Tag Archives: R2-D2

George Lucas on Star Wars: Anakin and C-3PO

***Think what you will about George Lucas, but in terms of Star Wars, it can all be traced back to him. That’s why I always find it so interesting to listen to him talk about it. His creative process, the reason certain decisions were made, and how these movies became the pop cultural staples they are. This space is dedicated to just that. This is “George Lucas on Star Wars.”***

By Rob Siebert
Fanboy Wonder

The Scene: Anakin introduces Padme to C-3PO, the protocol droid he’s building to help his mother. Moments later, Threepio meets R2-D2 for the first time.

George Lucas Says (Via the Phantom Menace Commentary Track): “Not only is Darth Vader Luke and Leia’s father, but he’s also Threepio’s father. I thought that was kind of amusing irony in all of this. And I couldn’t resist it. It gives us the opportunity for Threepio to meet Artoo for the first time, and start what will ultimately become a very long and arduous friendship of sorts.”

I Say: Like a lot of people, my initial reaction to the revelation that Anakin built C-3PO was: “Bullsh*t.” Even in a world with laser swords and slug people, it was far-fetched.

But…when you hear George explain it like this, it actually makes sense. So much of Threepio’s character is based on him trying to relate to human beings. (“Sometimes I just don’t understand human behavior!”) So there’s fantastic comedic irony in the idea that like our main hero Luke Skywalker, Threepio is also Darth Vader’s son. It even casts an interesting new light on the “He’s more machine now than man” line from Return of the Jedi.

But that’s all subtext. To the average moviegoer, this Anakin connection is just a contrivance to shoehorn Threepio into the movie. And for no real reason, as there’s not much for him to do other than be introduced to Artoo. So while I very much like what George was going for with this, I don’t know that it was worth it in the end.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

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A Star Wars: The Force Awakens Review – Spoiler-Free For Your Protection

Star Wars: The Force Awakens, posterTITLE: Star Wars: The Force Awakens
STARRING: Daisy Ridley, John Boyega, Harrison Ford, Adam Driver, Oscar Issaac
DIRECTOR: J.J. Abrams
STUDIOS: Walt Disney Pictures, Lucasfilm Ltd, Bad Robot Productions
RATED: PG-13
RUN-TIME: 135 min
RELEASED: December 18, 2015

By Rob Siebert
Editor, Fanboy Wonder

This week, The Los Angeles Times ran article about John Williams composing the music for The Force Awakens. The famous film score composer said he felt “a renewed energy, and a vitality, and a freshness that did not estrange any of the characters or material from the texture and fabric of [George] Lucas’ creation — but revivified it.”

That’s pretty much been the energy surrounding The Force Awakens as a whole. We’ve all felt it. This film represents a new dawn for the Star Wars franchise. And the box office figures indicate, we’re ready to greet the day.

The plot for this movie has been delightfully shrouded in mystery from the get-go, and I see no reason to go into detail now. But here are the basics. Thirty years after Return of the Jedi, the First Order has risen from the ashes of the Empire. Near the top of their ranks is Kylo Ren, a mysterious warrior following in the footsteps of Darth Vader. But new heroes will rise, such as Rey, a scavenger on the planet Jakku. At her side is Finn, a defected stormtrooper whose conscious led him away from the violent First Order. This duo will fight alongside none other than Han Solo and Chewbacca, heroes of the Galactic Civil War. All the while, the Resistance, led by General Leia Organa, searches for the one hero missing amidst the conflict: Luke Skywalker.

Rey, Finn, BB-8, Star Wars: The Force AwakensAs a life-long Star Wars fan, I can indeed confirm that The Force Awakens is good. But it’s a different kind of Star Wars movie. Not drastically so, but Star Wars die-hards may notice. Certain portions have dimmer lighting, which leads to a darker vibe. There’s also a little more blood than we’re used to seeing from Star Wars. It’s still a scarce amount in the grand scheme of things, but it’s noticeable. I attribute this to the absence of George Lucas, who wasn’t there to micromanage things in his own…ehem…unique way.

