The Essential Clone Wars: “To Catch a Jedi”

***I must confess that, despite being a huge Star Wars geek, I have yet to see the landmark Clone Wars animated show in its entirety. I’m aiming to rectify that to a large extent here, as we look at pivotal episodes of the series in, “The Essential Clone Wars.”

SERIES: Star Wars: The Clone Wars
EPISODE:
S5:E19 – “To Catch a Jedi”
WITH THE VOICE TALENTS OF:
Ashley Eckstein, Nika Futterman, Matt Lanter, Dee Bradley Baker, Tom Kane
WRITER:
Charles Murray
DIRECTOR:
Kyle Dunlevy
PREMIERE DATE:
February 23, 2013
SYNOPSIS:
A fugitive Ahsoka is pursued through the depths of Coruscant.

***New around here? Check out our Star Wars review archive!***

By Rob Siebert
Fanboy Wonder

Apparently this episode, “To Catch a Jedi,” is named for Alfred Hitchcock’s 1955 film, To Catch a Thief. Apparently I need to brush up on my Hitchcock, as I couldn’t help but think of the show To Catch a Predator. I can’t have been the only one…

No? Just me? Got it.

Yoda’s initial call is to send Anakin after Ahsoka. But it’s Mace Windu who actually says the sensible thing: That Anakin is too emotionally compromised to be involved in the pursuit. Ultimately, after a little encouragement from Obi-Wan, they do send him after her. But from a writing standpoint, it might have made more sense to have the council hold Anakin back, and then have him defy them by searching anyway.

Question: Where do photos of Jedi come from? The Republic has a photo of Ahsoka (shown above) that they use to announce her fugitive status to Coruscant. Did she pose for that photo, perhaps for records purposes? Or was that supposed to be a candid shot of some kind? You’ve got to assume the Jedi keep records, which would naturally include photos. But if that’s a posed photo, why is she scowling like that?

I ask all this because we saw a similar posed photo of Obi-Wan Kenobi during his self-titled Disney+ series.

I appreciated that they had both Ahsoka and her mystery Jedi assailant using hand-to-hand combat (Teras Kasi perhaps?). It reminds the viewer that the Jedi are capable of much more physically than just swinging lightsabers.

It was nice that they went back to Asajj Ventress for this episode. It would, after all, wind up being the penultimate episode aired on Cartoon Network. The show wasn’t near its true ending, but an ending of sorts was approaching…

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Rob Watches Boba Fett – Staying in Your Lane

The Book of Boba Fett, characters posterSERIES: The Book of Boba Fett
EPISODE:
S1:E6. “Chapter 7: In the Name of Honor”
STARRING:
Temuera Morrison, Ming-Na Wen, Pedro Pascal, Amy Sedaris, David Pasquesi
WRITERS:
Jon Favreau
DIRECTOR: Robert Rodriguez
PREMIERE DATE:
February 9, 2022
SYNOPSIS:
Boba Fett and his forces collide with the Pyke Syndicate.

By Rob Siebert
Fanboy Wonder

After Luke’s ultimatum in the previous episode, Grogu abandons his Jedi training, and elects to return to Din Djarin’s side. Ironic, isn’t it? Luke made a similar decision with Yoda in The Empire Strikes Back.

And thus, Luke’s first student winds up ditching him. Not a great start to a Jedi Academy that will ultimately meet a tragic end…

Boba Fett agrees to stop the spice (a drug in the Star Wars universe) from flowing through Tatooine to get the villagers of Freetown to fight for him. This, despite the fact that spice trade makes up a huge portion of his business. This, plus the fact that he and his crew are essentially defending Mos Espa from the bad guys, make Boba Fett seem much more like a Robin Hood figure than a crime lord. I’m not sure how I feel about that. Is that really the Boba Fett that people want to see?

I appreciate that Mando doesn’t look graceful or polished at all in his use of the Darksaber. It makes sense. He’s not a swordsman. So he should look like an amateur.

Boba Fett riding a rancor seems like the kind of thing a fanboy saw in a wet dream. Granted, it was pretty awesome. But still.

THE BOOK OF BOBA FETT

It’s a little surprising that they killed off Cad Bane. Granted, this is Star Wars. People in this universe can survive being cut in half and dropped down a pit. So there’s no hard and fast rule that says he can’t come back at some point. But this felt like it had a measure of finality to it. A fitting end for the character.

The fact that the episode and the season end not with a shot of Boba Fett, but Mando and Grogu, pretty much says it all. They wound up being what people cared about, not Fett.

