Three Times Marvel Crossed Paths With Pro Wrestling

Drax, Guardians of the Galaxy, 2014By Eric Shaw
Contributor

It seems as if the Marvel Cinematic Universe will ultimately reach a point at which it incorporates just about all of Hollywood. This thing – the MCU, that is – just keeps expanding, through films, television, and even Netflix. At some point there are hardly going to be any actors left who haven’t at least dipped a toe into the industry’s biggest superhero world.

But really, that’s half the fun. We love to see our favorite actors from TV, movies, or types of entertainment dabble in superheroism. For instance, the casting of Parks and Recreation darling Chris Pratt in Guardians Of The Galaxy delighted droves of TV comedy lovers, and this summer’s introduction of Benedict Cumberbatch as the lead in Doctor Strange is sure to rope in some loyal Sherlock devotees.

There are countless similar examples, and the most exciting ones depend entirely on what you’re interested in. For me, in Marvel or elsewhere, the most enjoyable entertainment crossovers are usually when pro wrestlers or fighters find themselves in popular films. It’s always fun to get a look at their acting chops outside the ring and see how their imposing frames are used in action sequences. Rest assured, it’s happened in Marvel films.

In fact, there are three extremely noteworthy examples.

Randy Savage, Spider-Man, Bone Saw McGrawRandy Savage in Spider-Man

I have to start with what might still be the best appearance ever by a pro wrestler on the big screen. It’s been almost 15 years since Sam Raimi’s Spider-Man, but anyone who loved it ought to remember “Macho Man” Randy Savage’s role. Early in the film, as he’s just discovering his powers, Peter Parker enters an underground cage fight to earn some cash, get a car and impress Mary Jane Watson. His opponent: Bone Saw McGraw.

The sheer lunacy with which Randy Savage played this character was delightful to behold. He took his ordinary persona in the pro wrestling world and amplified it significantly to fit the comic book movie atmosphere. As a result, ost Spider-Man and WWE fans alike will never forget the role. Incidentally, the character even made a sneaky appearance in the beloved Spider-Man title that was once part of Activision‘s gaming lineup. He could be unlocked for a sort of special boss fight, though unfortunately Savage didn’t do any voice acting.

Mickey Rourke, Whiplash, Iron Man 2Mickey Rourke in Iron Man 2

I’m bending the rules with Rourke, but only slightly. Many will recall that this bizarre, muscled actor did have a brief boxing career during a hiatus from Hollywood. Additionally, part of his big comeback to film was the 2008 film The Wrestler – arguably the best movie ever made about pro wrestling. He also appeared at Wrestlemania XXV and punched out Chris Jericho. So he’s a sort of honorary member of the pro wrestling community. And his turn as the villain Whiplash in Iron Man 2 was perfectly worthy of the absurd theatricality of WWE stars.

Sadly, the character has since been largely forgotten, thanks in large part to Iron Man 2‘s consistent ranking near the bottom of the Marvel movies. Still, give this one deserves another look and you’ll appreciate the larger-than-life, ultra-ripped, stringy-haired portrayal as something pretty WWE-esque. There’s even an Iron Man 2-themed game at Gala’s jackpots page that shows Rourke’s character in the background, looking like the ghostly image of a pro wrestler. The game is one of many that fusees Marvel characters with casino gameplay, but uses very real images from the film – and Rourke calls to mind images of wrestlers like Edge or even Savage turning slowly to finish off opponents.

Dave Bautista, Batista, Guardians of the Galaxy, DraxBatista in Guardians Of The Galaxy

Dave Bautista, aka Batista, has actually gotten pretty busy with his film career. Let’s not call him the next Dwayne Johnson just yet, but he may be in the early stages of a more complete wrestling-to-film transition. Just last year he had an amusing role in the James Bond film Spectre, and according to his IMDB page he may be playing The Kurgan in a remake of Highlander.

But Batista’s most enjoyable and probably most famous film role to this point was his turn as Drax in the aforementioned Guardians Of The Galaxy. Essentially a well-meaning alien thug who’s light on words and heavy on muscle, Drax fit in perfectly with the movie’s cast of misfit talents who stumble into become superheroes. A sequel’s already been announced, and it looks like Batista has a firm hold on a budding franchise.

Image 1 from cbn.com. Image 2 from wrestlersinhollywood.tumblr.com. Image 3 from blastr.com. Image 4 from crave online.com.

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A Spider-Man/Deadpool #2 Review – Wade Meets Spider-Adjacent

Spider-Man/Deadpool #2, coverTITLE: Spider-Man/Deadpool #2
AUTHOR: Joe Kelly
PENCILLER: Ed McGuinness
PUBLISHER: Marvel
PRICE: $3.99
RELEAED: February 10, 2016

***Miss last issue? BAMF.***

By Rob Siebert
Editor, Fanboy Wonder

Have you all heard of Deadpool? Just checking…

Marvel’s ultimate bromance continues, as ironically Deadpool seeks Spider-Man’s friendship, but wants Peter Parker dead. A mysterious source has been in touch with Wade Wilson, supplying him with information about terrible things happening inside Parker Industries. Deadpan once again seen out Spider-Man, and gets two for the price of one. Both the original and Miles Morales show up to face him. Neither believe Wade to be a changed man. But can he change? Can a man seemingly born to kill simply stop spilling blood?

