Fanboy Flashback: Gene Ha and a LOT of Librarians

By Rob Siebert
Fanboy Wonder

Mrs. Primary Ignition is a youth librarian. As such, every year she attends the annual children’s literature breakfast put on by Anderson’s Bookshop. I’ve been lucky enough to go with her twice. Both times, we’ve been lucky enough to be in the company of Eisner Award winning artist Gene Ha.

Because the guy is just that talented, he sits there and does personalized sketches of people at the convention. Last year, he was actually sitting at our table. We happened to mention we were going to The Lego Batman Movie later that day. So he drew yours truly under the Lego Batman helmet. Then this year, he drew my wife. I wouldn’t presume to speak for Mr. Ha, but I’d say she made a much better subject than I did.

If you get the chance to be drawn by an Eisner Award-winning artist, you jump at it. All the more so if that artist happens to be Gene Ha.

For more from Gene Ha, check out the first volume of Mae, and check out the first issue of the new Mae series from Lion Forge Comics when it hits comic shops on June 20. Mr. Ha is on Twitter at @GeneHa.

Email Rob at PrimaryIgnition@yahoo.com, or follow Primary Ignition on Twitter.

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Talking Star Wars: Looking Back at The Force Awakens

By Rob Siebert
Editor, Fanboy Wonder

Mrs. Primary Ignition and I are going to see The Last Jedi tonight. So naturally, last night we sat down to watch The Force Awakens. It was her idea, actually. Ladies, if you’re husband is a geek, ask him if he’s up for sitting down with some chili and a Star Wars movie. See what happens.

Obviously I’ve seen it a number of times already. In addition to officially reviewing it two years ago, I’ve discussed numerous elements here and there. The Force Awakens rightfully got a lot of flack for mimicking the original film. But I still love it. I can’t help it. There’s just something about Star Wars that brings out the inner child in so many of us. The Force Awakens did that in a way the prequels didn’t.

Moreso, The Force Awakens was a hell of an accomplishment. It breathed so much new life into the franchise, by introducing new faces and telling new stories. It restored some of the magic of the original trilogy by incorporating more practical effects, and not leaning so heavily on CGI. We had yet another epic score from the incomparable John Williams. In the end, it set the bar pretty damn high for Disney’s foray into the Star Wars universe.

What follows are a some notes I jotted down during the movie. This was my last stop on the road to The Last Jedi. Sometimes in order to appreciate where we’re going, you must first remember where you’ve been…

Mere minutes into the movie, Mrs. Primary Ignition asks: “Who built BB-8?” A fair question, I suppose. It’s sometimes tough to wrap your head around the idea that these robots, who play such pivotal roles in these movies, were mass produced in a factory somewhere. Unless you’re C-3PO, of course.

What The Force Awakens suffers from more than anything is a lack of exposition. When we were last in this universe, the Empire was being dealt a fatal blow. The implication was that they were gone for good. Then in the opening title crawl we’re told the First Order has “risen from the ashes of the Empire.” So where did they come from, and when? How did they acquire all their resources? Has there been relative peace in the three decades since Return of the Jedi? I understand certain things had to be kept a mystery. But little tidbits here and there to fill in the gaps would have been helpful.

Captain Phasma has a great look. Her armor is a nice extension of the stormtrooper get-up, and works as a symbol of the unwavering strength of the First Order. It’s also perfect to base toys off of. That always helps.

On a similar note, I’ve never liked the blasters the First Order troopers use. The mix of white and black makes them look like toy guns.

You can pinpoint the moment the audience is supposed to understand Rey is a good guy. When she’s sitting there cleaning off the parts she found in the old Star Destroyer, she looks at a frail old lady across from her doing some cleaning of her own. We see sympathy and compassion on her face. Thus, we make a positive connection with her. Remember, t this point in the film Rey hasn’t spoken yet. So it’s a nice subtle move.

The Empire’s last stand took place on Jakku. That’s why we see the crashed Star Destroyer, the downed AT-AT that Rey lives in, etc. But no one else us this. Again, lack of exposition. It doesn’t make or break the film either way, but it would have helped.

