Once Upon a Time at the End of the World #3 Micro-Review – The Evolving Dynamic

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

Once Upon a Time at the End of the World 3, cover, January 2023, Alexandre TefenkgiTITLE: Once Upon a Time at the End of the World #3
AUTHOR: Jason Aaron
ARTISTS: Alexandre Tefenkgi, Nick Dragotta, Lee Loughridge (Colorist), Rico Renzi (Colorist), AndWorld Design (Letters). Cover by Mike Del Mundo.
RELEASED: 
January 25, 2023

By Rob Siebert
Fanboy Wonder

Between a full-frontal shot of old-man Maceo, and some well-placed F-bombs, this almost felt like an issue of Saga. Not necessarily in a bad way, though.

The most interesting thing about this book continues to be the evolving dynamic between Mezzy and Maceo. How they contrast, how they influence each other, etc. Thus far, the series has been at its strongest when it’s just the two of them. It’ll be interesting to see how that changes, or doesn’t change, as the story continues to expand.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Once Upon a Time at the End of the World #2 Micro-Review – A Spark of Sweet Humanity

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

Once Upon a Time at the End of the World 2, cover, December 2022, Mike Del MundoTITLE: Once Upon a Time at the End of the World #2
AUTHOR: Jason Aaron
ARTISTS:
Alexandre Tefenkgi, Lee Loughridge (Colorist), AndWorld Design (Letters). Cover by Mike Del Mundo.
RELEASED: 
December 28, 2022

By Rob Siebert
Fanboy Wonder

The most endearing part of Once Upon a Time at the End of the World thus far has been watching Mezzy, our hardened, no-nonsense survivalist extraordinaire, gradually warm up to her new companion Maceo. More than anything, it’s that spark of sweet humanity that has made these last two issues work so well.

Jason Aaron also uses this issue as a chance to fill in some of Mezzy’s backstory, as well as the larger world of the book. His ability to keep those storytelling plates spinning at the same time is commendable.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Once Upon a Time at the End of the World #1 Micro-Review – A Quality Recipe

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

Once Upon a Time at the End of the World 1, cover, November 2022, Mike Del MundoTITLE: Once Upon a Time at the End of the World #1
AUTHOR: Jason Aaron
ARTISTS:
Alexandre Tefenkgi, Nick Dragotta, Lee Loughridge (Colorist), Rico Renzi (Colorist), AndWorld Design (Letterer). Cover by Mike Del Mundo.

RELEASED: November 23, 2022

By Rob Siebert
Fanboy Wonder

What we have here is Jason Aaron’s answer to the post-apocalyptic YA romance novel.  And thus far, it’s a pretty good one.

We’re in a world that’s been ravaged presumably by climate change and pollution. Our only two characters are a pair of young people meeting for the first time. One is quirky and endearing, the other is quiet and deadly. We’ve also got art that’s fun, interesting, and versatile in terms of its ability to do action, comedy, and drama. All of this makes for a recipe for a good series. This is one to watch.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A Human Remains #1 Micro-Review – Nothing More Than Feelings

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

Human Remains 1, cover, 2021, Sally CantirinoTITLE: Human Remains #1
AUTHORS: Peter Milligan
ARTISTS: Sally Cantirino, Dearbhla Kelly (Colorist), Andworld Design (Letters)
RELEASED: October 13, 2021

In terms of premise, Human Remains is basically A Quiet Place, but with feelings instead of sounds. Given how stirred up and divided the world is right now (Or is it always that way?), it’s particularly apropos.

The book does a good job of showing us the wide scope of those effected by the monsters. Naturally, that’s necessary this early on when you’re still establishing who and what they are.

Sally Cantrino’s art isn’t the most sophisticated you’ll ever see. But it works here. Particularly when it comes to the monsters. Human Remains is definitely worth a look.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

10 Things You Need to Know About Bird Box

By Rob Siebert
Fanboy Wonder

My latest voiceover gig has gone live. Once again, it’s hosted by the folks over at Fandom. This time, it’s “10 Things You Need to Know About Sandra Bullock’s Bird Box.”