For yours truly, the best part of this issue was the way Wade talks to Miles. Instead of Spider-Man, he calls him “Spider-Adjacent” and “Retcon Spider Clone Junior.” It’s all in jest of course, but truth is often spoken in jest isn’t it? I talked about this in my Spider-Man #1 review not long ago. Miles Morales is no longer the Spider-Man, he’s a Spider-Man. In terms of his status in the Marvel Universe, that’s a major drawback. It’s nice to see someone at least come out and address it.

Spider-Man/Deadpool #2, Ed McGuinnessEd McGuinness is once again on his game. In the first half of the issue we get a gorgeous shot of Spidey swinging through the city (shown right). There’s a fight sequence between Peter, Miles, and Wade that has a really nice energy to it as well. We’re also introduced to the Dead-Buggy, i.e. Deadpool’s take on the Spider-Buggy, which proves to be a lot of fun. McGuinness also gets the chance to draw a classic Spider-Man villain, which is a nice treat.

Thus far, the key to the success of this series has been Deadpool’s sincere desire to win Spider-Man’s friendship. Far-fetched though it may be, Wade Wilson is taking a crack at being as straight-laced a hero as he can be. And while that’s not exactly in the cards for him, we admire him for trying, and we want Spider-Man to like him. Because we like him. Sadly, with Deadpool now gunning for Peter Parker, this bromance is about to hit a major bump in the road.

Spider-Man/Deadpool is off to a great start. We’ve got a renowned team, executing a plot that has both intrigue, and the trademark Deadpool humor. Plus, considering how successful Deadpool was on the big screen this month, there’s never been a better time to have Wade sharing pages with (arguably) Marvel’s marquee character.

Image from author’s collection. 

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A Spider-Man #1 Review – The Rise of Spidey Jr.

Spider-Man #1, 2016, Sara PichelliTITLE: Spider-Man #1
AUTHOR: Brian Michael Bendis
PENCILLER: Sara Pichelli
PUBLISHER: Marvel
PRICE: $3.99
RELEASED: February 3, 2016

By Rob Siebert
Editor, Fanboy Wonder

As someone who followed Miles Morales’ adventures in the now defunct Ultimate Universe, Spider-Man #1 was an adjustment, and initially confusing. While this issue was mostly enjoyable, it left me wondering if Miles’ inclusion in the Marvel Universe proper will be a good thing for him in the long run.

After the events of Secret Wars, Miles and his cast of supporting characters have been retconned into the main Marvel Universe. In terms of backstory, our intro tells us the basics: Miles was bitten by a radioactive spider, became Spider-Man, and has only shared his secret with his father and his best friend Ganke. We see Miles try (unsuccessfully) to balance life as a teenager, and life as a superhero. But when Blackheart terrorizes New York City and leaves the Avengers laying, Miles can’t simply sit in class and do nothing…

I found a bit of dark humor in Blackheart’s appearance here. He’s the son of Mephisto, the demon who warped reality for Peter Parker (for better or worse) back in One More Day, and now that reality has been changed for Miles, Mephisto’s son pops up. Maybe that’s why Spider-Man has such notorious bad luck. He’s always got the devil watching him.

Spider-Man #1, Sara PichelliSpider-Man #1 confirms that much of what we enjoyed about Miles in the Ultimate Universe is still intact here. The most important of which are his wit and personality, and his friendship with Ganke. What it doesn’t tell us is how things have or have not changed. Miles apparently remembers everything that happened during his time in the Ultimate Universe, and on Battleworld. But this issue doesn’t tell us that. I myself had to find that out via an interview with Bendis. So if Miles remembers, does his father remember too? What about Ganke? If not, did he tell them? What about Peter Parker? What does he know about where Miles came from?

This is an instance where an issue #0 might have come in handy. I’m not suggesting one needs to know all of Miles’ exposition before reading Spider-Man #1. But it would have helped bridge the gap between this issue and Secret Wars. We wouldn’t have had to comb through every inch of Miles’ continuity. Just a brief look at what the Ultimate Universe was, and how Miles fits into the primary Marvel Universe. That way, all the nagging questions are answered. Hopefully Bendis is planning on addressing those questions sooner rather than later anyway. But an issue #0 would have been an easy access point.

Spider-Man #1, 2016, Sara Pichelli, spash pageDespite the confusion, Miles is nicely portrayed as a teenage superhero torn in so many different directions. Parents, grades, girls, not to mention the Avengers-level threat attacking the city. It’s classic Spider-Man stuff, really. There’s a great scene where Miles tries to talk his way out of class, hears no from his teacher, and then simply walks out. Even if this is your first exposure to him, I imagine it’d be hard not to root for Miles here.

