A Star Wars: Yoda’s Secret War Review – Size Still Matters Not

TITLE: Star Wars, Vol. 5: Yoda’s Secret War
AUTHOR: Jason Aaron, Kelly Thompson
PENCILLER: Salvador Larroca, Emilio Laiso. Cover by Stuart Immonen.
COLLECTS: Star Wars #2630Star Wars Annual #2
FORMAT: Softcover
PUBLISHER: Marvel
PRICE: $17.99
RELEASED: July 5, 2017

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

I’ve referred to the “Journal of Old Ben Kenobi” issues of Star Wars the highlight of the series thus far. I stand by that statement in terms of the one-off tales we got in issues #7, #15, and #20. But they went a little too far here. A five-issue story from the journal? Which features Yoda instead of Obi-Wan? I can understand the temptation to try it. But no. This falls in the “too much of a good thing” category.

As Luke Skywalker ponders a current predicament involving C-3PO being captured by the Empire, he opens Ben Kenobi’s journal and begins reading. Ben weaves a tale of a Jedi being called to a remote planet not on any star maps. A world inhabited only by children, who speak of a mysterious “stonepower.” Little does Luke know that the Jedi unraveling the mystery of this planet is Yoda, the former Grand Master of the Jedi Order who will soon continue his training in the ways of the Force.

Our artist for the main story is Salvador Larroca, whose work I’ve talked about in great detail previously. Long story short: His art is largely based on stills from the Star Wars movies, and it’s incredibly distracting. You want to be into the story, but the art keeps reminding you of scenes from Attack of the Clones, Revenge of the Sith, etc. It works for characters like Darth Vader or C-3PO, whose faces never change. But for just about everyone else it’s a problem. It’s a shame, because otherwise this is pretty good stuff. Edgar Delgado’s colors really capture the magic and wonder of the Star Wars Universe, especially once Yoda is sent on a question inside a mountain. And we get a big monster toward the end that’s are a lot of fun.

To his credit, Jason Aaron gets Yoda right. He’s not afraid to play with Yoda’s ironic size/power ratio. In issue #26, we see him walk into the lair of a bunch of space pirates to save a Force-sensitive child. As one might expect, they initially laugh him off. But he dispatches them, and gets a pretty good line in: “Something more precious than wealth have I brought you. … Wisdom.”

During our story, Yoda becomes the student of a boy named Garro, who teaches him about the stonepower. Seeing our little green friend as an apprentice instead of a master is always a fun role reversal. Star Wars fans obviously know that he instructs very young Jedi at the temple on Coruscant. So the fact that he’s on a planet full of child warriors is a great little twist. We get some cool visuals of Yoda and Garro with the glowing stones, and the blue light reflecting across the Jedi Master’s alien skin.

But despite what Yoda’s Secret War has going for it, it’s simply too long. They could have trimmed at least one issue off of this and been absolutely fine. In issue #29, we see Yoda face a rock monster that’s as tall as a building. That’s a great match-up, and a perfect illustration of the grand yet unassuming power this little guy possesses. In terms of a grand finale for a Yoda story, it’s tough to ask for more than that. But as we move through issue #29 and into #30, we jump back to present day and see Luke mix it up with an adult Garro. Thus, a story that was already starting to feel it’s length officially overstays its welcome. I understand the impulse to connect the story to Luke. But the reader already knows Yoda eventually trains him. It’s needless filler.

We also have to endure the narrative convenience that, in telling this story, Ben Kenobi never identifies Yoda by name. This is a continuity hoop Aaron has to jump through so Luke doesn’t recognize Yoda’s name in The Empire Strikes Back. While I appreciate the attention to continuity, it’s just a little too convenient for my taste. Logically, why wouldn’t Obi-Wan use Yoda’s name?

We also get the obligatory scene at the end with Yoda on Dagobah, talking about how Luke will be ready soon. Again, needless filler.

