Weekly Comic 100s: Power Rangers Double-Feature, Crossover, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Power Rangers #1
AUTHOR: Ryan Parrott
ARTISTS: Francesco Mortarino, Raul Angulo (Colorist), Ed Dukeshire (Letterer). Variant cover by Jung-Geun Yoon.
RELEASED: November 11, 2020

There’s a really cool scene in here between Jason and Rocky, where they talk about the latter being the Red Ranger, but not the team leader. Parrott is so good at creating character moments for characters who were pretty thinly written to begin with.

That being said, Mortarino draws Rocky like…there’s no other way to put it…a whiny little bitch.

Adding Drakkon to this book is smart. Between BOOM’s two new Power Rangers titles, I suspect this is the one that’s going to have more trouble staying afloat, simply because the characters aren’t the iconic Power Rangers.

TITLE: Wonder Woman #766
AUTHOR: Mariko Tamaki
ARTISTS: Steve Pugh, Romulo Fajardo Jr. (Colorist), Pat Brosseau (Letterer). Cover by David Marquez & Alejandro Sanchez.
RELEASED: November 10, 2020

Tamaki is taking a page out of Greg Rucka’s playbook and blinding Wonder Woman. For a few issues, at least. I’ll say this much: It makes for a pretty cool fight sequence in this issue.

It seems like they’re wrapping up the story of the reluctant Wondie/Maxwell Lord team, which is a shame. For my money, the concept had a lot more mileage to it. It had become something I looked forward to seeing with each new issue.

I know I’m a broken record, but I still miss Mikel Janin on this book…

TITLE: Darth Vader #7
AUTHOR: Greg Pak
ARTISTS: Raffaele Ienco, Neeraj Menon (Colorist), Joe Caramagna (Letterer). Cover by Daniel Acuna.
RELEASED: November 11, 2020

Boy, some of this is really dumb.

I like the idea of the Emperor giving Vader a sadistic test by leaving him to die on Mustafar. But early in the issue we once again backtrack to a location from the prequels, and literally see Nute Gunray’s corpse. Is that all this series has to offer? “Hey! This is something you remember from the movies!”

This character, and this universe, deserve better.

TITLE: Detective Comics #1030
AUTHOR: Peter Tomasi
ARTISTS: Bilquis Evely, Mat Lopes (Colorist), Rob Leigh (Letterer). Variant cover by Lee Bermejo.
RELEASED: November 10, 2020

I think this is the first time I’ve seen Evely’s art. It’s got a cool sketchy look to it that doesn’t always go well with Batman’s world. But paired with Lopes’ colors, it works. Evely really gets to flex in this issue, drawing much of Batman’s surrogate family.

Tomasi is looping Damian into things, which bodes well for the book’s immediate future. His work with Bruce and Damian on Batman & Robin is some of his best. I’m interested to see if he can recreate some of that magic.

TITLE: Champions #2
AUTHOR: Al Ewing
ARTISTS: Simone Di Meo, Bob Quinn, Federico Blee
RELEASED: November 11, 2020

The division among civilians over Kamala’s Law, the law against teen superheroes, is really compelling. Mostly because it’s such an unsettling reflection of the actual division we’re seeing in the United States. It’s a tremendous example of how superhero comics can reflect what we see in the real world.

We open up this issue in a “reeducation center” that’s straight up chilling. It’s actually downright dystopian. I can’t remember the last time a comic book left me this unsettled.

TITLE: Superman #27
AUTHOR: Brian Michael Bendis
ARTISTS: Ivan Reis, Danny Miki (Inker), Alex Sinclair (Colorist), Dave Sharpe (Letterer). Cover by Tony Daniel.
RELEASED: November 11, 2020

Superman spends a small portion of this issue trying to avoid hitting the big scary alien. Imagine that. A superhero trying to dodge conflict with someone who looks and talks differently. God damn, Superman is so the hero this world needs right now. While I may not be in love with his work over on Action Comics, make no mistake about it, Bendis gets Superman. That’s so important, as the vast majority of writers don’t.

Reis, Miki, and Sinclair have been killing it, giving us some of the best art we’ve seen in Superman in years. Don’t sleep on them here.

TITLE: Crossover #1
AUTHORS: Donny Cates, Mark Waid (Story Edits)
ARTISTS: Geoff Shaw, Dee Cunniffe (Colorist), John J. Hill (Letterer). Cover by Shaw & Dave Stewart.
RELEASED: November 4, 2020

There’s a character in this book wearing a shirt that says “Wertham was right.” That’s a pretty cool Easter egg for people up on their comic book history.

Crossover is a book about comic book characters coming to life in the real world. All of them. It’s a silly concept, but the book treats it pretty seriously. As such, we have a series that people with a passion for the comic book medium will likely enjoy, but more casual fans may find a little too out there. Heck, I’m passionate about comics and it’s pretty far out even for me…

TITLE: Mighty Morphin #1
AUTHOR:
Ryan Parrott
ARTISTS:
Marco Renna, Walter Baiamonte (Colorist), Katia Ranalli (Color Assistant), Ed Dukeshire (Letterer). Variant cover by Daniele Di Nicuolo.
RELEASED:
November 4, 2020

The way Parrott writes Zordon in this issue is a departure from how we’re used to seeing him. Less a wise sage and more of a friendly uncle. It’s a risk that doesn’t pay off, in my opinion.

So wait…Drakkon’s not the Green Ranger? I’m confused…

I prefer Marco Renna’s work on this book to what we’re seeing in Power Rangers, particularly when it comes to action sequences. His panels with the Green and White Rangers are particularly strong, and the colors really pop. I’m hopeful this book will keep building momentum going forward.