It’s difficult to overstate the importance of Ganke to Miles and his world. They’ve almost got a Frodo/Sam dynamic going on. Miles is obviously the hero, and that’s okay with Ganke, who is simply happy to help his friend however he can. He’s very endearing that way. Miles and Ganke can also consistently pull off “Bendis Banter,” i.e. Bendis’ trademark hit-or-miss attempts at witty dialogue, without it grating on the reader. Perhaps that’s because coming from two teenage boys, it feels more believable than usual. In any event, readers can be grateful Ganke jumped universes alongside his best bud.

Sara Pichelli is once again drawing Miles in this issue, and that’s something fans can be thankful for. As the artist who drew his origin story, there’s a special vibe any time she’s with the character. To her credit, she’s aged him very convincingly. As awkward as it sounds, if you’ve followed Miles from his first appearance up to Spider-Man #1, it legitimately looks like we’ve seen this character go through puberty. So often, comic books are like revolving doors when it comes to writers and artists that we don’t typically see that happen.

Spider-Man #1, 2016, Sara Pichelli, While we don’t see much of him in this issue, it looks like we’ll soon be diving into how Peter Parker effects Miles’ life, and his role as Spider-Man. Quite frankly, I’m nervous about that.

In the Ultimate Marvel line, Miles became Spider-Man after Peter Parker died. That was part of what garnered so much publicity when the character made his debut. He wasn’t just some spinoff character. He was the Spider-Man. In this new series, he’s a Spider-Man. The tried and true Spidey is still alive and well, and from the get-go, Miles is somewhat redundant. The two characters even share the same home city. Miles may as well be called Spidey Jr. I’m reminded of the brief period when Bruce Wayne and Dick Grayson both wore the mantle of Batman before the New 52 launched. That didn’t last long, and typically this kind of dichotomy doesn’t. So what happens to Miles when it’s time for there to be only one Spider-Man?

Furthermore, this whole All-New, All-Different initiative is obviously a hook for new readers. But to what degree does having two Spider-Men cause confusion among those readers?

Still, despite lingering questions Spider-Man #1 delivers. For those of us familiar with Miles, we get the next chapter in his story. New readers are introduced to a young hero, who depending one’s perspective, may be the rightful Spider-Man of the 21st century.

Images from author’s collection.

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A Spider-Man/Deadpool #1 Review – Marvel’s Bromantic Comedy

Spider-Man/Deadpool #1 (2016), Ed McGuinnessTITLE: Spider-Man/Deadpool #1
AUTHOR: Joe Kelly
PENCILLER: Ed McGuinness
PUBLISHER: Marvel
PRICE: $3.99
RELEASED: January 6, 2016

By Rob Siebert
Editor, Fanboy Wonder

The best thing about this issue is Marvel using Spidey and Deadpool’s name value to promote The Vision. They include the entire first issue in this book as a bonus. Seriously, pick it up. It’s awesome.

Of course, having Joe Kelly back on a Deadpool book is nothing to sneeze at, with his old cohort Ed McGuinness no less. These two made Deapool a force to be reckoned with in the ’90s, and are now back for a romp with the mouthy merc, with Spider-Man in tow!

When we join our heroes, they’re tied up and at the mercy of the demonic Dormammu. Deadpool BAMFed them out of New York City in the middle of a fight between Spidey and Hydro-Man. Thus, they have not one but two threats to face. But why is Deadpool suddenly butting into Spidey’s business? What does he have that Wade Wilson wants?

Spider-Man/Deadpool #1, 2016, Ed McGuinnessSpider-Man/Deadpool is, first and foremost, a bromantic comedy. Kelly delivers on the banter front from both Spidey and Wade. But for me the banter takes a backseat in terms of humor in this issue. At one point, our heroes are facing a Hydro-Man made out of sewage. Call me juvenile if you must, but that’s a funny idea. But what I got the biggest kick out of was the panel to the right. Something about his (pardon the term) body language, mixed with how his hand and lower half are regenerating makes this a very amusing image. Kudos to Ed McGuinness for what I’ll call subtle humor here.

Like a lot of great bromances, the core of this issue ends up being about friendship, feelings, and all that stuff. I don’t expect a lot of heart to be on display in these pages. But it is there. Naturally, Wade’s heart takes him in entirely the wrong direction, as we find out at the cliffhanger.

Ed McGuinness is one of the innovators of the Deadpool character, so he’s as natural a fit on this book as anybody. But even when you don’t factor that in, his uber-musculed, highly expressive, and hyper-dynamic style make him a great choice for anything that’s taken tongue-in-cheek. McGuineess’ art has a great versatility about it. If you want him to play it straight, he can do that. If you want him to be silly, he can do that too. Often times, he’ll give you a combination of the two.

