you wouldn’t see Jack Gallagher wrestle Sheamus, or Rich Swann against Seth Rollins. Gallagher and Swann would have to face each other in that equation, as they’re both Cruiserweights. The one exception to this rule seems to be Enzo Amore, who can apparently have one-off matches with the Miz, and get mauled by Braun Strowman. But everyone else has to stay in their division. Heck, the Cruiserweight Division even travels together as a whole, regardless of who is a babyface and who is a heel. They’ve all come out together numerous times to stare angrily at Enzo as he verbally castrates each of them.

It seems as though WWE is trying to avoid confusing casual viewers as they attempt to get the 205 Live brand over. I imagine they want the Cruiserweight Division to stand on its own before allowing it to bleed over into other areas of the show. Ergo, being a Cruiserweight essentially pigeonholes you into one corner of the roster. For someone like Neville, who’s clearly capable of graduating to a higher spot on the card, this would create an agonizing glass ceiling. Winning the Cruiserweight Title may have been both the best and worst thing to happen to him.

This general lack of flexibility on WWE’s part plays into the stifling of creativity that has already lead numerous big names to leave the company. CM Punk is the most prominent example. But there are also the likes of Cody Rhodes, Austin Aries, Ryback, and Wade Barrett. All those guys are awesome talents. But for whatever reason, they weren’t allowed to take their best shot at stardom because of how their characters were portrayed, or their stories were written. I understand not everyone can be in the main event picture. But doesn’t everyone deserve a chance to try? Doesn’t everyone deserve the chance to be themselves out there, and contribute to the product in their own unique way? Wouldn’t that make a more compelling television show?

The answer, of course, is yes. But that’s just not how it works in today’s WWE. Sometimes you simply are where you are. In terms of Neville, that’s such a missed opportunity. Once he found his groove on the main roster, it was obvious he had more to offer than a gorgeous finisher.

There’s no question about whether Benjamin Satterley will be okay. Clearly he will. Other promotions will flock to him. But to me, the more pressing question is what WWE can do to allow their talents to be more creative, and have more of a voice in the presentation of their characters. In the long run, who knows what that might cost them? WCW let Steve Austin, one of the hottest stars in the history of the business, slip through their fingers. Who’s to say WWE isn’t sending future marquee talent out the door by refusing to let them realize their full potential?

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A Review of The Walking Dead, Vol. 28 – Time’s Up

TITLE: The Walking Dead, Vol. 28: A Certain Doom
AUTHOR: Robert Kirkman
PENCILLER: Charlie Adlard
COLLECTS: The Walking Dead #173#178
FORMAT: Softcover
PUBLISHER: Image Comics
PRICE: $16.99
RELEASED: 
September 27, 2017

***WARNING: MAJOR spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

When you get right down to it, we’re really just waiting for all of these characters to die.

Consider the horrible things that happen to people in The Walking Dead. It’s not at all uncommon to see human beings ripped apart, disemboweled, and eaten alive. And that’s just by the zombies. Now look at everything the characters do to each other. They go to war with one another, cut each other up, bash each other’s brains in, and all manner of grotesque things. That’s the world they live in. Nobody in The Walking Dead dies of old age. Everyone in these stories is on a ticking clock.

In this volume, a major character’s time runs out. And it’s handled unconventionally, at least by Walking Dead standards.

When we open the book, the people of Alexandria are about to face the biggest zombie hoard of their lives. As the survivors rush into action, Rick and Negan struggle to survive amidst the undead. All the while, a group within the extended network of communities is preparing to rebel against Rick’s leadership. A group with a familiar name…

Let’s jump right in: This is the book where Andrea dies. Issue #165 ends with the discovery that she was bitten while helping fend off the giant hoard. Rick discovers what happened at the end of issue #166, and issue #167 is devoted entirely to her death.

