The Mandalorian, “Chapter 22: Guns For Hire” Review

Lizzo, Star Wars The Mandalorian Guns For Hire posterSERIES: Star Wars: The Mandalorian
EPISODE: 
S3:E6 – “Chapter 22: Guns For Hire”
STARRING: 
Pedro Pascal, Katee Sackhoff, Lizzo, Jack Black, Christopher Lloyd
WRITERS: 
Jon Favreau
DIRECTOR: Bryce Dallas Howard
PREMIERE DATE: 
April 5, 2023
SYNOPSIS:
Din Djarin and Bo-Katan Kryze face a hidden threat on Plazir-15.

***New around here? Check out our Star Wars review archive!**

By Rob Siebert
Fanboy Wonder

Did we need Lizzo and Jack Black in this episode as the Duchess and Captain Bombadier? No. We didn’t. It’s stunt casting. But I’ll say this much: It’s good stunt casting. Lizzo is believable as a duchess, and Jack Black does just fine as a quirky ex-Imperial. I doubt we’ll see more of them any time soon. But I wouldn’t be opposed to it, per se.

Christopher Lloyd, meanwhile, plays Helgait, the head of security on Plazir-15. Lizzo and Jack Black play royalty in this episode. But as far as I’m concerned, Lloyd is Hollywood royalty. It’s a lot of fun seeing him in a Star Wars project. Especially once we get to the twist toward the end involving his character…

This is Bryce Dallas Howard’s third time directing an episode of The Mandalorian, having done “Sanctuary” and “The Heiress.” She also directed “Return of the Mandalorian” for The Book of Boba Fett. So she was very much in her element here. Apparently, after this episode aired there were fans calling for her to direct a Star Wars movie. You’d get no complaints from me on that front. She clearly has her footing in the Star Wars universe, and has inherited her father’s knack for directing. I say bring her on.

The purple glow of the city made for a cool, memorable visual. Ideally, a Star Wars location stands out and is distinct in its own way. It’s not nearly as easy to do in 2023 as it was in, say, the early 80s. It can be done, though.

Have we seen a droid bar on a live-action Star Wars show before? I feel like we have, I just can’t remember when. Either way, it makes for, again, a really distinct and cool visual. Mando’s line “I don’t think they get many of our kind here” is a nice little callback to the “We don’t serve their kind here!” line from the Mos Eisley Cantina scene in A New Hope.

Toward the end of the episode, Grogu is made a knight of the “Ancient Order of Independent Regencies.”  That’s cool and all, but they missed an opportunity to revel in the cuteness of Lizzo calling the little guy “Sir Grogu.”

The logic they used to move the Darksaber from Mando’s possession Bo’s was clever. It never occurred to me that they’d use Bo saving him in “The Mines of Mandalore” for that purpose. It’s one of those things that, in hindsight, seems obvious.

Still, the show might have missed an opportunity to give us a Mando vs. Bo fight. One that would have been that much more emotionally charged, given what they’ve been through this season. We’ll have to see if what they do with Bo and the Darksaber makes for a worthwhile ending to the season.

Mrs. Primary Ignition wound up falling asleep during the latter half of this episode.  When I came to bed I told her that Bo had the Darksaber now. Her words back to me? “Oh, that’s good. Where did she find it?”

*sigh*

Hard to believe there are only two episodes left this season. And we still haven’t seen Migs Mayfeld yet!

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A Star Wars: Han Solo & Chewbacca #6 Micro-Review – Firing on All Cylinders

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

Star Wars Han Solo and Chewbacca 6, cover, 2022, Phil NotoTITLE: Star Wars: Han Solo & Chewbacca #6
AUTHOR: Marc Guggenheim
ARTISTS:
David Messina, Paul Fry, Alex Sinclair (Colorist), Joe Caramagna (Letterer). Cover by Phil Noto.

