TMNT: The Armageddon Game – The Alliance #2 Micro-Review – The Art of Exposition

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

TMNT The Armageddon Game the Alliance 2, cover, December 2022, Roi Mercado, William SoaresTITLE: Teenage Mutant Ninja Turtles: The Armageddon Game – The Alliance #2
AUTHORS: Will Robson, Erik Burnham
ARTISTS: 
Robson, Roi Mercado, Andrew Dalhouse (Colorist), William Soares (Colorist), Shawn Lee (Letterer), Neil Uyetake (Letterer). Cover by Mercado & Soares.

RELEASED: December 14, 2022

By Rob Siebert
Fanboy Wonder

There’s a lot of expositing going on here. We start off with a monologue from Casey Jones that goes on for three pages. Then the Punk Frogs exposit fairly heavily. Then for our back-up we have a mostly one-sided dialogue between Casey and Karai that goes over her situation.

In terms of Casey, I found myself wishing they’d found another, quicker way to get that information to us. As for the expositing overall, the scope of this Armageddon Game story is just THAT big that we need to constantly be reminded of what’s going on with everybody….

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A TMNT/Ghostbusters Deep-Dive Review – Bustin’ in a Half Shell

TITLE: Teenage Mutant Ninja Turtles/Ghostbusters #14
AUTHORS: Erik Burnham, Tom Waltz
ARTIST: Dan Schoening
GUEST ARTISTS: Charles Paul Wilson III, Cory Smith, Ronda Pattison (Colorist)
COLORIST: Luis Delgado
LETTERER: Neil Uyetake
PUBLISHER: IDW Publishing
COLLECTED IN: Paperback, Deluxe EditionTMNT: The IDW Collection, Vol. 5
RELEASED: October 2014 – January 2015

***New around here? Check out Primary Ignition’s TMNT Deep-Dive Review archive!***

By Rob Siebert
Fanboy Wonder

If you were a kid in the ’80s or ’90s, chances are you’ll find something appealing at IDW Publishing. That’s not me kissing ass. It’s simply the law of averages. Their collection of licenses includes Transformers, My Little Pony, Sonic the Hedgehog, Back to the Future, among others. That’s to say nothing of two iconic staples of the ’80s: Teenage Mutant Ninja Turtles and Ghostbusters.

And of course, IDW loves them a good crossover. It was only a matter of time before the boys in green met the boys in grey.

So what do people want to see from a story like this? What’s the appeal of a crossover? The answer is fans like it when things…well, cross over. We like to see different characters from different worlds meet, interact, team up, or even fight. Often it’s a combination of all four.

But how do you mash up the Teenage Mutant Ninja Turtles and the Ghostbusters? On the surface, they have very little in common.

The answer is: Find common ground. Take something the two properties have in common and use it to bring them together. Thus the question becomes, what do the TMNT and the GBs have in common? Well, simply at face value…

  • They’re both four-man teams.
  • They both fight the supernatural and/or the extraordinary.
  • They’re both from New York City.

That, especially that third point, is apparently a good enough starting point. TMNT/Ghostbusters sees an accident with the Turtles’ dimensional portal send them to the Ghostbusters’ incarnation of New York. The accident also frees Chi-You, a Chinese warrior god hell bent on ruling the Earth. Caught up in his plot is none other than a demonically possessed Casey Jones.

These issues feel very much like the Turtles are guest-starring in a Ghostbusters story. That’s because artistic team behind IDW’s Ghostbusters books, penciller Dan Schoening, colorist Luis Delgado, and letterer Neil Uyetake handle most of the pages. The common threads between IDW’s Ghostbusters and TMNT books? Tom Waltz, who co-authored TMNT with Kevin Eastman, was the editor on Ghostbusters. Ghostbusters author Erik Burnham had worked on plenty of supplemental material for the TMNT series as well. So the ground was fertile for a crossover.

Said crossover is in good hands. Over the last decade, Burnham, Schoening, Delgado, and Uyetake have been responsible for what in my opinion are the best Ghostbusters comics ever made. All parties involved clearly had a reverence for the source material, and Burnham was turning in amazing scripts.

But what really sets the material apart is Schoening and Delgado. As is the case with TMNT comics, my argument when it comes to Ghostbusters comics is that a lot rides on how you draw the heroes themselves. Because of likeness issues, most pre-Shoening artists tended to draw the movie-based Ghostbusters as guys who looked loosely like the actors. As in this case the characters are so closely identified with their performers (Can you picture someone other than Bill Murray playing Peter Venkman?), what we got were essentially Ghostbusters stories with characters who looked like they were standing in for the genuine article. 

