A Review of The Walking Dead #167 – Andrea’s Fate

TITLE: The Walking Dead #167
AUTHOR: Robert Kirkman
PENCILLER: Charlie Adlard
PUBLISHER: Image Comics
PRICE: $2.99
RELEASED: May 3, 2017

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

There’s always been a direct correlation between the quality of a Walking Dead story, and how real and relatable things feel. That’s what’s made this story different from typical zombie lore. We’ve had so much time with these characters, and seen them to do much more than run from zombies. The world they live in is obviously a fantasy. But we’ve seen them grow and change like real people.

That’s what makes issue #167 so impactful. To a certain extent, it feels like a real person has died. Furthering that point, it’s handled in a very raw and emotional fashion. This is unquestionably one of the best issues of the entire series. Maybe the best.

Andrea has been bitten. After having been with her for so long, Rick must once again say goodbye to a woman he loves. But can he bring himself to continue on without her? And how does her death impact Carl, Negan, Michonne, and the rest of the survivors? Especially now that the Saviors may once again be a threat…

I’ve never been any good at saying goodbye. Maybe that’s why this issue resonated so much with me. This is essentially one big goodbye to Andrea. They even forego the letters column this month, replacing it with a message from Kirkman about the character. It all may seem a little self-important. But The Walking Dead has such a passionate and devoted fanbase, that you can actually see the some of the reasoning behind it. Andrea has been part of the series since it’s second issue. She was one of the “originals.” So her death means that much more.

My favorite page in the issue is on a 16-panel grid, where we see major and minor characters alike pay their respects to Andrea. Each gets one panel. There’s a striking honesty on this page. You have some of the obvious, “we love you” and “if it hadn’t been for you” type stuff. But Heath, for instance, says: “We never talked much. I’m sorry for that. I’m not the best at making friends.” Carl’s love interest Lydia says, “I don’t think you like me, but…I’m not going to hurt Carl.” Then you have Negan, who puts his own little spin on a goodbye. And that’s not even taking the artistic quality of the page into account. It’s fantastic work by Kirkman, Adlard, and the entire team.

Kirkman uses Andrea’s death to talk about the human condition a little more directly. When talking with Carl about his relationship with Lydia, she tells him “People like to think there are people out there they’re meant to be with” but that “Anybody can love anyone if they want to.” He’s essentially trying to debunk the idea of soulmates, and asserting the notion that people make their own destinies. One might read that as Kirkman getting on his high horse. I suppose that’s true. But it’s his book, after all…

As one might imagine, much of the issue is spent with Rick and Andrea alone. He sits at her bedside in her final hours. It’s good stuff, but we get some odd repetition. Rick breaks down, talking about how he can’t go on, can’t stay strong, etc. In her last big monologue, Andrea tells Rick that he must continue, and how he’s made everyone else stronger. Then a few pages later, after Andrea has passed, Rick doubts himself out loud again. As he did just a few pages earlier, he says he “can’t do this anymore,” and that he just killed a woman a matter of hours ago. (It happened last issue. Long story.) The only real difference is that Andrea is dead in the latter scene. It’s a big difference of course, and Andrea’s monologue has all the appropriate power. I just wonder why the choice was made to have Rick repeat himself. In between those stretches of dialogue, we get four whole pages of silence, simply letting the art show us the final moments of Andrea’s life. I wonder if it would have been better to maintain that silence.

Charlie Adlard, inker Stefano Gaudiano, and gray tone artist Cliff Rathburn work their usual magic here. I almost hate to use that term, as it seemingly lessens the gravity of what they’ve been able to accomplish on this series. It’s Adlard and Rathburn have been with the series since it’s early days. So it’s always gratifying to see them there when a long-standing character leaves the book.

