Tag Archives: Oracle

A Batgirl and the Birds of Prey: Rebirth #1 Review – The Never-Ending Joke

Batgirl & The Birds of Prey: Rebirth #1, 2016, Yanick PaquetteTITLE: Batgirl and the Birds of Prey: Rebirth #1
AUTHORS: Julie Benson, Shawna Benson
PENCILLER: Claire Roe. Cover by Yanick Paquette.
PUBLISHER: DC Comics
PRICE: $2.99
RELEASED: July 20, 2016

By Rob Siebert
Editor, Fanboy Wonder

I’ve been looking for a reason to write about The Killing Joke, what with the animated movie coming out. I didn’t expect to find it here. But I’ll take it!

Someone is sending information to mafia families using the name Oracle, Barbara Gordon’s handle during her days in a wheelchair. This obviously strikes a personal chord, and Batgirl asks Black Canary to help her investigate. Babs is looking to get the Birds of Prey back together. But Dinah isn’t interested (“I’ve moved on. So have you.”). Still, she tags along for her friend’s sake. They cross paths with Huntress, who inexplicably knows some big secrets. But the identity of this mysterious new Oracle? That’s still a secret.

In reviewing how Babs became Oracle, we flash back to The Killing Joke. We see Claire Roe’s take on some of the famous shots from that story: Joker in the Hawaiian shirt, Barbara getting shot with the coffee mug in her hands, her laying looking up at him. Interestingly, Roe puts Barbara in a tank top and pants, as opposed to the skirt and blouse she was wearing in that story.

Batgirl and the Birds of Prey #1, Killing Joke flashbackI read an article recently on DC’s refusal to put The Killing Joke behind them. Though heralded as a landmark story, it’s unquestionably brutal and cruel. It also spawned an era of creators seemingly trying to mimic The Killing Joke by having female characters face awful acts of violence (see Women in Refrigerators). Yet the story lives on. Why? For the same reason DC won’t give up on Watchmen or The Dark Knight Returns. Name value.

Those three stories were arguably the three tentpole works of the “grim and gritty” movement in the ’80s. If you’ve been into comics at all over the last 30 years, chances are you’ve at least heard of them. In one way or another, they’re masterpieces that changed the industry. So by connecting those stories to their new books, DC creates a bridge to readers that have either left them behind, or simply aren’t reading comics anymore.

That’s one of the reasons why the first several issues of the New 52 Batgirl series weren’t just about Barbara being a superhero again. They were about her recovering, and coming to grips with being able to walk again. Just like in this issue, in 2011’s Batgirl #1 we relived the Joker shooting scene, and went over Barbara’s trauma. Eventually Babs even winds up confronting a nameless henchmen from that story.

I’m not disputing The Killing Joke is a great story, albeit one that inspired a bunch of bad creative choices. I just hope a day comes where we don’t have to go back to it every time Barbara has a new series. There are other stories out there, after all…

Huntress church sceneSo what’s with Dinah not wanting to put the Birds of Prey back together? The New 52 Birds of Prey series wasn’t exactly their highest of highs. But Babs and Dinah are still good friends. Why the cold shoulder?

Huntress makes her first appearance in a church confessional. I’m not as familiar with this version of Helena, but it looks like she’s as much a believer as her pre-New 52 counterpart was. The visual messaging in the church scene makes sense, particularly the shot of her walking out. By that point, you know her mission is to kill mafia hitmen. To say the least, she’s become a lapsed Catholic. You’ll notice this version of the Huntress costume doesn’t include a cross necklace.

The panels in the confessional are lit very interestingly (some shown above). Colorist Allen Passalaqua does great things withthe faint light coming in from the church and the resulting shadows on Helena’s face. The panel where her elbow is on the ledge is the best in the book, giving us an image more natural than what we see in most superhero books.