Temuera Morrison has said that, in a second season, he’d like to see Boba Fett go after Mace Windu for killing his father. Eh…no thanks. It might be cool to see Samuel L. Jackson as Mace Windu again. But not in that context. I’m content to let him stay dead.

All in all, it seems like The Book of Boba Fett, the first season at least, will be remembered as a series that couldn’t support itself from a storytelling perspective. Thus, the need to borrow elements from The Mandalorian. It was awesome to see all that stuff. But it belonged in season three of Mando’s show, not Boba Fett’s show.

That’s not to say Mando had no business being there at all. He could have, say, come in at the end of episode six as a hook for the finale. That way we still get those scenes of Fett and Mando fighting off the Pykes together. But devoting two full episodes to him? To call that pulling focus is a gross understatement.

I guess sometimes you just need to stay in your lane…

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

The Rise of Skywalker Novelization Review – Rey Edition

***I just recently finished the Rise of Skywalker novelization by Rae Carson. Naturally, as the “Expanded Edition,” it’s intended to supplement the events of the film and hopefully fill some of those gaping plotholes. Naturally as a Star Wars geek, I’ve got opinions. Too many to fit into a single review. Thus, welcome to the third of my multi-part Rise of Skywalker novelization review!***

By Rob Siebert
A.K.A. Rob Skywalker

1. Force-Healing Powers.
Why did everybody get so bent out of shape about Rey’s Force-healing powers? Forget the fact that if you’re into Star Wars lore, you already know there were Jedi healers. But let’s say you’re not, and you’re still upset…

So the Force is a mystical energy field that binds the galaxy together, and the Jedi have access to it. What does that mean? For story purposes, it can mean whatever you want it to mean.

In the original film, it meant Obi-Wan could control people’s minds and make Stormtroopers hear things that weren’t really there. It also meant Luke could see through solid objects, hear Obi-Wan’s voice in his head, and move a proton torpedo with his mind.

Then in Empire, it also meant Luke could jump really high to avoid being frozen in carbonite, and that Darth Vader could stop blaster bolts with his hand.

In Return of the Jedi, it meant that if you were a bad guy, you could shoot lightning out of your fingers.

In The Phantom Menace, Qui-Gon and Obi-Wan could run super-fast like the Flash.

In The Last Jedi, it meant Luke could essentially project a hologram of himself across the galaxy. Oh, and that Snoke could link Kylo Ren’s mind with Rey’s.

Now in this movie it means Rey can heal a serpent monster, and Ben can save Rey’s life.

Folks, I know a lot of Expanded Universe stuff has been written about the Force, Jedi powers, etc. But at the end of the day, George Lucas was making this stuff up as he went along. He didn’t bend the rules of reality too far, but he used it to suit the story’s needs.

So if Force-healing has always been a thing, why didn’t Luke use it to save Vader’s life? Why didn’t Obi-Wan use it to save Qui-Gon’s? I don’t know. I just know they didn’t. That’s enough for me.

2. Rey Fixed Luke’s X-Wing
Okay, so healing someone with your magic powers? I’m okay with that. But fixing a spaceship that’s been underwater for years and is missing a wing? That’s where I draw the line, damn it!

In the movie when Luke raises his X-Wing out of the water on Ahch-To, it seems like it’s primed and set. As if he’s somehow been fixing it underwater in a translucent scuba suit or something. The book gives us further details. They don’t make the notion that Rey flew Luke Skywalker’s X-Wing into the unknown regions of space any less silly. But I’m glad they’re there.

On page 200 (of the original hardcover edition), we learn Rey didn’t just have to patch the wing that was serving as the door to Luke’s hut. She also had to use parts from Kylo Ren’s Tie Whisper, which she’d just set ablaze, and do a bunch of rewiring. The ship, might never fight againBut it was still fighter class, and its transition from vacuum to atmo was seamless.

Of course it was.

A little Wookiepedia research tells me that, assuming Luke went into exile soon after Ben destroyed his temple, that X-Wing was probably down there about six years. Jedi or not, plop my dirty Honda Civic in the ocean for six years and see how quickly you can get it running. Just sayin…

3. “Be With Me”
Like the movie, the book doesn’t specify who exactly is talking to Rey as all the Jedi of the past are rooting her on. It’s better that way, of course. After all, how would Rey know what Qui-Gon Jinn, Mace Windu, or Anakin Skywalker sound like? The only obvious tell is Yoda based on his speech patterns. And of course, she recognizes Luke.

There’s also an interesting line in here about not all these voices necessarily coming from beyond the grave…

Presences filled her awareness, some recent, some ancient, some still anchored to the living in a strange way. Rey didn’t understand. But she accepted.