TITLE: Batman #102
AUTHOR: James Tynion IV
ARTISTS: Carlo Pagulayan, Carlos D’Anda, Danny Miki (Inker), David Baron (Colorist), Clayton Cowles (Letterer). Cover by Jorge Jimenez & Tomeu Morey. Variant cover by Francesco Mattina.
RELEASED: November 3, 2020

Tynion says he came up with this new Ghost-Maker villain while he was writing back-up stories for Zero Year. That counts as a strike against him, in my book…

I’m not crazy about the name Ghost-Maker. But he’s pretty cool nonetheless. He’s got a cool costume, and a nice ninja aesthetic.

Carlos D’Anda pops up for a few pages in this issue to draw a scene where Harley Quinn gets a new apartment. It feels randomly dropped in. But I’m assuming that means Harley is sticking around in Batman for the near future.

TITLE: Star Wars #8
AUTHOR: Charles Soule
ARTISTS: Ramon Rosanas, Rachelle Rosenberg (Colorist), Clayton Cowles (Letterer). Cover by Carlo Pagulayan, Jason Paz, & Rain Beredo.
RELEASED: November 4, 2020

I’m in awe of just how much detail some artists put into these starships and the machinery. It’s a credit to not only to the talent of the artists they get on these Star Wars books, but the devotion they have to the franchise.

The writing, on the other hand, has been fairly stale across the entire line. In this book’s case, Commaner Zahra, a disciple of Grand Moff Tarkin, is a fairly interesting villain. But this just isn’t a terribly interesting story. She’s after Leia. Big whoop.

On the bright side, it’s not another story about a damn lightsaber…

TITLE: Young Justice #20
AUTHORS: Brian Michael Bendis, David Walker
ARTISTS: Scott Godlewski, Gabe Eltaeb (Colorist), Wes Abbott (Letterer). Cover by John Timms & Eltaeb.
RELEASED: November 3, 2020

Teen Lantern gets a nice spotlight here. Now if only this weren’t the final issue.

It’s an honest-to-God crime that this series is ending at only 20 issues. It’s one of the best teenage superhero books I’ve read in a long time, in that it delivers on both the action front and the teen angst front. I dig the expansive roster, as well. Sort of a Young Justice League Unlimited feel. If there’s any justice in this world, this team will be back with a vengeance.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: TMNT: The Last Ronin, Three Jokers #3, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Teenage Mutant Ninja Turtles: The Last Ronin #1
AUTHORS: Peter Laird (Story), Kevin Eastman & Tom Waltz (Story & Script)
ARTISTS: Eastman (Layouts), Esau & Isaac Escorza, Ben Bishop, Luis Delgado (Colorist), Samuel Plata (Color Assists), Shawn Lee (Letterer)
RELEASED: October 28, 2020

There’s a certain Batman Beyond vibe to the world of The Last Ronin. Some of The Dark Knight Returns too. And our villain almost a Kylo Ren rip-off. But none of this is necessarily bad. This book has a lot of intrigue going for it, and is off to an interesting start.

As this is supposedly based on an old story by Eastman and Laird, I came into it thinking it took place in the original TMNT comic canon. There’s a character on the last page who indicates that’s probably not the case.

TITLE: Batman: Three Jokers #3
AUTHOR:
Geoff Johns
ARTISTS:
Jason Fabok, Brad Anderson (Colorist), Rob Leigh (Letterer)
RELEASED:
October 27, 2020

Another beautiful issue by Jason Fabok and Brad Anderson. Though not what I would call a satisfying ending to the whole Three Jokers premise.

The story had a lot of interesting ideas, particularly when it came to Jason Todd and Barbara Gordon. Even Joe Chill, the man who killed Thomas and Martha Wayne. There’s also a new, interesting twist on the events of The Killing Joke. But in the end, this should remain out of continuity. A well written, gorgeously drawn idea exhibition. Nothing more.

TITLE: The Department of Truth #2
AUTHOR: James Tynion IV
ARTISTS: Martin Simmonds, Aditya Bidikar (Letterer), Dylan Todd (Designer)
RELEASED: October 28, 2020

“Collective belief shapes the world, so everything is a little bit true, or has the potential to be true.”

That’s a quote from this issue which essentially sums up the premise of The Department of Truth. And every time I find myself getting into it, that premise pulls me right out of the story. Because even using comic book logic, I just can’t get behind it.

Plus, we see something in this issue that turns me off. Any kind of violence against children has been doing that since my daughter was born.

TITLE: Batgirl #50
AUTHOR: Cecil Castellucci
ARTISTS: Emanuela Lupacchino, Marguerite Sauvage, Aneke, Wade Von Grawbadger (Inker), Mick Gray (Inker), Scott Hanna (Inker), Jordie Bellaire (Colorist), Trish Mulvihill (Colorist), Becca Carey (Letterer). Cover by Joshua Middleton.
RELEASED: October 27, 2020

What’s interesting about this book’s take on Batgirl is that she’s integrated into her community in a way Batman has never been. She’s helping an old lady with her groceries, she’s teaching self defense classes, etc. That’s not necessarily a bad thing, but it’s yet another example of why the Batgirl costume in this series doesn’t work. Barbara Gordon is part of the community too. So, as she’s only wearing a domino mask as Batgirl, it would be that much easier for people to recognize her. 

Now that this series is over, hopefully she gets a new outfit. And soon.