In contrast, Batgirl has what I’ll call some “mouth issues.” Not Barbara. Just Batgirl. I can’t decide if Claire Roe draws it in a way that’s somehow conspicuous, or if she just came out a little toothy. In certain panels, she almost looks like a buck-toothed Pipi Longstocking in a cowl. It’s one thing if that’s the look she’s going for. I don’t think it is.

Batgirl and the Birds, just a nameIt’s hard to believe, but Birds of Prey turns 20 this year. The group has had a variety of incarnations. But the most successful, at least creatively, have always had two ingredients: Barbara Gordon and Dinah Lance. At its core, Birds of Prey is a buddy superhero series about two women who bonded through their work and found friendship. If you’re missing one of them, you don’t have Birds of Prey. Thankfully, Batgirl and the Birds of Prey has its core intact. Now they simply need to built on top of that. With two female writers and a female penciller, I’m hopeful they build a series unlike any other on the stands.

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A Convergence: Nightwing/Oracle #2 Review – Hello, Goodbye

Convergence: Nightwing/Oracle #2TITLE: Convergence: Nightwing/Oracle #2
AUTHOR: Gail Simone
PENCILLER: Jan Duursema. Cover by Jill Thompson.
PUBLISHER: DC Comics
PRICE: $3.99
RELEASED: May 6, 2015

By Rob Siebert
Editor, Fanboy Wonder

When I reviewed Batman #40, a few people got on my case for my subtitle being “Dead Again.” It was, “Spoilers, man! Spoilers!”

Well, take a look at your primary cover for Nightwing/Oracle #2. Not much I can do about this one, kids. So don’t blame me!

Indeed, Gail Simone gives us a little bit of closure on pre-New 52 Nightwing and Oracle here. But not before a showdown with Flashpoint Hawkman and Hawkwoman. It may seem like Dick Grayson is fighting alone. But as always, Barbara Gordon has more than a few resources to call on, including one that longtime Simone fans will very much appreciate.

Naturally, much of what I said about the first issue still applies here. So lets hit our bullet points…

Convergence: Nightwing/Oracle #2, Jan Duursema– Nightwing’s costume is too overdone, much akin to what was done in Injustice: Gods Among Us. That said, it’s great to see him back in blue.

– Duursema nails the older version of Barbara. It’s awesome to see her back, and in the hands of the writer who arguably wrote her the best.

– Hawkman and Hawkwoman have a nice bird motif that’s very fitting for Gail Simone, but other than that, I’m not hugely invested in them as villains.

It’s interesting that the Chip Kidd-designed variant covers for both Nightwing/Oracle issues featured art by Don Kramer. Jan Duursema’s art definitely has a Don Kramer vibe to it at times. For whatever reason, I see it whenever a character it looking toward the camera with a determined look. Oracle, Nightwing, and our two Thanagarians all have moments like that. It brings back fond memories of Kramer’s runs on Nightwing and Detective Comics.

Convergence: Nightwing/Oracle #2, BarbaraThis issue has a surprise guest, and if you haven’t figured it out yet, I’m not going to tell you who it is (Spoilers, dude!). It’s a nice surprise, but there is once drawback to it. In order to conceal this person’s identity from the reader for a bit, Simone has them dressed in brown robes during a scene with Oracle. That struck me as an odd choice. Why the robes? Is there a risk of them being recognized by the Thanagarians? Even if there is, why keep the disguise on while you’re in a private setting with Oracle? That was a head-scratcher.

The wedding of any incarnation of Dick Grayson and Barbara Gordon is obviously pretty cool to see. Sadly, we only see it for half a page. But it’s still pretty impactful to not only see our couple in a matrimonial setting, but some pretty notable guests in the foreground. One might argue this is a moment we should have gotten several years ago. Then again, DC’s recent track record with superhero marriages isn’t exactly stellar…

Convergence: Nightwing/Oracle #2My only nitpick with the wedding scene is Barbara’s dress. That’s a weird thing to pick at (especially considering I’m a guy), but it bothered me a bit. On the cover, Jill Thompson draws Barbara wearing a white dress with something of a computerized texture, which obviously wraps around and envelopes most of the image. In the issue, the lower portion of Barbara’s dress has the same texture. For yours truly, that ventured into hokey territory. It’s simply a matter of something working in the context of a cover, but not in the actual issue.