There are a lot of little details that are meant to make your brain associate The Force Awakens with the original trilogy. The noise the mouse droids make. The placement of the gas masks on the Millennium Falcon. The belch noise from the rathtar monster. That’s to say nothing of the more overt stuff, like the chess board and remote on the Falcon.

The Mos Eisley Cantina has to be one of the most imitated settings in cinematic history. Even within in the Star Wars universe, creators can’t help but put their spin on the idea. We obviously get that here with Maz Kanata’s cantina. It was fine. But it was pretty obvious what they were doing.

Should Kylo Ren/Ben Solo have had a pale, worn face that hadn’t seen light in awhile? When he takes his helmet off, he just looks like a normal guy. But I picture him never wanting to be seen without it, much like Darth Vader.

There’s a great little moment with Leia that was cut from the movie. Now that Carrie Fisher is gone, I really wish they’d kept it in. Leia is talking to someone about contacting the Senate and insisting action be taking against the First Order.

“Not all the senators think I’m insane. Or maybe they do. I don’t care.”

That line, and the way she delivers it, are so great. Considering how open Carrie Fisher was about her own mental illness, I bet she loved that line. I don’t think the line between Carrie and Leia was ever thinner than during those three sentences.

My favorite exchange in the movie happens between Han and Finn while they’re trying to infiltrate the Starkiller Base.

“Solo, we’ll figure it out. We’ll use the Force!”

“That’s not how the Force works!”

Han’s death scene is still hard to watch. Even when you know it’s coming, it doesn’t help. That horrified roar from Chewie might be the worst part of it all.

There’s a fan theory that Han actually pointed the lightsaber at himself, allowing Ben to turn it on and kill him. The idea being that he knew Snoke would kill Ben if he failed to carry out the deed. It doesn’t make the most sense. But stranger things have happened.

I love the fight between Kylo Ren and Rey. There’s very little fancy fight choreography, and neither look like extremely polished fighters. They’re just wailing on each other. It’s also a different environment than we’ve ever seen a lightsaber fight, which is accentuated when Rey uses the snow to extinguish Ren’s weapon.

The music callback from A New Hope when Rey catches the lightsaber is a touching moment. We heard it when Luke accepted his call to adventure, and now Rey is accepting hers. A hero is born.

On paper, you’d think the ending to this movie would be infuriating. We finally find Luke Skywalker, and then the movie ends. But it works.

Despite only appearing on camera for a matter of seconds, Mark Hamill did not have an easy job. He had so much to covey in so little time. This is the first time we’ve seen the character in so many years, and so much has happened. So the audience is just staring at him, taking in all the details.

I’ve heard that Hamill steals the show in The Last Jedi. I hope that’s the case. It’s time for mainstream moviegoers to see what we in the geek community have known for a long time: This man is a gem.

Follow Primary Ignition on Twitter, or at Facebook.com/PrimaryIgnition.

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A Justice League Review – Lessons Learned

TITLE: Justice League
STARRING: Ben Affleck, Henry Cavill, Amy Adams, Gal Gadot, Ezra Miller
DIRECTOR: Zack Snyder
STUDIOS: Warner Bros. Pictures, DC Films, RatPac Entertainment, Atlas Entertainment, Cruel and Unusual Films
RATED: PG-13
RUN-TIME:
 120 min
RELEASED: November 17, 2017

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

Justice League is a standard superhero popcorn flick. It’s nowhere near as dark, dreary, and generally abysmal as Batman v Superman. But it also doesn’t accomplish anything remotely special. It’s about a team of heroes coming together to fight a villain with a doomsday plan. Been there, done that. Several times, actually. So what we get comes off completely and utterly average.

After all these years, the first Justice League feature film is just average. What an awful, heartbreaking waste…

The plot is basic enough to surmise from the advertising. As the world continues to mourn the death of Superman, we’ve got a new big bad in town. Steppenwolf, a tyrant from the hellscape world of Apokalips, has returned to Earth after thousands of years with his army of Parademons in tow. He aims to conquer the world using the immense power of three “Mother Boxes.” Batman and Wonder Woman prepare to meet this invasion head on by assembling a team of super-powered heroes. The Flash, Cyborg, and Aquaman are all called to action. But in the end, they won’t be enough. For this new team to triumph, Superman must return…

Trust me, it’s a lot more exciting on paper than it is on screen.