TITLE: Power Rangers: Drakkon New Dawn #3
AUTHOR: Anthony Burch
ARTISTS: Simone Ragazzoni, Raul Angulo (Colorist), Ed Dukeshire (Letterer). Cover by Jung-Geun Yoon.
RELEASED: October 28, 2020

This mini started to get interesting at the end of issue #2, when it looked like the Mighty Morphin Power Rangers as we knew them were about to return to the “Drakkonverse.” But this issue doesn’t follow through on that, which pretty much killed it for me.

But apparently Lord Drakkon sells comics. So I’d be surprised if we don’t get some kind of follow-up to this story. As one might expect, they leave the door wide open for it.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: The Scumbag, MMPR Finale, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: The Scumbag #1
AUTHOR: Rick Remender
ARTISTS: Lewis Larosa, Moreno Dinisio (Colorist), Rus Wooton (Letterer)
RELEASED: October 21, 2020

This issue has, perhaps fittingly, the only blatant female pereneum shots I’ve ever seen. Clothed, obviously. But still.

I do love this premise, though. Essentially, giving Captain America’s super-serum to the worst person possible. And The Scumbag most certainly sells us on that point. There’s a gross-out quality to this book that doesn’t necessarily appeal to me. But there may be enough intrigue for me to give it another look…

TITLE: Mighty Morphin Power Rangers #55
AUTHOR: Ryan Parrott
ARTISTS: Moises Hidalgo, Igor Monti & Sabrina Del Grosso (Colorists), Ed Dukeshire (Letterer). Cover by Jamal Campbell.
RELEASED: October 21, 2020

As our gorgeous Jamal Campbell cover indicates, we get a new Green Ranger in this series finale. (Two new ones start next month.) It’s not exactly an exciting choice. But the character sells comic books.

I’m assuming this is the last we’ll see of these new Dark Rangers. That’s a shame, as I feel like this story could have gone another issue or two. I wasn’t sure about them initially. But they grew on me.

TITLE: Batman #101
AUTHOR: James Tynion IV
ARTISTS: Guillem March, Tomeu Morey (Colorist), Clayton Cowles (Letterer)
RELEASED: October 20, 2020

I’m not normally a big Guillem March fan. But in this issue he does a two-page rendering of Batman in the classic blue and gray costume that’s pretty awesome.

This issue tries to sell us on the idea that things are going to be very different for Batman and Gotham City going forward, with Bruce even getting a new base of operations. Of course, this kind of thing has been done before with varying degrees of success. Despite my mixed feelings on “Joker War,” I still have confidence in Tynion IV to deliver.

TITLE: Teenage Mutant Ninja Turtles #110
AUTHORS: Kevin Eastman & Tom Waltz (Story), Sophie Campbell (Script)
ARTISTS: Jodi Nishijima, Ronda Pattison (Colorist), Shawn Lee (Letterer)
RELEASED: October 21, 2020

A strictly okay issue. Transitional, if nothing else. The first half is a mildly amusing story about Raphael getting a motorcycle. Then we go into a brief tale about Leo and some of the Mutant Town kids breaking into Old Hob’s lair. The latter is the more intriguing of the two, as the angle with the kids has never been done in a TMNT story. But all in all, this one is pretty skippable.

TITLE: Marvels X #6
AUTHORS: Alex Ross (Story), Jim Krueger (Story & Script)
ARTISTS: Well-Bee, Cory Petit (Letterer). Cover by Ross.
RELEASED: October 21, 2020

This mini goes out on something of a whimper. But if you enjoyed Earth X, I suspect you’ll like it regardless.

The star of the book, besides Ross of course, is Well-Bee. His grounded, slightly gritty take on the Marvel Universe is fitting given we have a civilian as our point-of-view character. As the series expands, its fun to see him get to draw all the classic Marvel characters.

TITLE: Juggernaut #2
AUTHOR: Fabian Nicieza
ARTISTS: Ron Garney, Matt Milla (Colorist), Joe Sabino (Inker). Cover by Geoff Shaw & Milla.
RELEASED: October 21, 2020

Ron Garney draws a hell of a Hulk. Tremendous line work. My only complaint is we don’t really get to see the body of the fight between Juggernaut and Hulk. That’s what’s drawing readers in, yes? So at least a portion of your readership is going to come away disappointed…

Still, I’m liking the whole “Juggernaut teams with a YouTuber” premise. It’s enough to bring me back for at least one more issue.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Darth Vader, Batman, X-Men/Fantastic Four, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Darth Vader #1
AUTHOR: Greg Pak
ARTISTS: Raffaele Ienco, Neeraj Menon (Colorist), Joe Caramagna (Letterer). Variant cover by Chris Sprouse.
RELEASED: February 5, 2020

After the events of Empire, Darth Vader starts investigating Luke’s birth/origins. He journeys back to Tatooine (again). He then goes to Padme’s old apartment on Coruscant, which remains more or less preserved after 20 years. As if it’s a crime scene or something. Based on the ending, I assume we’ll learn more next issue.

I understand it from a storytelling perspective. But in-universe, it’s always a little too convenient that these landmark places all essentially look the same no matter when we see them. That Lars Homestead will still be standing 30 years later

TITLE: Batman #88
AUTHOR:
James Tynion IV
ARTISTS: Guillem March, Tomeu Morey (Colorist), Clayton Cowles (Letterer). Cover by Tony Daniel.
RELEASED: February 5, 2020

I wasn’t very nice to Guillem March last time. In fact, I’m rarely depict his work positively. But to his credit, he won me over with this issue. At least a little bit. His rendering of Catwoman in a graveyard on a rainy night is damn near beautiful. The scene with Batman, Penguin, Deathstroke, and the others is also very strong.