And with that…here they go, out of our lives again. DC brings them back, just to put them right back on the shelf. *sigh* It’s painful to see this happen to Oracle in particular. That character had so much depth to her, and on top of that, she was so damn cool. Obviously, a lot of good has come from DC giving Barbara her legs back and making her Batgirl again. The recent issues by Cameron Stewart, Brendan Fletcher, and Babs Tarr come to mind immediately. But many longtime fans like myself have never stopped missing Oracle.

What can I say? It still hurts, damn it. It still hurts.

Image 1 from bleedingcool.com. Image 2 from comixology.com. Image 3 from shadowneko003.tumblr.com.

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A Convergence #2 Review – The Disappearing Knight Light

Convergence #2, coverTITLE: Convergence #2
AUTHOR: Jeff King
PENCILLERS: Carlo Pagulayan. Cover by Ivan Reis.
PUBLISHER:
DC Comics
PRICE:
$4.99
RELEASED:
April 15, 2015

By Rob Siebert
Editor, Fanboy Wonder

***WARNING: Spoilers ahead for Convergence #2.***

Business started to pick up for Convergence in this issue. While certain problems remain, and this issue saw a pretty bad consistency error, Convergence does finally manage to give us a decent emotional tether via Earth-2 Dick Grayson.

As worlds continue to collide via Telos’ “perverse tournament,” our heroes from Earth-2 take a stand and fight back. But how does Dick Grayson fit into that plan? And by the end of the issue, our heroes have found a new ally…or have they?

DC Comics, Convergence, Dick Grayson, Earth-2The scene that kicks off Convergence #2 is probably the one we should have gotten when the story began. Via flashback, we see Dick Grayson and his son Tommy desperately trying to get off Earth-2 during Darkseid’s invasion. Dick loses everything, including his wife Barbara Gordon, before being plucked from his world and tossed into the events of Convergence #1. This scene set the stakes of Convergence really well. We see Dick’s desperation to survive, and to see that his son survives. Later in the issue, King and Pagulayan amp things up emotionally by having Dick see the pre-New 52 Gotham version of Barbara. Finally, Convergence gets injected with a sense of epic tragedy and impending doom, as opposed to different versions of characters simply being drawn next to each other.

Actually, had the scene with Dick on Earth-2 swapped places with the Injustice scene in issue #1, the latter scene would have been much more impactful. The story at large would have been much more impactful. What a missed opportunity…

This issue sees the return of pre-New 52 Batman, which was a big moment for yours truly, as that’s the Batman I grew up with. He’s got his Batman Incorporated costume on, complete with what I call the “Knight Light” on his chest. Unfortunately, as the issue progresses, Pagulayan seems to forget about the light. When we first see Bruce, he has it. Then the light disappears in favor of the more commonly used Bat-insignia. Then it returns for a splash page shot of Bruce standing alone. I can only assume this is a mistake, and a rather obvious one, at that.

Convergence #2, Batman/BatmanWe end up watching a conversation between Earth-2 Batman and Knight Light Batman, where the dialogue is kept from the reader. I can only assume the pay off for that is down the line, and will end up being about how Dick Grayson is some kind of savior. It’s frustrating. But hopefully they’ll go somewhere with it.

So at the end, the rest of the Earth-2 heroes rescue a character named Deimos from a bunch of Telos’ drones. I’m not sure if this was supposed to be a big reveal or not. It certainly wasn’t for yours truly. Regrettably, this was one of the few times I had to Wikipedia a character’s name. As one might have gathered by his appearance, he’s a villain. I can’t say I’m overly intrigued by his appearance at this point, but obviously we’re only meeting him now.