RELEASED: September 28, 2022

By Rob Siebert
Fanboy Wonder

This is the kind of issue I pictured when this series first came out. We’ve got Chewie getting into fights in prison, as a bunch of space pirates race to free the Millennium Falcon from the clutches of the Empire. Meanwhile, Han Solo is presumed dead. (Spoiler: He’s not.)

This book was a slow starter. But it’s firing on all cylinders now. My only complaint? That they felt the need to shoehorn Ponda Baba and Dr. Evazan into this story. They were, of course, in the Mos Eisley Cantina in A New Hope. Lame.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

George Lucas on Star Wars: Who Shot First?

***Think what you will about George Lucas, but in terms of Star Wars, it can all be traced back to him. That’s why I always find it so interesting to listen to him talk about it. His creative process, the reason certain decisions were made, and how these movies became the pop cultural staples they are. This space is dedicated to just that. This is “George Lucas on Star Wars.”***

***New around here? Check out Primary Ignition‘s “George Lucas on Star Warsarchive!***

By Rob Siebert
Fanboy Wonder

Han Solo, Greedo, Star Wars A New Hope

The Scene: The bounty hunter Greedo confronts Han Solo over money he owes Jabba the Hutt. The two sit at a table.

In the original version of the film, Han shoots Greedo dead under the table.

In all versions following the 1997 Special Edition release, Greedo shoots at Han first and misses, prompting Han to fire back and kill him.

George Lucas Says: “It was always meant that Greedo fired first, and in the [original release] you don’t get that too well. And then there was a discussion about, “Well it’s good that it’s left amorphous and everything.” … In terms of Han’s character and everything, I didn’t like the fact that when he was introduced the first thing he did is just gun somebody down in cold blood. That wasn’t what was meant to be there.”

I Say: Like a lot of (Dare I say most?) Star Wars fans, I’m a “Han shot first” guy, and call BS on the idea that Greedo shot and missed at point blank range. If Greedo was supposed to fire his gun first, then why have the two of them sitting at a table? The notion that Greedo, or anybody, could miss a shot like that is laughable.

What’s more, I’d argue Han gunning someone down in cold blood fits perfectly with what George describes as his character arc. He’s talked at length over the years about how Han Solo starts out very selfish, cold, and out for himself. But through his relationship with Luke and Leia, he gradually starts to become compassionate and care about others. As this is Han at the beginning of that arc, it’s more than fitting for him to kill Greedo to save his own skin.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A Star Wars: Han Solo & Chewbacca #5 Micro-Review – Consistent Quality

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

star_wars_han_solo_and_chewbacca_5_cover_2022_phil_notoTITLE: Star Wars: Han Solo & Chewbacca #5
AUTHOR: Marc Guggenheim
ARTISTS:
David Messina, Alex Sinclair (Colorist), Joe Caramagna (Letterer). Cover by Phil Noto.
RELEASED:
August 10, 2022

By Rob Siebert
Fanboy Wonder

This isn’t the strongest issue to come out of this series. But five issues in, Guggenheim, Messina, and this team have sold me on their ability to produce a quality monthly title about Han and Chewie. That’s saying something, considering how underwhelmed I was at the beginning.

The friendship between Han and Chewie is the understated emotional core to this book. It’s a buddy action comedy. And that’s how it should be, really.

On the downside, we get a gratuitous appearance from a couple of familiar Mos Eisley Cantina characters. Lame.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

George Lucas on Star Wars: Han Solo, the Cynical Foil

***Think what you will about George Lucas, but in terms of Star Wars, it can all be traced back to him. That’s why I always find it so interesting to listen to him talk about it. His creative process, the reason certain decisions were made, and how these movies became the pop cultural staples they are. This space is dedicated to just that. This is “George Lucas on Star Wars.”***

By Rob Siebert
Fanboy Wonder

Han Solo, Mos Eisley Cantina, Star Wars Episode IV A New Hope

The Scene: Luke Skywalker and Obi-Wan Kenobi meet Han Solo, a smuggler they hope will take them to Alderaan.