Also contained in this book is Star Wars Annual #2, in which our creative team shifts to Kelly Thompson and Emilio Laiso. We meet a character named Pash Lavane on the planet of Skorii-Lei, which has been devastated by the war between the Empire and the Rebellion. While she’s an immensely talented former engineer, with the physique of an Amazon to boot, Pash opts to stay out of the conflict. But when she rescues Princess Leia from a stormtrooper attack, she’s irrevocably drawn in. She may have no choice but to pick a side.

I appreciate the story Thompson tells about how one can’t always stay neutral when it comes to what’s happening in their world at large. But what I came away thinking about was the Pash character herself. The juxtaposition of a big, muscled up character who’s also technically savvy is intriguing. Pash is almost the She-Hulk of the Star Wars universe. Laiso strikes a lovely balance, as he makes her both facially expressive and imposing in stature. Between Doctor Aphra and Sana Solo, Marvel hasn’t been shy about creating new strong female characters. Pash makes that list as well, and it’s a shame we haven’t seen her since this issue.

I’ve drifted in and out of Marvel’s main Star Wars series since its debut. As big a Star Wars geek as I’ve always been, this title has had trouble holding my attention. Sadly, Yoda’s Secret War is my latest exit cue. Hopefully I get a reason to return sooner rather than later.

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A Review of Darth Vader #24 – The End is Near

TITLE: Star Wars: Darth Vader #24Darth Vader #24, 2016, cover, Salvador Larroca
AUTHOR: 
Kieron Gillen
PENCILLER: Salvador Larroca
PUBLISHER: Marvel
PRICE: $3.99
RELEASED: August 10, 2016

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

The penultimate issue of Star Wars: Darth Vader invites Salvador Larroca to do something he does too much of for my taste: Draw stills from the movies. But in his defense, if there was ever an issue to do that, it’s this one.

The cybernetics in Darth Vader’s suit have been shut down by Cylo-V. His respirator having (presumably) been deactivated, Vader’s life flashes before him. His mind takes him back to Mustafar, and questions arise. What if Obi-Wan had killed him? What would Anakin Skywalker think of Darth Vader? What if he were to simply surrender and die…?

I’m a sucker for issues where Vader reminisces and agonizes about the events of the prequels. So I couldn’t help but be sucked in when Vader imagined an alternate Revenge of the Sith where Obi-Wan throws the amputee Anakin into the lava, and the man in the black suit emerges. From there, we go into pure fan service as we get an Anakin vs. Vader lightsaber fight. Larrocca gives us a striking near-full page shot of Anakin, and while brief, the fight is a thrill. Particularly poignant is the moment where Skywalker yells “I hate you!” at his future self. Less poignant, however, is the moment where Vader says he’s well-versed in killing children.

Darth Vader #24, 2016, PadmeWe then go into many a Star Wars fan’s worst nightmare: A Padme scene. Kieron Gillen keeps this one pretty simple, though. Anakin’s dead wife represents the temptation of surrender. A temptation I’d have thought would be greater. That relationship longed for depth and substance. But boy did Anakin love Padme. If the implication here is that they can be together in death, you’d think he’d just give in.

But Vader’s choice here is powerful, and telling as to just how far into the darkness he’s gone. Instead of going with his wife, Vader summons his anger and hatred to will himself into a comeback. To their credit, Gillen, Larroca, and the Darth Vader team made me believe Anakin Skywalker was dead.

HIs rendering of movie stills notwithstanding, Larroca does deliver some great imagery with Vader. Early the issue, as the dark lord is motionless and vulnerable, we get a shot of Cylo with his hand on Vader’s helmet. Someone being able to lay a hand on him like that is…unsettling. It’s certainly not something we’re used to seeing. Also, In the Mustafar sequence we see Darth Vader emerge from the lava like a black phoenix. Lightsaber in hand, of course.

This story also sets the stage for a confrontation in our final issue between Darth Vader and Doctor Aphra, which is what the ending should be. I maintain this series doesn’t have to end. For obvious reasons, a Darth Vader book will always have an audience. But 25 issues is a good run, and it’ll be good to see Gillen and Larroca finish what they started.