Spider-Man/Deadpool #1 (2016)The question with Spider-Man/Deadpool isn’t necessarily about where they’ll go with things. Rather, it’s where can’t they go? Whether he’s duking it out with the entire Marvel Universe, cutting up zombified presidents, or even taking on Thanos himself, Deadpool has plenty of versatility in his own right. It looks like they’ll be staying in Spidey’s world for the immediate future, as next issue they’ll be joined by none other than Miles Morales. There’s some potential there for Kelly to have a lot of fun breaking the fourth wall. So even if you’re not a big Deadpool fan, next issue may be worth a glance. And if you are, odds are this book has a big upside for you.

Images from author’s collection.

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An Amazing Spider-Man: Renew Your Vows #1 Review – The Right Ending

The Amazing Spider-Man: Renew Your Vows #1TITLE: The Amazing Spider-Man: Renew Your Vows #1
AUTHOR: Dan Slott
PENCILLER: Adam Kubert
PUBLISHER: Marvel
PRICE: $3.99
RELEASED: August 1, 2015

By Levi Sweeney
Staff Writer, Grand X

While my knowledge of Spider-Man stories is, at best, limited even I have enough knowledge of the Spidey mythos to know that The Amazing Spider-Man: Renew Your Vows #1 brings Spider-Man in an incredible new direction which is both innovative and compelling.

This issue focuses on how Peter Parker is happily living with his wife Mary Jane and daughter Annie. He’s balancing his family time with his crimefighting life, and things are looking up for our friendly neighborhood Spider-Man. But all is not well for long. Daredevil and Iron Fist are MIA! The Avengers are spooked about some Lex Luthor knock-off! There’s a prison break at Ryker’s Island! Worst of all, Spider-Man’s deadliest enemy has targeted the wall-crawler’s loved ones. Will our hero save the day?

I was pleased to find out that little knowledge of the ever-controversial One More Day story is required to enjoy this comic. I know enough to understand that this is the Spider-Man story  fans have been waiting for since that odious storyline was published. Nor is Secret Wars itself required reading, as proudly proclaimed on the first page.

The Amazing Spider-Man: Renew Your Vows #1, interiorBeyond that, this issue gets nearly everything right. Peter Parker stays in character, given the new situation. Mary Jane and the rest of Spider-Man’s supporting cast are used well, though the latter are not featured prominently. The real villain of this issue, revealed about halfway through, is a perfect choice for the antagonist. I won’t say who it is for the sake of spoilers, but I will say that it would be a very different tone and even plot if it were anyone else.

Mary Jane in particular is more than Peter’s love interest, to the point of almost being a second lead. She uses her head to do something useful, to help protect her child and to help Peter to save both their skins.

Most of this issue consists of laying groundwork for what’s to come. In the mix of all that, however, is one wild card that hasn’t been seriously pondered since the end of The Clone Saga in the ’90s: Annie Parker. The idea of Peter Parker going on to start his own family isn’t entirely new, as evidenced by Spider-Girl several years ago. However, this issue lays the groundwork for a story that’s never been told before. The aforementioned Spider-Girl was focused on the titular character, while here, the story is centered on Peter himself.

The thing about Spider-Man is that he grows as the story grows. As he gets older, and naturally progresses into new phases of life, new thematic factors present themselves to be utilized in the comics. It was only when an attempt was made to turn the clock back via editorial mandate that problems occurred, resulting in a bad reaction from the fans.

The Amazing Spider-Man: Renew Your Vows #1, image 2In this case, Peter is adapting to new changes in his personal life, which influence his character development in this issue. The no-kill rule, with-great-power-comes-great-responsibility, etc., are all challenged by the events of the issue, to great effect. As Pete says via internal monologue in the last pages of this issue, “That was the day I learned what trumps great power… …An even greater responsibility.”

The Amazing Spider-Man: Renew Your Vows promises to be an imaginatively groundbreaking series which I will continue to follow. It not only brings back the Peter/MJ dynamic that we all know and love, but it throws in some refreshingly new takes on cornerstones of the Spider-Man mythos. Most importantly, Dan Slott, does all of these things quite well, not missing a single beat. A definite must-read.

Image 1 from thepunkeffect.com. Image 2 fromcomicbookrevolution.com.

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A Review of Superior Spider-Man: Necessary Evil – The Future is Back

The Superior Spider-Man, Vol. 4: Necessary EvilTITLE: The Superior Spider-Man, Vol. 4: Necessary Evil
AUTHOR: Dan Slott
PENCILLERS: Ryan Stegman, Giuseppe Camuncoli
COLLECTS: The Superior Spider-Man #17-21
FORMAT: Softcover
PUBLISHER: Marvel
PRICE: $17.99
RELEASED: January 15, 2014

By Rob Siebert
Editor, Fanboy Wonder

Necessary Evil doesn’t really pick up steam until we’re past the halfway point, when Otto Octavius (who remember, is in Peter Parker’s body), makes a major change to his status quo, and has an emotional yet confusing reunion with an old flame. But before those things happen, the timestream becomes a tangled web in its own right, as the present and the future become intertwined.