Still conspicuous by his absence in Convergence is New 52 Superman, or anyone from the New 52 for that matter. Like the conversation between our Batmen, I can only assume there’s a payoff for that #0 issue coming, especially considering how much Superman imagery we’ve seen in this story. Regardless of what DC is doing behind the scenes (they’re moving their offices to California), seeing them take such a hard break from everything they’re been building since late 2011 is very surreal. The New 52 heroes will indeed join the main series at some point, and their continuity will indeed survive after Convergence. Thus, it’s all the more confusing that we haven’t heard word one from any of them yet, specifically Superman.

Still, Convergence #1 is indeed an improvement over its two predecessors. I now have a reason to care about something in this book. But thus far, Convergence proper is far from worth the cumulative $15 we’ve put down for it.

Images from insidepulse.com.

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A Convergence: Nightwing/Oracle #1 Review – Under the Dome

Convergence: Nightwing/Oracle #1 coverTITLE: Convergence: Nightwing/Oracle #1
AUTHOR: Gail Simone
PENCILLER: Jan Duursema. Cover by Jill Thompson.
PUBLISHER: DC Comics
PRICE: $3.99
RELEASED: April 8, 2015

By Rob Siebert
Editor, Fanboy Wonder

Having Gail Simone write Oracle again is almost worth DC not publishing any New 52 content for two months. That’s how badly this character has been missed. At least by me. And to see Nightwing wearing blue again, as opposed to red? Bonus!

Via the events of Convergence, Gotham City in the pre-New 52 Gotham City has been under a mysterious impenetrable dome for a year. Some, like Dick Grayson/Nightwing, have adapted to the situation as best they can. Others, like Barbara Gordon/Oracle and Mr. Freeze, have begun to lose their resolve. The city is struggling to survive amid depleted resources. Oddly enough, Poison Ivy has supplied the city with produce. (“I think of the times I jailed her, laughing about it, and I’m ashamed.”) But as Dick is preparing for a monumental moment in his relationship with Barbara, the dome comes down, and Hawkman and Hawkwoman of the Flashpoint universe are looking for a fight. And while Oracle might not be much of a physical challenge for the super-powered Thanagarians, they would be fools to underestimate her…

Convergence: Nightwing/Oracle #2The notion of Barbara losing her hope is obviously off-putting. This is a character that’s been through so much already. Not just with the loss of her legs, but everything that’s happened to her father, and her discovering that her brother is a psychopath. This development in a character so famously full of resolve is hard to swallow at first. But Gail gets us there. It does make sense that a character whose passion in life revolves around the flow of information would grow depressed being cut off from the world at large for a year. To the best of my recollection, she’s never been in a situation quite like this before.

From an artistic standpoint, this is very much the Oracle we remember. She’s a bit older, with the longer hair and the familiar glasses. We also get her narration via familiar green text boxes. It’s all wonderfully familiar.

Convergence: Nightwing/Oracle #1, NIghtwing, Mr. FreezeOn the downside, while it’s great to have Nightwing’s blue V-stripe back, the rest of his costume is a disappointment. It’s very overdone, complete with built-in abs and shoulder pads that don’t really make sense. It’s very much in line with what we’ve seen from Injustice: Gods Among Us and the Arkham games. I gave DC a lot of crap over their putting red into the New 52 Nightwing costume, the artists on that book were able to maintain the costume’s sleekness most of the time. This one just seems too…lumpy.

I’m not hugely invested in Flashpoint Hawkman and Hawkwoman being the bad guys in this book. But it makes sense, what with the whole bird motif. The ending was enough to get me to come back for part two next month. The impression we get is that next issue, Oracle strikes back. That, along with Nightwing being in the mix, is more than enough to get me to put down another $3.99.

Image 1 from blacknerdproblems.com. Image 2 from dangermart.blogspot.com.