Justice League is the culmination of the years-long comedy of errors that is the “DC Extended Universe.” Man of Steel was an adequate start, flawed as it was with it’s dreary look and overindulgent third act. It was followed by the downright dour Batman v Superman, which robbed its characters of almost any charm, heart, or likability. Suicide Squad wasted arguably pop culture’s most iconic supervillain in the Joker, but managed to be fun in a mindless hot mess sort of way. Wonder Woman was the exception that made the rule. It felt like a single vision, with purpose, heart, and passion put into it.

And so, on one the most rickety foundations in cinematic history, Justice League was built. Like Suicide Squad before it, this movie feels like a melting pot of visions, voices, and priorities clumped together to form a viable commercial product. Our director is once again Zack Snyder. But with their confidence shaken from the backlash to Batman v Superman, Warner Bros. brought in Avengers director Joss Whedon to reshape the script. Thus, we have a Joss Whedon superhero movie taking place in Zack Snyder’s grim DC Universe, under the management of a studio desperate to compete with Marvel at the box office. Hot damn! Sign me up!

One of the major missteps in Justice League is it’s choice of villain. DC Comics lore is full of baddies worthy of challenging Batman, Superman, and Wonder Woman. Darkseid is the obvious choice. But you’ve also got big cosmic villains like Brainiac, Mongul, and Despero. Professor Ivo and the Amazo android could have made for an interesting story. Hell, team Lex Luthor up with the Joker! It sure as hell beats Steppenwolf…

Yes, Steppenwolf. A second-rate, paper-thin, poorly rendered Darkseid stand-in with an army of space bugs, a silly name, and a generic doomsday plot. This is who they came up with to face the Justice League in their debut feature film. Strictly from a cynical marketing standpoint, how the hell to you pass up slapping Darkseid, Brainiac, or Lex Luthor on t-shirts and posters, and instead opt for someone called Steppenwolf?

Justice League cost a whopping $300 million to make. That’s astounding, considering our CGI-rendered Steppenwolf looks like he was done in the late ’90s. It’s not just him, either. It’s been well documented that reshoots were done with a mustached Henry Cavill. The movie’s opening sequence wasn’t even over before Mrs. Primary Ignition turned to me and asked, “What’s up with Superman’s mouth?” Certain shots in Batman’s introduction are also extremely fake looking. Makes you wonder what the hell happened to good old fashioned stunt doubles and prosthetic make up…

Superman has a certain aura of reverence in this movie. Had that been earned or established in Man of Steel or Batman v Superman, that would have been fantastic. I’ve always been a proponent of Superman being the center, or at least part of the center, of the DC Universe. He’s certainly its moral backbone. But all this mourning we see over Superman doesn’t match the controversial figure we saw in Batman v Superman. Yes, some people loved him. But he was also the subject of protests and a congressional hearing. Lois Lane, Batman, Wonder Woman, and those who knew Superman have a reason to miss him. But based on what we saw before, there’d be a large contingent of people who’d be glad Superman died.

So now that I’ve sufficiently ripped Justice League apart, what’s there to like? What did they get right? Believe it or not, all was not lost from the get go…

Unlike in Batman v. Superman, almost all of our heroes are likable. Superman knows how to smile. Wonder Woman is compassionate, but still fierce. I’ve never needed a lot of selling on Ben Affleck’s Batman. Joss Whedon’s influence in the movie is obvious when the Dark Knight gets in a quip or two. Ezra Miller plays a socially inept Flash, who provides much of the comic relief. His costume looks absolutely ridiculous. But there’s a certain charm to him. Jason Momoa’s Aquaman is surprisingly okay as a dude bro. For a team flick, it works fine. Granted it’s not the approach I would have gone with, and they’ll obviously need to deepen his character for the Aquaman solo movie. Assuming that’s still in the pipeline after all this.

