Tag Archives: Nar Shaddaa

A Star Wars, Vol. 2 Review – Mrs. Han Solo???

Star Wars, Vol. 2: Showdown on the Smuggler's MoonTITLE: Star Wars, Vol. 2: Showdown on the Smuggler’s Moon
AUTHOR: Jason Aaron
PENCILLERS: Stuart Immonen, SImon Bianchi.
COLLECTS: Star Wars #7-12
FORMAT: Softcover
PUBLISHER: Marvel
PRICE: $19.99
RELEASE DATE: January 9, 2016

For further reading, check out our reviews of issue 7 and issue 8

By Rob Siebert
Editor, Fanboy Wonder

Since getting the keys to Marvel’s Star Wars ongoing series, Jason Aaron’s writing has been fairly inconsistent in terms of quality. He’ll be great for an issue or two, then suddenly give us an eye-roller. Still, Aaron has definitely put together a book that delivers on the trademark Star Wars action and adventure that we love. So despite the eye-rollers, we still come back for more.

After a glimpse into the journal of Obi-Wan Kenobi, Luke Skywalker sets out for the smuggler’s moon of Nar Shaddaa, hoping he’ll find someone who can get him on Coruscant and into the Jedi Temple discreetly. Unfortunately, Luke becomes the prisoner of a Hutt who fancies himself a collector of all things Jedi. Meanwhile, Sana Solo, the alleged wife of Han Solo, intends to collect the bounty on Princess Leia’s head. But first, they must survive a bombardment from the Empire. Plus, who’s going to rescue Luke?

STar Wars #7, Simone Bianchi, Ben KenobiThis book has a really strong start, as Aaron and Simone Bianchi give us a glimpse of Obi-Wan Kenobi’s maddening seclusion on Tatooine. Put plainly, it’s the best issue the Star Wars team has put out thus far. I’ve talked extensively about issue #7 before, but it bears a little repetition. Simone Bianchi’s art is haunting at times. Particularly memorable is a sequence in which Obi-Wan is meditating, and in his frustration, ends up lifting the bones of a long-dead creature out of the sand. There’s also a lone panel in which he’s sitting in his home alone in the dark, with nothing but agonizing time on his hands. I’m hoping we get more issues like this down the road.

We then get into the main story, which deals largely with Sana Solo, Han’s alleged wife. Han spends much of the story in a state of fluster, saying things like: “Sana. Where did you…how…how did you…?” and ““Leia, don’t listen to her. It was never like that…She’s not my wife!” That gets old after awhile. But on the plus side, it is interesting to see Han get the tables turned on him like that.

Han Solo, Sana Solo, Stuart ImmonenThe downside of a story like this is that the end is fairly obvious. From her reveal in issue #6, we knew the chances of her actually being Han’s wife were pretty slim. Even if she was his wife, shenanigans were likely involved. So we knew that by the end of the story she’d be gone. As such, it’s tough to fully get invested in her. But it is interesting when we finally hear her backstory. Her ship is also pretty cool. It looks like a cousin of sorts to the Millennium Falcon.

This book plays the lightsaber card pretty heavily. I’ve talked about the downside of what I call Frequent Lightsaber Activation (FLA) before, and it’s present in this book. It’s not entirely unjustified, because Luke does spend a lot of time in a combat scenario. But there’s a scene where Luke goes into a cantina on Nar Shaddaa, and his lightsaber makes him a target. The story then starts to revolve around Luke protecting the weapon, then retrieving it, then being confronted by a Hutt with a bunch of lightsabers strung around his neck. Then at the end, we get a stunt involving our main characters and a bunch of lightsabers. It’s all a bit much for my tastes. I don’t doubt there’s some sort of editorial mandate to play up Anakin Skywalker’s lightsaber, as it will appear in The Force Awakens. But there’s something to be said for not overdoing it.

Star Wars #11, Chewbacca, Dengar, C-3POOn the plus side, Aaron writes an excellent C-3PO. In Showdown on the Smuggler’s Moon, Threepio travels with Chewbacca to Nar Shaddaa in an attempt to rescue Luke. But the duo go on a hunt for information before runing into Dengar, one of the bounty hunters seen in The Empire Strikes Back. Threepio’s dialogue in issues #10 and #11 is fantastic. I loved the line, “Oh, why do I always have to be the hero?” Aaron’s portrayal of Threepio is one thing he’s been consistent with from the start. The fact that I’m a sucker for ol’ goldenrod doesn’t hurt either.

Stuart Immonen does fantastic work here. The passion he’s putting into these pages is evident. He’s got the faces and mannerisms of the characters down pretty well. Immonen, inker Wade Von Grawbadger, and colorist Justin Ponsor do an excellent job with Nar Shaddaa as a whole. The sky is a gorgeous (relatively speaking) mix of browns, yellows, greens, and even light oranges to portray the pollution. They also give us a really good Chewbacca. A lot of artists forget that Chewie’s arms are relatively skinny. He wasn’t this big, muscled up gorilla, so much as he was really tall. Kudos to this team for giving us a pretty fair representation of Peter Mayhew in that costume.