I’m not complaining, mind you. I’m a George Lucas fan. But if The Force Awakens proves anything, it’s that Star Wars needed to get away from him. The man who wrote and directed the prequels could not have created a movie like this. This movie gives us new heroes we can invest in and care about. While it doesn’t shy away from nostalgiac winks here and there, it doesn’t need to be propped up by original trilogy elements the way the prequels did. It’s a thrill ride very much worthy of the Star Wars legacy.

Kylo Ren, Star Wars: The Force AwakensThe original trilogy character we spend the most time with is Han Solo, who is as charming and witty as ever. Harrison Ford essentially gives us exactly what we wanted to see from that character. He’s not necessarily the same daring rogue. But he’s still Han Solo. We also see a good amount of Carrie Fisher as General Leia Organa. It’s especially cathartic to see her in the role again. It’s such an iconic character, and she deserved that renewed spotlight. As for Mark Hamill’s portrayal of Luke Skywalker…that would be a spoiler.

Most of the new characters we meet are intriguing. But for my money, none are more interesting than Kylo Ren. It’s encouraging that he’s not simply a Darth Vader clone. He’s very much his own man, with his own demons. Some may argue that makes him less threatening than Vader, or other Star Wars villains. But without saying too much, there’s a level of instability there that should make for an entertaining journey.

Captain Phasma, Star Wars: The Force AwakensA fair complaint about The Force Awakens is that it’s simply the original Star Wars film done over again. The similarities are undeniable. We have our hero on a desert planet who gets a call-to-action from a droid, and is quickly swept into a galactic war against a Nazi-like organization with a base that has the power to destroy planets. Sound familiar? At one point, they even do a side-by-side comparison of Starkiller Base and the Death Star. The inside of the base is also clearly modeled after the Death Star!

Given what we’d seen from our most recent Star Wars movies, I’d argue a throwback isn’t the worst thing in the world. This movie gives people the Star Wars they want to see. Good and evil, the Rebellion and the Empire, Jedi and Sith. Some of the names have changed, but at their core, they’re the same. As a bonus, we even get to see some of the faces we fell in love with from the original trilogy.

131416_ori The Force Awakens is designed to jump-start the Star Wars franchise, getting us to remember what we loved about the originals while introducing new faces to carry the brand into the future. It accomplishes that goal, easily giving us the best installment in the series since Return of the Jedi. Lingering questions do remain, but I expect they’ll be resolved in future films. It’s fun to watch The Force Awakens, and if there’s anything that’s been missing from Star Wars in recent years, it’s that sense of fun and adventure. J.J. Abrams, Lawrence Kasdan, and everybody else involved with this movie deserve credit for living up to the hype, and restoring something that was lost.

So rejoice Jedi, wookies, droids, and even you damn gungans! Star Wars is fun again!

RATING: 9/10

Images from rottentomatoes.com.

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A Star Wars, Vol. 2 Review – Mrs. Han Solo???

Star Wars, Vol. 2: Showdown on the Smuggler's MoonTITLE: Star Wars, Vol. 2: Showdown on the Smuggler’s Moon
AUTHOR: Jason Aaron
PENCILLERS: Stuart Immonen, SImon Bianchi.
COLLECTS: Star Wars #7-12
FORMAT: Softcover
PUBLISHER: Marvel
PRICE: $19.99
RELEASE DATE: January 9, 2016

For further reading, check out our reviews of issue 7 and issue 8

By Rob Siebert
Editor, Fanboy Wonder

Since getting the keys to Marvel’s Star Wars ongoing series, Jason Aaron’s writing has been fairly inconsistent in terms of quality. He’ll be great for an issue or two, then suddenly give us an eye-roller. Still, Aaron has definitely put together a book that delivers on the trademark Star Wars action and adventure that we love. So despite the eye-rollers, we still come back for more.