In the year 2099, Tyler Stone, head of the Alchemax corporation, is being erased from the fabric of history. Thus, Miguel O’Hara, the Spider-Man of 2099, and Stone’s biological son, travels through time to find the source of the problem in the year 2013. Low and behold, he finds Peter Parker acting very strangely, and is at odds with his grandfather Tiberius Stone, who has been developing technology for use against the present-day Spider-Man. Thus, to keep his family’s lineage intact, not to mention the fabric of time, Miguel O’Hara must face off against the Superior Spider-Man!

The Superior Spider-Man, Vol. 4, Spidey 2099While I have nothing against the 2099 universe, from a plot standpoint, the first three issues in this book represent the low point of The Superior Spider-Man thus far. The time portal at Horizon Labs leads nicely into the creation of Parker Labs, Otto/Peter’s own corporate empire. But the saga of Miguel, his father, and the potential unraveling of the 2099 status quo left me feeling bored.

That being said, the blue costume is still pretty damn cool, as is seeing it in battle against the Superior Spidey outfit. Ryan Stegman gives us an epic two-page spread in issue #17 (shown at left). He also draws the literal “unraveling” of Miguel and Tyler Stone very well. But what takes the cake as far as Stegman is concerned is the creepy memory sequence in issue #19, in which classic Steve Ditko and John Romita panels are used with Otto’s face in place of Peter/Spider-Man’s. It creates a creepy, eerie vibe that meshes wonderfully with the idea that Otto’s villainous impulses are starting to get the better of him. Thus, the art works very well, despite a story that’s somewhat bland overall.

014-200x300Thankfully, things get back in track in issue #20, when we get the highlight of the book: A scene between Black Cat and Superior Spidey. In the scope of the series as a whole, the scene has no long-term ramifications (at least not yet). But it’s got that great Spider-Man humor/action balance. Spidey encounters Black Cat on a rooftop, and when she comes at him with her “Hello Lover,” routine, he punches her in the goddamn face, and then webs her up for the cops. In the best possible way, it’s exactly what you’d expect from an Otto/Felicia Hardy encounter. What’s more, Giuseppe Camuncoli gives Cat just the right amount of sex appeal, and beautifully turns her from welcoming, to shocked, to enraged within the span of three pages. He’s also excellent with the furry pieces of her costume.

Angelina Brancale, a.k.a Stunner, awakens from a coma. Quick history lesson: Angelina is an obese woman who became a guinea pig for a virtual reality technology created by Doctor Octopus. As such, she was able to become the muscle-bound Stunner. Stunner and Otto eventually fell for each other. Eventually, to save Otto’s life, Angelina takes part in a ritual that places her in a coma. When she wakes up and learns that Otto was “killed” by Spider-Man, she uses Otto’s old virtual reality technology to become Stunner again. The ensuing battle places Otto/Peter’s current flame, Anna Maria Marconi, in harm’s way, and Otto is forced to confront Angelina with the truth. This results in a genuinely sad scene between the two. Surprisingly, Otto doesn’t come out of the situation looking like a heel. He’s simply a man following his heart. You don’t have to do any research on Stunner to get the gist of what her relationship to Otto is, and how impacted and heartbroken she is by his apparent death. From a certain standpoint, she’s a rather sympathetic character.

The Superior Spider-Man, Anna Maria MarconiSpeaking of sympathy, poor Anna Maria Marconi still has no idea of the heartbreak she’s (presumably) in for. In addition to the returns of Black Cat and Stunner, issue #20 also sees Otto/Peter take Anna Maria out on a picnic dinner above the city on a sheet of webbing, the life of which has now been elongated indefinitely until “I activate a dissolving agent. I always try to keep improving.” To yours truly, this scene cuts the premise of Peter Parker developing technology for Spider-Man a bit too close. It’s a really nice visual. But during a moment like this, an alarm should be going off in Anna’s head. “Hey, wait a minute. This dude might not just be Spider-Man’s tech guy…”

While the 2099 elements were, from my perspective, a flop, Dan Slott continues to give us good Spider-Man. Necessary Evil just doesn’t represent his best Spider-Man. And as far as The Superior Spider-Man is concerned, hopefully the best is yet to come.

RATING: 7/10

Image 1 from comicvine.com. Image 2 from jthenr-comics-vault.tumblr.com. Image 3 from spidermanreviews.com.

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A Superior Spider-Man: No Escape Review – A Sinister Spidey

The Superior Spider-Man, Vol. 3: No EscapeTITLE: The Superior Spider-Man, Vol. 3: No Escape

AUTHORS: Dan Slott, Christos Gage
PENCILLERS: Giuseppe Camuncoli, Humberto Ramos
COLLECTS: The Superior Spider-Man #11-16
FORMAT: Softcover
PUBLISHER: Marvel
PRICE: $17.99
RELEASED: November 20, 2013

By Rob Siebert
Editor, Fanboy Wonder

This book has the wrong title. Instead of No Escape, it should really be No Rules. At this point, with the Superior Spider-Man (who, remember, is Otto Octavius’ mind in Peter Parker’s body) totally free of influence from Peter Parker’s consciousness, he’s free to do things his way. And as we find out in this book, that means most traditional superhero rules are out the window.