At more than one point, it seemed to me like this issue was laying the groundwork for the long-awaited Three Jokers book. Remember, we’re building toward a story in the pages of Batman called “Joker War.”

TITLE: X-Men/Fantastic Four #1 (of 4)
AUTHOR: Chip Zdarsky
ARTISTS: Terry Dodson, Rachel Dodson (Inker), Dexter Vines (Inking Assistant), Karl Story (Inking Assistant), Laura Martin (Colorist), Joe Caramagna (Letterer)
RELEASED: February 5, 2020

I’m terrified of X-Men comics. Specifically, the decades worth of continuity and characters. But to this book’s credit, it’s fairly accessible.

Franklin Richards, the mutant teenage son of Reed Richards and Sue Storm, is summoned by Charles Xavier to live with Earth’s mutants on the island nation of Krakoa. This doesn’t sit well with Reed. Naturally, conflict and teen angst ensue.

I’ve been looking for a bridge back into the Marvel Universe. X-Men/Fantastic Four #1 might be it, as it does a nice job setting up both teams, and giving us a compelling main character in Franklin.

TITLE: Mighty Morphin Power Rangers/Teenage Mutant Ninja Turtles #3
AUTHOR: Ryan Parrott
ARTISTS: Simone di Meo, Alessio Zonno, Walter Baiamonte (Colorist), Igor Monti (Color Assistant), Ed Dukeshire (Letterer). Cover by Dan Mora.
RELEASED: February 5, 2020

We get a fight between Rita and Shredder in this issue. It’s a relatively lengthy battle. And you know what? I’m just going to come out and say it: I wanted this to be one of those fights where the guy and girl hook up at the end. You know how it goes. The passion overcomes them, etc. These two have a lot in common, after all.

What that says about me and these characters from my childhood, I’ll let you decide.

Oh my God. What if Shredder, not Zedd, was actually Thrax‘s father?!?!? Mind blown!!!

TITLE: Young Justice #13
AUTHOR: Brian Michael Bendis, David Walker
ARTISTS: Michael Avon Oeming, Mike Grell, John Timms, Gabe Eltaeb (Colorist), Wes Abbott (Letterer)
RELEASED: February 5, 2020

Well hey there, Mike Grell! It’s been too long! What’s more, Grell gets to once again draw a character he created in Warlord. Warlord and Superboy actually have a pretty nice dynamic in this issue. The experienced elder statesman offering calm words of wisdom to an upset Superboy.

For the moment at least, the Young Justice cast has expanded greatly. If these additional characters stick around, it’s a lot to balance. But it’s still damn good to see a couple of them.

TITLE: Lois Lane #8
AUTHOR: Greg Rucka
ARTISTS: Mike Perkins, Gabe Eltaeb (Colorist), Simon Bowland (Letterer)
RELEASED: February 5, 2020

As much as I’m enjoying having Greg Rucka back at DC, I’m wondering if this needed to be a 12-issue maxi-series. This entire issue felt mostly like filler.

For instance, there’s a scene in this issue where Superman shows up after an attempt on Lois’ life. We take four pages to see husband and wife re-united, and then to see the attention the Man of Steel gets from the local police.

Am I missing something? Why are we seeing this?

On the upside, the assassin that comes after Lois has a pretty cool look.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

A Mighty Morphin Power Rangers, Vol. 4 Review – When Zordon Steals the Show

TITLE: Mighty Morphin Power Rangers, Vol. 4
AUTHORS: Kyle Higgins, Ryan Ferrier
PENCILLERS: Hendry Prasetya, Bachan, Daniel Bayliss. Cover by Goni Montes.
COLLECTS: Mighty Morphin Power Rangers #13-16
FORMAT: Softcover
PUBLISHER: BOOM! Studios
PRICE: $16.99
RELEASED: 
October 25, 2017

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

The first act in the larger story of Lord Drakkon comes to an end in Mighty Morphin Power Rangers, Vol. 4. Tommy’s evil doppleganger looks great here, and we also get an awesome character spotlight. Overall, this MMPR series still has a big up side. But once we get into issue #16, particularly the last few pages, things start to get rocky.

When we open the book, Tommy and Billy are still trapped in an alternate universe where the Green Ranger remained with Rita Repulsa after the events of “Green With Evil.” This turn of events led to the destruction of the Power Rangers, and Tommy’s rise as the evil Lord Drakkon. Now the Tommy and Billy that we know must join up with a resistance force (led  by familiar faces) to bring Drakkon down. Meanwhile, Jason and the others face Rita and her minions with reduced powers, and without Zordon. And where is Zordon anyway?

We get the answer to that last question in issue #15, and it’s the creative highlight of the book. Zordon has been absent for several issues at this point, so it’s obviously good to check in with him. But this issue goes above and beyond, following him into a rift between the dimensions. We see him meet his counterpart from Drakkon’s world, and how Zordon has continued to play a role in the conflict despite current predicament. More importantly, after witnessing how events have unfolded in this alternate reality, we see him speak from a place of uncertainty. We aren’t always shown that perspective from a wise old sage character like this. It’s an intriguing change up, which in the end cuts to the very heart of who Zordon is.