George Lucas Says (via the A New Hope commentary track): “Han Solo is the foil to the idealistic Luke. He’s the cynical mercenary and Luke is the idealist, the dreamer, the one who is trying to do things to make it a better world. Han Solo is somebody who’s been beaten down by the world and really only cares about himself. Luke symbolizes the compassionate hero. … And obviously in the course of the movie, Han Solo’s character arc is that he goes from being a self-centered, selfish, cynical character to a caring, compassionate, try-to-make-this-a-better-place type character. It’s a fun part. It’s a fun character. Good stories usually involve two people who are the opposite of each other, and that’s a principle aspect of the story is how those characters beat up against each other.”

I Say: Is Han Solo the best cynical foil in movie history? If not, he’s got to be in the top two or three. He’s definitely the most iconic. And it is a fun part. So much fun, in fact, that the series almost feels like it’s missing a key ingredient without the character.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Rob Watches The Mandalorian: Return to Tatooine

SERIES: The Mandalorian
EPISODE:
S1:E5. “Chapter 5, The Gunslinger”
STARRING:
Pedro Pascal, Amy Sedaris, Jake Cannavale, Ming-Na Wen
WRITER/DIRECTOR:
Dave Filoni
PREMIERE DATE:
December 6, 2019
SYNOPSIS:
After stopping on Tatooine for repairs, Mando takes a job alongside a young bounty hunter.

By Rob Siebert
Fanboy Wonder

So did we need to come back to Tatooine? No, not really. But I’m glad we did. Going to a classic Star Wars setting reinforces that this is, in fact, the universe we know and love. And yes, nostalgia is a factor. It’s nice to see Mos Eisley again.

I’m a little surprised they used pit droids, i.e. the “hit the nose” robots from The Phantom Menace. I don’t mind Episode I as much as some people do. But you’d think in this, the first live action Star Wars television show, you’d want to avoid allusions to what’s often considered the franchise’s worst film. (It’s not. But that’s another story.)

Question: Aren’t most rifles in Star Wars blaster rifles? If so, Peli Motto asking the droids to get her blaster rifle doesn’t really make sense. It should probably just be, “Get my rifle!”

Yeah. I’m nitpicking at that level, folks. But it’s because I care, damn it!

So he just left the child on the ship? That’s uncharacteristically stupid for Mando.

Dr. Mandible, the giant bug in the cantina, is also stupid. He makes his debut in this episode.

Fun fact: The Mos Eisley Cantina has a name. Chalmun’s Spaceport Cantina.

Another fun fact: They squeezed Mark Hamill into this episode. He’s the voice of the droid at the bar (shown below). Apparently that’s the very same droid that spoke to Threepio in Jabba’s palace in Return of the Jedi. What a remarkable coincidence…

I wonder if Mando would have taken Toro Calican under his wing before he picked up the child. Perhaps being a father figure softened him in short order.

That’s a recurring theme in the original Star Wars trilogy. The “scoundrel” who becomes a good man. The big one is Han Solo. But it applies to Lando Calrissian as well.

I must confess, I’ve never seen Agents of Shield, or much of anything else with Ming-Na Wen. But she makes a pretty good bounty hunter. And Fennec Shand is yet another powerful female character added to the Star Wars universe.

I don’t recommend watching this episode in a room with a lot of sunlight. I did so, and could barely make anything out during the nighttime scenes.

So the general consensus was that the person who comes to Fennec’s aid at the very end of the episode is Boba Fett. In the end, that obviously turns out to be true. That speaks to the amount of foresight the showrunners hopefully have.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Rob Watches The Mandalorian: Wait, That’s Not Hoth!!!

***As the second season of The Mandalorian rapidly approaches, it’s time to take a look back at the foundation laid by the first season. This is “Rob Watches The Mandalorian.”***

By Rob Siebert
Fanboy Wonder

This opening scene is, of course, our tone-setter. And once of the best I’ve ever seen. As far as space westerns go, you can’t do much better than this. Our lone gunman walks into a saloon, finds trouble, and has to shoot his way out. Everything is perfect.