As much as this movie fell short of what it could have been, there is a certain warm and fuzzy quality to seeing these characters on the big screen together. Most of them aren’t true to the essence of the iconic characters they’re based on. But at the very least it’s cool on a superficial level to see Batman is standing next to Wonder Woman. Superman is running next to the Flash! Aquaman is in Atlantis! It’s a highly tarnished version of what we should be getting. But at least we’re getting it in some form. That counts for something.

And so, four years into the DC Extended Universe, what have we learned? What has the road to Justice League taught us? More than anything, it’s this: Darkness doesn’t equate to quality. At least not to larger audiences.

Some people point to darker tales like The Dark Knight Returns and Watchmen as the pinnacle of the superhero genre. But while they pushed the boundaries of how these stories and characters could work and be seen, they weren’t simply dark for the sake of darkness. The Dark Knight Returns isn’t just about an older and grittier Batman getting to punch Superman in the face. It’s about a hero returning to face a world that’s changed in his absence. Watchmen isn’t about Rorschach beating people up. It’s a look at superheroes from a different, more grounded angle. The dark tones fit the stories and the characters, not the other way around.

We also need to remember that at the end of the day these characters are meant for children. That doesn’t mean we can’t love them as adults. We don’t need to dumb them down for kids, but we can’t keep them all for ourselves either. If DC and Warner Bros. should have learned one thing from Disney and Marvel, it wasn’t the cinematic universe element. It’s that these movies can be accessible to viewers of all ages. They can be mature without being meant for mature audiences.

The blame Justice League‘s failures, creative and otherwise, falls primarily on the studio higher-ups. But the finger also needs to be pointed at Zack Snyder. He’s got a devoted fanbase that will filet me for saying so. But if Batman v Superman didn’t convince you, the fact that the first Justice League movie didn’t outperform the third Thor movie should say it all. Snyder must be kept far away from any and all future DC films. I shudder to think what this movie would have looked like without Joss Whedon’s influence. 

Superhero movies can be thrilling, emotional, and surprisingly versatile. But at their core, they aren’t complicated. Give us a hero worth rooting for, a villain worth rooting against, and a reason for them to fight. We don’t need to see a bad guy get his neck snapped, a bomb inside a jar of piss, or a city destroyed to compensate for a lack of emotional connection with the audience. 

Lessons learned. Six years and millions of dollars too late. But lessons learned…

Follow Primary Ignition on Twitter, or at Facebook.com/PrimaryIgnition.

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Chris Jericho vs. Kenny Omega, Plus Ponderings From WWE Raw

By Rob Siebert
Editor, Fanboy Wonder

Well I’ll be damned…

Kenny Omega vs. Chris Jericho at Wrestle Kingdom 12.

If you’re a pro wrestling geek, this is a huge match in just about every way possible. Granted, Jericho may only work one date for New Japan. A handful at most. But let’s pause for a moment and consider not just what this means artistically, but for NJPW’s presence in America.

Chris Jericho is obviously not under contract to WWE right now. But he’s a WWE superstar in every sense of the word. When he’s around, it’s a big deal. He’s been able to reinvent himself time and time again, making comeback after comeback and being consistently athletic and entertaining each time. This year, at age 46, he and Kevin Owens had one of the key storylines heading into Wrestlemania.

Perhaps most importantly, Jericho has wrestled exclusively for WWE since 1999. He’s a multi-faceted performer, and has a lot of irons in the fire. But when it comes to wrestling, for almost 20 years there’s only been one place to find Chris Jericho. He’s always said he only wanted to work for the top promotion in the world, and anywhere else would be a step down. Chris Jericho has been a WWE guy through and through. Until now.

Think about that. Think about what that says about Kenny Omega as a performer. Think about what that says about New Japan’s growing prominence in America. Think about what that says about NJPW’s potential as an alternative to WWE.

And if they can get Chris Jericho, who else can they get on more of a full-time basis?

Ponderings From Raw:

Kurt Angle appears on Miz TV at the top of the show, announces Miz vs. Braun Strowman in the main event. Miz had a great line here about Baron Corbin being “the bathroom break of Smackdown.” There’s a reason these guys haven’t been cutting promos on each other directly. In a war of words, Miz destroys Corbin every time. It’s not even close.