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A Batgirl: The Darkest Reflection Review – Walking Tall

Batgirl, Vol. 1: The Darkest ReflectionTITLE: Batgirl, Vol. 1: The Darkest Reflection
AUTHOR: Gail Simone
PENCILLER: Ardian Syaf. Cover by Adam Hughes.
COLLECTS: Batgirl #1-6
FORMAT: Hardcover
PUBLISHER: DC Comics
PRICE: $24.99
RELEASED: July 8, 2012

By Rob Siebert
Editor, Fanboy Wonder

Man, I miss Stephanie Brown.

Yep, good ol’ Spoiler. She was Batgirl for just two short years before the New 52 apparently retconned her out of existence. *sigh* She was such a fun, flawed character to read. And then she was just…poof. Gone. Full disclosure: It’s really hard for me not to compare Batgirl: The Darkest Reflection to Bryan Q. Miller’s books with Stephanie, even though this book does feature the return of the iconic Batgirl, Barbara Gordon. But I’m going to try my best to be unbiased here.

At least I’m not the only one who feels a bit iffy about this book. Babs’ return as Batgirl via the New 52 reboot came at the expense of her run as Oracle, the DCU’s post-The Killing Joke wheelchair bound tech guru and queen of the information superhighway. Jill Pantozzi over at Newsarama wrote an awesome piece about this change that I won’t even attempt to top. But in short, a lot of fans feel that giving Barbara her legs back took away an extremely compelling, and at times inspirational aspect of her character.

Batgirl, wheelchairThe Darkest Reflection realizes what a radical and controversial character shift this is, and as such we spend most of the book dealing with it. Our first villain is Mirror, a character who sees miracles as God’s mistakes, and sets out correct them. We also meet Gretel, a mind control villainess who Barbara sees a bit of herself in. All the while, our heroine must come to terms with the fact that she can walk again, and what it means for her as both Barbara and Batgirl. Then later, amidst all of this, the last person in the world Barbara expected to see again comes back into her life!

The book explains Barbara’s return to her feet with a couple of lines about a clinic in South Africa that performed a “neural replacement” operation on her. I suppose this is as good an explanation as any. The less we spend on the pseudoscience of Barbara getting her legs back, the better. I imagine it’s more comfortable for people that way….

From a writing standpoint this story is tricky. Barbara is dealing with a change most people can’t relate to. As a reader it’s sometimes tough to project yourself on to her. But there’s no way they could have gotten away with not telling this story. DC wanted to meet Oracle fans halfway by keeping her in continuity, and they had to have a transition story of sorts. In addition to setting up a new status quo for Barbara and planting some seeds for future stories, that’s basically what this book is. In that sense, the book does its job. We see Barbara’s survivor’s guilt, we see her uncertainty in the field, and we see Batman and Nightwing work with her again. It’s not nearly as fun as Gail Simone’s work on Birds of Prey, or any of the stuff Stephanie Brown did as Batgirl (sorry!), but it’s what we need to see to get us to the next part of Barbara’s story.

Batgirl #3, Nightwing, Ardian SyafIssue #3, which examines Barbara’s relationship with Dick Grayson/Nightwing, sees Dick ask Barbara a pretty heavy question: “Come on, Babs, you’re recovering…I’ve seen the records, Barbara. Do you want to be back in that wheelchair? Is that what this is all about?” Commissioner Gordon also brings up the question of whether Barbara is doing too much too soon, and he (presumably) doesn’t even know about the her superhero career. The book tells us that Barbara learned about the neural replacement procedure about a year before these events play out. Which means she’s been back on her feet less than a year. Even when you take her previous experience into account, that makes for a pretty quick return to swinging from rooftops, trading blows with homicidal maniacs and jumping on to speeding trains. I’m wondering if placing more emphasis on Babs’ quick return to action might have made it a little easier for readers to identify with her plight. Most people know how it feels to sit on the sidelines due to sickness or injury, and want to get back in the game as soon as possible. Seeing Barbara in a position like that, albeit in an exaggerated manner, might have helped play up the returning underdog angle a little better.