For whatever reason, when I think of The Mandalorian the first thing that comes to mind is that poor guy getting cut in half by the door. Maybe it’s because, like the series itself the whole thing is so damn smooth and cool.

So why is this snow planet not Hoth? Because, as Admiral Piett told us in The Empire Strikes Back, “The Hoth system is supposed to be devoid of human forms.” Originally I was miffed that a later episode took us back to the friggin’ Mos Eisley Cantina, but we couldn’t go to some random bar on Hoth. Whoops…

That’s a problem Star Wars creators are running into these days. The more films and TV shows that are made, the harder it is to make all these planets feel distinct and different. A lot of the worlds in the sequel trilogy, for instance, look alike.

Our blue friend, who I don’t believe has a name, is played by SNL alum Horatio Sanz. I knew I recognized him from somewhere…

Is this the first time we’ve seen a bounty puck? There certainly weren’t any in the movies.

Practically every Star Wars project has to do the cantina. Or at least some version of a cantina. Some setting where aliens from various different worlds come together for a drink or a party or the like. In this episode alone we get two of them. At least The Mandalorian had the guts to take a stab at the Mos Eisley Cantina, the cantina setting, later on.

I love that the client, the guy that hires Mando and really gets the plot moving, is part of this tiny little faction of Imperials, complete with a few beat-up looking stormtroopers. It’s a great bit of world-building. It’s one thing for Mando to say the Empire is gone. It’s another thing for us to actually see what it’s been reduced to.

Whenever I watch the scene with Mando trying to ride the Blurg and talking with little Kuiil, I always think of the prequels. If the prequels had blended practical and CGI effects as seamlessly as The Mandalorian, people would talk about them in such a different light. They’d still be badly written, but at least they wouldn’t look like giant video games.

In writing this, I at one point had in my notes, “I’m happy they didn’t give him a quirky droid sidekick.” A character like K-2SO in Rogue One or L3-37 in Solo. That’s another Star Wars trope people have to be mindful of going forward.

Then I realized, “Oh wait, they did give him a quirky droid sidekick.” It’s just that IG-11 isn’t around the whole time.

I do like IG-11, largely because his presence in the climactic shoot-out sequence explains how IG-88 works. In The Empire Strikes Back, IG-88 was essentially just a tall prop that stood next to Boba Fett and the other bounty hunters. It couldn’t have been on screen for more than a second or two. But like many a bit player in Star Wars, it gained a cult following. But of course, we never got to see the IG-88 in action. We were never meant to. As such, I always wondered how this tall, seemingly cumbersome, ridid-looking robot was supposed to do the same job as Boba Fett…

Turns out, these IG droids may be all of those things. But they’re also fast, and make for a hell of an action scene!

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Rob Watches Star Trek: Meet the Parents

***What happens when I, a 30-something-year-old fanboy, decide to look at the Star Trek franchise for the first time with an open heart? You get “Rob Watches Star Trek.”***

SERIES: Star Trek
EPISODE: S2:E10 “Journey to Babel”
STARRING: William Shatner, Leonard Nimoy, DeForest Kelley
GUEST-STARRING: Mark Lenard, Jane Wyatt
WRITER: D.C. Fontana
DIRECTOR: Joseph Pevney
ORIGINAL AIR DATE: November 17, 1967
SYNOPSIS: As the Enterprise transports planetary delegates to a diplomatic conference, Spock’s father becomes the prime suspect in a murder investigation.

By Rob Siebert
Fanboy Wonder

There’s a moment in this episode that I absolutely love. It’s when we cut to a wide open common area and see all the various aliens that have come together on the Enterprise. We’ve got blue people with antennas, we’ve got pig men, we’ve got little people painted gold (shown below). And of course, we have a Vulcan.

For yours truly, this is a sort of gloriously campy predecessor to what we’d see 10 years later in the cantina scene in Star Wars. For a few brief moments, Star Trek does some world-building simply via the visuals. Those glorious ’60s sci-fi visuals.

