Once Upon a Time at the End of the World #3 Micro-Review – The Evolving Dynamic

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

Once Upon a Time at the End of the World 3, cover, January 2023, Alexandre TefenkgiTITLE: Once Upon a Time at the End of the World #3
AUTHOR: Jason Aaron
ARTISTS: Alexandre Tefenkgi, Nick Dragotta, Lee Loughridge (Colorist), Rico Renzi (Colorist), AndWorld Design (Letters). Cover by Mike Del Mundo.
RELEASED: 
January 25, 2023

By Rob Siebert
Fanboy Wonder

Between a full-frontal shot of old-man Maceo, and some well-placed F-bombs, this almost felt like an issue of Saga. Not necessarily in a bad way, though.

The most interesting thing about this book continues to be the evolving dynamic between Mezzy and Maceo. How they contrast, how they influence each other, etc. Thus far, the series has been at its strongest when it’s just the two of them. It’ll be interesting to see how that changes, or doesn’t change, as the story continues to expand.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

An Action Comics #1050 Micro-Review – Back to Normal

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

Action Comics 1050, cover, December 2022, Steve BeachTITLE: Action Comics #1050
AUTHORS: Philip Kennedy Johnson, Tom Taylor, Joshua Williamson
ARTISTS:
Mike Perkins, Clayton Henry, Nick Dragotta, Frank Martin (Colorist), Dave Sharpe (Letterer). Cover by Steve Beach.
RELEASED: 
December 27, 2022

By Rob Siebert
Fanboy Wonder

This issue undoes what might have been the biggest longterm effect of Brian Michael Bendis’ work with Superman’s world. It’s not necessarily surprising, as we pretty much knew it wasn’t going to last anyway. In effect, things are back to normal for Superman and Clark Kent.

Perry White has a minor stroke/heart episode in this issue. It makes you wonder, if Perry is so old and frail, how is he able to run The Daily Planet? As someone who’s worked as a journalist, if you think that’s not a stressful job, think again.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Once Upon a Time at the End of the World #1 Micro-Review – A Quality Recipe

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

Once Upon a Time at the End of the World 1, cover, November 2022, Mike Del MundoTITLE: Once Upon a Time at the End of the World #1
AUTHOR: Jason Aaron
ARTISTS:
Alexandre Tefenkgi, Nick Dragotta, Lee Loughridge (Colorist), Rico Renzi (Colorist), AndWorld Design (Letterer). Cover by Mike Del Mundo.

RELEASED: November 23, 2022

By Rob Siebert
Fanboy Wonder

What we have here is Jason Aaron’s answer to the post-apocalyptic YA romance novel.  And thus far, it’s a pretty good one.

We’re in a world that’s been ravaged presumably by climate change and pollution. Our only two characters are a pair of young people meeting for the first time. One is quirky and endearing, the other is quiet and deadly. We’ve also got art that’s fun, interesting, and versatile in terms of its ability to do action, comedy, and drama. All of this makes for a recipe for a good series. This is one to watch.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

The Amazing Spider-Man #10 Micro-Review – The Gwen Stacy Trick

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

The Amazing Spider-Man 10, cover, 2022, John Romita Jr., Scott Hanna, Marcio MenyzTITLE: The Amazing Spider-Man #10
AUTHOR: Zeb Wells
ARTISTS:
Nick Dragotta, Marcio Menyz (Colorist), Joe Caramagna (Letterer). Cover by John Romita Jr., Scott Hanna, & Menyz.

RELEASED: September 28, 2022

By Rob Siebert
Fanboy Wonder

No, it’s not really Gwen. It’s Peter’s…memories of her? Or a vision of her? I dunno. This issue ties in with a bigger story Marvel is doing with the Avengers, X-Men, and Eternals.

I’m not even that big a Spider-Man geek, and even I know that “the Gwen Stacy trick,” i.e. bringing Gwen back to try and pop a sales number, is beyond played out. I can’t even say this is a bad issue. But the stunt with Gwen feels so cheap that it practically ruins the issue. For me, at least.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A Superman: American Alien #1 Review – Put Your Money Where Your Mouth Is!