After a glimpse into the journal of Obi-Wan Kenobi, Luke Skywalker sets out for the smuggler’s moon of Nar Shaddaa, hoping he’ll find someone who can get him on Coruscant and into the Jedi Temple discreetly. Unfortunately, Luke becomes the prisoner of a Hutt who fancies himself a collector of all things Jedi. Meanwhile, Sana Solo, the alleged wife of Han Solo, intends to collect the bounty on Princess Leia’s head. But first, they must survive a bombardment from the Empire. Plus, who’s going to rescue Luke?

STar Wars #7, Simone Bianchi, Ben KenobiThis book has a really strong start, as Aaron and Simone Bianchi give us a glimpse of Obi-Wan Kenobi’s maddening seclusion on Tatooine. Put plainly, it’s the best issue the Star Wars team has put out thus far. I’ve talked extensively about issue #7 before, but it bears a little repetition. Simone Bianchi’s art is haunting at times. Particularly memorable is a sequence in which Obi-Wan is meditating, and in his frustration, ends up lifting the bones of a long-dead creature out of the sand. There’s also a lone panel in which he’s sitting in his home alone in the dark, with nothing but agonizing time on his hands. I’m hoping we get more issues like this down the road.

We then get into the main story, which deals largely with Sana Solo, Han’s alleged wife. Han spends much of the story in a state of fluster, saying things like: “Sana. Where did you…how…how did you…?” and ““Leia, don’t listen to her. It was never like that…She’s not my wife!” That gets old after awhile. But on the plus side, it is interesting to see Han get the tables turned on him like that.

Han Solo, Sana Solo, Stuart ImmonenThe downside of a story like this is that the end is fairly obvious. From her reveal in issue #6, we knew the chances of her actually being Han’s wife were pretty slim. Even if she was his wife, shenanigans were likely involved. So we knew that by the end of the story she’d be gone. As such, it’s tough to fully get invested in her. But it is interesting when we finally hear her backstory. Her ship is also pretty cool. It looks like a cousin of sorts to the Millennium Falcon.

This book plays the lightsaber card pretty heavily. I’ve talked about the downside of what I call Frequent Lightsaber Activation (FLA) before, and it’s present in this book. It’s not entirely unjustified, because Luke does spend a lot of time in a combat scenario. But there’s a scene where Luke goes into a cantina on Nar Shaddaa, and his lightsaber makes him a target. The story then starts to revolve around Luke protecting the weapon, then retrieving it, then being confronted by a Hutt with a bunch of lightsabers strung around his neck. Then at the end, we get a stunt involving our main characters and a bunch of lightsabers. It’s all a bit much for my tastes. I don’t doubt there’s some sort of editorial mandate to play up Anakin Skywalker’s lightsaber, as it will appear in The Force Awakens. But there’s something to be said for not overdoing it.

Star Wars #11, Chewbacca, Dengar, C-3POOn the plus side, Aaron writes an excellent C-3PO. In Showdown on the Smuggler’s Moon, Threepio travels with Chewbacca to Nar Shaddaa in an attempt to rescue Luke. But the duo go on a hunt for information before runing into Dengar, one of the bounty hunters seen in The Empire Strikes Back. Threepio’s dialogue in issues #10 and #11 is fantastic. I loved the line, “Oh, why do I always have to be the hero?” Aaron’s portrayal of Threepio is one thing he’s been consistent with from the start. The fact that I’m a sucker for ol’ goldenrod doesn’t hurt either.

Stuart Immonen does fantastic work here. The passion he’s putting into these pages is evident. He’s got the faces and mannerisms of the characters down pretty well. Immonen, inker Wade Von Grawbadger, and colorist Justin Ponsor do an excellent job with Nar Shaddaa as a whole. The sky is a gorgeous (relatively speaking) mix of browns, yellows, greens, and even light oranges to portray the pollution. They also give us a really good Chewbacca. A lot of artists forget that Chewie’s arms are relatively skinny. He wasn’t this big, muscled up gorilla, so much as he was really tall. Kudos to this team for giving us a pretty fair representation of Peter Mayhew in that costume.

Star Wars #9, 2015, Grakkus the HuttThis crew also does most of the covers, and give us a fantastic one for issue #12.