We almost crack the fourth wall in #165. On the very first page, Negan is fighting off zombies, and says: “It’s funny how they keep trying to bite you, isn’t it? I mean, who’s getting bit these days–after knowing the rules this long?” And on the very last page? Andrea with a bite mark on her neck. I can’t decide whether Negan or Kirkman is the bigger jerk…

Kirkman seemed unexpectedly emotional about Andrea’s death, even including a personal message in lieu of a letters section in issue #167. He literally apologizes for killing Andrea, apparently anticipating how hard it would be for his more loyal readers. The message struck me as strange, and almost self celebratory to do that immediately after the story in question. The issue spoke for itself. The idea is that even after once again losing a woman he loves, Rick must continue on and draw strength from those around him.

Then again, Kirkman wasn’t wrong about the reaction. This story and this world can bring out a lot of emotion in its audience, and evidently its creator as well. Plus, it’s not like the message hampers the content itself. I just wouldn’t make a habit out of it.

Andrea is one of the few characters in The Walking Dead to die peacefully. Other longstanding characters like Glenn and Lori had their lives violently ripped away. But with Andrea, both the readers and the characters know it’s coming, and they’re left to agonize over it. My favorite page in the entire volume is a 16-panel montage of Andrea being visited by various characters, each saying goodbye in their own fashion. It’s a very honest way to look at a death. It’s simple, but extremely effective.

As one might expect, Rick can’t bring himself to put Andrea down so that she doesn’t become a zombie. Ergo, we get a scuffle between Rick and a zombified Andrea. An awkward physical transition and some repetitive dialogue notwithstanding, it’s a pretty good scene, centered around Rick’s inner turmoil over whether he can bear the battle any longer. Very empathetic, given everything we’ve seen.

This book also takes us a few more steps toward Negan’s redemption, as he and Rick are forced to fight side by side against the hoard. Negan even saves his life at one point, and subsequently opens up about what happened to his wife, Lucille.

The Negan redemption arc has been the most interesting thing about the series for awhile now. What makes it work so well is that Negan is an admitted psychopath. So while it seems like he’s come along way since we first met him, it’s not far fetched that this could all end up being a giant ruse. And with Andrea now gone, Rick is about to be extremely vulnerable. Seems like a hell of a good time to spring a trap. I’m not betting on a swerve turn, however. Negan trying to be a good guy is a lot more interesting than Negan reverting to his old ways.

Artistically, the book is strongest in issue #167, as that’s where the strongest subject matter is. Penciller Charlie Adlard, inker Stefano Gaudiano, and grayscale artist Cliff Rathburn turn in some absolutely beautiful imagery. There’s almost too much to mention. Virtually everything during Rick and Andrea’s final scene is awesome. The character acting is emotional and on point, particularly from Rick. There’s an absolutely gorgeous two-page spread of Rick at Andrea’s bedside during her dying moments. The tragic tenderness of that moment, coupled with how visually shaken Rick is, make Andrea’s transformation into a zombie that much more horrific. The scuffle itself isn’t perfect, but the turn itself is.

The talk between Negan and Rick in issue #164 is also artistically notable, as it’s the most vulnerable we’ve ever seen Negan be in front of another person. It’s one of the few moments in the entire series where we can tell he’s being honest. We don’t just get that from his dialogue. It’s also in his eyes, how he’s positioned in certain panels, the lighting/shading in the scene. It’s human connection, and it’s a pivotal scene in the relationship between these two characters. Now it’s just a question of how real it was on Negan’s end…

While they don’t have Negan with them any longer, the Saviors reassert themselves in this volume. It’s not remotely on the same scale as before. But it’s mildly compelling, and an alright source of tension. It takes something of a bizarre turn in issue #166, when Rick accidentally kills their new leader Sherry. During a physical confrontation, she gets pushed into a table at an awkward angle and her neck snaps. The Walking Dead isn’t exactly known for its unconvincing death sequences. But I didn’t buy this one. The physicality of it was strange. Oddly enough, it’s similar to the awkward transition we see in issue #167. Both involve an attacker being on top of Rick, and then being pushed backward. Perhaps we’ve finally found something in this series Charlie Adlard doesn’t draw perfectly.