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A Star Wars #20 Review – You’ve Upset the Wookie!

Star Wars #20, coverTITLE: Star Wars #20
AUTHOR: Jason Aaron
PENCILLER: Mike Mayhew
PUBLISHER: Marvel
PRICE: $3.99
RELEASED: June 15, 2016

By Rob Siebert
Editor, Fanboy Wonder

Jason Aaron really came across something cool with these “Journals of Old Ben Kenobi” issues. It’s a great breather from the events of the ongoing series, and Obi-Wan’s time in exile hasn’t necessarily gotten the attention it deserves from storytellers. Having Mike Mayhew take a crack at it is, more often than not, a joy.

A short time after we last saw this younger Ben Kenobi and an even younger Luke Skywalker, the bounty hunter Black Krrsantan has returned to Tatooine to collect the price on Kenobi’s head. When Owen Lars gets caught in the crosshairs, Ben finds himself in a fight for both their lives.

I criticized Mayhew for getting a little too cartoony in Star Wars #15. I’m happy to say he’s scaled that back here. That’s not to say our characters aren’t expressive. But at no point during this issue did I roll my eyes. For obvious reasons, that’s important. And it makes this issue an improvement over its predecessor.

Star Wars #20, 2016, Mike Mayhew, LukeMayhew’s rendering of a young Luke has been the highlight of his two issues. That youthful exuberance radiates off the page. It instills you with the sense that this kid is important and we need to protect him at all costs. Because, of course, that’s really what Obi-Wan is fighting this wookie for. Yes, he wants to save Owen. But in the end, he can’t this monster find his way to Luke. That’s almost said outright during the fight. But it doesn’t need to be.

This version of Obi-Wan is interesting to look at. Not only have we never seen the character look quite this way before, but Mayhew’s photorealism makes it look like he’s being played by a new actor. An actor who not gives a fairly versatile performance, but (as I’ve said before) conveys both the charm of Ewan McGregor and the wisdom of Alec Guinness. That’s a lofty task for a comic book. But Mayhew pulls it off.

In reading these journal issues, I’ve found myself wondering just how old Obi-Wan is at this point. In this issue he talks about age wearing him down. But his age has always been somewhat ambiguous, hasn’t it? Wookiepedia indicates he was born 57 years before A New Hope. Luke looks to be 7 or 8 years old here….which would put this issue about 11 years before A New Hope…which would make Obi-Wan about…46? I’ll buy that.

Obi-Wan, Star Wars #20, Mike MayhewI’m not sure how many issues Jason Aaron has left in him. But if for some reason he were to leave Star Wars tomorrow, Marvel might consider keeping him around to do an Obi-Wan miniseries, ideally with Mayhew. These flashback issues have been the highlight of the series thus far.

Images from author’s collection.

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A Star Wars #15 Review – The Next Chapter

Star Wars #15, 2016TITLE: Star Wars #15
AUTHOR: Jason Aaron
PENCILLER: Mike Mayhew
PUBLISHER: Marvel
PRICE: $3.99
RELEASED: January 20, 2015

***For the last chapter in Obi-Wan’s Journal, check out Star Wars #7.***

By Rob Siebert
Editor, Fanboy Wonder

Mike Mayhew drawing actual characters in the Star Wars universe? Yes please!

Star Wars #15 brings us a new chapter in the journal of Obi-Wan Kenobi. A year has passed since the events of Star Wars #7, and the former Jedi Master continues to look after young Luke Skywalker from afar. When Luke is in a minor flying accident, and his Uncle Owen grounds him (literally), Obi-Wan goes to great lengths to get Luke back in the air. Meanwhile, Jabba the Hutt continues to search for the one who foiled his plans during the drought. Obi-Wan may not stay hidden for long.