There are a good amount of splash pages and two-page spreads in this issue. There’s a two-page shot of Rick at Andrea’s bedside that’s tremendous. There are a lot of deep black in the room, yet we get the sunlight coming in through the window. This is also a great showcase for Adlard’s character “acting” skills. He’s become absolutely amazing with the subtleties in human facial expression. Case in point, the splash page of Rick’s face after Andrea is gone once and for all, and the impact of what’s just happened finally sets in. Then you have the panel below, where Andrea has died, and Rick has to prevent her from turning…

Despite Andrea’s death, this issue is really about two things: Perseverance and hope. This is the most painful and most personal blow Rick has faced since he lost his wife and baby. But the issue ends not with more grief, but with an eye toward the future. The Walking Dead isn’t necessarily a series that’s known for it’s optimism. So often this world prompts its character to act on their darkest and most disturbed impulses. Going the other way was smart, given the emotional impact of what we’re seeing. It’s part of what makes this a landmark issue for the series.

One of the things Kirkman does very well with The Walking Dead is create a certain legacy for characters that have died. The deaths of characters like Glenn, Lori, and Herschel are still being felt in the series today. So as we move forward, the question becomes: What will Andrea’s legacy be?

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A Review of The Walking Dead, Vol. 27 – Negan Rises, Lucille Falls

TITLE: The Walking Dead, Vol. 27: The Whisperer War
AUTHOR: Robert Kirkman
PENCILLER: Charlie Adlard
COLLECTS: The Walking Dead #157#162
FORMAT: Softcover
PUBLISHER: Image Comics
PRICE: $14.99
RELEASED:
March 1, 2017

***WARNING: Minor spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

The biggest thing I took away from The Whisperer War? That the Saviors were a tough act to follow.

That’s not to say they aren’t interesting in their own way. It’s hard to not be interested in a group that wears zombie flesh and rejects the idea of civilization. But the Whisperers are to The Walking Dead what Bane was to Christopher Nolan’s Batman movies. On his own merits, Bane was pretty damn evil in The Dark Knight Rises. But the Joker left such an impression on you in The Dark Knight that anyone else paled in comparison. Like the Joker, Negan made a very violent, vile, and personal impact on our heroes. But he was also uniquely charming. That’s why in many ways he’s become the star of the book.

More than two years after their war with the Saviors, Rick Grimes and our network of survivors are once again prepared to fight. But this time the enemy is very different, and the heroes have far more resources. But the Whisperers have something at their disposal  that could destroy everything Rick and the survivors have built: An army of the dead.

The most interesting aspect of this series since the time jump in issue #127 has been Negan’s quest for redemption. But we aren’t exactly sure if that’s his true motivation, or if he’s playing some kind of long game. Either way, we’ve gotten to see him from a few different perspectives. First as a prisoner, then an unlikely confidant for Rick, now a sort of comrade-in-arms.

Negan’s famous baseball bat, Lucille, is unexpectedly shattered in this book. It’s actually sad, in a silly sort of way. More endearing is the burial and eulogy he gives it in issue #162. As many of us know, it’s not really about a damn baseball bat. But seeing his personification of it come full circle is a neat little window into his heart.

On the subject of matters of the heart, Maggie has a great character moment. One of the newer characters, Dante, has been crushing on her for quite awhile. In this book he puts his cards on the table, but Maggie says she’ll only ever love Glenn. When he presses her on being alone for the rest of her life, she simply says: “I’m happy when I think of him. I’m not asking you to understand. I don’t care if it doesn’t make sense to you.” I love that. It’s unconventional, and it’s a great moment for fans who miss that relationship.

Artistically, the strongest issue is #162. Penciller Charlie Adlard, inker Stefano Gaudiano, and gray tone artist Cliff Rathburn give us a gorgeous two-page spread of the largest herd of walkers we’ve ever seen (shown right). But I also love the faint smile Adlard draws on Negan when he apologizes to Lucille for naming “a stupid f***ing baseball bat after you.” He also gives Rick a tremendous terrified look when he realizes the big hoard is coming.