The post-apocalyptic thriller, which came to Netflix December 21, also features Sarah Paulson, John Malkovich, Danielle Macdonald, and Machine Gun Kelly.

Here’s the trailer…

And because now is as good a time as any for a shameless plug, I’d love for you to check out my previous gig over at Fandom, “9 Shocking Rick Grimes Moments on The Walking Dead.”

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

A One Trick Pony Review – Nathan Hale’s Apocalypse Tale

TITLE: One Trick Pony
AUTHOR: Nathan Hale
PUBLISHER: Amulet Books
PRICE: $14.95
RELEASED: March 14, 2017

***WARNING: Minor spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

You know how I can tell I’m becoming a crotchety old man? I’m getting angry at teenagers for being on their smartphones too much. The other day I actually coined the term, “screen-craving mouth-breathers.”

So yeah, Nathan Hale’s One Trick Pony was up my alley.

My first exposure to Nathan Hale came at this year’s annual Children’s Literature Breakfast held by Anderson’s Bookshop in suburban Chicago. He did a very funny presentation about the power that pictures and visual content can have in the learning process. Using an overhead projector and a marker, he told us all his animated version of the Lewis and Clark story. It was very much in the vein of his Nathan Hale’s Hazardous Tales series of graphic novels for kids, which take the same sort of look at history. If you get the chance to see him, I highly recommend it.

One Trick Pony is something different. It’s an original, post-apocalyptic graphic novel about a world where electronics are scarce. An alien race, which humans call “Pipers,” have stripped the Earth of its machines. As such, the world has reverted back to horses and spears. Our main character, a young girl named Strata, lives with a mobile caravan collecting and preserving technology. One day, on a routine hunt for tech, Strata and her brothers find a golden mechanical Pony called Kleidi. But the Pipers are always lurking, and Kleidi is literally a giant golden target.

I can’t find a lot of bad things to say about this book. It’s sort of like War of the Worlds meets The Hunger Games meets…whatever you’d consider a modern popular cartoon to be. I’ll say The Simpsons for lack of a better example. It’s witty and plainly spoken. It also has a nice moral in there about paying the piper for the luxuries we have, ergo the creatures (shown right) being called “Pipers.” I like the idea of these alien invaders having a moralistic agenda. In the end, we find out that’s not entirely the case. But I appreciate this story being given to youngsters.

Hale’s style is very simple, with a “sketchy” feel to it. But he’s more than capable of being a rock star on the pencil, especially when he gets to draw the caravan that’s carrying all the hidden tech. All the little details are awesome. It’s almost a contrast to the way he draws the human characters.

The story is presented mostly in grayscale. The exceptions are shades of yellow, a tiny bit of brown for skin tones, and deep gold, the latter we see on the Pipers and Kleidi. The sky is almost always a faded yellow, which with the gray gives us a very desolate feel.

Oddly enough, the element in this story that seems the most forced is Kleidi, the titular robotic horse. Kleidi and Strata have a boy-and-his-dog sort of bond, which I guess I can buy. But Kleidi being a robot thins out that premise, especially since we never find out exactly what this robot is or where it comes from. So our ending, which directly involves Kleidi, loses some of its edge because she’s almost more of a vessel than a character.

To use a Star Wars analogy, it’s like Han Solo’s relationship with the Millennium Falcon. He cares about it. But not in the same way he cares about, say…Chewbacca. Kleidi feels like Han and the Falcon, and I think it wants to feel like Han and Chewie.

What’s more, the world Hale creates is so much more interesting than the Strata/Kleidi dynamic. So interesting that I was actually disappointed when the story ended with the loose ends tied up, and a nice little bow on it. I was hoping we’d get a sequel to Kleidi. Especially considering things end rather abruptly. I’m not an advocate of every story being stretched into an epic trilogy. But there could have been more to explore here.

But perhaps I’m being too critical. Kleidi is a very good read, and hopefully the start of a new path for Nathan Hale. He’s a great history teacher. But he’s also got a knack for writing some history of his own.

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