Star Wars fans may remember Mike Mayhew as the artist on The Star Wars, the comic book adaptation of one of George Lucas’ early drafts in the ’70s. Mayhew’s photorealistic style is beautiful. He made the characters, who were ultimately never meant to be seen, come to life as if we were somehow watching an alternate version of the original movie. The only major flaw I find in his work is that his characters can go over the top with their expressions, and venture into cartoony territory. We get some of that here. But it almost doesn’t matter, considering how gorgeous things are.

Star Wars #16 (2016), Mike Mayhew, Young Luke SkywalkerFor instance, there’s a panel on page 5 that shows us Luke in the cockpit of his family’s T-16 Skyhopper. The sheer joy on his face, along with the superficial similarities to Mark Hamill in A New Hope, are enough to make you buy this kid as a young Luke Skywalker. As such, you’re immediately draw into the issue. I can’t understate how important this one panel is to the integrity of the entire story. You’re invested in him instantly. And as a bonus, we get a shot of a young Biggs Darklighter.

But just two pages later, things get cartoony in a shot of Owen getting angry with his nephew, and Luke crossing his arms in defiance. It’s an interesting trade off, but the upside makes it worthwhile.

Mayhew’s Obi-Wan Kenobi doesn’t look like Ewan McGregor or Alec Guinness, but still manages to evoke the charm of the former, and the wisdom of the latter. As such, he’s believable. As was the case last time, we only get one lightsaber shot, and it’s used toward the end. This is appreciated, not just because of creators relying too heavily on the lightsaber, but because this issue presents an ample opportunity to utilize it. At about the halfway point, we get a gorgeous two-page spread depicting a fight between Obi-Wan and a bunch of Tusken Raiders. If ever there was a good excuse to whip out the lightsaber, this is it. Instead, our creators show restraint, and show us Obi-Wan doesn’t need the lightsaber to be a formidable opponent. I wish we saw this kind of thing more often. It beats the hell out of the lightsaber frenzy we saw in issue #12.

Star Wars #16, Mike Mayhew, Obi-Wan KenobiI’ve had my share of bones to pick with Jason Aaron’s choices in this series. But these Obi-Wan journal issues have been fantastic. There’s so much potential for great storytelling here. Aaron uses this issue to give us a firsthand look at the dynamic between Obi-Wan and Owen Lars. It’s a fine supplement to A New Hope, and is consistent with what we saw from both characters in the film.

As evidenced by how we close this issue, this won’t be the last time we open the journal. As for Mike Mayhew, here’s hoping he comes back to Star Wars again in the near future. He’s got an entire galaxy left to explore.

Images from author’s collection.

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A Star Wars: Obi-Wan and Anakin #1 Review – The Lost Years

Star Wars: Obi-Wan & Anakin #1TITLE: Star Wars: Obi-Wan and Anakin #1
AUTHOR: Charles Soule
PENCILLER: Marco Checchetto
PUBLISHER: Marvel
PRICE: $3.99
RELEASED: January 7, 2016

By Rob Siebert
Editor, Fanboy Wonder

I’m not necessarily surprised Marvel chose Obi-Wan & Anakin as their latest Star Wars miniseries. What’s rather curious though, is the time in which it’s set. This story comes to us just a few years after The Phantom Menace, so they’re not tapping in to any of that Clone Wars stuff. There’s a definite downside to that, but the upside might just be worth it.

When we open the issue, Obi-Wan Kenobi and Anakin Skywalker (now presumably about 12) crash land on the planet Carnelian IV. Master and apprentice are responding to a distress signal requesting Jedi aid. But Carnelian IV is a world that was thought to be dead. What exactly have our heroes wandered into…?

While Obi-Wan & Anakin may not have a lot of the stuff that made The Clone Wars or portions of the prequels fun. But it does have the potential to provide. something the prequels sorely lacked: Character depth.

