Tag Archives: Luke Ross

Weekly Comic 100s: TMNT, Star Wars, Batman Annual

*”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Nothing too in-depth here. Just straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Teenage Mutant Ninja Turtles #99
AUTHORS:
Kevin Eastman, Bobby Curnow, Tom Waltz
ARTISTS:
Dave Wachter, Ronda Pattison (Colorist),
RELEASED:
 October 30, 2019

This damn thing cost $7.99. I’ve been following this main TMNT series since the beginning. But damn. That hurts.

But devil’s advocate: They jam a lot in here. Dozens of heroes and villains battle, with the fate of New York City at stake. Not to mention the lives of various mutants, and even children.

It all culminates in…well, I can’t say I knew for sure they were going in this direction. But after issue #50, I had a pretty good feeling a certain character would be on his way back by now.

TITLE: Star Wars: Allegiance #4
AUTHOR: Ethan Sacks
ARTISTS: Luke Ross, Lee Loughrige (Colorist), Clayton Cowles (Letterer). Cover by Marco Checchetto.
RELEASED: October 30, 2019

Again, no Kylo Ren in this issue. Not even a closing shot of him in the last few pages. Lame. Sauce.

On the way to The Rise of Skywalker, Allegiance basically tells us two things: What the Resistance has been doing since the Battle of Crait, and how they obtained some of the resources they’ll undoubtedly have in the movie. It’s not the most fun Star Wars book you’ll ever read, and I doubt it’ll hold up to repeat readings. But as a little appetizer for the release of Episode IX, it works fine.

TITLE: Batman Annual #4
AUTHOR: Tom King
ARTISTS: Jorge Fornes, Mike Norton, Dave Stewart (Colorist), Clayton Cowles (Letterer)
RELEASED: October 30, 2019

This issue quick-fires a bunch of mini-stories at us, narrated via Alfred’s journal. “Everyday” moves day by day from April 7 to April 24.

I’d like to think these are a bunch of cooky ideas Tom King had while brainstorming for his Batman run, but couldn’t squeeze in. Based on what we’ve seen, some of these ideas really feel like his. Batman fights a dragon, takes on an MMA fighter for charity, solves a whodunnit, etc.

Mike Norton tags in for Jorge Fornes for several pages. So we got from a David Mazzuchelli, Year One-ish look to something more akin to Michael Lark.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

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Weekly Comic 100s: Star Wars Stuff, Batman/Superman,

*”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Nothing too in-depth here. Just straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

Tacked an extra one down on the end here. The most recent issue of Superman. But of course, in the spirit of the Rise of Skywalker hype, we begin with Allegiance

TITLE: Star Wars: Allegiance #3
AUTHOR: Ethan Sacks
ARTISTS:
Luke Ross, Lee Loughridge (Colorist), Clayton Cowles (Letterer). Cover by Marco Checchetto.
RELEASED:
October 23, 2019

Leia, Rey, and some of the Resistance are still on Mon Cala in this issue. Because it’s largely an underwater planet, Leia has to wear the equivalent of a scuba suit. Imagining an older Carrie Fisher in an outfit like that is…weird.

The “B story” in Allegiance has been about Finn, Poe, and BB-8 stealing weapons for the Resistance. Sacks writes their chemistry very well. Well enough, in fact, that I felt a pang of sadness that they didn’t end up being romantically involved. Yeah, I was on that team.

No Kylo Ren in this issue. Bummer.

TITLE: Star Wars #73
AUTHOR: Greg Pak
ARTISTS: Phil Noto, Clayton Cowles (Letterer)
RELEASED: October 16, 2019

This volume of Star Wars is going out strong as we head toward its issue #75 finale. Greg Pak knows how to weave the multi-strand rip-roaring adventure, as all of our main heroes fight for their lives.

But for yours truly, the star of this “Rebels and Rogues” storyline has been Phil Noto. He’s been one of my favorite Star Wars artists dating back to the build-up to The Force Awakens. His “sketchy” style is a lot of fun, and he nails all the likenesses. As far as I’m concerned, he’s welcome in this galaxy any time.

TITLE: Batman/Superman #3
AUTHOR: Joshua Williamson
ARTISTS: David Marquez, Alejandro Sanchez (Colorist), John J. Hill (Letterer)
RELEASED: October 23, 2019

Unlike many, I’m not really into the Batman Who Laughs, or much of the Metal stuff. But the premise of that character “infecting” six characters across the DCU, and our two heroes having to solve the mystery of who they are was enough to draw me in.

But the way Williamson has executed it thus far, it’s not so much a mystery as it is them happening upon each victim. It’s still a cool idea. I just wish they’d dig a little deeper into it. On the upside, it’s great to see Marquez drawing the World’s Finest.