Daniel Bayliss hits a home run with the pencils, inks, and colors. His renderings of a full-bodied Zordon interacting with the time warp around him, and later his other self, are compelling, gorgeous, and hit the mark emotionally. He also gets to play around with some of the the war sequences we’ve seen in previous issues. We get some familiar images of Rita’s forces in Washington, Drakkon holding the Red Ranger helmet, and a few glorious shots of the Thunderzords. Bayliss can’t come back to the Rangers soon enough.

We closed the previous volume with the reveal of Trini, Bulk, and Aisha (who we know as the future Yellow Ranger) as members of the resistance. Having Aisha show up is a nice bit of fan service. But that’s all it amounts to. I won’t complain about that, considering how much griping I’ve already done about Tommy and Billy seeing things from their future.

For whatever reason, this series is bound and determined to cast the fun-loving Zack as a brooder. We get more of that here. But it’s an alternate version of Zack, who has lost nearly everything and become the leader of the resistance. Given how dark the world around him has grown, I’m alright with this version of Zack being more dour. It even makes for a cool little moment with the canonical Zack toward the end.

This volume also sees Finster create Goldar clones of all builds and sizes to fight against the Rangers. I love this idea. It makes sense. Goldar has failed Rita time and again, so she has Finster “improve” on him. This might have worked as an idea for the show, time and costumes permitting. We even get to see Goldar without his armor on the very first page. I didn’t even know he could take the armor off.

Kyle Higgins deserves a lot of the credit for the more sinister Finster we’ve gotten from the BOOM! books. The crowning example is what we got from Trey Moore and Frazer Irving in the 2017 annual. But the Finster we get in this book has a nice underlying creepiness to him. By comparison, the Finster we got on the show was almost a kind old man at times.

One of the subplots we get in this book involves the Trini of Drakkon’s world coming to grips with seeing Billy, as the Billy of her world died saving her life. If Higgins and Hendry Prasetya are playing at an eventual Billy/Trini romance, they’re doing it in a very subtle manner. The potential romance between Billy and Trini thing is something some of us have been talking about since we were kids. They almost have to address it at some point. Even if it’s just an issue about how they don’t have those kind of feelings for each other. Matters aren’t helped when you consider Prasetya’s strengths are the super-powered action scenes, and not the quiet interpersonal stuff. So one can argue that material isn’t fully maximized.

On the flip side, Prasetya’s fight sequences with a morphed Lord Drakkon are epic in the inevitable good Tommy vs. evil Tommy fight. This is obviously the first time we’ve gotten to see that costume in action. It’s very evocative of classic Power Rangers. The costume is obviously visually similar to the White Ranger suit. Darken is even holding Saba for much of the battle. You can easily hear Jason David Frank’s cheesy “evil” voice when reading some of Drakkon’s dialogue. (“Hello again, Tommy.”)  There’s also a teamwork theme in effect here, which is something that’s remained present for the entire series.

The Yellow Ranger also gets a Battlizer of sorts in issue #16. It comes out of nowhere, but looks cool enough. I also appreciate that it’s Trini who gets it. She was always the most underdeveloped character on the show, and remains that way in the comics. So this is a cool moment for her.

At this point we’ve built this Lord Drakkon story up for four books. Everything has built to this confrontation between the two Tommys, and the Power Rangers finally striking back against Rita’s forces. The ending makes sense. But when I read issue #16 during it’s initial release, I was disappointed. We’d built to those big showdowns for so long, only for them to pass fairly quickly. This felt like it should have been a big, epic finale. The Megazord makes a big comeback against the Goldar clones, and Tommy and Drakkon make some kind of startling discovery about each other that leads into the next phase of the story. Instead the resolution, particularly the bit with the teens back at school, feels very rushed and slapped together. All the right ingredients are there. But we aren’t given enough time with them.

However, I will say that what happens to Drakkon at the very end has the potential to be very interesting…

Our Bulk and Skull back-up stories are no more, now replaced by “The Ongoing Misadventures of Squatt & Baboo.” Like their predecessors, these stories were fairly benign additions to each single issue that are now collected long form. Ryan Ferrier and Bachan set a similar goofy tone. But while the Bulk and Skull stories got old after just a few issues, I somehow find Squatt and Baboo’s adventures a little more palatable. Perhaps it’s because they got a fraction of the screen time Bulk and Skull did, so there’s a refreshing quality to them getting the spotlight here. The collective story is about them visiting an alternate dimension and running into Goldar. It’s mildly amusing, and Bachan has a cool take on our “heroes.”

Mighty Morphin Power Rangers, Vol. 4 has a few more problems than the previous volumes do. But all the elements that make the series great are still there. Namely, Higgins’ willingness to write an objectively silly concept in a more serious and dramatic voice, Hendry Prasetya’s awesome work on the words and costumes, and the added depth injected into the characters. For Power Rangers fans young and old, this series remains a must-read.

Follow Primary Ignition on Twitter, or at Facebook.com/PrimaryIgnition.

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A Mighty Morphin Power Rangers #20 Review – Summer of ’69

TITLE: Mighty Morphin Power Rangers #20
AUTHORS: Kyle Higgins, Ryan Ferrier
PENCILLERS: Daniele Di Nicuolo, Bachan. Cover by Jamal Campbell.
PUBLISHER: BOOM! Studios
PRICE: $3.99
RELEASED: October 25, 2017

By Rob Siebert
Editor, Fanboy Wonder

One thing you can’t take away from Mighty Morphin Power Rangers #20? It knows how the moon works.