Star Wars: Obi-Wan & Anakin, lightsaberOur opening crawl tells us that both characters have begun to “question their roles in the destiny of The Force.” We later learn that Anakin has apparently talked to Obi-Wan about leaving the Jedi Order. This subject has been touched on, both in Attack of the Clones and the Revenge of the Sith novelization. But this is the first time I’ve seen the subject brought up when Anakin is this young. It’s also the first time I’ve seen it used without any sort of connection to Anakin and Padme’s relationship. That enriches the concept, from where I’m sitting. It shows us Anakin actually has conviction, and his morality doesn’t completely revolve around Padme.

So what would prompt Anakin to abandon his Jedi training at such a young age? If what we see in this issue is any indication, it’s because he’s dissatisfied with the way the Republic and the Jedi Order function. But I wouldn’t be surprised to learn it also has something to do with his mother. He was obviously still thinking about her in Attack of the Clones.

Of course, it’s not an accident that they made a point to focus in on Anakin’s lightsaber (shown above). We even get a flashback to “before,” and see a scene with him practicing with other students. How and if the lightsaber will play into the story, outside of Anakin simply using it, isn’t clear. But I wouldn’t be surprised if it gets more special attention, given the role it played in The Force Awakens.

Star Wars: Obi-Wan & Anakin #1, Marco ChecchettoMarco Checchetto is no stranger to Star Wars, having drawn Shattered Empire. He and colorist Andres Mossa have a knack for creating gorgeous environments, vehicles, settings you very much believe could exist in this universe. The airships in this issue would have been cool even without the big crash (shown right). We don’t often see those kind of craft in Star Wars, and will hopefully see more before the story is over.

But Checchetto can run into trouble when it comes to people. It’s not that his figure work is bad. His characters just seem a bit lifeless on the page at times. They lack a certain energy, which in turn can rob the story of energy.

The success of Obi-Wan & Anakin relies heavily on what it can tell us about the relationship between these two characters that we didn’t know before. You know what else it relies heavily on? Us not seeing Jar Jar. We’re between Episodes I and II here, people. This is Jar Jar territory. We must be cautious…

Images from author’s collection. 

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Talking Star Wars: Rey Theories, Leo as Anakin, “White Slavers”

Rey, Star Wars: The Force AwakensBy Rob Siebert
Editor, Fanboy Wonder

***WARNING: Spoilers for Star Wars: The Force Awakens lay ahead. But seriously, you must have seen it by now.***

1. Rey Rumors. 

So now that The Force Awakens has been out for a little bit, we’re at the point where a lot of Star Wars fans are theorizing about the movie. Most rampantly about Rey’s family. Some people think she’s somehow Obi-Wan Kenobi’s daughter, others think she’s a Skywalker (which I imagine is more likely), etc.

Frankly, I’m hoping she’s just Rey. I think The Force Awakens gave us our fill of “I am your father” moments for this era with Kylo Ren and Han Solo. While it would give us a certain plot symmetry to have a Force-sensitive brother and sister at the center of this new trilogy, it’s a little too predictable, in a story many argue is already a little too derivative of the classic trilogy.

Also, the idea of the Skywalker family being (as The Verge recently put it) “the chosen people,” and any hero in the galaxy needing to be connected to them in some way waters things down. I’ve recently gotten acquainted with Star Wars Rebels, and one of the really cool things about that show is that none of the main heroes are connected to Obi-Wan Kenobi, Han Solo, or any of the classic movie characters. They’re entirely new and independant.

Star Wars: The Force Awakens, Rey, BB-8That’s not to say Kylo Ren is less special because of his connection to Han and Leia. But it’s also important to establish that anyone is capable of being a hero, whether you’re an outlaw smuggler, a rogue stormtrooper, or a desert scavenger who has abilities far beyond her imagination. That idea is a lot of fun, and appropriate for this universe.

What’s more, the idea of Rey being Obi-Wan’s daughter is, at least at first glance, a little too convoluted for me. They’d have to go out of their way to explain how and why Obi-Wan had a child so late in his life. And it just seems like overkill. Han and Leia named their (presumably) only child Ben, as a tribute to Obi-Wan. That’s enough.