Then along came Shoening who took a more animated, cartoony approach to the movie Ghostbusters. His Egon Spengler doesn’t look like Harold Ramis. But like an impressionist channeling a specific person, he captures the feel of the characters in a way no other artist ever has. So to see him take on the Ghostbusters and the Ninja Turtles, in the same story no less, is very special.

Issues #2 and #3 are where we get a lot of those “common ground” scenes. The two teams share pizza in the firehouse. Donatello compares tech geek notes with Ray. Raph and Venkman make wisecracks to each other. And of course, we get our first obligatory shot of a Ninja Turtle wearing a proton pack. Along those lines, Cory Smith’s variant cover for issue #3 (shown left) is my favorite in the entire series. If you’re an ’80s or ’90s kid, the smart bet is this would have made your head explode back then.

By villain standards, Chi-You isn’t very memorable at all. He’s essentially a generic, grand-standing, monolouging bad guy. He does, however, manage to look pretty bad ass in Casey Jones’ hockey mask. But the strange thing about this story is that the bad guy is almost an afterthought. The main event is that interaction between the two teams. With only four issues to work with, you almost don’t have the time to properly build up a brand new villain while still delivering on what fans want to see from a crossover.

And did Teenage Mutant Ninja Turtles/Ghostbusters deliver on what fans wanted to see? I’d say so. I’d like to think no one realistically came into this thing expecting a grand masterpiece. But it wasn’t a small task either. It’s job was to deliver on a scenario dreamed up by many an ’80s or ’90s kid: What if the Ninja Turtles met the Ghostbusters? And the answer we get is perfectly serviceable. It isn’t contrived, or forced, or hokey, or stupid, all of which it easily could have been. The IDW crew delivered on the crossover, just like they delivered on the two books individually.

What more could a kid who grew up watching these characters on worn out VHS tapes possibly ask for?

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Black Widow, Batman, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Black Widow #1
AUTHOR: Kelly Thompson
ARTISTS: Elena Casagrande, Jordie Bellaire (Colorist), Cory Petit (Letterer). Cover by Adam Hughes
RELEASED: September 2, 2020

This one’s fairly low on action considering it’s the debut of a Black Widow series. The issue tries to make up for it with intrigue, but there isn’t quite enough to wet my appetite for more.

This, despite some awesome art from Elena Casagrande and Jordie Bellaire. I found it had a slightly similar vibe to the Matt Fraction/David Aja Hawkeye stuff. And of course, yet another breathtaking Adam Hughes cover.

TITLE: Batman #98
AUTHOR: James Tynion IV
ARTISTS: Jorge Jimenez, Tomeu Morey (Colorist), Clayton Cowles (Letterer). Cover by David Finch.
RELEASED: September 1, 2020

As the cover suggests, there’s a big fight between Harley Quinn and Punchline in this issue. As obvious as her inclusion is given the nature of the story, “Joker War” has been a little too Harley-heavy for my taste. It feels like yet another case of DC shoehorning her into a story that’s not necessarily about her.

On the plus side, Jimenez and Morey are on their game here. So is Tynion, as as get a pretty powerful exchange between Batman and…Alfred’s memory? It’s not Alfred’s ghost, I know that for sure.

TITLE: We Only Find Them When They’re Dead #1
AUTHOR:
Al Ewing
ARTISTS:
Simone Di Meo, Mariasara Miotti (Color Assistant), Andworld Design (Letterer)
RELEASED:
 September 2, 2020

Spaceships that carve up space gods to mine humanity’s new resources? Alright book, you’ve got my attention…

This first issue is a little hard to follow, as we’re getting adjusted to how the book works and what’s going on. But by the end we get a decent hook to bring us back for next issue. Take into account how gorgeous this issue is, particularly from a coloring standpoint, and they’ve got me signed up for next time.

TITLE: Shazam #14
AUTHOR: Geoff Johns
ARTISTS: Dale Eaglesham, Scott Kolins, Michael Atiyeh (Colorist), Rob Leigh (Letterer). Variant cover by Dale Keown.
RELEASED: September 1, 2020

Ugh. What an awful final issue. It feels like they tried to cram in about two years worth of content. The resolution of the plot threads with Mr. Mind, Billy’s dad, and Black Adam. A pathetically condensed fight with Superboy-Prime. Then of course, they have to end the series on a happy note, though it’s hard to imagine this issue making anyone happy.