When we open No Escape, Alistair Smythe, a.k.a. the Spider-Slayer, and the man who killed Mayor J. Jonah Jameson’s wife, is scheduled to be executed at the Raft maximum security prison. Jameson brings in Spider-Man to ensure Smythe’s sentence is carried out. But of course, as Jameson himself says, “…madmen like Smythe always have some kind of escape plan.” And indeed, he does. It involves the Vulture, Scorpion, Boomerang, and a fight to the death. Later, Spidey takes the fight to both the Kingpin and the Hobgoblin in a manner most definitely not Spidey-like. In effect, it’s villain vs. villain.

Superior Spider-Man #14What I really enjoyed about No Escape is the way Otto, for better or worse, makes the Spider-Man identity his own. In issue #14, the costume changes to incorporate MUCH more black. Also, in a change befitting Doctor Octopus, Spidey now wears a back pack with four retractable arms. To add to his legion of Spider-Bots, our anti-hero has now constructed the much larger Arachnaughts, and has recruited an army of “Spiderlings” to carry out his bidding (“Minions, attend me!”). He marches his new forces straight up to Shadowland, the Kingpin’s fortress in the middle of New York City, and friggin’ tears the damn thing down with the intent to murder the crime boss. Granted, he keeps all the civilians safe via force field. But even so, attempting to murder a supervillain via the destruction of an occupied building is hardly heroic, is it? Nor is the way the Superior Spidey deals with Phil Urich, a.k.a. the Hobgoblin, by “outing” him via a broadcast to all of New York City, creating a hell of a hazard in the offices of The Daily Bugle. Heck, we even see him blackmail Jameson to get him under his thumb! Not to mention what ends up happening to Smythe…

Superior Spider-Man, to the deathObviously, Slott is using Otto to feed some of our innate desires to give supervillains what they really deserve. Superior Spidey is doing things to them that they’d have no problem doing to innocent people. Thus, a darker brand of justice is served. I suspect we’ll eventually get to see all of this come back to bite Spidey, however, whether it’s Peter Parker or Otto Octavius under the mask. This would, of course, illustrate that despite the short-term satisfaction gained from Otto’s methods, they’ve ultimately only created larger problems.

We also see a bit more of Anna Maria Marconi, Peter/Otto’s little person love interest, in this book. Slott continues to endear her to us, and quite frankly, she’s become the Ahsoka Tano of the Spider-Man universe. We know something bad is going to happen to her. Either she’s going to have her heart broken when Peter eventually returns to his rightful role as Spider-Man, or Otto’s going to do something dastardly and she’ll be swept up in it. Either way, the more her relationship with Peter/Otto grows, the greater the impact will be when that other shoe finally falls. So kudos to Slott and the creative team for making me care about this character. But man, talk about backing the wrong horse…

No Escape had a tough act to follow. It’s predecessor, A Troubled Mind, gave us a truly epic confrontation between Peter Parker and Otto Octavius. This book doesn’t have anything like that. But make no mistake about it, the magic is still there. From a quality standpoint, The Superior Spider-Man is still one of Marvel’s top books. Call me a blasphemer if you must, but I feel no great need to give Peter Parker his body back any time soon.

RATING: 8/10

Image 1 from twilitdreams.wordpress.com. Image 2 from followingthenerd.com.

A Superior Spider-Man: My Own Worst Enemy Review – Invasion of the Body Switcher

The Superior Spider-Man, Vol. 1: My Own Worst EnemyTITLE: The Superior Spider-Man, Vol. 1: My Own Worst Enemy
AUTHOR: Dan Slott
PENCILLER: Ryan Stegman, Giuseppe Camuncoli
COLLECTS: The Superior Spider-Man #1-5
FORMAT: Paperback
PUBLISHER: Marvel
PRICE: $17.99
RELEASED: May 29, 2013

By Rob Siebert
Editor, Fanboy Wonder

The Superior Spider-Man is one of the few superhero titles I’ve ever read that really has the total package. It’s got action, drama, comedy, new characters, classic characters used in new and interesting ways, an agonizing predicament for our hero. In terms of a new Spider-Man series, there’s really not much more you can ask for.