2. Leonardo DiCaprio as Anakin Skywalker. 

Shortlist got fans buzzing recently by digging up a 2010 interview with Leonardo DiCaprio, in which he revealed he met with George Lucas about playing Anakin Skywalker.

Leonardo Dicaprio, The Beach“I did have a meeting with George Lucas about that…” DiCaprio said. “I just didn’t feel ready to take that dive. At that point.”

Obviously, fate was on Leo’s side here. Hayden Christensen is not a bad actor, and he did the best he could. But was under George Lucas’ direction, saying lines George wrote. There was only so much he could have done. Leo (seen above in 2001’s The Beach, which shows us roughly how he could have looked as Anakin) would have been shackled, and as good as he is, his career likely would have suffered for it.

Still, given how Ewan McGregor was still able to charm as Obi-Wan, it’s interesting to think what Leo might have been able to work into Anakin.

3. George Lucas: “I sold [Star Wars] to the white slavers…”

Yeah, George said this in an interview with Charlie Rose. Even when you take it in the proper context, it’s not much better.

Lucas was talking to Rose about selling Lucasfilm, the Star Wars and Indiana Jones franchises, and his idea for Star Wars: Episode VII to Disney. Disney went their own way with the movie, which it seems has left George somewhat bitter. He talked about how his involvement in the new trilogy would ultimately muck things up, given the difference in directions, which led to the “white slavers” metaphor.

George Lucas, Mickey MouseI’m going to be as nice to George as I can, here. But that’s obviously an extremely crude thing to say about the people he ultimately chose to do  business with. Business, by the way, that made him $4 billion richer, and allowed him to make some vey generous donations to the world of education. It also allowed hi to spend some valuable time with his young daughter.

I imagine this is a really weird time for George. He doesn’t deserve all the credit he gets for “creating” Star Wars, it’s his baby. And now he has no influence on it anymore, and the franchise has been reinvigorated by its “step parents” of sorts. Make no mistake, people are much happier with The Force Awakens than they were with any of the prequels. What does that say about George, his contributions to his own creation over the last 15 years?

Sorry George, but I call sour grapes on this one.

Image 1 from techtimes.com. Image 2 from nydailynews.com. Images 3 and 4 from screencrush.com. 

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A Star Wars, Vol. 2 Review – Mrs. Han Solo???

Star Wars, Vol. 2: Showdown on the Smuggler's MoonTITLE: Star Wars, Vol. 2: Showdown on the Smuggler’s Moon
AUTHOR: Jason Aaron
PENCILLERS: Stuart Immonen, SImon Bianchi.
COLLECTS: Star Wars #7-12
FORMAT: Softcover
PUBLISHER: Marvel
PRICE: $19.99
RELEASE DATE: January 9, 2016

For further reading, check out our reviews of issue 7 and issue 8

By Rob Siebert
Editor, Fanboy Wonder

Since getting the keys to Marvel’s Star Wars ongoing series, Jason Aaron’s writing has been fairly inconsistent in terms of quality. He’ll be great for an issue or two, then suddenly give us an eye-roller. Still, Aaron has definitely put together a book that delivers on the trademark Star Wars action and adventure that we love. So despite the eye-rollers, we still come back for more.

After a glimpse into the journal of Obi-Wan Kenobi, Luke Skywalker sets out for the smuggler’s moon of Nar Shaddaa, hoping he’ll find someone who can get him on Coruscant and into the Jedi Temple discreetly. Unfortunately, Luke becomes the prisoner of a Hutt who fancies himself a collector of all things Jedi. Meanwhile, Sana Solo, the alleged wife of Han Solo, intends to collect the bounty on Princess Leia’s head. But first, they must survive a bombardment from the Empire. Plus, who’s going to rescue Luke?

