Who is Nightwing? – Bludhaven Begins

***As Nightwing’s public profile grows higher via the Titans TV series and the upcoming Gotham Knights game, “Who is Nightwing?” looks at Dick Grayson’s early solo adventures after stepping out of Batman’s shadow.***

TITLES: Nightwing #18
AUTHOR: Chuck Dixon
ARTISTS: Scott McDaniel, Karl Story (Inkers), Roberta Tewes (Colorist), John Costanza (Letterer)
PUBLISHER:
DC Comics
ORIGINAL SELLING PRICE:
$1.95 per issue
ORIGINALLY RELEASED:
1996-1997
CURRENTLY COLLECTED IN:
Nightwing, Vol. 1: Bludhaven

By Rob Siebert
Fanboy Wonder

This is it. I’d argue these are the issues that would define Dick Grayson for the next two decades and beyond. And they’re good!

Pretty good, that is.

When a whopping 21 dead bodies float up river into Gotham Harbor, Batman and Nightwing trace them to Gotham’s sister city, Bludhaven. When the Dark Knight sends him to investigate, Dick Grayson quickly learns that in many ways, Bludhaven is worse than Gotham. What’s more, a mysterious new crime lord has seized control of the city. Thus, Nightwing must discover their identity and take on a city corrupt to its core. And he’ll have to do it on his own…

I credit Chuck Dixon as one of the more underappreciated architects of Batman’s world as we know it. So Dick was in great hands for his first ongoing series. As one would expect, Dixon spends a good portion of these issues laying groundwork. We establish where Dick is in his life, Bludhaven as a character in itself, his supporting cast, and by the end we have our main villain.

Long before the term “quarter-life crisis” was a thing, Nightwing was essentially a quarter-life crisis book. Not simply about a superhero in a new city, this book is about an early-20s Dick Grayson creating a life for himself without his mentor’s help. And we get to see him doing a lot of those “fresh start” things. He gets an apartment without Bruce Wayne footing the bill. He gets a day job as a bartender. He meets a cute girl. He explores his new city and learns to care about it. These are all things young, particularly college-age adults can identify with. Nightwing reached for a key demographic in ways that few superhero books do.

For the first 40 issues of Nightwing, our art team consisted of Scott McDaniel, Karl Story on inks, and Roberta Tewes on colors.  That’s a heck of a run. A downright historic one when you consider all it did for Dick Grayson.

Personally? I have no choice but to acknowledge this team got the job done, as the work still holds up more than 20 years later. But to be blunt: It’s never really been my cup of tea.

To me, Scott McDaniel’s art has always screamed, “Action!” If you want him to draw, say, a sequence where a helicopter takes off carrying a small building that has Nightwing and a bad guy inside, McDaniel is your man. He’s less suited, however, for quiet moments. A recurring nightmare sequence, for instance. Or a scene at Dick’s bartending job. Sometimes they work, case in point the scene in issue #1 where Dick gives a young would-be mugging victim some money to get the hell out of Bludhaven. But just as often they don’t.

What’s more, the coloring choices make the art hard to follow at certain points. For instance, look at the page below. I understand the effect they’re going for with the lighting. But the final product looks, quite frankly, like someone spilled lemonade all over the page.

On a random side note, it’s amazing to think the Black Mask character has lasted 35 years. Especially when you consider his original design looks like a Blue Man Group guy in a pinstripe suit. He makes a quick appearance in issue #1.

Robin/Tim Drake stops by for issue #6. It’s a fun exploration of the brotherly dynamic Dick and Tim have. It does more for Tim, which is a little bit backwards considering it’s Dick’s book. But putting Dick with the current Robin will always be interesting.

We’ll dive into who Bludhaven’s mysterious new crimelord is next time. It has its ups and downs, but the decision lasts almost 100 issues. So suffice to say it worked out for them. That’s emblematic of these first eight issues overall. They’re hardly perfect. But in the long run, they were exactly what the Dick Grayson character needed as he moved into the next phase of its life.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Who is Nightwing? – Prelude to Solo Stardom

***As Nightwing’s public profile grows higher via the Titans TV series and the upcoming Gotham Knights game, “Who is Nightwing?” looks at Dick Grayson’s early solo adventures after stepping out of Batman’s shadow.***