Obviously, The Walking Dead is in no danger of…well, death. The series seems as healthy as it’s ever been. But from a creative standpoint, I often wonder about story patterns we see in the book, and whether a paradigm shift is in order.

I refer specifically to the use of big bad villains leading big bad groups to terrorize Rick and our heroes. We’ve had the Governor, we’ve had Negan, and to a lesser extent we’ve had the Whisperers. But Negan, the Saviors, and the All Out War storyline have been such a tough act to follow. It’s virtually exhausted the villain formula. Even when the Whisperers put a bunch of heads on pikes, it seemed to pale in comparison to the violent bullying we saw from the Saviors. And if we’re not fighting bad guys, we’re fighting zombies, which are essentially an environmental hazard at this point.

The book’s saving grace is that we still care about the characters, specifically the ones that have been with us a long time. Rick, Carl, Michonne, Negan, and Eugene all come to mind. But have we reached the point where we can’t break any new ground with them? In the long run, how healthy is a series where readers are just waiting for the clock to run out on the characters they love? What can be done to give The Walking Dead a creative jolt?

I don’t have the answer. I just hope Robert Kirkman does

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WWE Hell in a Cell 2017 Predictions, Plus More on Sister Abigail

By Rob Siebert
Editor, Fanboy Wonder

There was a decent amount of buzz about Sister Abigail coming out of Raw this past Monday. For years we’ve heard about this mysterious mentor figure from Bray Wyatt’s past. So hearing him say, “Sister Abigail is alive,” made for a pretty loaded moment. The natural assumption was that this would lead to the debut of a new character. Possibly a new manager to freshen up Bray’s presentation. The guy could certainly use a new coat of paint.

But now, rumor has it that this is leading not to a new character, but to an alter ego for Bray. Sort of his own heel version of Finn Balor’s Demon persona. I imagine it will be Sister Abigail vs. the Demon at TLC later this month.

This development is…disheartening. I understand the notion of Sister Abigail as this figure from Bray Wyatt’s past that he draws a demented sort of inspiration from. But it’s only natural for us to be curious about who she was, what she looked like, etc. Not introducing us to her feels like a wasted opportunity.

Plus, knowing WWE this Sister Abigail alter-ego will simply be a flash in the pan. Something they use to extend Bray’s program with Finn Balor. Once Balor wins, which I assume he will, there’ll be no reason to go back to it. Just another page in the “wasted ideas” portion of Bray Wyatt’s career. A portion that sadly gets bigger year after year.

Anyway, let’s take a look at the card for Hell in a Cell this Sunday…

PRE-SHOW MATCH:
The Hype Bros vs. Shelton Benjamin and Chad Gable

Clearly, the Hype Bros are either turning heel or breaking up. Given that Mojo Rawley seems like a natural babyface, I’ve been banking on a heel turn for Zack Ryder. It’s a little bit of a crap shoot. But it’s been a long time since he’s walked on the dark side. It’s worth a try. Either way, there’s no reason Benjamin and Gable shouldn’t walk away with this one. It’s simply a question of when they’ll pull the trigger on something with the Hype Bros.

PREDICTION: Shelton Benjamin and Chad Gable

Bobby Roode vs. Dolph Ziggler

This has always been about Roode coming out of the gate strong with a great opponent. Ziggler played this same role with Shinsuke Nakamura several months ago. So the winner here has never been in in doubt.

Ziggler has taken some flack for his promos on big, elaborate entrances these past few weeks. But I actually think they’ve been among his best mic work. They make sense to me. In his mind he’s the best. But the fans don’t care. So he’s lashing out at the people they do care about. I have no idea what’s next for Ziggler. But hopefully he continues to get mic time.

PREDICTION: Bobby Roode

Randy Orton vs. Rusev

If there’s any justice in the world, Rusev wins this match. But because there clearly isn’t, it’s probably going to be Orton.