Jason Jordan def. Elias in a Guitar on a Pole Match. Angle later names Jordan to Team Raw at Survivor SeriesI don’t know why I expected this match to end with a guitar shot to the head. Maybe it’s because I’ve been trained to expect it after so many years watching guys like Jeff Jarrett smash guitars over people’s craniums. Maybe it’s because Elias got to hit Finn Balor in the head with it awhile back. Either way, this match ended on a whimper when Jordan smashed the damn guitar over Elias’ back. Either gimmick the guitar really well and go for it, or don’t book the damn match.

So Kurt Angle puts his “son” Jason Jordan on Team Raw. I like this a lot if it’s headed where I think it is…

Asuka won an enhancement match. I obviously don’t know how things sounded live. But on television this Manchester crowd sounded dead as a doornail. No one suffered the ill effects worse than Asuka did in this match. WWE are still trying to get her over with mainstream audiences, and this did not help. At all.

Samoa Joe runs through Titus O’Neil and Apollo Crews, and issues an open challenge. Finn Balor accepts. The match goes to a double count-out. Kurt Angle later names both men to Team Raw. I hadn’t quite realized how much I missed Joe until I saw his promo here, and the subsequent match with Balor. Neither were great. But Joe’s intensity and believability are off the charts.

I really wish the announcers hadn’t mentioned the Kane thing from two weeks back. When Balor is stepping up and accepting a tough guy’s open challenge, it doesn’t help his cause to harken back to when got his ass handed to him in another open challenge. Frankly, I think we’d all love to forget that match ever happened…

Sasha Banks and Bayley def. Alicia Fox and Nia Jax. Sasha is later picked for the Raw women’s team. It’s amazing how stupid WWE thinks we are sometimes. The announcers speculated about whether Sasha and Bayley could be the two women to fill the remaining spots on the Raw women’s team. Shut the hell up. We all know it’s going to be them. Dana Brooke is an afterthought, and they’re not going to pass either of them up for Mickie James.

The only person worthy of replacing either of them would be Paige. Come to think of it, this would have been a good opportunity to bring her back. It’s her home country, after all.

The crowd woke up a little for Bayley. It’s been awhile since she got a reaction like that. Far too long, actually.

Braun Strowman def. The Miz via disqualification after interference from Kane. Mrs. Primary Ignition happened to be sitting next to me during Miz’s entrance. She doesn’t know much about wrestling. But she watched him during his MTV days. She was confused by what he wore to the ring…

“His outfit looks like he’s wearing a dress. I have no problem with a man wearing a dress. It just seems so out of character for him.”

That’s Hollywood fashion for you.

Pete Dunne makes his Raw debut, gaining a win over Enzo Amore. UK Division wrestlers to appear on 205 Live. For months there’s been buzz about the WWE Network adding a show dedicated to the guys who wrestled in the UK Championship Tournament. For whatever reason, that hasn’t happened. But if you’ve got these guys signed to a deal, you may as well use them. I was happy to see Pete Dunne show up in the homegrown hero role, even though he’s obviously a natural heel. I’m not thrilled that these UK guys may end up associated with 205 Live, as that brand is so tainted. But you may as well do something on TV with them.

Until Dunne came out and the physicality started, almost everything about this segment seemed clumsy. Enzo’s promo went on so long the announcers were trolling him on-air. Then Dunne’s music hit. But instead of just having him come out, they had Angle show up and introduce him. So basic wrestling logic (If such a thing exists…) begs the question: Why not just hit Angle’s music, then do Dunne’s after his name is said? I’m assuming this was a mistake. If not, it’s very weird.

Cesaro and Sheamus def. Seth Rollins and Dean Ambrose to win the WWE Raw Tag Team Titles after the New Day cause a surprise distraction. This was a surprise. Not so much that they switched the titles, but that they had the New Day play a role in it. The reason seems obvious: A six-man tag at Survivor Series. I imagine they weren’t sure if Roman would be back in time, so they held off this angle just in case. I obviously don’t know that for a fact, but it makes sense.

Either way, if it happens that match could easily steal the show. It’s got a big match vibe not unlike the Shield vs. Wyatt Family stuff from a few years ago.

Follow Primary Ignition on Twitter, or at Facebook.com/PrimaryIgnition.