Star Wars #9, 2015, Grakkus the HuttThis crew also does most of the covers, and give us a fantastic one for issue #12.

Our artists have definitely proven their worth as far as the Star Wars universe is concerned. As for Aaron, this volume shows definite improvement. He’ll be spending his next few issues on the Vader Down crossover. But he’s managed to keep my interest, and I’ll be sticking around to see what he does next.

RATING: 7/10

For more from Stuart Immonen, Wade Von Grawbadger, and Justin Ponsor, check out Ultimate Comics Spider-Man, Vol. 1: The World According to Peter Parker.

Images from author’s collection.

Follow Primary Ignition on Twitter @PrimaryIgnition, or at Facebook.com/PrimaryIgnition.

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A Star Wars #8 Review – Whiny Luke Skywalker Returns

Star Wars #8, 2015, Stuart ImmonenTITLE: Star Wars #8
AUTHOR: Jason Aaron
PENCILLER: Stuart Immonen
PUBLISHER: Marvel
PRICE: $3.99
RELEASED: August 19, 2015

By Rob Siebert
Editor, Fanboy Wonder

After last issue’s awesome glimpse into the journals of Obi-Wan Kenobi, there was a decent amount of hype heading into Star Wars #8. How would Luke use what he had learned from Obi-Wan’s writings? And what of Sana Solo, Han’s apparently estranged wife? What does the fall out from such an incredible revelation look like? And by the way, the Empire’s about to unleash Hell from on high, threatening to blow Han, Leia, and Sana to smithereens! After a prolonged wait, we were ready to see what happened next…

Damn it, Jason Aaron. Damn it, damn it, damn it.

Let’s go to Han, Leia and Sana first. The big revelation from issue #6 is followed up with what basically amounts to a teenage boy being confronted by his ex while he’s with his new girlfriend. Han says a lot of the clumsy dialogue you’d expect from such a scene.

  • “Sana. Where did you…how…how did you…?”Star-Wars-8-Han-Leia-Sana
  • “She’s not my wife! Leia, wait…”
  • “Leia, don’t listen to her. It was never like that…She’s not my wife!”
  • “Sana, stop this! What do you think you’re doing?”

And blah, blah, blah. We don’t learn much about Sana’s origins, here. Or how she came to be “married” to Han. She essentially comes off like a crazy scorned lover who’s out to o away with Leia and take Han back for herself. This motivation is fine. But what’s frustrating is that we learn so little about who this person is. She’s apparently a bounty hunter, and she allegedly has documents to back up her marriage claims. But we don’t get any hints about her history with Han. How they met, where she wants to take him back to, etc. We don’t need the whole story, obviously. But give us something to hold us over until we do get more definitive answers.

When we jump to Luke, he’s in his X-Wing with Artoo, which is where we left him at the end of issue #8. The vibe I got from that final page was that Obi-Wan’s journal gave him sort of a warm, fuzzy feeling about his mentor. But when we see him in this book, he’s almost whining about how the journal only contains stories, and nothing about “fighting with a lightsaber or using the force.” So at what point did he go from warm to whiny?

Star Wars #8, Nar ShaadaaLuke lands on Nar Shaddaa, a.k.a. “The Smuggler’s Moon,” in hopes of gaining transport to…well, I won’t spoil it. But it’s somewhere rich in Jedi history. So he walks into what he describes as the worst-looking bar around, totally outmatched. He winds up breaking out the lightsaber, which only serves to draw more unwanted attention. All in all, Luke comes off looking downright stupid, and in WAY over his head.

This book has been good about showing how young and inexperienced Luke is at this point in his life. We’ve seen him foolishly try to take on Darth Vader, blindly swing a lightsaber at Boba Fett (though that was pretty cool), and now this. Aaron needs to find the line between inexperienced and just plain stupid. After all, this guy is the main hero of the original trilogy. Even at a young age, Luke is at least competent, isn’t he? He had it together during the Battle of Yavin, as I recall.

This is Stuart Immonen’s first outing on Star Wars, and not surprisingly, he does fine. His more animated style takes some getting used to after six issues with John Cassaday, and last issue’s outing with Simone Bianchi. The best work he does with inker Wade Von Grawbadger and colorist Justin Ponsor occur when Luke breaks out the lightsaber in the bar, and we see the bar’s shadowy atmosphere contrast with the brightness of the blade. He’ll likely get even better once he’s had time to get used to this universe.

Compared to what Kieron Gillen and Salvador Larroca are turning in on Darth Vader, Star Wars continues to be the inferior book in terms of both consistency and quality. But it’s still worth picking up. Jason Aaron continues to get a lot wrong. But there’s also quite a bit he gets right.

Image 1 from dorksideoftheforce.com. Image 2 from marvel.com.

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