Last week I talked about whether WWE would have been better off strapping the rocket to Rusev, as opposed to Jinder Mahal. I’m hardly the only one to pose that question, either. We’re never going to know, obviously. But hindsight being 20/20, Rusev does seem like a much better option. Especially if Lana were still with him. Rusev and Lana are obviously more of a money pairing than Rusev and Aiden English. Or friggin’ Lana and Tamina…

PREDICTION: Randy Orton

WWE SMACKDOWN WOMEN’S TITLE MATCH:
Natalya (c) vs. Charlotte Flair

Charlotte and Sasha Banks literally made history at this event last year. It was the first time a women’s match main vented a pay per view, with the first women’s Hell in a Cell Match. And she won! Tough act to follow…

I don’t see her faring quite as well this year. She’ll get the belt eventually, of course. But this feels like Nattie’s time. She’s not exactly lighting the world on fire. But there’s something there with her. There always has been. I’m not willing to give up on her as champion just yet. There’ll be plenty of time for Charlotte to be in that spot later.

PREDICTION: Natalya

WWE UNITED STATES TITLE MATCH:
AJ Styles (c) vs. Baron Corbin

I wouldn’t be at all surprised to see Tye Dillinger added to this match at the last minute. Especially after he beat Corbin on Smackdown this week. He’s been in the mix with Styles and Corbin almost since their program began. It’s breathed some much needed life into his run on the main roster, and it makes sense for him to be here. Plus, if they decide to put the belt on Corbin, they can do it without having him beat Styles.

I don’t see that happening though. At least not yet. Losing the Money in the Bank briefcase was a big step backward for him, and they’ve done too good a job building the US Title up to give it to him as a consolation prize. He needs some rehabbing before he wins gold. And he will win gold. We just need to slow his ascent a bit.

PREDICTION: AJ Styles

WWE WORLD HEAVYWEIGHT TITLE MATCH:
Jinder Mahal (c) vs. Shinsuke Nakamura

They really should give it to Nakamura, shouldn’t they? After all the racial stuff Jinder threw out there, it would be pretty crappy not to have him get his comeuppance in the end. Mind you, I don’t think Nakamura is ready. Not in terms of how he’s been portrayed on television, at least. I still don’t feel like I know this guy. But that didn’t stop them from putting it on Jinder, did it? And at least Nakamura was a commodity for them in NXT. Let alone his massive body of work overseas…

But Jinder is probably going to keep it. WWE is going to India this December. Supposedly, one of the reasons they put it on him to begin with was to generate interest from India, so pulling the plug on him now would seem like a big admission of defeat. That means he’ll likely have it until the Royal Rumble at the earliest, Wrestlemania at the latest. It’s a real shame for Nakamura, as this program didn’t do him any favors at all.

At least they didn’t shoehorn this match into the cage.

PREDICTION: Jinder Mahal

HELL IN A CELL MATCH FOR WWE SMACKDOWN TAG TEAM TITLES:
The New Day (c) vs. The Usos

I’ve been saying for weeks that this should be main eventing the show. These guys have earned it. Every time I think I’m done with this feud, they find a way to inject new life into it. Great matches, great promos. They’ve just made it work. I don’t expect this to be any different.

My gut tells me the Usos will take this one, which should really come as no surprise. They’ve been switching the belts back and forth this entire program. So why stop now? The New Day lose very little at this point. It also gives them a perfect line about turning Hell in a Cell into the Uso Penitentiary.

They may as well turn the Usos babyface after this. The respect factor is clearly there, and the fans have been digging their promos for quite awhile now. The only problem is finding a heel team worthy of challenging them. After all this, I doubt the Ascension are going to cut it. Ditto for the Hype Bros…

PREDICTION: The Usos

HELL IN A CELL MATCH:
Kevin Owens vs. Shane McMahon

This week they added a Falls Count Anywhere stipulation to this match, which seems to contradict the whole point of a cage match. Unless, of course, the plan is to break out of the cage and do a big bump. In which case that stipulation allows them to go out on the most dramatic note possible. For a Shane McMahon match, that only makes all the sense in the world.