Throughout the show’s history, Power Rangers has had a really weird take on the moon. The most notable example is probably the iconic “Forever Red” episode, where we see 10 years worth of Red Rangers fighting unmorphed on the lunar surface. They can breathe freely, and the gravity is the same as on Earth. The entire sequence looks suspiciously like it takes place in California somewhere…

That’s not the moon we get here. This is the genuine article. How do we know? Because the issue opens with the moon landing in 1969. In true Power Rangers fashion, our astronauts accidentally unleash an alien threat. And so, decades before Jason and the others take up arms against Rita Repulsa, Zordon must choose a team of heroes to protect the Earth. They are Earth’s first Power Rangers, and their story isn’t quite as happy as that of their successors.

I initially frowned upon the idea of Jason’s team not having the distinction of being the “original” Rangers of Earth. But transplanting the Power Rangers concept into the ’60s is too good an idea to pass up. It’s just a shame we don’t have time to flesh it out. Everything gets crammed into this one issue, and certain elements suffer as a result.

Our leader and Red Ranger is Grace Sterling, whose older self we’ve met in previous issues. She’s a secretary at the PR equivalent of NASA, with dreams of going into space. At her side are a British rock musician, a Russian communist, a Vietnam War veteran, and an idealistic youngster. Obviously these characters are written to clash. The problem is making it believable and organic in such a short time. For instance, there’s an exchange between the Pink and Yellow Rangers about whether the war is right or wrong. But they’re on the moon! Plus, because we know so little about these people, and the conflict only lasts about two panels, it’s almost not even worth it. In a perfect world, giving this story three or four issues would have granted it much-needed breathing room.

As this MMPR series has progressed, we’ve seen Kyle Higgins cherry pick elements and ideas from around the Power Rangers timeline. He does that here with the use of Psycho Green, a villain spinning out of the evil Psycho Ranger team from Power Rangers in Space.  I’ve gotten on Higgins’ back for muddying the pre-established continuity, but this is harmless enough. It’s a nice little tribute to PRiS. Interestingly enough, Psycho Green is apparently the right hand to another PRiS villain, Dark Specter.

MMPR: Pink artist Daniele Di Nicuolo is back for this issue, and is also solicited for issue #21. Di Nicuolo does well in the Power Rangers universe. But I was a little caught off guard by how jacked the male Rangers looked in morphed form. It’s fairly consistent with what he gave us in Pink. Maybe the alternate costumes distracted from it?

Either way, Di Nicuolo draws an awesome Psycho Green. The gender swap element in this book is also interesting to look at. Our Red and Black rangers are women, while our Yellow and Pink Rangers are men. That’s a nice little twist on things.

The scene with our five new Rangers in the Command Center is an issue highlight for me. Zordon has been absent for much of this series (the amazing issue #15 notwithstanding), so it’s great to spend a little time with him. It’s also the only time we get to see our unmorphed heroes interact with one another. Di Nicuolo gets to play with facial expressions, body language, etc.

“The Ongoing Misadventures of Squatt and Baboo” continue as well. For whatever reason, I’ve found these a little more palatable than the Bulk and Skull stories we got in earlier issues. Squatt and Baboo fight the Megazord this issue, which goes about as well as you’d imagine.

Considering how much hype MMPR #20 was given, not spending more time with this 1969 team seems like a wasted opportunity. Obviously what we saw here will factor into the coming issues, as Grace continues to interact with the Rangers. So in all fairness, we don’t have the whole story yet. But my immediate reaction is that they could have done so much more with this idea. But I’ll credit the BOOM! Studios crew for at least making it a reality. It’s a nice bit of world-building, in a series that’s already given so much to the Power Rangers mythos.

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A Go Go Power Rangers #4 Review – The Mystery of Salad Girl

TITLE: Go Go Power Rangers #4
AUTHOR: Ryan Parrott
PENCILLER: Dan Mora
PUBLISHER: BOOM! Studios
PRICE: $3.99
RELEASED: October 18, 2017

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

Go Go Power Rangers #4 opens with a flashback to what I’ll call the “Salad Girl scene.” It’s a story from Kimberly and Zack’s recent past that’s been referenced a bunch of times in the series. Until now, when a character would mention “Salad Girl,” I had no idea if I was missing a joke or a plot detail. So if this issue accomplishes nothing else, it at least solves the mystery of Salad Girl.

Thankfully, there’s more to Go Go Power Rangers #4, as the book wraps up its first arc, while still leaving a plot thread hanging for next time. As Rita begins her second attack on Angel Grove, Kimberly is in a tough spot. She must choose between saving her boyfriend Matt, and protecting the city at large as the Pink Ranger. Meanwhile, Jason is also on the sidelines for fear of being exposed as the Red Ranger. Our heroes once again have their backs against the wall!

Dan Mora and colorist Raul Angulo have a very distinct energy they bring to the Power Rangers universe. Thus far, that’s been best exemplified in their sequences with the zords. They opened the series on a high note with their brief take on the climactic fight from “Day of the Dumpster.” They recapture that magic here, as we see the individual zords in action, followed by the Megazord. Mora somehow has a knack for drawing comic book style destruction on a grand scale. Part of it is that he’s awesome with action sequences (see the Jason/Trini sparring session from issue #2). But there’s something immensely satisfying about how these giant machines kick up debris when they’re summoned, or how the action lines wonderfully convey the speed and impact of certain blows. It also doesn’t hurt that this book has an almost regal take on the Megazord. One of the highlights of the issue is a splash page showing us the Megazord formation.

Incidentally, Mora and Angulo also give us a terrific version of our resident school principal, Mr. Caplan (shown above). His shtick on the show was that he wore a toupee. I think we can safely say they nailed that one.