TITLE: Action Comics #1016
AUTHOR: Brian Michael Bendis
ARTISTS: Szymon Kudranski, Brad Anderson (Colorist), Dave Sharpe (Letterer). Cover by Jamal Campbell.
RELEASED: October 23, 2019

I absolutely adore the framing device for this issue. A Daily Planet reporter does man-on-the-street interviews to recap a fight between Superman and the Red Cloud. Bendis is as good as almost anyone at playing up the journalism element in Superman’s world.

A Szymon Kudranski comic that’s this colorful takes some getting used to. There’s nothing wrong with it. But his M.O. is typically on the dark and gritty side. Type his name into Google Images. You’ll see what I mean.

TITLE: Superman #16
AUTHOR: Brian Michael Bendis
ARTISTS:
David LaFuente, Paul Mounts (Colorist), Dave Sharpe (Letterer). Cover by Ivan Reis.
RELEASED:
October 9, 2019

I’m not sure I’ve ever seen Superman look quite so…blocky. I know LaFuente’s style is more on the cartoonish side, and generally I like what he turns in. But the Superman we see here looks more like a Superman action figure than the Man of Steel himself.

This issue gives us the inevitable reunion between Superboy and Robin after Jon Kent’s trip into space, which aged him a few years older than Damian. Bendis gives us what you’d hope to see here. The initial awkwardness, some hijinks and a feel-good exit. A strong issue, blockiness notwithstanding.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: Spider-Man #2, Batman #81

*”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Nothing too in-depth here. Just straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Spider-Man #2
AUTHORS:
J.J. Abrams, Henry Abrams
ARTISTS:
Sara Pichelli, Elisabetta D’Amico (Inking Assistant), Dave Stewart (Colorist), Joe Caramagna (Letterer). Cover by Olivier Coipel and Dave Stewart. 
RELEASED:
October 16, 2019

Whether you like this J.J. Abrams stuff or not, I can say his name value got me to buy a Spider-Man comic again.

Ben Parker got into this dad’s old costume pretty quickly. But I buy his motivation: He does it to impress a girl. I mean, c’mon! He’s a ninth grade boy. That’s usually about as complex as their motivations get.

Sara Pichelli continues to turn in not just awesome art, but art that’s distinctly different from her work on Miles Morales. Needless to say, she’s become one of the definitive Spider-Man artists of this era.

TITLE: Batman #81
AUTHOR:
Tom King
ARTISTS:
John Romita Jr (Penciller), Klaus Janson (Inker), Tomeu Morey (Colorist), Clayton Cowles (Letterer) Mitch Gerads (Co-Penciller, Co-Inker, Co-Colorist)
RELEASED:
October 16, 2019

I’m not the world’s biggest Tony Daniel fan. But the switch from his art to John Romita Jr’s has been jarring.  The look and texture of the story has changed halfway through. That’s rarely a good thing.

When Tom King tries to pull the “Batman had a plan all along” card, my initial was, “I don’t buy it.” Also, King makes the Flashpoint Batman’s fighting prowess so exceptional it almost becomes cartoonish. Especially with how it’s executed.  Maybe these opinions will change once the story ends, or I have more time to absorb it. But for now, they’re losin’ me…

TITLE: Star Wars: Allegiance #2
AUTHOR: Ethan Sacks
ARTISTS: Luke Ross, Lee Loughridge (Colorist), Clayton Cowles (Letterer). Cover by Marco Checchetto
RELEASED: October 16, 2019

I’m finding myself wanting more Kylo Ren in this book. Especially after reading that Snoke one-shot they put out a few weeks ago, where the two characters go to Dagobah. Still, I understand why they might not be able to do that, as we’re obviously building to the movie. We do, however, get to spend some quality time with Rey, which is nice.

We learn in this issue that Admiral Ackbar has a son, but only met him once because “his focus was elsewhere.” Apparently the only good dad in the galaxy was Bail Organa…

TITLE: Something is Killing the Children #2
AUTHOR: James Tynion IV
ARTISTS: Werther Dell-Edera, Miquel Muerto (Colorist), Andworld Design (Inks)
RELEASED: October 16, 2019

I’m digging this book so far. Attention-grabbing title aside, Tynion, Dell-Edera, and the rest of this team have started a great horror-mystery. It’s got kind of a Stephen King/YA novel/Twilight Zone feel to it.

As the mystery of this supernatural child-devouring menace unfolds, the book manages to entice the hell out of you with how gorgeously grotesque some of these things are. The intrigue there, along with our likable female anti-hero, makes it easy to come back for more.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

An X-Men Gold, Vol. 2 Review – Old Flames Reignited

TITLE: X-Men Gold, Vol. 2: Evil Empires
AUTHOR: Marc Guggenheim
PENCILLER: Ken Lashley, Lan Medina, Luke Ross
COLLECTS: X-Men Gold #712
FORMAT: Softcover
PUBLISHER: Marvel
PRICE: $17.99
RELEASED: November 15, 2017

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

X-Men Gold is a feel-good book in a lot of ways. It’s got a warm, fuzzy, nostalgic feel to it while still having its feet planted in the modern era. That was the case in the first volume, and it continues here in the second.