Our artists have definitely proven their worth as far as the Star Wars universe is concerned. As for Aaron, this volume shows definite improvement. He’ll be spending his next few issues on the Vader Down crossover. But he’s managed to keep my interest, and I’ll be sticking around to see what he does next.

RATING: 7/10

For more from Stuart Immonen, Wade Von Grawbadger, and Justin Ponsor, check out Ultimate Comics Spider-Man, Vol. 1: The World According to Peter Parker.

Images from author’s collection.

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A Darth Vader #4 Review – Robot Insect Wasteland

Darth Vader #4, coverTITLE: Star Wars: Darth Vader #4
AUTHOR: Kieron Gillen
PENCILLER: Salvador Larroca
PUBLISHER: Marvel
PRICE: $3.99
RELEASED: April 8, 2015

By Rob Siebert
Editor, Fanboy Wonder

Hey kids! It’s Star Wars prequel stuff! Only this time, without the horrific dialogue and bad acting! And as a bonus: Evil C-3PO and R2-D2! We! Are! Winning!

Darth Vader #4 continues to be Marvel’s most compelling Star Wars title, as our protagonist continues to hunt for the Force-strong pilot who destroyed the Death Star, and investigate the identity of The Emperor’s mysterious co-conspirator. In his efforts, he has enlisted the aid of droid archaeologist Aphra, who has led him to Geonosis, the planet that sparked the Clone Wars. Once there, Vader hopes to use the long dormant battle droids for his own bidding.

The concept of Vader traveling to Geonosis and using the battle droids seems a little convenient as far as strategic use of familiar prequel-era imagery is concerned. Look no further than the cover to see this strategy in action. However, I won’t go as far as to call it cheap. The series has established that Vader trusts robots more than humans. Obviously he needs this army sooner rather than later, and given Anakin Skywalker’s experience in the Clone Wars, he has an understanding of how these droids work. So it does make a sort of sense that he’d use them. And let’s be honest, the prequel-meets-classic Star Wars element is usually pretty cool to see, as is the case here.

Darth Vader #4, Geonosis, queenI really enjoy the Doctor Aphra character. Obviously she fulfills a functional purpose in giving Vader someone to talk to, and saying expositional stuff. But what’s really interesting is her reverence of Vader. She’s not simply afraid of him. She is his humble servant. My question is…does she have bizarre romantic feelings for him? That’s a very interesting premise. What kind of woman loves Darth Vader? And can Darth Vader somehow find room amongst all his anger and hate to feel something resembling love again? A plotline like this could be an interesting foreshadowing to the events of Return of the Jedi. But romance or not, Aphra clearly doesn’t have a long life expectancy at this point. Either Vader kills her off when he has no use for her anymore, or her choice in men becomes her undoing.

Gillen, Larroca, and the creative team have also given this series a really fun resource for comedy: Triple-Zero and BT-1. Essentially, they’re evil versions of C-3PO and R2-D2. Zero’s dialogue is hysterical. He’s every bit the cordial, frittish butler C-3PO is. But the evil and sadistic is mixed in with the prim and proper. In this issue alone, he gives us these little gems…

Darth Vader #4, Triple-Zero– “Hello! I’m Triple-Zero and I’m looking forward immensely to torturing you today.”

– “Actually, a few words do spring to mind… Hahaha! You are on fire and also dead.”

Seeing Geonosis as a sterilized, depopulated wasteland so many years after the Clone Wars very much answers a “Whatever happened to…?” question left over from the prequels. It certainly seems in character for our buddies at the galactic Empire to eliminate a resource that is no longer of use. Though apparently they didn’t do as thorough a job as they should have. Larroca really gets to show off when we meet a surviving Geonosian queen who has taken on the remaining battle droids as her “children.” It’s an image that’s both very fitting of the Star Wars universe, and also extremely creepy.

I’m very much hoping Gillen and Larroca keep rolling here. This book’s writing is compelling on a number of levels, and its art is top notch. Truly, this is a Star Wars title worthy of the franchise’s legacy.

Image 1 from idigitaltimes.com. Image 2 from adventuresinpoortaste.com.

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