On the writing front, things still look pretty good. Although late in the issue, we get a scene that seems to come out of nowhere. Zack shows up in the Command Center alone, and asks Zordon why he wasn’t chosen as team leader. He cites Jason’s absences from two recent conflicts, and in all fairness he does have a point given how early this is in their run as heroes. Parrott did plant a seed for this back in issue #2. But this still feels very sudden. Thankfully, Zordon gives him a good answer.

It’s not necessarily a good use of one’s time to apply logic to content created for young children two decades ago. But seeing as I’ve already made a habit of it, let’s go ahead. We get a trademark Rita Repulsa move here, as she uses her big wand to make her monster grow giant-sized. Standing at her side, her henchman and monster-maker Finster asks why she’d do this. This is what she says…

“We must see every skirmish to its conclusion. It’s been this way on countless worlds. Every move, every battle, every monster is a wound. Individually, each cut may miss the mark. But eventually, with enough cuts, one will strike the target…”

She’s essentially saying it’s a numbers game. If you throw the dart enough times, you’re bound to hit the bull’s eye sooner or later. I’m not in love with this approach. It almost makes it seem like Rita is resigned to a certain amount of failure from the start. Given how short-tempered she always was on the show, it feels like a contradiction. I will, however, credit the book for trying to make some kind of sense out of it. At least if you separate the strategy from the character, it works.

Nitpicks notwithstanding, we’re only four issues in, and I adore this series every bit as much as Mighty Morphin Power Rangers, if not more. Part of this book’s concept is that we get to spend a little more personal time with Jason and the others. It’s a strategy that’s paying off, and that isn’t a surprise. It’s been 25 years, but people still remember these characters, and the qualities the actors were able to inject them with. As it turns out, Ryan Parrott, Dan Mora, and the BOOM! Studios crew are bringing some pretty Morphenominal stuff to the table as well.

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A Go Go Power Rangers #2 Review – Jason and Trini?!?

TITLE: Go Go Power Rangers #2
AUTHOR: Ryan Parrott
PENCILLER: Dan Mora
PUBLISHER: BOOM! Studios
PRICE: $3.99
RELEASED: August 30, 2017

***Check out the first issue of Go Go Power Rangers!***

By Rob Siebert
Editor, Fanboy Wonder

Monsters and morphers notwithstanding, thus far the teenagers in Go Go Power Rangers have been written fairly realistic. So it stands to reason that five hormonal high schoolers suddenly placed in a such a high pressure situation would feel…closer. While there was never a romantic link between any of our original five Rangers on the TV show, this series was bound to give us a crush, an unrequited love storyline, a fling, or something along those lines. Trini and Billy would have been my first guess, as they’re kindred spirits. Jason and Kimberly would be a little obvious, but not impossible. You’ve also got Trini and Zack, who were together in the Pink miniseries BOOM! put out last year.

But Jason and Trini? They might have been my last guess. Actually, in this case it’s Trini crushing on Jason. I won’t say I don’t get it. Even with his cutesy millennial haircut, the Red Ranger is still a stud.

Go Go Power Rangers #2 shows us the conclusion of the Rangers’ assault on Rita Repulsa’s palace, and clues us in on the long-term ramifications the fight has for them. We also get into some of the more personal ramifications that “Arrival Day” (i.e. the day Rita’s forces first attacked) has had on them. This includes Kimberly’s strained relationship with her boyfriend Matt.

Trini never had much in the way of romance on the show. Early in the second season, they created a character for her to fawn over. But that never went anywhere. Tommy and Kimberly filled most of the show’s romance quotient. So to see Trini trying to be romantic with anyone, let alone Jason, takes some getting used to. But thus far, it works. Jason is apparently oblivious at the moment. Considering Trini has been written very shy and soft-spoken, I’m curious if Ryan Parrott is going to make her someone attempting to come out of her shell and be noticed.

The issue highlights the fact that, after the fight at the palace, Rita has learned the Rangers’ first names. The Red Ranger is Jason, the Pink Ranger is Kimberly, etc. Zordon promises to do what he can to protect them. But what confuses me is, how does Rita knowing their names put them in any more danger than they were already in? I’d be more concerned that she saw their faces when they fought the putties on Arrival Day (cool name, by the way). On the show, she was always able to ambush the teens with putties, monsters, and what not. So she can clearly find them in Angel Grove. (Apparently that’s exactly what we’re going to see in issues to come.) How goes knowing their names make it worse? It’s not great, mind you. But it’s hardly the worst case scenario.

Considering the palace fight, this fear about Rita knowing their names and attacking them as civilians, and a few lines about the teens wanting to let their families in on their secret, Parrott seems to be going out of his way to explore new territory, and address certain things the show never did. Even more than Kyle Higgins has done in MMPR, he’s having fun bucking the show’s original structure.

Dan Mora’s pencils have been, by and large, excellent. I’ve praised his renderings of Goldar in the past, but I really noticed his work on Rita here. That giant headdress and Madonna-style pointed bra don’t exactly give her the most foreboding look. But despite his fairly animated style, Mora shows restraint when drawing Rita’s face. Particularly toward the middle of the issue. This makes her seem more cold and calculated, as opposed to angry and loud. Near the end, Mora draws her entering Finster’s lab clouded in shadow, so we merely see a silhouette. To say that costume casts a distinct shadow is an understatement. Then in the very next panel, the silhouette gives us a sinister grin. Throw in the use of additional black space to highlight the gears and gadgets in Finster’s lab, and it becomes the issue’s best page.