The fire sequence in Issue #161 is also particularly strong. After an attack by the Whisperers, the Hilltop is burning. We see Carl nearly die after rushing back into a burning building. And for pure badassery, it’s tough to top Lydia kicking a zombie as the flames roar behind them.

The Walking Dead also shifts to a 16-panel grid for this volume (shown right), giving the book a much more dense feel at times. If you’re not used to seeing this layout, it can take some time to get used to. I once heard Gene Ha say it’s best to read a comic book twice, once for the story, and a second time just to absorb the art. That’s certainly the case here. I can’t imagine how much extra work this creates for Adlard, Gaudiano, and Rathburn. The books don’t suffer for the change, though. That’a a testament to the talent at work here.

I don’t know whether Negan is playing the long game. Be we know one person who is: Robert Kirkman. The Whisperer War is clearly a smaller piece of a larger puzzle he and this crew have been assembling since issue #127. Thus far it’s not quite as thrilling as what’s come before. But you can’t always judge an image until you can see the whole thing.

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A Review of The Walking Dead #163 – The Value of Context

The Walking Dead #163TITLE: The Walking Dead #163
AUTHOR: Robert Kirkman
PENCILLER: Charlie Adlard
PUBLISHER: Image Comics
PRICE: $0.25
RELEASED: February 1, 2017

By Rob Siebert
Editor, Fanboy Wonder

With its 25-cent price tag, The Walking Dead #163 is theoretically a jumping-on point for new readers. Given what a global phenomenon it’s become, it’s almost hard to imagine The Walking Dead needing new readers. But if you’re someone who strictly reads the trades, only picks it up here and there, or are indeed among the uninitiated, the Undead Express has stopped and opened its doors for you.

In the spirit of new readers, the plot is pretty straightforward: A bunch of zombies are headed toward Alexandria. As in, thousands upon thousands of zombies. Literally the biggest hoard we’ve ever seen in the pages of TWD. Andrea takes a group on horseback to try and divert some of the hoard away. But Rick, Negan, and the people of Alexandria cannot escape the inevitable. Alexandria is about to be flooded by an ocean of the dead.

the-walking-dead #162, two-page spreadWe learned about this giant hoard last month in The Walking Dead #162. The revelation came with one of the best spreads penciller Charlie Adlard has ever done (shown right). With aid from inker Stefano Gaudiano, and gray tone artist Cliff Rathburn, he gives us an image of a seemingly endless sea of walkers. And of course, you have that one looking out at the reader, which gives it a tremendous punch.

We don’t have an image like that in this issue. One that demonstrates the immense magnitude of the threat our heroes are facing. We see big groups of zombies, and we see the ginormous hoard from a distance. But there’s nothing like this, where we can really see  how massive and all-encompassing the threat is.

I’m not greedy enough to expect Adlard and the artistic team to produce a two-page spread of this quality in back-to-back issues. However, issue #163 is not only the most widely printed in the book’s history (as editor Sean Mackiewicz notes in the letters section), but comes at an almost irresistible price. So if I have the choice of putting that spread in this issue or the one immediately before it, I’m putting it here. For readers who didn’t pick up issue #162 it would offer valuable context, along with a great taste of Adlard’s brilliance.

the-walking-dead #163, 2017, Charlie AdlardIf there was ever an issue to up that zombie gore factor, it’s this one. What we get on that front is decent. There’s lots of crushing and squishing going on. Zombies being cut apart as they’re pushed through Alexandria’s front gate (shown left), bodies being impaled on spikes, zombies walking over each other, etc. It’s good stuff, but without that context of just how big the threat is, it’s lacking something. That extra fear isn’t there.

Rick’s relationship with Negan has been one of the focal points of the series in the last few years. What does Negan have to do to earn his trust? Can he earn his trust? Can he ever be forgiven or redeemed? In this issue, he gets to flat out ask Rick about that after saving his life. This comes moments after Rick calls the other survivors to follow Negan’s lead in going on the defensive against the walkers. What kind of personal hostilities would Rick open up with Maggie if he forgave the man who killed her husband? As it stands, things aren’t exactly peachy between Alexandria and the Hilltop.

