Tag Archives: Rafael Albuquerque

A Batman #52 Review – Ohhhh, They’re Being Cute…

Batman #52, 2016, Greg CapulloTITLE: Batman #52
AUTHOR: James Tynion IV
PENCILLER: Riley Rossmo. Cover by Greg Capullo.
PUBLISHER: DC Comics
PRICE: $3.99
RELEASED: May 11, 2016

***Miss last issue? Check out issue #51!***

By Rob Siebert
Editor, Fanboy Wonder

This is the last issue of this volume of Batman. Because, you know, it’s the New 52. And this is issue #52. Oh, and Batman makes a list, and the important item is number 52.

I’m almost glad all these New 52 books are relaunching. They’re getting a little too cute with their number games…

A short time after the Waynes are murdered, Leslie Thompkins asks young Bruce to compile a list of things he needs to do to move on with his life. It’s not an easy list to compile, however. Years later, the things Bruce wrote down resurface in a manner that requires the attention of Batman. But what exactly is on that list?

A few quick words on James Tynion IV: His contributions to this Batman run should never be looked over. Scott Snyder may have been in the driver’s seat, but Tynion was a hell of a co-pilot with his back-ups on a lot of those issues. One that immediately comes to mind is issue #15, in which he and Jock put The Riddler over really well (and this was pre-Zero Year). Another amazing little story was “The Pit” with Rafael Albuquerque from issue #23. There are moments in this Batman series where I wondered Tynion actually understood Batman better than Snyder did. So if Snyder isn’t going to be the one to close this chapter of Batman’s career, Tynion damn sure deserves it.

Batman #52, Riley Rossmo, Leslie Thompkins, weird hairThat being said, Riley Rossmo’s art is awkward at times. He’s by no means a bad artist. He draws a pretty good Alfred. But there are panels where Batman’s eyes get a little too big and buggy for my taste. At different points he also looks a little too stringy, particularly on the final page. Part of that is Rossmo’s style, which is fair enough. But c’mon, this is Batman we’re talking about.

Also, what exactly is up with Leslie’s hair (shown left)? Is that supposed to be a retro hairdo? It’s more distracting than anything else. Why does Leslie have a cat sleeping on her head?

On the plus side, Rossmo draws what seems to be a nice little tribute to Batman: The Animated Series in this issue (shown below). He incorporates it into the story nicely. Artistically, it’s one of the highlights of the book.

The idea of Bruce creating a list like this is interesting. We don’t get to see a lot of it, which is fine. It’s probably best left to the imagination. We do see a few entries however…

  • #1. Disappear.
  • #7. Feel nothing.
  • #21. Let go of everything.
  • #33. Make them feel what I feel.
  • #45. Don’t let anybody else leave me.

Batman #52, lightning bolt, Riley RossmoWhat’s great about these sentiments is that while these feel like things a child might have written, in different ways you can apply them to both Batman and young Bruce Wayne. Tynion, Rossmo, and the team do a lovely job of illustrating that. They also hit us with a really good tearjerker in the second half of the issue when Alfred makes an addition to Bruce’s list.

Batman #52 is a serviceable conclusion to this volume of The Dark Knight’s adventures. Thankfully, Tynion returns to Batman’s world next month in Detective Comics #894. I’m pleased to see him getting the top billing on a Bat-book. He’s earned his stripes in Gotham City. While this may not be his best work, he’s got a chance to make some great comics going forward. That’s good news for both Tynion and Batman.

Image 1 from gamespot.com. Image 2 from comicvine.com.

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A Batman, Vol. 2: City of Owls Review – Owl City

Batman, Vol. 2: The City of OwlsTITLE: Batman, Vol. 2: The City of Owls
AUTHORS: Scott Snyder, James Tynion IV.
PENCILLERS: Greg Capullo, Jonathan Glapion, Rafael Albuquerque, Jason Fabok.
COLLECTS: Batman #8-12, Batman Annual #1
FORMAT: Hardcover
PUBLISHER: DC Comics
PRICE: $24.99
RELEASED: May 20, 2013

Need to catch up? Check out Batman, Vol. 1: The Court of Owls.

By Levi Sweeney
Staff Writer, Grand X

I never really took to the Court of Owls. They’re a bunch of hammy ninjas and evil rich people who share an obsession with a nocturnal bird. Maybe it’s because I just don’t buy the fact that there’s this evil cabal secretly running Gotham City for whatever reason. What do they hope to gain? Money? They’re already rich. Power? They could do that without resorting to murdering people and training ninja-zombies. I can almost imagine it: The Court of Owls Political Action Committee (COPAC).

My feelings on the Court of Owls aside, The City of Owls is a decent read. Following a harrowing encounter with the Court in their secret lair, Bruce Wayne suddenly finds himself under attack by a legion of Talons in his own home. What’s more, the Court has sent Talons to target important individuals across the city. Alfred quickly scrambles the Bat-family to try and save as many as they can, but who will win the “Night of the Owls?” More importantly, who’s really behind it all?

Batman #8, Greg CapulloEasily the best thing about this issue is the build-up and suspense. I have a renewed appreciation for Snyder’s skill in building momentum. It’s almost like climbing the stairs in a multistory building: You march up to the top, get to the landing, and you’re relieved, and then you’re faced with another set of stairs. In this case, Snyder and Capullo demonstrate their ability to make a comic which is visually compelling and interesting to read.

My favorite parts of the book, however, had little to do with the main plot. I most enjoyed the stories with Jarvis Pennyworth and Harper Row. In the Jarvis Pennyworth story, we see how Jarvis met his end while trying to be a good man trapped in a bad situation. The Jarvis story in particular has art by Rafael Albuquerque that fits the mood and story. The coloring and texture have a vibrant darkness to them, sort of like impressionist noir.

The Harper Row story gives us the kind of Batman tale I’ve always really liked: a look at the superhero situation from the P.O.V. of a normal bystander. Harper herself manages to be her own character without becoming a stand-in for Stephanie Brown. The smorgasbord of artists assigned to her issue managed to mesh well, and actually produced a nice effect.

Batman #11, Greg Capullo, Bruce Wayne, Dick GraysonI can’t say Snyder’s Batman is particularly memorable here. I will say, however, that we get a lot of good, classic Batman moments that were enjoyable to read. For instance, when Batman finally gets rid of that outrageous mech suit, and he’s suiting up, he smiles slightly when he puts on the cowl. He’s enjoying getting ready to kick some Talon butt with his own hands. The final scene with Bruce and Dick was a great one, with Greg Capullo’s art capturing the mood perfectly. I actually wouldn’t mind seeing Snyder write a run on Grayson or Nightwing, as he seems to have a good grasp on Dick’s personality. We saw this plainly enough back in The Black Mirror.

The thing is, I know that Snyder can do better than what he gives us here. Maybe he could try doing something with the classic villains, like The Riddler or Scarecrow or The Penguin. The Mr. Freeze-centric story in the annual gave us a fine example Snyder’s new approach being applied to older villains and ideas, and it turned out beautifully. I’d like to see more of that from him and his other collaborators, especially Jason Fabok, who draws such beautiful renditions of the classic villains.

The City of Owls wasn’t the best Batman story I’ve ever read, but it’s not bad either. It’s one of those things that just above average. It had the potential to be great, and it succeeds as a page turner, but it’s not going to make it onto my top ten list. At the very least, I admire Snyder and Capullo for trying to shake things up a little, and I hope to find more substantial stuff in the future

RATING: 7.5/10

Image 1 from dccomics.com. Image 2 from popmatters.com.

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