STar Wars #7, Simone Bianchi, Ben KenobiThis book has a really strong start, as Aaron and Simone Bianchi give us a glimpse of Obi-Wan Kenobi’s maddening seclusion on Tatooine. Put plainly, it’s the best issue the Star Wars team has put out thus far. I’ve talked extensively about issue #7 before, but it bears a little repetition. Simone Bianchi’s art is haunting at times. Particularly memorable is a sequence in which Obi-Wan is meditating, and in his frustration, ends up lifting the bones of a long-dead creature out of the sand. There’s also a lone panel in which he’s sitting in his home alone in the dark, with nothing but agonizing time on his hands. I’m hoping we get more issues like this down the road.

We then get into the main story, which deals largely with Sana Solo, Han’s alleged wife. Han spends much of the story in a state of fluster, saying things like: “Sana. Where did you…how…how did you…?” and ““Leia, don’t listen to her. It was never like that…She’s not my wife!” That gets old after awhile. But on the plus side, it is interesting to see Han get the tables turned on him like that.

Han Solo, Sana Solo, Stuart ImmonenThe downside of a story like this is that the end is fairly obvious. From her reveal in issue #6, we knew the chances of her actually being Han’s wife were pretty slim. Even if she was his wife, shenanigans were likely involved. So we knew that by the end of the story she’d be gone. As such, it’s tough to fully get invested in her. But it is interesting when we finally hear her backstory. Her ship is also pretty cool. It looks like a cousin of sorts to the Millennium Falcon.

This book plays the lightsaber card pretty heavily. I’ve talked about the downside of what I call Frequent Lightsaber Activation (FLA) before, and it’s present in this book. It’s not entirely unjustified, because Luke does spend a lot of time in a combat scenario. But there’s a scene where Luke goes into a cantina on Nar Shaddaa, and his lightsaber makes him a target. The story then starts to revolve around Luke protecting the weapon, then retrieving it, then being confronted by a Hutt with a bunch of lightsabers strung around his neck. Then at the end, we get a stunt involving our main characters and a bunch of lightsabers. It’s all a bit much for my tastes. I don’t doubt there’s some sort of editorial mandate to play up Anakin Skywalker’s lightsaber, as it will appear in The Force Awakens. But there’s something to be said for not overdoing it.

Star Wars #11, Chewbacca, Dengar, C-3POOn the plus side, Aaron writes an excellent C-3PO. In Showdown on the Smuggler’s Moon, Threepio travels with Chewbacca to Nar Shaddaa in an attempt to rescue Luke. But the duo go on a hunt for information before runing into Dengar, one of the bounty hunters seen in The Empire Strikes Back. Threepio’s dialogue in issues #10 and #11 is fantastic. I loved the line, “Oh, why do I always have to be the hero?” Aaron’s portrayal of Threepio is one thing he’s been consistent with from the start. The fact that I’m a sucker for ol’ goldenrod doesn’t hurt either.

Stuart Immonen does fantastic work here. The passion he’s putting into these pages is evident. He’s got the faces and mannerisms of the characters down pretty well. Immonen, inker Wade Von Grawbadger, and colorist Justin Ponsor do an excellent job with Nar Shaddaa as a whole. The sky is a gorgeous (relatively speaking) mix of browns, yellows, greens, and even light oranges to portray the pollution. They also give us a really good Chewbacca. A lot of artists forget that Chewie’s arms are relatively skinny. He wasn’t this big, muscled up gorilla, so much as he was really tall. Kudos to this team for giving us a pretty fair representation of Peter Mayhew in that costume.

Star Wars #9, 2015, Grakkus the HuttThis crew also does most of the covers, and give us a fantastic one for issue #12.

Our artists have definitely proven their worth as far as the Star Wars universe is concerned. As for Aaron, this volume shows definite improvement. He’ll be spending his next few issues on the Vader Down crossover. But he’s managed to keep my interest, and I’ll be sticking around to see what he does next.

RATING: 7/10

For more from Stuart Immonen, Wade Von Grawbadger, and Justin Ponsor, check out Ultimate Comics Spider-Man, Vol. 1: The World According to Peter Parker.

Images from author’s collection.

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