Michonne has a tremendous character moment here. After trying in vain to divert some of the zombies away from the main group, she jumps off her horse and simply starts cutting them down one at a time. She and Jesus then opt to take turns. Every little bit helps, and based on the solicitations for upcoming issues, Rick and his crew are going to need all the help they can get. Not just from zombies, but from those they thought were their allies. Allegiances are about to change.

I’m curious to see how many new readers jump in with this issue. They didn’t necessarily structure it to be noob-friendly. It was essentially business as usual. But when it comes to The Walking Dead, business is booming. So it wouldn’t surprise me to see them sink their teeth into a few new readers.

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Is Goldberg in Trouble? Plus, Ponderings From WWE Smackdown Live

Bill GoldbergBy Rob Siebert
Editor, Fanboy Wonder

This week’s segment on Raw with Paul Heyman and Brock Lesnar brought back some interesting memories. Not of either of them, but of Bill Goldberg.

Goldberg was a superstar, make no mistake about it. He was a larger than life superhero. But so was Hulk Hogan. So is John Cena. So is Roman Reigns. As we’ve seen with all those men, sometimes wrestling fans get tired of the superhero shtick. Older fans in particular want someone more complex, someone with more gray area to them. As such, cheers can turn into boos.

Goldberg was no stranger to boos. WCW even tried an ill conceived Goldberg heel turn. But it simply was what it was. Some fans liked Goldberg, others didn’t.

These memories might have been lost to many of us as we basked in the honeymoon period of Goldberg’s return. But as we saw on Raw, the honeymoon may be over. They chanted for Brock despite Heyman’s obvious attempts to get them to chant for Goldberg. Eventually, we actually heard chants of “Goldberg sucks!” Reportedly, Vince McMahon became angry backstage and pulled the plug on the segment.

Granted, it was in Brock’s home state of Minnesota. In hindsight, it wasn’t the best place to try getting the crowd to chant his opponent’s name. But what happens when they put Goldberg out there in front of the famously opinionated Toronto crowd at Survivor Series? Remember, this was the crowd that famously turned on the Rock at Wrestlemania XVIII. It’s also the home country of Bret Hart, whose career Goldberg unintentionally ended with a brutal kick to the head.

Bill Goldberg vs. Brock LesnarHeel or babyface, Goldberg is a draw. What happened Monday doesn’t change that. But WWE needs to be ready for whatever these crowds decide to do in the weeks leading up to Survivor Series. Fans may have bought a lot of Goldberg DVDs in recent years, but that might not translate to an adoring audience…

Ponderings From Smackdown Live:

Bray Wyatt def. Kane in a no disqualification match, when Randy Orton abruptly hit the RKO on Kane. If they were going to go to the trouble of making this a no DQ match, they could have actually made it seem like the reigns were off a little. Outside of the interference by Orton and Luke Harper, what exactly made this match more dangerous than your average one-on-one match?

Later in the show, Orton simply said: “If you can’t beat ’em, join ’em.” He took the world’s longest pregnant pause before he said it, but he got it out eventually.

Of course, Daniel Bryan used this same logic a few years ago when he joined the Wyatt Family. He got a hell of a moment out of it on Raw when he finally turned on Bray inside a steel cage. A normal person wouldn’t be stupid enough to fall for this again….

But because these are WWE writers penning this, we’re probably getting a week or two of Randy Orton in the Wyatt Family.

Alexa Bliss, Becky Lynch, WWE Smackdown, October 25, 2016Alexa Bliss interrupts Becky Lynch’s return to Smackdown after an injury. There’s so much talk about the “four horsewomen” of NXT. But in terms of charisma, Alexa Bliss is up there. She’s obviously reciting written dialogue, but she’s so natural with it. It’s tough to believe she’s only been wrestling for about four years.