Mora is also very strong with Kimberly and Matt (shown above). Kim’s new boyfriend wears a letterman jacket, which given Mora’s style, almost gives those scenes a modern day Archie feel. (Think the Mark Waid/Fiona Staples run.) This poor kid. He has no idea who he’s dating…

The tone of Go Go Power Rangers compared to the MMPR book is becoming more apparent as we dive further into the lives of our heroes. There’s potential for some really, really good stuff here. Power Rangers fans should be very excited. I certainly am.

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A Go Go Power Rangers #1 Review – Scaling the Palace Walls

TITLE: Go Go Power Rangers #1
AUTHOR: Ryan Parrott
PENCILLER: Dan Mora
PUBLISHER: BOOM! Studios
PRICE: $3.99
RELEASED: July 26, 2017

By Rob Siebert
Editor, Fanboy Wonder

There’s a reason it’s taken 20 years for us to get quality Power Rangers comic books. So many of today’s creators grew up with the show and have a special fondness for it. As such, this campy TV show that so many have dismissed as mindless fluff is now being shown an unprecedented amount of love and respect. You can see it in both the broad strokes and the smaller details.

Case in point, the first few pages of Go Go Power Rangers #1 takes us back to the events of the show’s premiere episode, “Day of the Dumpster.” The climactic point in the episode sees the Megazord take on Rita Repulsa’s henchman Goldar for the first time. In the end, Goldar retreats. He insists, “This isn’t over! I’ll be back!” With that, he throws his forearm horizontally across his chest and vanishes.

There’s a panel on one of those early pages that depicts that same line and pose (shown below). As a lifelong PR fan, little things like that make me so happy. It shows me our creative team is as passionate about this as I am. You don’t always get that with a licensed book like this. But when you do, it can be a beautiful thing.

Spinning out of the success of BOOM’s Mighty Morphin Power Rangers title, Go Go Power Rangers kicks off at the tail end of “Day of the Dumpster.” Our five young heroes are adjusting to their new lives as superheroes. But before the battle lines are completely drawn in this ongoing battle with Rita, the Rangers take the fight straight to her doorstep. To save the astronauts that accidentally freed the evil empress, our heroes storm her moon palace head on. They wanted a fight. Now they’ve got one.

Go Go Power Rangers is apparently aiming to be more character-focused than its sister series, with a stronger balance between teenage drama and superheroics. This issue has an extremely positive indicator in that respect. Unlike virtually every other PR story from BOOM!, Go Go Power Rangers gets Zack right.

For some reason, both MMPR and Justice League/MMPR have often portrayed the Black Ranger as a sort of introspective brooder. I understand tweaking these characters for a modern audience. But that approach is the polar opposite of the Zack character. He was always warm, fun-loving, and enthusiastic. Ryan Parrott is the first writer I’ve seen at BOOM! who really taps into the spirit of Zack. I give him credit for that. But I can’t help but wonder why it took this long…

We also get an early morning scene with Jason training before school. It’s designed to give us a little bit of Jason’s background, and that’s all well and good. But I just like seeing him be so tireless and hardworking. It’s similar to what Kyle Higgins and Rod Reis were so successful with on their portion of MMPR Annual 2016.

This issue introduces us to a character named Matt Cook (shown below). He’s in the circle of friends with Jason and the others. But he obviously has no idea they’re superheroes. Matt also happens to be Kimberly’s boyfriend. By all indications he’s a good egg like the others. I almost feel sorry for him. He’s clearly about to be boxed out of the group. Sorry, dude. We can’t all be Tommy Oliver.

As a kid, I always wondered why the Rangers never took the Wizard of Oz approach and attacked Rita at her palace. It looks like this opening story is going to show us why. Mind you, it’s not simply an ambush. They’re trying to rescue the two astronauts we saw in “Day of the Dumpster.” In over two decades, it never occurred to me that those two could have been captured. It seems really obvious in retrospect.

When the team teleports directly in front of the palace, they’re met by an army (literally an army) of Putties. And of course, they later have Rita and Goldar to contend with. Dan Mora, along with colorist Raul Angulo, show us both the interior and exterior of the palace from a bunch of different angles. This includes the gloriously ludicrous neon “Bandora Palace” sign.

I was very impressed with what Dan Mora showed us in MMPR Annual 2017, and I’m still impressed now. Mora’s teens are much more expressive and animated than we’re used to seeing in MMPR. But his action sequences also deliver that same epic, awe-inspiring feel we’re used to getting. He’s very balanced in that respect. And of course, he still draws an awesome Goldar. Also, his rendering of the Megazord is one of the best I’ve ever seen.

I’ve touched on this before, but it’s somewhat uncomfortable for me to see the teens “modernized.” Even in the continuity of the show, MMPR is set in the ’90s. So it’s always going to be weird seeing them use smartphones and sporting modern looks (shown below). I get that it comes with the territory, and I don’t place blame on anyone for it. But it still seems weird…

The only updated look I take a bit of exception to is Jason’s. Something about the longer hair and the jacket rub me the wrong way. I’m not in love with Trini’s new hairstyle either, but it’s somehow less grating. Also, I just noticed Trini’s wearing glasses in the image below. That’s different.

Nitpicking aside, I enjoyed Go Go Power Rangers #1 as much as I’ve enjoyed any issue of BOOM! Studios’ MMPR series. Maybe even a little more. I admit, as a reviewer I’m likely biased when it comes to these books. As a fan, I’m so proud of everybody at BOOM! for what they’ve given us. Proud and grateful.

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