The Superior Spider-Man, Vol. 1: My Own Worst EnemyPeter Parker is dead…sort of. In the final issues of The Amazing Spider-Man, a dying Dr. Octopus switched bodies with the wall crawler. A short time later, despite his best efforts, Peter died in his old enemies frail body. But in taking Spider-Man’s body, Otto also gained access to Peter’s memories. After seeing all his old enemy has gone through, Otto is inspired to leave his life as a villain behind and pick up where Peter left off. Vowing to become a superior Spider-Man, he takes to the city streets. But although he has Peter’s memories, Otto hasn’t absorbed all of Parker’s noble resolve. And he certainly isn’t playing by the same rules. In some ways, Otto will indeed improve on what Peter started. But in others he’ll take a decidedly darker, more violent approach. But even the brilliant Otto doesn’t know that a small part of Peter still exists inside his mind…

It’s a lot of fun to read The Superior Spider-Man. More than anything, what impresses me about My Own Worst Enemy is is the way Slott and the creative team use this predicament between Otto and Peter as a tool for both comedy and drama. In some ways, Octavius is very much the mustache-twirling supervillain here. he talks to his colleagues like they’re minions, when he’s in the lab he dresses like a mad scientist, and he lets the creepy supervillain laugh loose in public. He’s also more than a little excited about getting the girl, i.e. Mary Jane Watson. Some of the things Ryan Stegman does with Otto/Peter’s body language is great.

Superior1_04But at the same time, there’s some pretty heavy stuff happening here. We flash back to Otto’s childhood traumas and see how they continue to influence him. He beats a few supervillains half to death, including his old pal the Vulture when they unknowingly hit too close to home. And inevitably, we get the “Why don’t I just kill the bad guys?” question. It’s great character work, and it humanizes Otto very well. We’re rooting for Peter, of course. But we’re also rooting for Otto to learn the correct lessons and do the right thing. Sometimes he does, sometimes he doesn’t. Such is the way of things, I suppose.

One of my favorite Chicago area comic book writers, Dirk Manning, once wrote that Dan Slott was born to write The Amazing Spider-Man. As it turns out, he may also have been born to write The Superior Spider-ManMy Own Worst Enemy is a story which provides the darkness you’d expect from an in-depth look at a villain like Doc Ock. But it manages to balance it with the action and humor fans come to expect from good Spider-Man stories. And despite the controversy this series sparked, this is good Spider-Man.

RATING: 9/10

Images from comicvine.com.

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First Impressions: Scarlet Spider #1Whispers

Scarlet Spider #1, 2012TITLE: Scarlet Spider #1
AUTHOR: Christopher Yost
PENCILLER: Ryan Stegman
PUBLISHER: Marvel
PRICE: $3.99
RELEASED: January 11, 2012

By Rob Siebert
Editor, Fanboy Wonder

I suspect The Scarlet Spider #1 is a more fulfilling read if you have an understanding of the Kaine character, and what he’s gone through since his debut over 15 years ago. If you do have that knowledge, congratulations! You have more patience for unraveling tangled plot threads than I do! Either way, this book is alright.

A spinoff from Marvel’s recent Spider-Island storyline (which was then briefly continued in Marvel Point One), this new series tells the story of Kaine, a clone of Peter Parker who was deemed a failure by his creator, The Jackal. Kaine subsequently became a villain, but was ultimately redeemed. We’ve seen a few characters take on this Scarlet Spider identity, most notably Ben Reilly (also a Parker clone), but this is Kaine’s first crack at it. It’s also his first crack at being a hero. He’s got some lessons to learn, and he’ll need to curb his murderous instincts, but ultimately it looks like Kaine’s heart is in the right place.

This issue is more or less what I expected it to be: Anti-hero Spider-Man. He goes through the usual “I’m not a hero, this isn’t who I am, I’m not like [insert hero’s name]” sort of thing, but predictably starts to come around at the end. The story is fine, and the character is fine. It was just rather predictable.

Scarlet Spider #1, 2012, Ryan Stegman, interiorI do have to take my hat off to Ryan Stegman, and whomever else was involved with the layouts on this issue. A few of the early pages in this issue have spiders pencilled on top of the art work, so it looks like we’re literally looking into a comic book that’s got spiders crawling all over it. I’ve never seen this done before, and it’s a really nice touch! Other than that, Stegman’s art can be a bit on the cartoony side sometimes, but all in all he does a good job.

Amidst the predictable stuff, we did get a lovely moment where Kaine saves an old woman from being run down by a semi, and then screams at her about what the &@#$ she was doing in the middle of the street. Yost and Stegman also do a nice job of summing up Kaine’s often convoluted history in only two pages.

All in all, I wasn’t blown away. But I’ve certainly seen worse.

***

Whispers #1, 2012, coverTITLE: Whispers #1
AUTHOR/PENCILLER: Joshua Luna
PUBLISHER: Marvel
PRICE: $2.99
RELEASED: January 11, 2012

This issue has one of the better first pages that I’ve read in the last several months. The first panel of our first page introduces us to Sam Webber, an obsessive compulsive, socially awkward young man who’s terrified at the prospect of touching the handle on the door into a coffee shop. He’s frantically arguing with himself about it. “All I have to do is go through the door. No–it’s not that simple. I have to make sure the door handle is safe before I can touch it. Please don’t let there be a spot, a stain, a blemish…” It may seem like an extreme scenario to some, but if you’ve ever dealt with any kind of mental illness, or know someone who has, you know it’s very much based in reality. It’s a fantastic hook, though how it will factor into the rest of Whispers, if at all, remains to be seen.