Pleased to see Becky back. When she couldn’t wrestle at No Mercy, I think we all had flashbacks to Sasha Banks having to drop the Raw Women’s Title. It should be fun to see her defend the belt in front of that Scotland crowd in two weeks.

The Hype Bros def. The Ascension, will represent Smackdown at Survivor SeriesSo this Survivor Series match with the tag teams will be 10-on-10, with five teams being represented in each match. So in order to win, do all 10 members of a team have to be eliminated? Or are both members of a team eliminated when one is pinned?

Either way, the Hype Bros qualify as expected. Much like Karl Anderson in a singles match, when the Ascension was announced, the outcome was never in question. These poor guys never get to win.

Nikki Bella def. Natalya to become the captain of the Smackdown women’s team at Survivor Series. Natalya is hereby left out of the match. Carmella ambushes Nikki afterward. Of course Nikki Bella is the captain. Why wouldn’t she be? I assume they’re waiting to announce the addition of the women’s champion until after the Becky/Alexa match in Scotland.

Nikki Bella, Natalya, WWE Smackdown, October 25, 2016With Nikki’s use of a modified STF to end this match, they continue to build up her relationship with John Cena. I imagine that’ll be part of a larger story down the road. It’s inevitable that one of Cena’s opponents will use Nikki to get to him.

Heath Slater & Rhyno def. The Spirit Squad to retain the WWE Smackdown Tag Team Titles. Adding Slater and Rhyno to the mix is a decent way to pad the program with Miz and Ziggler for another month. But after Survivor Series it has to end. These guys need new dance partners. Unfortunately, the only heel challenger that immediately comes to mind for Ziggler is Baron Corbin. That program was done to death earlier this year.

AJ Styles def. Dean Ambrose by disqualification. After they showed a replay of Ambrose doing a big dive to the outside, JBL said: “We need Rick Grimes out here.” Not only did that reference not land, but I can almost guarantee you he’s never seen The Walking Dead, and had no idea what he was saying. Bad form, sir. More accurately, bad form to whoever told him to say it.

Something about Mauro Renallo calling a Fujiwara arm bar made me smile. I can’t remember a WWE announcer saying that since Taz. Inevitably, one of the reasons Mauro gets compared to Jim Ross so much is because, like JR, he calls the moves. That’s the difference between being a wrestling announcer and a sports entertainment announcer.

James Ellsworth, AJ Styles, WWE Smackdown, October 25, 2016Ambrose and Styles always have good matches, and I’d been looking forward to seeing what they’d pull out of the hat here. As it turned out, one of their big tricks was James Ellsworth getting overzealous and attacking Styles, costing Ambrose the match. I liked this. It casts Ellsworth as not only a hopeless underdog, but a misfit and a screw up. He played it up even more on Talking Smack, looking like the saddest, most ashamed guy you’ll ever see. You’re not going to go to Madison Square Garden with James Ellsworth. But as a character, this guy is good. He’s an unconventional asset they can use to tell really interesting stories.

Also, No Chin Music is a hilarious name for a finish.

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A Review of The Walking Dead #156 – True Psychopathy

The Walking Dead #156, 2016, Charlie AdlardTITLE: The Walking Dead #156
AUTHOR: Robert Kirkman
PENCILLER: Charlie Adlard
PUBLISHER: Image Comics
PRICE: $2.99
RELEASED: July 7, 2016

***WARNING: Major spoilers lay ahead for The Walking Dead #156.***

By Rob Siebert
Editor, Fanboy Wonder

When reading The Walking Dead, I always try to keep in mind something Robert Kirkman wrote in the letters column for issue #100:“A good indication that we’re not going to do something is if hundreds of people predict it. If it’s obvious, we’ve probably already decided not to do it…because it’s obvious.”