The only thing missing was a Gorn. Though that particular alien race seemed, shall we say, less inclined toward diplomacy. And hey, maybe Kirk’s got hard feelings. You can’t blame him, can you?

In addition to a Gorn-less alien convention, we’ve got quite a bit else happening in this episode. A family reunion with Spock’s parents, Marek and Amanda. We then go into a murder investigation after one of the pig men is killed. Next we find out Marek is ill and needs a blood transfusion from his son. This leads to Bones having to perform the procedure as the Enterprise is rocked back and forth in a space battle with the Orion crime syndicate. There are so many plates spinning, and yet it somehow all seems to fit. That’s a credit to the writing.

So Marek is Vulcan and Amanda is human. The Vulcan mindset is that humans are emotional, thus irrational. Vulcans, on the other hand, are strictly logical. The idea, which we see played up in this episode, is that Spock gets his rarely seen emotional side from his mother.

I reject this notion.

MEANWHILE, IN NOVEMBER OF 1967: The satellite ATS-3 transmits the first color image of Earth’s entire disk (nearly all of the western hemisphere).

We’ve heard Spock discuss the Vulcans and their history before. As a race, they were once quite volatile even by human standards. Warfare was commonplace, to the point that it threatened their very existence. Their salvation came via the adoption of a philosophy that cast uncontrolled emotion as the root cause of all problems. Thus, the need to rigidly control all emotion, and conduct one’s self via an ethical and logical code.

So the Vulcan mindset is cultural, as opposed to being somehow biological. They are taught to be as cold and emotion-less as they are. This flies in the face of the show’s implication that Spock’s behavior is genetically influenced by either one of his parents. For all intents and purposes, humans and Vulcans are born with the same blank slate. The difference lays in nurture, not nature.

What I’d love to see is a new and budding romance between a human and a Vulcan. I’m sure the franchise has covered that at some point in its 50-year history. But thus far the closest we’ve seen (or at least the closest I’ve seen) is the strange dynamic between Spock and Nurse Chapel. Not exactly Romeo and Juliet, those two…

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A Solo Bullet-Point Review – “Unnecessary” Excellence

By Rob Siebert
Fanboy Wonder

***WARNING: The following contains some minor, fairly harmless spoilers for Solo: A Star Wars Story.***

I loved this movie. No, seriously. I loved it. It surpassed my expectations in almost every conceivable way. The characters (yes, even the new ones) were fun and engaging. The thrilling Star Wars action component was on point. Alden Ehrenreich and Donald Glover nailed the Han and Lando characters, while at the same time adding a little something themselves. It had he obligatory scenes you expected to see, i.e. Han meeting Chewie, winning the Milennium Falcon, etc. But it didn’t pile on the nostalgia the way Rogue One did. I left Solo with a smile on my face, which is more than I can say for either Rogue One or The Last Jedi.

So let’s do this. Punch it!

– Ron Howard. The production of Solo was mired in controversy. Directors Phil Lord and Christopher Miller departed during filming, citing “creative differences.” Word broke of Lucasfilm bringing in an acting coach for Alden Ahrenreich, the actor who plays Han. That didn’t exactly inspire confidence. Toss in the polarizing reaction The Last Jedi received, and it was looking like it was going to be a disaster.

I’d be very curious to learn what exactly Ron Howard changed about this movie. Because I don’t think we can deny just how vital his touch was to the creative success of Solo. Not just because he’s directed movies like Apollo 13, A Beautiful Mind, and Frost/Nixon. But because he’s got such a long-lasting friendship with George Lucas. He’s had direct access to the mind that sparked the creation of this whole phenomenon. So I would imagine few filmmakers are more qualified to create something faithful to his vision.

– “Unnecessary.” I don’t understand the critique that Solo is unnecessary, or adds nothing new to the franchise. Yes, the movie largely plays into pre-established exposition. But if you go by that logic, what was the point of even attempting to make the prequels? Or Rogue One? What exactly qualifies one of these movies “necessary?” What does that even mean?