It’s not the creators’ fault, mind you. The book got cancelled. But still, the characters, the creators, and the series itself deserved better.

TITLE: Lonely Receiver #1
AUTHOR: Zac Thompson
ARTISTS: Jen Hickman, Simon Bowland (Letterer)
RELEASED: September 2, 2020

I’m not sure what I expected from Lonely Receiver, but it wasn’t what I got. And that’s not necessarily a bad thing.

This strikes me as a story with a lot of layers to it. It’s a story about a woman falling in love with a robot designed specifically to be her partner. But we’ve got undertones dealing with our needs as human beings that are really interesting. Thus far, this books is a little like I, Robot meets an old fashioned romance comic, with some more, shall we say, mature elements mixed in.

TITLE: Star Trek: Hell’s Mirror
AUTHOR: J.M. DeMatteis
ARTISTS: Matthew Dow Smith, Candice Han (Colorist), Neil Uyetake (Letterer)
RELEASED: September 2, 2020

What we have here is a look at the Khan Noonien Singh of the Mirror Universe. And with that in mind, the story and the characters are about what you’d think they’d be. In that sense, this one-shot almost writes itself.

The solicitation heralded the return of J.M. DeMatteis to Star Trek after almost 40 years. For what it’s worth, I can see why. This issue feels just like an episode of the original series. Definitely worth a look for fans.

TITLE: Young Justice #18
AUTHOR: Brian Michael Bendis, David Walker
ARTISTS: Scott Godlewski, Michael Avon Oeming, Gabe Eltaeb (Colorist), Wes Abbott (Letterer). Cover by John Timms & Eltaeb.
RELEASED: September 1, 2020

Had a nice Powers flashback looking at Michael Avon Oeming’s work. Seeing him work on the Spoiler is a little surreal.

This wasn’t quite the “Tim and Stephanie go on a date” issue that I was hoping for. That makes this one a disappointment for yours truly.

By the end of this issue Drake is back to being Robin. But is he actually Robin, or is he Red Robin? Just when we thought Tim had his identity crisis solved…

TITLE: Justice League #52
AUTHOR: Jeff Loveness
ARTISTS: Robson Rocha, Daniel Henriques (Inker), Romulo Fajardo Jr. (Colorist), Tom Napolitano (Letterer). Cover by Cully Hamner.
RELEASED: September 1, 2020

Way too much Batman to cap off a two-part filler story before the book starts to tie in with…*sigh*…Dark Nights: Death Metal.

We’ve seen all kinds of stories that dive into the psyches of various League members. It always seems like five or six issues is too long. But I’d have been happy to see “The Garden of Mercy” go another issue or two. What Loveness, Rocha, and Henriques turn in here is perfectly fine.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Negan Lives, Ghostbusters, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

So can we all just stop with this “The Walking Dead comics are over” thing?

Negan Lives!, Robert Kirkman’s commendable attempt to drive readers back into comic shops came out this week. The Walking Dead #173, the “final” issue of the series, came out almost a year ago to the day. So they barely made it through another 12 months before coming back to the well. Mind you, no one could have predicted COVID-19. But my point still stands: The Walking Dead is not done. There’s too much money on the table, there’s still fan interest, and most importantly, the creators clearly still love doing it.

It might not come back as a monthly series. There might be years at a time where we don’t see it. But mark my words, The Walking Dead will rise again.

For the record, that’s not a bad thing. It’s a very, very good thing.

TITLE: Negan Lives!
AUTHOR: Robert Kirkman
ARTISTS: Charlie Adlard, Cliff Rathburn (Gray Tones), Rus Wooton (Letterer).
RELEASED: July 1, 2020

Negan Lives! is pretty much what you want it to be: A return to the Negan character, with the door left open for more stories. It’s a fun time, but nothing shocking enough to wake the dead.

For better or worse, this return to form did make me realize how much I miss The Walking Dead. All the more reason to cut the BS and bring it back, already.

TITLE: Ghostbusters: Year One #4
AUTHOR: Erik Burnham
ARTIST:
Dan Shoening, Luis Delgado (Colorist), Neil Uyetake (Letterer)
RELEASED:
July 1, 2020

This issue gave me the warm fuzzies for Harold Ramis. I suspect that sentimental factor is partially why they saved Egon for last.