So with all signs pointing to a Negan/Alpha romance, we probably should have realized a swerve was coming. And it’s every bit as bloody and graphic as you’d expect from Negan.

After spending about two years as a prisoner in Alexandria, Negan has escaped and joined The Whisperers. But he needs to prove himself, mainly to their leader Alpha. As we come to learn, Negan’s way of life doesn’t necessarily mesh with his new cohorts. As a result, near the end of the issue he abruptly kills Alpha, and then beheads the corpse. We close with the line, “Wait until Rick gets a look at you…”

Alpha, TWD 156This is the issue where the emotionless and merciless Alpha finally breaks. So much of this series has been focused on what the apocalypse turns people into. But we’ve never gone the other way. In the our final scene, Negan destroys the psychological barrier she’s built around herself. Despite her status as a villain, it’s heartbreaking. Especially when she talks about missing her daughter Lydia, who we’ve come to know. Then, of course, Negan robs her of the chance to ever see Lydia again. Thus her story becomes even more tragic.

Negan is such a fun character that it can be difficult not to like the guy. Until he does something awful, and you’re kicking yourself for not remembering just who he is. Issue #156 is a textbook example. He saves a young woman from being raped, and then seems to show Alpha his own unique version of compassion. But we’re reminded that he is a psychopath in the truest sense of the word. He talks about losing his ability to feel a full range of emotions after the death of someone close to him (presumably his wife). This explains why he has such a difficult time when other people get emotional around him. We see it here with Alpha, and the scene with Carl from issue #106 comes to mind.

Negan and Alpha, TWD #156The line about Rick is obviously curious. The way Rick has come to him for guidance lately, my guess is Negan tries to use the murder of Alpha as a get-out-of-jail card. Now, as a free man who happens to have the leader’s ear, he’ll have a huge amount of influence, and perhaps the ability to chart a new course.

The praise for Charlie Adlard’s work almost goes without saying at this point. The scene where Alpha breaks down is fantastic. Strictly from a visual standpoint, we can see the cracks start to appear in her hardened demeanor until she finally loses control. The final page also lands really well. But my favorite moment in the issue can be seen above. Negan doesn’t know how to handle Alpha breaking down, and Adlard simply has his eyes dart to his right. He’s so obviously uncomfortable that it inevitably becomes funny. Of course, then he cuts her throat. Kind of a buzz killer.

So whose side is Negan really on? Is he about to take command of The Whisperers? Or will he show his loyalty to Rick? The only thing we can be sure of is that in the end, Negan will be on his own side. I’d be surprised if a reunion with Lucille isn’t far off.

Images from readcomics.net.

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A Review of The Walking Dead #150 – A New War For a New Era

The Walking Dead #150 (2016), Charlie AdlardTITLE: The Walking Dead #100
AUTHOR: Robert Kirkman
PENCILLER: Charlie Adlard
PUBLISHER: Image Comics
PRICE: $2.99
RELEASED: January 13, 2016

***WARNING: Spoilers for The Walking Dead #150 lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

The Walking Dead #150 was a let-down for yours truly. But I’m not sure I have any right to  it a let-down.

In this milestone issue, Rick continues to ponder the community’s next move after the Whisperers killed so many of their people. But after he is attacked by two of his own people, Rick announces that his community will not stand by and be helpless. The time has come to form a military. The world of The Walking Dead may never be the same.

I’ve made it sound more epic than the issue actually is. But this seems like a story we’re meant to look back on later and say: “That’s where they started in that direction.”

The Walking Dead #150, Charlie Adlard, Rick and EugeneI came into this issue thinking about the book’s previous landmark issues. In The Walking Dead #100, Negan made his debut and promptly bashed Glenn’s head in with a baseball bat wrapped in barbed wire. In issue #125, Rick had a big confrontation with Negan that ultimately led to his victory over the sadistic potty-mouth. The Walking Dead #150, a bloody fight notwithstanding, doesn’t give us anything like that. There aren’t any of the book’s trademark heart-wrenching moments or daring escapes. There isn’t a major triumph for anyone. This isn’t a bad thing, per se. But it does leave you saying: “That’s it?”