Furthermore, Solo is hardly devoid of fresh ideas. But we also learn new information about Han, Chewie, and Lando. We’re also introduced to new faces, like Qi’ra, L3-37, Tobias Beckett, Enfys Nest, and Crimson Dawn. Hell, I was even partial to Rio Durant.

In the end, Solo is fun. That’s what matters. It’s certainly all the “necessity” I require.

– When Han met Chewie. Laying the groundwork for the Han Solo/Chewbacca friendship was a vital component here. Their relationship is one of the most important in the entire Star Wars saga. I was struck by the believably and downright simplicity of how Solo sets that up. They save each other’s asses a few times and build up trust to the point that a genuine friendship forms.

Actually, I was surprised with how well Solo handled most of the pre-established stuff. Lando owning the Falcon, the card game, the Kessel Run. It all pretty much worked. At least it did for me. Consider how fickle fanboys like me can get about this stuff, that’s nothing to sneeze at.

– No Jabba. No Mos Eisley. No Luke or Ben. Solo has no shortage of references, winks, or nods. The folks over at Red Letter Media speculated that the movie would end somewhere during the events of A New Hope, much like Rogue One did. Specifically, with Han in the Mos Eisley Cantina. It could very well have ended with Han sitting at the table, and a shot of Obi-Wan and Luke walking over. I was very pleased they restrained themselves in that respect. For that matter, while he’s referenced, we don’t see Jabba the Hutt in Solo. There isn’t even a mention of Boba Fett or Greedo.

But I imagine one of the reasons they were a little more conservative with this one is because they’re saving those tricks for later…

– Sequels. Solo leaves a lot of room or sequels, and even spin-offs. There’s already been talk of a Lando movie. There’s also a surprise return that comes about as far out of left field as you can get. If you’ve seen it, you know who I’m talking about. They can go in that direction for another Solo movie, but the returning character would also make for a heck of a box office draw in their own right.

In the end, Solo wound up being the best case scenario for one of these  “anthology” movies. It’s a hell of a lot of fun, stands up on its own, and paved the way for continued storytelling.

To put it another way, “Great shot, kid! That was one in a million!”

Email Rob at PrimaryIgnition@yahoo.com, or follow Primary Ignition on Twitter.

Talking Star Wars: Looking Back at The Force Awakens

By Rob Siebert
Editor, Fanboy Wonder

Mrs. Primary Ignition and I are going to see The Last Jedi tonight. So naturally, last night we sat down to watch The Force Awakens. It was her idea, actually. Ladies, if you’re husband is a geek, ask him if he’s up for sitting down with some chili and a Star Wars movie. See what happens.

Obviously I’ve seen it a number of times already. In addition to officially reviewing it two years ago, I’ve discussed numerous elements here and there. The Force Awakens rightfully got a lot of flack for mimicking the original film. But I still love it. I can’t help it. There’s just something about Star Wars that brings out the inner child in so many of us. The Force Awakens did that in a way the prequels didn’t.

Moreso, The Force Awakens was a hell of an accomplishment. It breathed so much new life into the franchise, by introducing new faces and telling new stories. It restored some of the magic of the original trilogy by incorporating more practical effects, and not leaning so heavily on CGI. We had yet another epic score from the incomparable John Williams. In the end, it set the bar pretty damn high for Disney’s foray into the Star Wars universe.

What follows are a some notes I jotted down during the movie. This was my last stop on the road to The Last Jedi. Sometimes in order to appreciate where we’re going, you must first remember where you’ve been…

Mere minutes into the movie, Mrs. Primary Ignition asks: “Who built BB-8?” A fair question, I suppose. It’s sometimes tough to wrap your head around the idea that these robots, who play such pivotal roles in these movies, were mass produced in a factory somewhere. Unless you’re C-3PO, of course.

What The Force Awakens suffers from more than anything is a lack of exposition. When we were last in this universe, the Empire was being dealt a fatal blow. The implication was that they were gone for good. Then in the opening title crawl we’re told the First Order has “risen from the ashes of the Empire.” So where did they come from, and when? How did they acquire all their resources? Has there been relative peace in the three decades since Return of the Jedi? I understand certain things had to be kept a mystery. But little tidbits here and there to fill in the gaps would have been helpful.