They’ve built this up for quite awhile. You can even trace it back to before the brand split, with Shane and KO having little moments together. That, combined with how they’ve heated this program up over the last few weeks, makes this a match worthy of the cell. I maintain that they don’t absolutely need it, and the New Day/Usos match could have headlined. But this works fine too.

While Shane doesn’t need to win this one, I suspect he will. Had they not brought up Shane’s kids, I might think differently. This feels like a situation where the good guy should win. Perhaps the bigger question is what the crazy bump in this match is going to be. On Tuesday, Owens literally threatened to throw him off the cage. How can you not do something big after saying that in the build-up?

Keep in mind though, it doesn’t have to be Shane taking a big fall. KO could just as easily get himself a highlight reel moment.

PREDICTION: Shane McMahon

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Sister Abigail Lives? Plus, Ponderings From WWE Raw

By Rob Siebert
Editor, Fanboy Wonder

Enzo Amore and the Cruiserweight Division main eventing Raw? For the second week in a row? It’s so far-fetched that even Enzo had to mention it on TV!

Except the last segment on Raw isn’t really the main event anymore. Traditionally, that’s how you construct a wrestling show. You build everything up to the end, where you put your hottest draws. But that slowly changed when Raw expanded to three hours. Ratings are always down for the last hour. You can chalk that up to a lot of things, perhaps most notably audience fatigue. So now, WWE has had to adjust their formatting to ensure viewers see the main angles. We’ve seen them do this before. But it’s been fairly consistent these past few weeks,

Coming into this week’s Raw we’d had two big matches advertised: Seth Rollins vs. Braun Strowman, and Roman Reigns vs. The Miz for the Intercontinental Title. They started strong with Rollins vs. Strowman, which traditionally would have been your semi-main event. Then at the top of the third hour, they gave us our main event title match. Strategically, this entices viewers to stick around during that third hour, in the hopes that they’ll keep watching after the match is over. They closed the show with Enzo, who has historically been a pretty solid ratings draw.

Thus, Raw is essentially being formatted like a “main event sandwich.” It’s bookended by two semi mains, with the biggest match near the middle. The show has changed. It really had no choice but to change.

So let’s not make two much of this “Cruiserweights in the main event” stuff. That’s not to say this will always be the way the show operates. But I’d be surprised if this weren’t this status quo going forward.

Ponderings From Raw:

Braun Strowman def. Seth Rollins. Dean Ambrose comes out to make the save, but gets put down as well. Cesaro and Sheamus pick the bones afterward. Is Strowman still supposed to be a heel? Or is he a “tweener” the way Brock Lesnar and Roman Reigns are? He worked both this match and the one last week against Ambrose like a monster heel. But watch the fans toward the end of this match as he’s Powerslamming Rollins. The crowd is cheering! That seems to be what Strowman predominantly hears out there.

Not that I can complain much about how Strowman has been booked. They’ve kept him strong despite his loss to Brock. I consistently look forward to seeing him week after week. I haven’t had that relationship with a wrestler in a long time.

Elias def. Titus O’Neil. In talking about Titus not being in the ring as much these days, Booker said in relation to his physique: “Look at the love handles!”

For the record, Titus looks as good as he ever has. Go ahead and take your shirt off on television, Book. Let’s see what you’ve got.

Mickie James def. Nia Jax via disqualification after an attack from Alexa Bliss. James to get her Raw Women’s Title Match at TLCMickie James needs some new music. Most of us know she’s a very talented singer with two country music albums under her belt. Why not exploit that talent? She’s been struggling to stand out since she came back. Bringing out her country side couldn’t hurt in that respect.