The notion of Rick being some kind of military leader indicates he’s going down a path once walked by the likes of The Governor and Negan. As we see in this issue, Rick has more compassion than either of them. But how exactly does one run an virtuous, humane military in a world where virtues and humanity are often lost to carnage and brutality? What does a post-apocalyptic military even look like? How does it work? It seems these are the questions we’ll be examining going forward. The concept is intriguing to be certain, particularly with Negan in the wings.

The Walking Dead #149, Charlie Adlard, NeganWe don’t see much of Negan (shown right in issue #149) here, but he’s cast very well in this devil-on-your-shoulder type role. The scenes in previous issues where he’s talking to Rick from his cage bring The Silence of the Lambs to mind. There’s a moment in this issue where Rick is talking to Eugene about artillery, and he says: “The Whisperers won’t know what f***cking hit them.” This subtle nod to Negan’s influence on Rick hints at one of the dangers he’ll face going forward. How does he keep his community from crossing too many lines, and becoming a new version of the Saviors?

As for the fight scene, it definitely fills the gore quotient. Rick sinks his teeth into his attacker’s neck, showing us he hasn’t lost any of the savagery that helped him survive in the old days. That’s where all the blood we see on the cover comes from, and Rick uses it to help rally the community behind him.

The Walking Dead #150, Charlie Adlard, Rick Grimes chantOn that subject, near the end of the issue many of the community members actually chant Rick’s name (shown right). This is one of the rare Walking Dead moments I would classify as lame.

Charlie Adlard is Charlie Adlard. At times it feels like that’s the only way to describe the art in this series. The man has made himself into a legend. He’s been with these characters so long, and has been so consistent with his work that he brings a familiarity to every issue. Every movement or expression from Rick or one of his cohorts feels natural, because no one knows them like Adlard. That’s one of the reasons these characters feel so real.

The Walking Dead #150 isn’t a thrilling read, but Kirkman and Adlard are continuing to lay groundwork for thrills to come. That might not make for overly compelling content now, but given what’s come before, I’d wager the future still looks bright for The Walking Dead.

Images from author’s collection.

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A Review of The Walking Dead #100 – Enter Negan

The Walking Dead #100TITLE: The Walking Dead #100
AUTHOR: Robert Kirkman
PENCILLER: Charlie Adlard
PUBLISHER: Image Comics
PRICE: $3.99
RELEASED: July 11, 2012

***WARNING: Spoilers ahead for The Walking Dead #100.***

By Rob Siebert
Editor, Fanboy Wonder

While answering a fan question in the “Letter Hacks” section of The Walking Dead #100, series writer and co-creator Robert Kirkman says the following: “A good indication that we’re not going to do something is if hundreds of people predict it. If it’s obvious, we’ve probably already decided not to do it…because it’s obvious.”

That’s something fans of this series (or at least I myself) should have kept in mind when opening the long-awaited issue #100. Prior to this issue, Kirkman and penciller Charlie Adlard had taken Rick, Carl, Michonne and a few other more prominent characters, and split them off from the homestead where Andrea and the rest of the group were. They’d done all but erect a giant neon sign to suggest that Andrea’s group would be attacked and likely all killed by a character named Negan and his gang of tyrannic thugs. He’d built up a new romantic relationship between Rick and Andrea, gotten most of the A-listers out of dodge, and even shown us a few gang members near the homestead where the characters were staying. It looked like the stage was set for yet another big, bloody massacre where Rick would once again lose the woman he cares for.