Batgirl: The Darkest Reflection, MirrorThat said, Mirror is a great villain for Barbara in this book. His M.O. about miracles being mistakes of the Divine make him the perfect opponent for the returning Batgirl. He’s got a really great look to him as well. His hooded costume mixed with the mirrors give him a Grim Reaper vibe that works really well. Since the reboot, DC has made a point to put their heroes up against all new villains, and Mirror was one of the best ones they came up with. Kudos to Ardian Syaf for making him, and the rest of the book look great.

The second villain, Gretel, is essentially a throwaway character who got her mind control powers in a way that’s never really explained. I understand why she’s there, but she’s obviously filler.

I’m not convinced that The Darkest Reflection is ultimately as good as it could have been. Gail Simone is certainly no stranger to Barbara, but I think she handled the character much better as part of a group dynamic in Birds of Prey. Now that Barbara’s return is out of the way, hopefully we can look forward to bigger and better things.

RATING: 6.5/10

Image 1 from christopherbowsman.blogspot.com. Image 2 http://eddiedangeroncomics.blogspot.com. Image 3 from booknerdreviews.com.

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A Batman: The Black Mirror Review – Enter James Gordon Jr.

Batman: The Black Mirror, coverTITLE: Batman: The Black Mirror
AUTHOR: Scott Snyder
PENCILLERS: Jock, Francesco Francavilla
COLLECTS: Detective Comics #871-877
FORMAT: Hardcover
PUBLISHER: DC Comics
PRICE: $22.99
RELEASED: November 23, 2011

By Rob Siebert
Editor, Fanboy Wonder

One of the best things a Batman writer can do is establish Gotham City as a character in and of itself. Scott Snyder does this as well as any writer I’ve ever seen, particularly when he’s teamed with Jock in Batman: The Black Mirror.

The book collects two stories. In the title story, a series of murders leads Batman (Dick Grayson) to investigate an underground auction house for items used by Gotham City rogues. The pressing question being, will Dick escape the auction house alive? At the same time, Commissioner Gordon’s son James Jr. returns to Gotham. As it turns out, James has something of a violent history. As Barbara Gordon (Oracle) panics about his return, the Commissioner wonders if his son deserves another chance, or if he has something sinister in mind for the city. In the second story, “Hungry City,” somebody puts a dead killer whale in the middle of a bank lobby. That’s right, an honest to God killer whale! The case leads Dick Grayson into contact with the daughter of Tony Zucco, the man who murdered his parents. How far has the apple fallen from the Zucco family tree? Batman’s set to find out.

Batman: The Black Mirror,  Francesco FrancavillaIn this story, and all Snyder’s Batman stories for that matter, the city has a very distinct feel to it. Snyder, Jock and Francavilla give it an aura that makes you believe characters as outrageous as these could exist there. Very few creative teams have been able to pull that off so effectively.

Fans have known for years now that Jim Gordon has a son. We’ve seen him as a child in various early-years stories like Batman: Year One. Apparently he left Gotham with Jim Gordon’s first wife after their divorce. I had always been interested to see what happened to him. From a creative standpoint, part of me was a bit disappointed to see the character given such a dark twist. Between his divorce, having his daughter paralyzed and his wife murdered, not to mention having the unenviable task of maintaining some degree of order in the most chaotic city in the world, it would have been nice to see something actually go Gordon’s way for once. But alas, like Batman he seems to be cursed. Snyder does a tremendous job keeping you wondering whether James is actually a bad guy. Francesco Francavilla, who handles the pencils for all the Gordon-centered content, does great work too.