Captain Phasma has a great look. Her armor is a nice extension of the stormtrooper get-up, and works as a symbol of the unwavering strength of the First Order. It’s also perfect to base toys off of. That always helps.

On a similar note, I’ve never liked the blasters the First Order troopers use. The mix of white and black makes them look like toy guns.

You can pinpoint the moment the audience is supposed to understand Rey is a good guy. When she’s sitting there cleaning off the parts she found in the old Star Destroyer, she looks at a frail old lady across from her doing some cleaning of her own. We see sympathy and compassion on her face. Thus, we make a positive connection with her. Remember, t this point in the film Rey hasn’t spoken yet. So it’s a nice subtle move.

The Empire’s last stand took place on Jakku. That’s why we see the crashed Star Destroyer, the downed AT-AT that Rey lives in, etc. But no one else us this. Again, lack of exposition. It doesn’t make or break the film either way, but it would have helped.

There are a lot of little details that are meant to make your brain associate The Force Awakens with the original trilogy. The noise the mouse droids make. The placement of the gas masks on the Millennium Falcon. The belch noise from the rathtar monster. That’s to say nothing of the more overt stuff, like the chess board and remote on the Falcon.

The Mos Eisley Cantina has to be one of the most imitated settings in cinematic history. Even within in the Star Wars universe, creators can’t help but put their spin on the idea. We obviously get that here with Maz Kanata’s cantina. It was fine. But it was pretty obvious what they were doing.

Should Kylo Ren/Ben Solo have had a pale, worn face that hadn’t seen light in awhile? When he takes his helmet off, he just looks like a normal guy. But I picture him never wanting to be seen without it, much like Darth Vader.

There’s a great little moment with Leia that was cut from the movie. Now that Carrie Fisher is gone, I really wish they’d kept it in. Leia is talking to someone about contacting the Senate and insisting action be taking against the First Order.

“Not all the senators think I’m insane. Or maybe they do. I don’t care.”

That line, and the way she delivers it, are so great. Considering how open Carrie Fisher was about her own mental illness, I bet she loved that line. I don’t think the line between Carrie and Leia was ever thinner than during those three sentences.

My favorite exchange in the movie happens between Han and Finn while they’re trying to infiltrate the Starkiller Base.

“Solo, we’ll figure it out. We’ll use the Force!”

“That’s not how the Force works!”

Han’s death scene is still hard to watch. Even when you know it’s coming, it doesn’t help. That horrified roar from Chewie might be the worst part of it all.

There’s a fan theory that Han actually pointed the lightsaber at himself, allowing Ben to turn it on and kill him. The idea being that he knew Snoke would kill Ben if he failed to carry out the deed. It doesn’t make the most sense. But stranger things have happened.

I love the fight between Kylo Ren and Rey. There’s very little fancy fight choreography, and neither look like extremely polished fighters. They’re just wailing on each other. It’s also a different environment than we’ve ever seen a lightsaber fight, which is accentuated when Rey uses the snow to extinguish Ren’s weapon.

The music callback from A New Hope when Rey catches the lightsaber is a touching moment. We heard it when Luke accepted his call to adventure, and now Rey is accepting hers. A hero is born.

On paper, you’d think the ending to this movie would be infuriating. We finally find Luke Skywalker, and then the movie ends. But it works.

Despite only appearing on camera for a matter of seconds, Mark Hamill did not have an easy job. He had so much to covey in so little time. This is the first time we’ve seen the character in so many years, and so much has happened. So the audience is just staring at him, taking in all the details.

I’ve heard that Hamill steals the show in The Last Jedi. I hope that’s the case. It’s time for mainstream moviegoers to see what we in the geek community have known for a long time: This man is a gem.

Follow Primary Ignition on Twitter, or at Facebook.com/PrimaryIgnition.

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