Evil Empires sees our heroes face a mutant serial killer, Congress, and Russian gangsters backed up by Omega Red. That’s variety for you. All the while, romances old and new start to blossom. Rachel Grey discovers Kurt Wagner/Nightcrawler’s feelings for her, as Kitty and Peter slowly move closer to resurrecting their relationship. Plus, what secrets lay in the journey that the alien Kologoth took to Earth? We saw him work with the Brotherhood of Evil Mutants. But where does he go from here?

Kitty and Peter are the emotional core of Evil Empires as a reunion between the two becomes more and more tempting. It’s so obvious where they’re going that the romantic scenes between the two lose some of their edge. But there’s an obvious feel-good quality to it, considering these two have grown up together. That they joined the team so young and are now in leadership roles makes the book feel like the natural continuation of the X-Men legacy.

Kitty herself is the personification of that idea. In the span of a few issues, we see her delegate tasks for her team during a crisis, go one-on-one with a mutant serial killer in the school, and testify before Congress against an act that would deport all mutants. Not half bad. It also doesn’t hurt that Ken Lashley drew a hell of a fight scene in issue #8, with a sword-wielding Pryde facing our serial killer. Great dim lighting in that scene too, which is a credit to tremendous coloring by Frank Martin and Andrew Crossley.

Our killer is a new version of the X-Cutioner. He’s more or less a S.W.A.T. guy with a LOT of extra toys. But he’s got a fairly sympathetic backstory, and we find out he’s got a pretty good reason to dislike mutants. He’s simply taken it too far. The way Guggenheim writes his confrontation with Kitty is a great snapshot of the world the X-Men live in. The stigma that mutants live with isn’t always the result of blind prejudice. That doesn’t make it right and it doesn’t justify violence. But it’s not always as simple as people being afraid of people that are different.

Full disclosure: I know next to nothing about Rachel’s relationship with Kurt prior to X-Men Gold. But there’s a shy sweetness to it that’s, dare I say, cute. They approach the idea of being together with reasonable caution, but there’s obviously a good amount of chemistry there. Rachel and Kurt hardly have the spotlight in this book, but what we get is enough to make you want more. 

So we’ve got iconic and interesting characters who have a cozy, family-like dynamic with one another. We see them on the baseball field when we open the book, and then later playing cards. Again, it’s kind of cute. The problem is once we get past issue #9, we lose a lot of intrigue. Issues #10 and #11 are about Russian gangsters trying to resurrect Omega Red, using Peter’s sister Illyana (a.k.a. Magik) as a power source. Outside of the novelty of seeing Omega Red and Illyana, for the most part there’s not much to sink your teeth into.

I remember skipping out on issue #12 when I saw it at my local comic shop. The exploration of Kologoth’s backstory and this whole alien world felt like a sharp turn, despite a brief set-up for it early on. It’s all meant to pay off in later issues (#16 and #17 specifically). But for the time being I was struggling to care, and as such the book ends on a whimper.

All that being said, the book is very well illustrated. The art actually holds the book up in the second half as its story deteriorates. Ken Lashley is our cover artist, and does the pencils and inks for issues #7-9. Lashley excels in giving his work a sense of motion, which is why his fight sequences work so well. And not just the one with the X-Cutioner. Whiplash (see Iron Man 2) crashes Kitty’s appearance in front of Congress, which causes a brief but intense fight. He also gives us a pretty cool layout with Nightcrawler in issue #7 (shown left).

We shift to Chris Medina’s more detailed style for issues #10 and #11. While I was hardly enamored with the story about Peter’s uncle, Medina did give him a very distinct face. During his scenes you feel like you’re looking at a real person. The quieter, more intimate moments between Kitty and Peter also mean a bit more with Medina at the pencil. His style offers them a little more heart.

Luke Ross gets tagged in for issue #12. I’ll say this much: He draws a hell of a reptilian alien in Kologoth. Really nice texture on the skin and teeth, plus the ominous red eyes.  So little about the issue is memorable. But Ross’ rendering of the monster itself stands out. Frank Martin goes solo on the colors here, and gets to play with a pretty expansive palette. Especially early on, when we get a look at Kologoth’s home world.

X-Men Gold, Vol. 2 underperforms in its second volume, despite delivering some solid character work and good action early on. But as a reader, it still has my attention. There’s still a lot of value in this back to basics approach, and a great stories than can still be told.

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