Batman: The Black Mirror, Dick Grayson, JockWhat I also enjoyed about Snyder’s work was that he makes a point to have his run be just as much about Dick Grayson as it is about Batman. Whether it’s Dick reminiscing about how his father viewed Gotham while in the circus, his feelings toward the daughter of the man who murdered his parents, or how he feels soaring over  rooftops, Snyder, Jock and Francavilla make Dick look very natural in the Batman role, as opposed to someone who’s simply filling in. That’s something that even more renowned creative teams have had trouble doing.

The quality of Snyder’s work in the world of Batman continues to rise. But this is where it all started. Clearly he’s got a knack for working with these characters, and if he keeps it up he can establish himself as one of the better Batman writers of this era.

RATING: 8.5/10

Image 1 from goodreads.com. Image 2 from wednesdayshaul.com.

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A Batgirl Rising Review – The Blonde Bat-Bombshell

Batgirl RisingTITLE: Batgirl Rising
AUTHOR: Bryan Q. Miller
ARTIST: Lee Garbett. Cover by Phil Noto.
COLLECTS: Batgirl #1-7
FORMAT: Softcover
PUBLISHER: DC Comics
PRICE: $17.99
RELEASE DATE: July 14, 2010

By Rob Siebert
Editor, Fanboy Wonder

No matter what characters are under the mask, it seems like there’s always a demand for certain heroes or certain groups. They become franchises unto themselves. Aquaman, Robin, the Justice League, the Justice Society, the Teen Titans. They’ve all had various facelifts and changes over the years, but they always have a certain degree of fan support.

Batgirl is no different.

After Battle For The Cowl, in addition to a new Batman and Robin, we got a new Dark Knight damsel. This time it’s Stephanie Brown, the college freshman formerly known as The Spoiler. Batgirl Rising collects her first few adventures, and  breaks her in as Batgirl.

923527-batgirl__1_007_superWhen Cassandra Cain (the character who took on the Batgirl identity several years after the first Batgirl, Barbara Gordon, was incapacitated by Alan Moore in The Killing Joke) gives up her cape and cowl in the wake of Bruce Wayne’s apparent death, Stephanie adopts the identity, much to the chagrin of Barbara Gordon. Barbara reluctantly takes Stephanie under her wing as she battles The Scarecrow, Roxie Rocket, and whatever else Gotham City throws her way.

But will our new Batman want a new Batgirl flying across the rooftops?

Though I’ve been underwhelmed by Bryan Q. Miller’s work on Titans and Teen Titans, it looks like he was given a lot more room to be creative with this title. He takes the ball and runs with it. One of the cool things about this book is that it not only begins a new chapter in Stephanie Brown’s life, but Barbara Gordon’s as well. There are a few scenes where Barbara is trying to mentor a girl who, like her, had her legs taken away from her. They’re touching, and give Barbara that much more depth as a character.

What’s nice is that Miller hasn’t changed Stephanie’s character simply because she’s become Batgirl. This girl is a perpetual screw-up. She knows it, Barbara knows it, and the audience knows it. So why not have a little fun with it?

Batgirl Rising, Stephanie Brown, Damian WayneA writer once told me that when they’re working as a trio, Robin and Batgirl are actually more fun to write than Batman himself. The Caped Crusader always has to be the brooding straight man, while Robin and Batgirl can crack jokes and have a bit more fun. If Batgirl Rising isn’t evidence of that, I don’t know what book is. Miller writes some competitive banter between Damian and Stephanie that’s an absolute joy to read. When a perpetual screw-up teenage girl meets a 10-year-old assassin/superhero with authority issues, hilarity shall ensue.

Batgirl Rising isn’t an instant classic, but it’s a fun book to read. Certain things in this book don’t work as well as others (Stephanie’s attempt at a romance with a fellow college student isn’t a great beat), but nothing falls completely flat. Considering what Bryan Q. Miller books I had been exposed to prior to Batgirl Rising, this book offered him (and Stephanie Brown, for that matter) a measure of redemption in my eyes. Hopefully the best is yet to come.

RATING: 7.5/10

Image 1 from comicsblog.fr. Image 2 from ifanboy.com.

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