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Chris Jericho is Back?!? Plus, Ponderings From WWE Smackdown

By Rob Siebert
Editor, Fanboy Wonder

Question: At what point does a midcard title mean as much, if not more, than a Heavyweight Title? Some would say that’s where we are with the WWE Title and the United States Title.

We always used to hear that kind of talk in the late ’90s, when Rob Van Dam held the ECW Television Title. His matches were outperforming the Heavyweight Title Matches on such a consistent basis that the perception of the title changed. While the ECW Championship was still the top title in theory, a large portion of the fanbase placed more value in the TV Title.

We’ve got a similar situation now with Jinder Mahal as the WWE Champion. In a way, it’s unfair to judge Mahal the way you would previous champions. He’s so inexperienced as a top guy, going from the undercard to the main event in a matter of weeks. Meanwhile, the guys competing for the US Title aren’t exactly slouches: Kevin Owens, AJ Styles, and Chris Jericho. They’re more experienced than him, more charismatic than him, and put on better matches than him.

But does that mean that while AJ and the others are elevating the US Championship, Jinder is dragging the WWE Championship down? The answer is: Sort of. It goes beyond Jinder himself. It’s about the story they’re telling, and the importance that should be placed on that WWE Championship.

Given how recently Jinder was an undercard guy, the WWE Title can easily seem like an undercard belt while he holds it. That’s especially the case when he’s not as good a worker as a lot of the other guys. The way you change that is by telling a good story. Essentially, that story is about Jinder and the Singh Brothers stealing the title. This undeserving, unqualified charlatan of a champion is holding it hostage until someone can overcome the odds and take it. WWE’s equivalent to the Ark of the Covenant has been stolen. We, as the audience, need to understand just how important that is. All is not right with the world, and our heroes are striving to fix it. This needs to be played up on a weekly basis. Not just by the announcers, but the script writers. An immense injustice has occurred, and continues to occur every time Jinder retains that title with the help of the Singh Brothers, and now the Great Khali. This way, Jinder is more than a stereotypical foreign menace. He becomes a true villain.

There’s absolutely nothing wrong with elevating the United States Championship. For so many years it was mired in irrelevance. The more prestigious it is, the better off your product is. But let’s not lose sight of where our priorities should be. There’s a reason Jim Ross always called the WWE Title the “richest prize in the industry.” If they’ve allowed us to forget that’s the case, then something has gone very, very wrong.

Ponderings From Smackdown:

Chris Jericho makes a surprise return to Smackdown. Shane McMahon announces a Triple Threat Match for the US Title: Kevin Owens vs. AJ Styles vs. Chris Jericho. This one came way out of left field. Definitely an awesome shot in the arm for Smackdown. Especially after Battleground was received so negatively.

There was absolutely no buzz about Jericho coming back any time soon, so there’s not much word on how long we’ve got him. For now, I’m just happy he’s back. Even with just a little bit of time, he can do quite a lot.

Damn, I love when wrestling is good.

Shinsuke Nakamura def. Baron Corbin. The match from Battleground did not get good reviews at all. The most notable thing that came out of it was a gif of Nakamura doing an exaggerated eye roll. The DQ finish certainly didn’t help. At least they got that part right this time. Why couldn’t they have done that Sunday?

This wasn’t much better. But you knew this wasn’t going to be magic either way.

Charlotte Flair and Becky Lynch def. Lana and Tamina. Really surprised Charlotte didn’t win the match at Battleground. Does this mean she’s not going to be on the Summerslam card? That’s really odd. She’s a marquee player. You’d think she’d have a place on a show like Summerslam.

Lana has a lot of haters over her perceived lack of wrestling skills. They don’t seem to realize they’re supposed to be hating her, and as such are playing right into her hands. That’s part of her character, you morons…

John Cena comes out to challenge Jinder Mahal to a WWE Championship Match at Summerslam. Daniel Bryan makes a match between Cena and Nakamura for next week, with the winner challenging Mahal at the pay per view. I happened to be watching the first half of this show with Mrs. Primary Ignition. As Jinder was speaking Punjabi, she says: “I feel like this is pretty racist.” I tell her that’s the idea,

Her reply: “That’s a little too redneck for me.” Man, some people just don’t get it.