The Walking Dead #100, Glenn, Charlie AdlardCue the swerve. Negan and his goons found Rick and the others in the van, and Negan beat Glenn to death with a baseball bat covered in barbed wire. More than half the issue consists of a scene where Negan not only kills Glenn, but says things like:

– ”We pissing our pants yet? Oh, boy–do I have a feeling we’re getting close. It’s going to be pee pee pants city here real soon.”

– “The new world order is this, and it’s very simple…Give me your shit or I will kill you. You work for me now. You have shit–you give it to me. That’s your job.”

– “I just hope–for your fucking sake, you’ve finally realized how things work and where you stand in all this…Whatever you had going for you–that’s over. You answer to me. You provide for me. You belong to me.”

This is one of those twists that you kick yourself for not expecting, because it retrospect it seems so obvious. Yes, Kirkman and Adlard were heavily hinting that Andrea and the rest of the crew were going to bite it. But all the characters that I as a reader care most about (Andrea being the sole exception) were also placed in a van and sent out into the wild. Given that this was the 100th issue, and we were expecting an important character to die, the odds of said fatality happening in that van were 10 times higher than the homestead.

The Walking Dead #100, Negan's debut, Charlie AdlardMind you, I don’t say this in anger. When you’re so wrapped up in the story that you can’t see the bigger picture from a deconstructionist standpoint, that’s a great thing. A lot of fans were no doubt expecting that homestead to go down in flames. Instead, Kirkman and Adlard gave us something much smaller in scale, but much more important and impactful: The introduction of a new villain who, when push comes to shove, may be worse than the Governor was.

The Negan character has only been around for one issue, but I love him already. He’s exactly what this book needs to inject some fresh life into it. He’s an obnoxious bully with an entitlement complex who’s not afraid to beat you to a bloody pulp, assuming his thugs are there watching his back. He’s also not afraid to pick on guys smaller and weaker than he is…like poor Glenn.

Negan, The Walking Dead #100, Charlie AdlardGlenn’s death is another “should have seen it coming” moment for me personally. He was one of the few characters left who’d been around since the start of the series, so fans were pretty invested in him. We’d also recently found out his wife Maggie was pregnant, which gives us an additional element of tragedy. That’s enough to point the proverbial scithe at him, but when you throw in his nice guy attitude, he’s the perfect victim to establish the horrific Negan. His death also makes the Maggie and Sophia characters much more interesting. The advantages to killing Glenn outweigh the advantages of keeping him alive.

Glenn got one of the most unapologetically graphic death scenes I’ve ever seen in comics. Negan smashes his skull with his first shot, making his left eye jut out, then cracks him across the jaw, and finally just knocks the hell out of him until his head is essentially hamburger meat. Adlard gives us a nice look at that eye again, as it literally sits on the ground beside what used to be Glenn’s skull. This is good not only for a little shock value, but to put Negan over as sadistic bastard he needs to be.

Interestingly enough, just before Glenn’s death Kirkman cracks the fourth wall a bit. Through Negan, he seems to let the audience in on his thought process on who to kill in the big 100th issue. He looks the characters over one by one, and thinks out loud…

The Walking Dead #100, Negan, Rick Grimes, Charlie Adlard– Carl: “I can’t kill you before your story ends. Too f***ing interesting.”

– Michonne: “There’s a lot of things I’d like to do to you, and killing you is at the absolute fucking bottom of that list.”

– Rick: “How stupid do you think I am? You’re practically invincible.” (He actually seems to be talking to some of the fans on this one.)

The Walking Dead #100 gave the series the shot in the arm it needed to freshen it up. There certainly hadn’t been a lag in popularity up to this point. But the series had reached a certain creative high back during the Governor storyline that it had yet to equal. Now we have a new villain who appears to be as sadistic as the Governor ever was, not to mention much more irritating. Negan now has Rick’s group outnumbered, and under his thumb. This obviously puts Rick and the others in a position where they have to endure even more adversity, and grow as characters. This issue was exactly what it needed to be.

Images 1 and 3 from comicvine.com. Image 2 from moviepilot.com.

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