Ghostbusters: Year One ends on an open-ended note related to Egon. As this book is meant to be a prelude of sorts to Ghostbusters: Afterlife, I’m wondering if this leads into something in the movie. On the other hand, it could be another Burnham/Schoening comic. Either way, the fans win.

TITLE: Devil’s Highway #1
AUTHOR: Benjamin Percy
ARTISTS:
Brent Schoonover, Nick Filardi (Colorist), Sal Cipriano (Letterer)
RELEASED:
July 1, 2020

Like Dead Body Road last week, the success of Devil’s Highway largely hinges on the likability of its female protagonist. In that sense, it’s successful. But thus far the book doesn’t have much else going for it in terms of uniqueness. It’s a standard horror story, with art that’s not particularly memorable.

I’ve been a fan of much of what AWA Studios – Upshot has been putting out lately. But I can’t say Devil’s Highway will be a high priority for me going forward.

TITLE: I Can Sell You A Body #4
AUTHOR: Ryan Ferrier
ARTISTS:
George Kambadais, Ferrier (Letterer)
RELEASED:
July 1, 2020

I’m not sure how I expected this book to end. But I enjoyed what they did. Denny and Henrietta don’t get a textbook happy ending. But they don’t get a tragic one either. They wind up in a fun middle-ground.

All in all, I’d call this book an overachiever. It managed to be both intriguing and funny. Moreover, it’s memorable. It stays with you after you close an issue. I’ll be keeping an eye out for both Ferrier and Kambadais going forward.

TITLE: Batman: The Adventures Continue #7
AUTHOR: Alan Burnett, Paul Dini
ARTISTS:
Ty Templeton, Monica Cubina (Colorist), Joshua Reed (Letterer). Cover by James Harren.
RELEASED:
July 2, 2020

This one is a mixed bag. I appreciated the different sort of way Azrael was introduced, the way Catwoman was involved, and that they let him have his original costume before putting him in the Knightfall Batman suit. But I’m not so much a fan of how the suit is created in the DCAU. It’s almost done as an afterthought. Or worse, something they did just to sell toys.

And in all fairness, maybe that’s why they did do it.

TITLE: That Texas Blood #1
AUTHOR: Chris Condon
ARTIST:
Jacob Phillips
RELEASED:
June 24, 2020

Think Criminal meets early Southern Bastards. Then you’ve got a decent idea of what That Texas Blood is all about. At least at this juncture.

Solicited as a “neo-Western crime series,” the issue has a certain southern-fried charm to it. Case in point, our main character, 70-year-old Sheriff Joe Coates, is trying to retrieve his wife’s casserole dish when he stumbles into trouble. Coates has a simple likability that should balance well with the violence that’s sure to ensue in the coming pages.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Batman: The Adventures Continue #1, and Much More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

This pandemic is really throwing a monkey wrench into my reading habits.

My local comic shop is still working on getting me issues from March 25. I’ve stayed away from digital editions, as I want to support local shops as much as possible. Ergo, I’ve been waiting two weeks for certain issues. But sooner than later, the most recent editions of Action Comics, Batman/Superman, TMNT, and others will be reviewed here.

The only new issue I purchased this week was a digital exclusive. And how could I resist? It’s the return of the DC Animated Universe!

TITLE: Batman: The Adventures Continue #1
AUTHORS:
Alan Burnett, Paul Dini
ARTISTS:
Ty Templeton, Monica Cubina (Colorist), Joshua Reed (Letterer). Cover by Dave Johnson.
RELEASED:
April 1, 2020

This is exactly what it was supposed to be: A return to the old form, i.e. the comics of yesteryear that were based on the Bruce Timm animated shows. Heck, they even threw in a title card, a la Batman: The Animated Series.

A lot is thrown at us here. Bane. A giant robot attacking S.T.A.R. Labs. Lex Luthor and a mystery regarding Superman’s whereabouts. But what I took away from issue #1 is that they’re going that route. A route paved by Judd Winick about 15 years ago…

TITLE: Star Wars: Bounty Hunters #2
AUTHOR: Ethan Sacks
ARTISTS:
Paolo Villanelli, Arif Prianto (Colorist), Travis Lanham (Letterer). Cover by Lee Bermejo
RELEASED:
March 25, 2020

I got a little lost on this one.