Loved Cena’s attitude toward Mahal, totally brushing him off as an opponent. That’s obviously the way a lot of the fans feel about him too. The good news for the Cena haters is that probably means the champ is retaining at Summerslam. I doubt they’d let Cena crap on Vince McMahon’s new pet project if he wasn’t going to get the win in the end.

As for the Cena/Nakamura match next week, that’s a hell of a bombshell. They’ve got my attention, that’s for sure. Here’s hoping they pop a decent rating with a week’s build-up.

Sami Zayn and Tye Dillinger def. Mike Kanellis and Aiden English. So Mike Kanellis loses at Battleground, then drops the fall again tonight. I wouldn’t be worried for him just yet. Not everybody gets a big undefeated streak. Given his whipped husband character, it might work for him in the short term.

A lot of fans have been quick to put Mike Kanellis’ gimmick into the “Wrestlecrap” category. Again, it’s too soon to judge. They just started. Give it some time. See how things play out…

The New Day are ambushed by the Usos. This was pretty quick and to the point. Considering how long some of the beat-downs go these days, that’s hardly a crime.

AJ Styles def. Kevin Owens and Chris Jericho to win the WWE United States Championship. Styles to defend against Owens in a rematch next week. Pretty good match. Rumor has it the finish to the Styles/Owens match at Battleground was changed with very little notice. This is pure speculation, but I imagine this was part of the reason why. Jericho’s return was a great twist in the story. I can’t say I’m dying to see Styles and Owens potentially work yet again at Summerslam. But there are certainly worse matches one could book…

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Carrie Fisher: More Than Just a Princess

Carrie FisherBy Rob Siebert
Editor, Fanboy Wonder

This one hurts. This one hurts a lot.

As most of us know, Carrie Fisher went into cardiac arrest on December 23 during a flight from London to Los Angeles. She passed away this morning at the age of 60.

Naturally, Star Wars fans have reacted very strongly since Fisher’s heart attack. There’s been a lot of stuff to the effect of, “2016, don’t you dare take Princess Leia from us!” Plenty of animated gifs of Luke Skywalker screaming “No!” in The Empire Strikes Back, Darth Vader doing the same in Revenge of the Sith, etc. It’s all done with good intentions. But I really wish people would stop. 

It goes without saying that Carrie Fisher will be remembered most for Star Wars. It’s one of the most iconic roles in cinematic history, and Disney will continue slapping her likeness on t-shirts, posters, action figures, and what not for decades to come. Her performance inspired many, and it’s a great thing for little girls to see.

But Carrie Fisher was so much more than Princess Leia.

Fisher’s sharp-tongued wit was like no other, as she illustrated in countless television appearances, and in her books. One of her memoirs, Wishful Drinking, was adapted into a stage show, which Mrs. Primary Ignition and I were fortunate enough to see  in Chicago. I’ve always been grateful I got to see that show. That’s the case now more than ever.

What you see below is one of the more famous appearances Fisher ever did. She roasted George Lucas as only she could. Much of what she said was pulled from Wishful Drinking. 

Fisher’s battles with mental illness were well documented. She dealt with bipolar disorder, and addictions to both cocaine and prescription medications. But to her eternal credit, she never shied away from them. She even turned them into a semi-autobiographical novel, Postcards From the Edge. Mental illness still has a stigma in 2016, but we’ve broken a lot of ground in terms of understanding and tolerance. But Postcards came out in 1987. Imagine the courage it takes to open yourself up to the public like that when everyone knows your face. As someone who’s dealt with mental illness himself, that’s a tremendous thing to see. Especially from someone you watched when you were a child.

I’m not sure if I’ll end up with a son or daughter someday. But as much as I’d want a child of mine to be inspired by Leia’s bravery, it’s more important that they be inspired by Carrie’s. Whether it was the world’s perception of mental illness, the rules for women in Hollywood, or the injustice of ageism, Fisher refused to keep quiet. More than anything, she was honest about the world in front of her. That honesty made people uncomfortable at times. But we were better for it. The world was better for it.