Superman: American Alien #1 (2015)TITLE: Superman: American Alien #1
AUTHOR: Max Landis
PENCILLERS: Nick Dragotta, Matthew Clark. Cover by Ryan Sook.
PUBLISHER: DC Comics
PRICE: $3.99
RELEASED: November 11, 2015

By Rob Siebert
Editor, Fanboy Wonder

Superman: American Alien is a unique opportunity for Max Landis. He’s a renowned Superman critic who gets to put his money where his mouth is.

Granted, Landis isn’t just a Superman critic. He’s also an accomplished writer in the movie industry. He co-wrote and did the screenplay for Chronicle, and also wrote the upcoming films Victor Frankenstein and Mr. Right. He also directed the music video for Ariana Grande’s “One Last Time.”

But to comic book fans, Landis is perhaps best known as the man behind the short film The Death and Return of Superman, as well as a number of extended YouTube editorials (Regarding Clark, Death and Return of Superman Pitch By Max Landis, etc). While I haven’t agreed with everything he’s said, it’s tough to deny how knowledgeable he is about the art of storytelling. To their credit, DC saw that, and they started talking with him about doing a Superman story of his own. And to his credit, Landis eventually took them up on the offer, essentially agreeing to put his money where his mouth is.

Superman: American Alien #1, Max Landis, Nick DragottaAmerican Alien consists of seven short stories from the life of Clark Kent. This issue shows us an eight-year-old Clark and his parents coming to grips with his power of flight. In a brief Q&A that can be seen in the back of this issue, Landis said he was going for “heartwarming” with this first installment.

Again, to his credit, he accomplished his goal. At the end of the issue, you’re smiling. At one point things get a little too silly for my taste, and at others Clark seems a little too wise for an eight-year-old. But by and large, the issue feels like something Pixar or Dreamworks might put out. That’s high praise, considering DC continues to struggle with making readers sympathetic to a character so powerful. They’re beating him down pretty hard right now, having exposed his identity and powered him down quite bit. But the right now the Superman books are largely lacking the emotional core you’d hope to find when Clark faces such dire circumstances.

In contrast, there’s a lot of emotion in American Alien #1. Granted, it’s not all as complex in terms of Clark himself, as he’s just a child. But in just one issue we see the terror, frustration, shame, and ultimately excitement that this new ability brings him. Things are a bit more subdued in terms of the Kents. But we can definitely see them questioning their decisions as they struggle to raise this very unique child.

Superman: American Alien #1, alien mirror, Nick DragottaHowever, there is one moment that nearly takes you out of the story. Clark has just had what we’ll call an “angry outburst,” and he’s driving home with his father. As they’re talking, Clark flat out says: “Dad…I’m so unhappy.” I question the notion of an eight-year-old being that conscious of his own overall happiness, much less being able to vocalize it so concisely. Even if the child in question is Superman. That’s not to say it’s impossible. I just found it odd coming from a child.

On the plus-size, Nick Dragotta and colorist Alex Guimaraes very much deliver an aura akin to Clark’s idealized Kansas childhood. That opening shot of Ma Kent hanging off her young son’s leg (shown above) makes for an awesome hook. There’s also an excellent shot of young Clark looking in a mirror, and then suddenly seeing himself as a Yoda-like space alien (also above). Dragotta’s art very much makes this feel like an eight-year-old’s story, much as I’m sure Tommy Lee Edwards will give next issue’s fight story a certain hormone-enduced rough-and-tumble feel.

At the end of the issue, we get a two-page spread that’s separate from the rest of the story. Drawn by Matthew Clark and titled “Castaways,” it’s simply a workbench covered in artifacts that belonged to the Kents. We see old photos, notes, newspaper clippings, etc. It sets the period well. If I’m not mistaken, we also see a clipped newspaper article about the car accident that killed them both. Certainly an ominous bit of foreshadowing.

Superman: American Alien #1, page 3, Nick DragottaMax Landis and his cohorts may very well be bringing us a much-needed fresh perspective on Superman with American Alien. But I would argue it’s easier to do that with Clark Kent before he puts the cape on. Perhaps if Landis ever gets the chance to write Clark Kent as the Man of Steel, we’ll see just how good he really is. And as far as Superman stories are concerned, I think he has the potential (Key word: Potential.) to be very, very good.

For more Superman, check out Lois and Clark #1, Superman #45, and Superman: The Men of Tomorrow.

Image 1 from newsarama.com. Image 2 from kotaku.com. Image 3 from pastemagazine.com.

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