TITLES: Nightwing #14
AUTHOR: Denny O’Neil
ARTISTS: Greg Land, Mike Sellers & Nick Napolitano (Inkers), Cathi Bertrand (Colorist), John Costanza
PUBLISHER:
DC Comics
ORIGINAL SELLING PRICE:
$2.25 per issue
ORIGINALLY RELEASED:
1995
CURRENTLY COLLECTED IN:
Nightwing, Vol. 1: Bludhaven

By Rob Siebert
Fanboy Wonder

Dick Grayson officially adopted the mantle of Nightwing in mid-1984 in the pages of Tales of the Teen Titans #44. The move was meant to remove Dick from Batman’s shadow and make him more of his own man. That’s why it’s so surprising in retrospect that the character didn’t get his own solo series until 1996, 12 years later.

Granted, there were one-off issues where Dick would get the spotlight. For a short time in the mid-’90s, he even stood in for Bruce Wayne as Batman. But it wasn’t until 1996 that Nightwing got his own book, and even his own city to protect. After more than 40 years as Robin, and over a decade as Nightwing, Dick was finally spinning off into his own adventures.

DC Comics would test the waters, and ultimately set the stage for a Nightwing ongoing series with a four issue mini published in 1995. Written by legendary Batman scribe Denny O’Neil, the story sees Dick revisit his past while preparing for his future. He also gets a new costume in the process.

Dick starts the story by doing something you probably don’t want to do before you start your own solo series – He quits. Handing his costume over to Batman, saying he’s realized “I’m not you. I was never you. I don’t want to be you.”

And what does Dick want Batman to do with the costume? He has some ideas…

“Put it in a trophy case. Give it to the Salvation Army. Burn it.”

Indeed, Dick Grayson is giving up on superheroics, opting to live a more normal life. A little abrupt? Sure. But I like this idea for Dick. He was and is the most outgoing among Batman’s surrogate family, which makes him the most naturally likable. So as readers, we want to see him happy and fulfilled.

Of course, it can’t last. The poor guy barely makes it to the next morning before he finds an old letter to his parents, threatening them for something they apparently saw in the despotic nation of Kravia. Naturally, he has to investigate.

Our penciller is Greg Land, who’s faced a lot of criticism over the course of his career for his use, and perhaps abuse, of photo reference. He’s been accused of lifting, and even flat-out tracing, images from sources as lewd as hardcore pornography. As far as I know, this Nightwing story pre-dates those allegations. I don’t see anything that stands out as blatantly lifted from somewhere else. Though there are a few images that are a little suspect. Case in point, an image in issue #1 of a briefs-clad Dick Grayson on a bed. I can’t bring myself to complain about that from a sexualization standpoint, given how female characters are often drawn to this day. But it makes you wonder.

There’s also the image above, where Dick, posed like a catalog model, is standing in what has the distinction of being the ugliest shirt I’ve ever seen in a comic book. He unfortunately wears that for much of the second issue.

While he’s unquestionably one of the all-time greats, this is hardly Denny O’Neil’s best work. He has to inject a decent amount of narrative convenience into things to get the story going and to fit it into four issues. The despot in Kravia just happens to remember who Dick is. The assassin he then sends to kill Dick is able to find him very quickly, which provides our hero with a trail of breadcrumbs to follow back to the villain. Makes me wonder why they didn’t keep things a little more simple than a story about whether a dictator was involved in the plot to kill Dick’s parents…

On the upside, this mini is where we see Nightwing’s black and blue costume (shown below) for the first time. His original suit, affectionately called the “disco suit,” worked for a colorful superhero team book in the ’80s. It was later changed to the sleeker, darker-yet-somehow-also-brighter outfit shown above. It was changed again here, presumably because tonally Nightwing was moving into territory closer to Batman. Dark, avenging hero of the night, and all that.

This is the look that practically all subsequent takes on the Nightwing outfit were based on. With Dick’s previous two outfits, especially the first, it feels like there might have been pressure to give the character something with a grandeur befitting his legacy. As it turned out, they were better off keeping it simple. Black with a touch of blue. It’s almost a minimalist’s superhero costume. The black costume also gave Nightwing a certain cool factor he maintains to this day.

At face value, this Nightwing mini isn’t much to write home about. The story is overdone, the villain is generic and forgettable, and by the end the whole thing seems all for naught. But it nevertheless holds an important place in the character’s history as the tale that gave him his new costume, and set him down a path to solo stardom. For that alone, it’s worth a look.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.