There are many others who’ve spoken about Fisher more eloquently than I. Here’s some recommended reading…

What Carrie Fisher Meant to Me as a Mental Health Advocate
Carrie Fisher was a hero to all women, an example of how to be utterly fearless to the end
Carrie Fisher Struggled Against Being a Nerd-Boy Sex Object Her Whole Life
15 of Carrie Fisher’s Best, Most Honest Feminist Quotes

I’m a Star Wars geek. I probably always will be. While I understand what people who love Princess Leia are feeling right now, it’s important to keep things in perspective. Leia is a character in a space fantasy. The woman behind her was someone who endured real hardships, and overcame real obstacles in the real world. But in spite of it all, she never lost her wit, her humor, or her will to go on.

In the end, Carrie Fisher was the real hero.

Follow Primary Ignition on Twitter @PrimaryIgnition, or at Facebook.com/PrimaryIgnition.

A Review of The Flash S2E2 – When Worlds Collide

By Rob Siebert
Editor, Fanboy Wonder

The Flash remains, in my humble opinion, the best superhero show to hit the airwaves in years. As we’re getting into it’s second season, it continues to be enjoyable. And this plotline involving Earth-2 has some great potential.

But, that being said, this week’s episode was underwhelming. Sadly, much of it has to do with Jay Garrick, our Flash of Earth-2.

The Flash, S2E2, Jay GarrickTeddy Sears does his first full episode as Jay Garrick. This isn’t Teddy’s first time around the block, but he was pretty wooden in this episode. He’s got a good look, but I don’t see a lot of chemistry between he and Grant Gustin or Danielle Panabaker. But of course, this is only his first episode. Let’s give him some time to get comfortable in the role. And let’s hope he gets it quickly. For obvious reasons, it’s looking like Jay is going to be a big part of this season.

Jay also needs to stop calling Barry “kid.” You’re The Flash, man. Don’t be condescending.

Six months after Ronnie Raymond’s alleged death, Caitlin appears to be crushing on Jay. Um…is six months enough time to get over the death of your husband? Mrs. Primary Ignition says no. But then again, Ronnie was gone for so long that maybe it was easier for her to get re-accustomed to life without him. I imagine that’s going to make things awkward when he comes back again…

The Flash, Season 2, Episode 2, Patty SpivotShantel VanSanten plays Patty Spivot, a cop dying to get on Joe West’s metahuman task force. Very happy to see a new love interest for Barry. Patty Spivot is also his love interest in the comics right now, if I’m not mistaken. Obviously Barry is going to end up with Iris in the end. But I’ve always found Iris to be extremely annoying. There’s nothing wrong with how Candice Patton plays the part. But to me Iris has always been written very whiny and irritating. That’s why I’ve consistently rooted for Barry to end up with Caitlin. But Patty Spivot works too. Shantel VanSanten was charming in the role. She’s a welcome addition to the cast.

Cisco tells Professor Stein about his visions, makes him promise to keep it a secret. Stein appears to have a seizure near the end of the episode. Cisco’s logic in telling Stein keep his mouth shut about thing makes no sense. He wants these awful visions to go away, but he doesn’t want Stein or anyone else to help him? From a drama standpoint, tt would have made more sense if Stein had his little episode as he and Cisco were about to confide in the rest of the team. Just my opinion.

Also, that “I get a vibe” line was nice a little wink.

The Flash, Season 2, Episode 2, Jay Garrick, Sand DemonZoom recruits Eddie Slick, a.k.a. Sand Demon, to kill The Flash. Sand Demon is one of the few comic book super villains I’m not familiar with, but Kett Turton did fine playing a bad guy. Still, I couldn’t help but see him as a poor man’s version of Marvel’s Sandman. Based on how his fight with Barry and Jay ended, I’m wondering if we’ll see him again, as we did with the various villains last season.

The episode ends with what appears to be an alternate-Earth version of Harrison Wells. So…is that the real Harrison Wells? Or is that future Eobard Thawne disguised as Harrison Wells? Also, was that Earth-2? Regardless, this could get messy.

Image 1 from designtrend.com. Image 2 from thegg.net. Image 3 from bamsmackpow.com.

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