Luke Gallows and Karl Anderson def. Matt Hardy and Jason Jordan. This was disappointing. There are better things for Matt Hardy to be doing than being put in a thrown-together team with Jason Jordan. Here’s hoping this is just a one-week detour on Matt’s trip back to singles competition.

Roman Reigns is attacked by Sheamus and Cesaro during his Intercontinental Title Match with the Miz. The heels hit Reigns with a Shield-style Triple Powerbomb. Pretty good match, which the crowd was very much into. Reigns wailing away on Dallas and Axel before the match was fun. And that staredown between Roman and Miz afterward was great, particularly on Miz’s part.

Last week it seemed like they were building to a Shield vs. Miztourage match for TLC. This is a better course, and will probably give us a better match. Assuming this will be a TLC Match, I would highly encourage Cesaro to wear a mouthguard…

Bray Wyatt to Finn Balor: “Abigail is alive, and she is dying to meet you.” Huh. Well this is interesting. Based on Bray’s wording here, it looks like we’re finally going to meet the mysterious Sister Abigail we’ve heard about for all these years. I’m still not sure I want another Bray vs. Finn match. But if this Sister Abigail thing doesn’t flop, it might just be worth it.

Sasha Banks and Bayley def. Emma and Alicia Fox. This had ZERO interest from me. I’m as over Sasha as I’ve ever been, and my hopes of WWE creative getting a better handle on Bayley have been squashed. Something desperately needs to be shaken up.

After a lengthy Enzo Amore promo, Kurt Angle introduces Kalisto as the next challenger for the Cruiserweight Title. Enzo has now knocked it out of the park two weeks in a row with these promo segments. It didn’t exactly make sense for all the Cruiserweights to come down just to get insulted one by one. But it almost didn’t matter, as Enzo rattled off all those great one-liners.

Why it’s taken this long for Kalisto to be inserted into the Cruiserweight Division is beyond me. You’d think that would have been the sole motivation for moving him to Raw earlier this year. Better late than never, I guess.

Roman Reigns, Seth Rollins, and Dean Ambrose come to a silent understanding as Raw goes off the air. This was a cool moment. But the real entertainment value came from someone online inserting “Can’t Fight This Feeling Anymore” into the footage. Honest to God, it fits.

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A Detective Comics #965 Review – Robin Resurrected

TITLE: Detective Comics #965
AUTHOR: James Tynion IV
PENCILLER: Eddy Barrows
PUBLISHER: DC Comics
PRICE: $2.99
RELEASED: September 27, 2017

By Rob Siebert
Editor, Fanboy Wonder

Here’s something I don’t think I’ve ever shared: My first trade paperback was Batman: A Lonely Place of Dying. I picked it up during what might have been my first ever trip to a comic shop in the mid-90s. I had no idea what the story was about. Just that it had Batman and Robin on the cover. At this point they still looked pretty similar to Adam West and Burt Ward on the classic TV show. So I found myself pulled in. It remains in my library to this day. It’s easily the most tattered and worn trade I own. But it’s earned its spot up there. A Lonely Place of Dying introduced me to Batman’s current status quo. It’s how I learned about Jason Todd. It was my first Nightwing story. It also introduced me to Tim Drake, a character I would practically grow up alongside.

That’s what makes Detective Comics #965 a special issue for me. I’m sure it’s special for a lot of fans my age. It’s a love letter to A Lonely Place of Dying and much of the early Tim Drake material, bringing it into modern canon. We also see an intriguing component from Geoff Johns’ work with the character in Teen Titans. For those of us who hated what happened to Tim in the New 52 reboot, it’s fanboy nirvana. I imagine this is how die-hard Flash fans felt when Wally West came back in DC Universe Rebirth.