I came away from last issue thinking about our main character, or at least one of them, Valance. Obviously I remembered Boba Fett and Bossk were there. But I struggled to remember the significance of T’onga, why different characters were going certain places, and when certain events took place. A quick re-read of issue #1 set me straight. But obviously that’s not something you want readers to have to do. Then again, maybe it’s just me.

TITLE: I Can Sell You A Body #3 (of 4)
AUTHOR: Ryan Ferrier
ARTISTS:
George Kambadais. Ferrier (Letterer).
RELEASED:
March 25, 2020

This issue unexpectedly hit me in the feels. I talked a bit about the Henrietta character last time. She’s very likable, but as a love interest, she’s all in with Denny very quickly. Not in the creepy way, either. It’s more like they just click.

It made me reminisce about the people I’ve clicked with like that. And not just in a romantic way. There’s a magic in that feeling that’s really great. So I Can Sell You A Body gained some surprising sentimental points from me with this one.

TITLE: Ghostbusters: Year One #3 (of 4)
AUTHOR: Erik Burnham
ARTISTS: Dan Shoening, Luis Delgado (Colorist), Neil Uyetake (Letterer)
RELEASED: March 25, 2020

If you’ve seen the trailer for Ghostbusters: Afterlife (as you should have), you know it’s probably not an accident they saved Egon for last.

The absolutely brilliant part of this issue? Part of it is plotted based on a line Casey Kasem had in the original film. When it comes to writing Ghostbusters, Erik Burnham is a damn genius.

Along those same lines, I love the way Burnham has the other characters describe Peter Venkman’s personality. Mostly because he then proceeds to prove them right.

TITLE: X-Men/Fantastic Four #3 (of 4)
AUTHOR: Chip Zdarsky
ARTISTS:
Terry Dodson, Rachel Dodson & Ransom Getty (Inkers), Andrew Crossley & Peter Pantazis (Colorists), Joe Caramagna (Letterer).
RELEASED:
March 25, 2020

Superheroes fighting. The older I get, the less I enjoy it. Maybe it’s all the division we see in the world today. But I didn’t get a huge kick out of seeing the X-Men and the Fantastic Four fighting.

On the upside, the art is gorgeous and the colors vibrant and fun. I remain somewhat surprised at how political this book is, i.e. relations between Latveria and Krakoa. But at it’s core, it’s really the relationship between Reed Richards and his son Franklin, and how the latter’s choices will ultimately effect the world.

TITLE: Suicide Squad #4
AUTHOR:
Tom Taylor
ARTISTS:
Daniel Sampere, Juan Albarran (Inker), Adriano Lucas (Colorist), Wes Abbott (Letterer). Cover by Bruno Redondo and Lucas.
RELEASED:
March 25, 2020

Captain Boomerang returns in this issue. One way or another, the band always gets back together.

Taylor still has me entertained with this more espionage-centered direction. We also learn much more about our new characters, and what exactly their agenda is.

Deadshot also has a great character moment in this issue. Or rather, Floyd Lawton does. He becomes very sympathetic, and you’re that much more invested.

TITLE: Alienated #2 (of 6)
AUTHOR:
Simon Spurrier
ARTISTS:
Chris Wildgoose, Andre May (Colorist), Jim Campbell (Letterer)
RELEASED:
March 18, 2020

This’ll definitely fill your teen angst quota for the week.

Despite being about three high schoolers finding an alien that gives them telepathic powers, what these characters are feeling is very real. In this issue, there’s lot of longing to be seen, noticed, or at least acknowledged. I think every teenager can relate to that at some point in their lives.

Chris Wildgoose has a hell of an issue. There’s a two-page spread that’s just gorgeous. He also gets to flex some otherworldly character design muscles. They come out looking pretty awesome.

Email Rob at at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Batman #90, Marvel #1, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

A few leftovers from last week mixed in here. That’s what happens when you get struck by the flu. Not the Corona virus, I assure you. Just the flu…

TITLE: Batman #90
AUTHOR:
James Tynion IV
ARTISTS:
Jorge Jimenez, Tomeu Morey (Colorist), Clayton Cowles (Letterer)
RELEASED:
March 4, 2020

This issue has stirred up a decent amount of buzz because of a plot point involving the Joker. While I’m very much into what Tynion is doing, Batman #90 has been drastically over-hyped.

Via a flashback from Catwoman, we’re led to believe that the Designer, a mysterious villain we’ve just now learned about, inspired the Joker to evolve from clown-themed criminal to murdering psychopath. There’s nothing wrong with that. But it’s too early to herald it as this amazing development in the Batman mythos. Ask me after a few more issues have come out. Then we’ll talk.