I assume that’s in there not just to keep Ashoka Tano’s fate a secret, but because certain Force sensitives around the galaxy could feel what was happening and were cheering Rey on. Even if they weren’t quite aware they were doing it. “Broom boy” from The Last Jedi comes to mind. And of course there’s Finn.

4. The Lars Homestead; “Rey Skywalker”
Upon second viewing, the movie is better at covering Rey’s exploration of the Lars Homestead than I remembered. We get a lot of familiar shots, only these places are now partially buried in sand. Probably stripped for parts too.

The implication, at least the way I interpreted it, was that Rey would now be the one to train a new generation of Jedi. She’d do it from the Lars Homestead, where Luke’s journey began, and where Anakin also had strong ties.

As it turns out, that’s not the case. At the end of the book, she and BB-8 get back in the Falcon and fly off. Presumably back to Ajan Kloss.

That’s disappointing. Yes, I’m sure different Empire/First Order survivors or sympathizers across the galaxy know where Anakin and Luke were born. They’re likely more than capable of following their trail back to Tatooine.

But in terms of closing the book on the so-called “Skywalker saga,” it’s poetic not just to see it end where it began. But to see it begin there again. I understand why they closed the movie with the image of Rey and BB-8. But in terms of the book going with the whole “alone with friends” theme might have been better. Sure, BB-8 is there. But we’ve also got C-3PO to help translate old Jedi texts. R2-D2 to do astromech droid stuff, and provide anecdotes from his days with both Anakin and Luke. Then there’s Finn. Rey’s first student.

Finally, the book gives us a brief moment where Luke, as he and Leia’s spiritual presences look on at Rey, grants her permission to use his family name.

It’s yours, Rey.

And so we reach an ending. But every ending is also a beginning.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Toy Chest Theater: Star Wars by Marcel Eisele

By Rob Siebert
Fanboy Wonder

“Holy sh*t, this guy’s good!”

Did I say those words out loud when I saw Marcel Eisele’s images for the first time? No. But it almost happened. That’s got to count for something.

I’ve selected aside six shots for display, and narrowing the field was not easy. I opted to stick to Star Wars stuff, as that’s the arena he spends most of his time in. But on Eisele’s Instagram page, you’ll also see characters from Marvel, Planet of the Apes, The Walking Dead, IT, among others. Honestly, some shots were downright painful to leave out. So don’t be surprised if you see him in this space again down the road…

What I find so amazing about Eisele’s work is that he’s able to do so much with so little. Or at least what seems like so little. Take this shot of Mace Windu. It’s really just a tight shot with a lighting effect. But given the face sculpt, and Eisele using just the right amount of lighting to keep half the figure’s face in the shadow, the end result has so much gravity. Imagine walking into this guy on the dark end of the street. Yeesh. A little bit of pee just came out.

In a write-up done by BanthaSkull.com about a year ago, Eisele mentions taking a lot of shots in his backyard. I can only assume that’s where this was taken. It’s tough to go wrong with a silhouette. Don’t discount the timing element here. It feels like sunsets go by really fast when you’re trying to beat the clock.

Again, seemingly very simple. What we have here is basically a superhero shot of Luke on Ahch-To. You get the right angle, and the cape and the background do most of the work. But what is the right angle? How far back go you go? How much of the terrain do you show? How do you nail the figure’s positioning? Somehow, Eisele answered all these questions correctly. Because what he gave us here is damn near iconic.

Here’s one that hits you right in the damn feels. We never did get to see Luke and Han on screen together one last time. It might have a Grumpy Old Men vibe to it. But who cares? It’s Luke and Han.

Eisele also does some customization, as is the case with these next two shots. I appreciate this one because it sneaks up on you. When you’re scrolling by, it’s easy to assume that’s Luke behind Rey. But when you actually look at it, you’re surprised to see it’s an alt-universe Han Solo. Rocking the Jedi Master beard, no less.

Then there’s this last one, which I absolutely love the imagination behind. A custom-made “Dark Side Obi-Wan Kenobi.” There’s also a shot of this figure with a red lightsaber, thus unofficially classifying him as an evil Sith. But I like this image better, as I’m not in love with the idea of an evil Obi-Wan. By not drawing focus with the lightsaber, this pic allows us to take in all the differences between this character and the one we knew from A New Hope. The bald head, the longer beard, the bare feet, the tattered and dirty robes. I like to imagine this figure as Obi-Wan from a darker timeline, as opposed to being on the dark side himself. Perhaps not Old Ben Kenobi, but Older Ben Kenobi.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.