It’s been quite awhile since Tim was imprisoned by the mysterious Mister Oz. But what drew this ominous hooded figure to Red Robin in the first place? We get the answer to that question as Tim prepares to finally strike back. But in attempting to escape, our hero will come face with the last person he ever expected to see…

During our first seven pages, we alternate between present day and flashbacks to Tim’s early days with Bruce Wayne and Dick Grayson. Most of this material is pulled from A Lonely Place of Dying. James Tynion IV, Eddy Barrows, and our creative team focus on very specific moments from that story. For the most part, they pull the exact dialogue written by Marv Wolfman, and take care to honor but not duplicate the work done by artists like Jim Aparo and George Perez. Clothing and hairstyles have been updated, and the classic Robin costume has been switched out for its New 52 counterpart (shown left). I think we can also assume certain specifics from Lonely haven’t translated into modern canon. But by and large, the spirit of that story is intact. That’s such a beautiful thing to see. For so long,the events of Lonely have, for whatever reason, been glossed over. Even before the New 52, writers would always allude to Tim deducing Batman’s identity on its own. But it would rarely go further than that, presumably because certain aspects (Tim seeing Batman and Robin on TV, for example) didn’t match current continuity. But this material deserves as much attention as any part of Batman’s history. In that respect, this is justice done.

Detective Comics #965, and Tynion’s run on the series as a whole, also resurrects an idea introduced in the mid to late-90s: That Tim Drake has no intention of being Robin forever. He certainly doesn’t want to be Batman. His superhero career has an expiration date, and that has weighed heavily on his actions as of late. One of the things that makes Tim distinct amongst his fellow Robins is his independence. He’s willing to disagree with Batman, even if it creates a conflict between them. That’s a trait that suits Tim well, and Tynion uses it to inject some really nice drama into the big reveal later in the issue.

Eddy Barrows compliments Tynion’s writing very well. So I’m always happy to see him on Detective. He hits all the right emotional notes for the retro Tim Drake material. He made me feel like I was actually flipping through A Lonely Place of Dying, which is above and beyond what they were going for here. Colorist Ariano Lucas also lends a very nice sepia tone to those flashback scenes.

There are, however, a pair of light stumbles in the issue. On the page at left, Barrows has the unenviable task of recreating the debut of Tim Drake’s Robin costume from Batman #457 (shown left). By and large, he does very well. But that face is a miss. Something about the simple white slits for the eyes combined with the smile, which is slightly too big. Two pages prior, Barrows and the artistic team hit another smile related stumble with Tim. They weren’t aiming for creepy. But creepy is what we got.

I called this issue a love letter to Tim Drake. But James Tynion’s entire run on Detective Comics seems like a tribute to beloved ’90s characters either tossed aside or gutted in recent years. We’re talking Tim Drake, Cassandra Cain, Stephanie Brown, and even Anarky. It’s very much in tune with what the DC Rebirth initiative has been about, in that it celebrates the legacy of these characters while continuing to tell new stories. If that’s not Detective Comics #965 in a nutshell, I don’t know what is.

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A Dark Nights: Metal #2 Review – Aw, Look at the Baby…

TITLE: Dark Nights: Metal #2
AUTHOR: Scott Snyder
PENCILLER: Greg Capullo
PUBLISHER: DC Comics
PRICE: $4.99
RELEASED: September 13, 2017

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

Dark Nights: Metal #2 is a marked improvement over its predecessor. There are no awful giant robots to speak of, and the Batman worship has been toned down to a degree. There’s even an opportunity for Batman to beat up the whole Justice League again, and Snyder and Capullo pass…sort of. This issue gives us the best from all parties involved. Now if only I were confident things weren’t going to degenerate going forward…

The League is on the hunt for Batman after learning he’s a living doorway into our world for a demon named Barbatos from the Dark Multiverse. The Caped Crusader is determined to prevent Barbatos’ arrival on his own. But it’s a mission that’s doomed to fail, as his determination is about to backfire on him. One way or another, the Batmen of the Dark Multiverse are on their way.