Shortly after breaking up with his girlfriend Lily, Sam discovers that his consciousness can somehow travel through space in a “ghostly” state, visiting people he knows, or has known over the course of his life. Though he can’t be seen while in his ghost state, he can apparently influence the thoughts of the people connected to him. For instance, when he sees an ex-girlfriend in trouble, he influences her actions, and thus the outcome. But now that Sam has discovered his gift, the question becomes: How will he use it?

Whispers #1, 2012, interior, Joshua LunaI’ve always wanted to see a story like this. I’m not sure exactly how old Sam and his friends are, but the idea of a young person being able to see into the thoughts of others is such an intriguing concept, because the younger you are, the less developed your perspective on life is, and the more emotional and irrational you can be at times. Sam certainly seems to possess those qualities to an extent. His psychological disorder can send him to pieces in public, and as we see a couple of times in this issue, he’s prone to the occasional outburst. I’m definitely interested to see how some of these ghostly interactions effect him.

Depending on where Joshua Luna takes this story, it could really become a gem. I’m anxiously awaiting what’s next.

Interior image 1 from chasingamazingblog.com. Interior image 2 from ifanboy.com.

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An Ultimate Comics Spider-Man, Vol. 1 Review – A Disney Channel Hero

Ultimate Comics Spider-Man, Vol. 1: The World According to Peter ParkerTITLE: Ultimate Comics Spider-man, Vol. 1: The World According To Peter Parker
AUTHOR: Brian Michael Bendis
PENCILLER: David Lafuente
COLLECTS: Ultimate Comics: Spider-Man #1-6
FORMAT: Hardcover
PUBLISHER: Marvel
PRICE: $24.99
RELEASE DATE: April 21, 2010

By Rob Siebert
Editor, Fanboy Wonder

Last year, Marvel’s Ultimate line featured a massive crossover. In Ultimatum, Magneto attempted to destroy the Earth, New York City was hit with a massive flood, and numerous heroes were killed off. The Ultimate line was relaunched, presumably to once again draw in new readers.

Thus, Ultimate Spider-Man has become Ultimate Comics Spider-Man. And I’m not sure I’m happy about it.

When we open the book we find Peter Parker working at a fast food joint, Spider-Man is being hailed as a hero in New York City, displaced heroes like The Human Torch and Iceman (both teenagers) are showing up at the Parker house, plus Peter and Mary Jane Watson have broken up…again.

Ultimate Comics Spider-Man, Aunt May and familyMeanwhile, Mysterio, one of the few Spidey villains Brian Michael Bendis didn’t reinvent during his first run, emerges for the first time in the Ultimate universe. Throw in a new mystery hero that actually makes Peter’s life a bit easier, and there’s plenty of fodder for storytelling.

Bendis, who wrote every issue of Ultimate Spider-man, continues his run with this book. He delivers his usual clumsy wit, mixed in with solid suspenseful storytelling. It’s been said that the great thing about the Ultimate version of Spidey is that so much of the drama comes from Peter Parker’s personal life, as well as his superhero adventures. That thread definitely continues in this book, as awkwardness unfolds between Peter, his ex-girlfriend Mary Jane, his OTHER ex-girlfriend Kitty Pryde, and his CURRENT girlfriend. Did you get all that?

Aunt May, Gwen Stacy, Peter Parker, Ultimate Comics Spider-Man, Vol. 1David Lafuente’s art is solid, and fits the book well, But like Stuart Immonen (who did the art for the last several issues of Ultimate Spider-man), he’s in the unfortunate position of having to follow Mark Bagley’s stellar 111 issue run on the book. When I think of these characters, I still think of Bagley’s art. If Lafuente stays with the title for an extended period of time, fans will probably grow more comfortable looking at his version of this world. But for now, it feels like we’re still breaking him in.

Wall to wall, this book is decent, but the consistent presence of The Human Torch, Iceman, Kitty, and the others makes it feel at times like a Disney Channel show about superheroes. That makes me worried about the direction the title is headed in. Ultimate Spider-Man certainly had its share of team-ups, but now it’s looking like The Human Torch and Iceman will be sticking around for awhile. I’m concerned that the book is turning into Ultimate Comics Spider-Man and Friends.

Marvel officially rates the book as T+, meaning it’s primarily aimed at teen readers. But Ultimate Spider-Man was a teen book too, and it didn’t need to be flooded with teen superheroes to make it interesting. I’d have preferred this Spider-Man book to have the burden of conflict placed solely on Spider-Man’s shoulders, especially since it represents the launching of a new title.

RATING: 6/10

Image 1 from mattfraction.com. Image 2 from dreamwidth.org.

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