TITLE: Marvel #1 (of 6)
AUTHORS: Alex Ross, Steve Darnall, Frank Espinosa, Sajan Saini, Kurt Busiek, 
ARTISTS:
Ross, Josh Johnson (Letterer), Espinosa, Clayton Cowles (Letterer), Steve Rude, Steven Legge (Colorist)
RELEASED:
March 4, 2020

Here we have the first installment in what was Alex Ross’ original vision for Marvels: An anthology of stories done by creators picked by Ross. Many of whom are working in the Marvel Universe for the first time.

Frank Espinosa turns in a lovely Spider-Man story. Given his style, he’s perfect for a project like this. But I was partial to Marvels author Kurt Busiek’s old school Avengers tale, drawn by the one and only Steve Rude. “Hulk-vengers.” Is that only now a thing? Either way, I love it.

TITLE: King of Nowhere #1 (of 5)
AUTHOR: W. Maxwell Prince
ARTISTS: Tyler Jenkins, Hilary Jenkins (Colorist), Andworld Design (Letters)
RELEASED: March 4, 2020

Every once in awhile, you find yourself holding what’s essentially a giant smorgasbord of bizarre, freakish, and random. Have I seen freakier than this? Yes. But not lately…

Our main character Denis wakes up near the small town of Nowhere, essentially a living acid trip filled with the creatures you see on the cover. Adventures ensue, and then we get a little hook at the end to bring us back. It’s not a particularly strong hook. But frankly, she simple question of “What the actual #$%Q is going on?” might just be the only hook King of Nowhere needs.

TITLE: Ghostbusters: Year One #2
AUTHOR: Erik Burnham
ARTISTS: Dan Schoening, Luis Delgado (Colorist), Neil Uyetake (Letterer)
RELEASED: March 4, 2020

This issue sees the Ghostbusters follow up on their very first spectral encounter: Eleanor Twitty, the librarian ghost. Thus, I’m forced to ask the heart-wrenching question of whether Ghostbusters: The Video Game is still canon in the IDWverse.

We also get a cute, and surprisingly heartwarming college flashback where Venkman introduces Ray and Egon. And of course, Schoening draws Egon with the late ’70s/early ’80s Harold Ramis afro. Because how could you not?

TITLE: Batman/Superman #7
AUTHOR:
Joshua Williamson
ARTISTS:
Nick Derington, Dave McCaig (Colorist), John J. Hill (Letterer)
RELEASED:
February 26, 2020

“The Bottled City of the Dead.” That’s fun. I like it. Even if the cliffhanger we get does border on unintentionally funny.

Nick Dergington’s art is the star here, supported wonderfully by Dave McCaig’s colors. To call it “simplistic” looking sounds like a dig. It isn’t. It’s easily digestible. And again, it’s fun.

Williamson’s writing of the rapport between our titular characters is the strongest its been yet in this issue. I’ll admit it’s a bit awkward, though appropriate, that they call each other by their hero names. It feels like they should call each other by their first names. But of course, they’re in the field…

TITLE: TMNT: Jennika #1
AUTHORS: Braham Revel, Ronda Pattison
ARTISTS:
Revel, Jodi Nishijima, Pattison (Colorist), Shawn Lee (Letterer).
RELEASED: February 26, 2020

I like how Revel draws Jennika with a slimmer, dare I say more feminine figure. In theory it sets her apart from the other Turtles that much more. Revel’s style is also mildly reminiscent of the 2012 animated series. It makes for an interesting style shift from the main series.

There’s a decent amount of meat to this story. The best of which involves the awkward romantic tension between Jennika and Casey Jones. It’s an impossible conflict that I’m dying to see how they resolve. Or at least if they can resolve it without making Casey look like a heel.

TITLE: Suicide Squad #3
AUTHOR:
Tom Taylor
ARTISTS:
Bruno Redondo, Adriano Lucas (Colorist), Wes Abbott (Letterer)
RELEASED:
February 26, 2020

What has surprised me more than anything about Tom Taylor’s Suicide Squad run thus far is how much he’s actually delivered on the whole suicide mission premise. By only having two heavy hitters (Deadshot and Harley), and having the cast consist mostly of original characters, he can raise the stakes seamlessly by making the missions more costly.

As far as those new characters are concerned, I remain partial to Fin. Especially after seeing him exact some deliciously gruesome revenge this issue.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.