One element of Metal that has yet to falter is the art. Penciller Greg Capullo, inker Jonathan Glapion, and colorist FCO Plascencia give us the DC Universe in all its grandeur, albeit a shade or two darker. The issue opens with a sequence that quickly jumps between Gorilla City, the House of Mystery, Metropolis, and the Amazon rainforest. Later on, we go to a location that Superfriends fans will recognize as the Hall of Doom, which is a cool little moment. Then you have the two-page spread revealing of all the Dark Multiverse Batmen. I stand by what I said last time about how they don’t all need to be twisted versions of Batman. But there are a lot of fascinating design elements.

“The Batman Who Laughs” (center) is the most provocative, as he comes with what appear to be cannibalistic zombie Robins on leashes. But the Aquaman equivalent (far left), “the Drowned,” has an intriguing design that seems to be pirate-inspired. The Wonder Woman equivalent is clearly inspired by Ares. Of course, having Doomsday stand in for Superman is a nice touch.

My complaints about the art are few and far between. But one of them deals with a shot of Damian Wayne. Early in the book we get a chase sequence through the Amazon, as Justice League members chase various Bat-family members who have been digitally camouflaged to look like the Dark Knight. Robin, meanwhile, is driving what essentially amounts to a big Bat-tank. There’s a panel where we zoom in on Damian behind the wheel, and the poor kid looks like he needs a booster seat (shown below). He’s supposed to be 13 years old, not six. What gives?

I’ve made no secret of how much I hate what Snyder and Capullo did with Batman and the Justice League in their Endgame storyline. While under the effects of the Joker’s mind control, Superman, Wonder Woman, the Flash, and Aquaman all attack Batman. Naturally, Snyder gives Batman a giant robot to fight back with, as he trumps all of them one by one. Each time, we got a detailed explanation of the pseudoscience involved. It all culminates with Batman spitting in Superman’s eye. There was no harm intended, but the whole thing wound up being absolutely disgraceful. One of the worst instances of Batman worship I’ve ever seen.

So naturally, the rainforest chase scene between the League at the Bat-family was nerve-wracking for me. Especially when the various members of Batman’s team start springing various traps. But in the end, with Superman’s help, the League gets a win. Batman himself winds up not being there at all. But let’s take our wins where we can get them. We avoided some indirect Batman worship.

Snyder and Capullo handle Superman pretty well this time around, which is a nice surprise. He’s compassionate and concerned about Bruce’s wellbeing, even referring to him as a brother. But at the same time, he’s the assertive leader that he should be. One way or another, he refuses to let Bruce face this threat alone.

I’m a little less sure about baby Darkseid, however. This transformation happened back in Geoff Johns’ Darkseid War. It’s not so much the way the little guy is used, but how he looks (shown below). I understand the goggles, which Batman addresses in the scene. But did we have to put him in a miniaturized version of his normal blue armor? There’s a ha-ha quality there that puts a damper on the drama.

On the subject of Darkseid, Snyder surprised me by weaving The Return of Bruce Wayne into this story. The idea is that Barbatos first saw Bruce when he was sent back in time via Darkseid’s Omega Beams, which set up the events of Return. I’ll say this much, it at least offers a little explanation as to why this giant cosmic entity is specifically targeting Bruce.

According to Snyder, Metal has been in the works since his run on Batman began in 2011. Metal #2 takes us back through the events of said run, and reminds us of the various otherworldly metals our hero has been in contact with. Electrum, Dionesium, etc. While I adore the long-term storytelling, the issue takes it a little too far by introducing a new metal called Batmanium. Ugh. Really? Batmanium?

I’ll say this much for Metal: It’s unabashed in its cornball moments, while at the same time creating a threat with some real gravity to it. We know it takes a lot to scare Batman, much less the entire DCU. While the heavy metal aesthetic isn’t really my thing, and the Batman worship continues to rub me the wrong way, Metal is worth your attention. Snyder seems to be writing a love letter to DC Comics lore, as Capullo and the artistic team continue to deliver quality work. Now it’s just a question of how much this thing is going to piss me off. Somehow, I doubt Snyder is as concerned about that as I am…

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