***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***
Eight dollars for Wolverine #1.
This is the latest volume, mind you. We’re not talking about something historic or particularly significant. This is simply the latest adventure of everybody’s favorite clawed Canadian.
Why eight dollars? Because it’s just a thing Marvel does with a good percentage of its #1 issues. And readers are, for reasons I will never comprehend, willing to fork that money down.
Well, not ALL of them. I was happy to leave that one on the shelf, bub. If Marvel is going to give me the finger, I’m willing to give it right back to them. I just wish others were willing to say no.
If I’m going to put down eight bucks for a Wolverine comic Hugh Jackman better be leaping off the damn page singing Greatest Showman songs as he’s taking out my garbage.
TITLE: Batman #89
AUTHOR: James Tynion IV
ARTISTS: Guillem March, Danny Miki, Carlo Pagulayan, Tomeu Morey (Colorist), Clayton Cowles (Letterer). Variant cover by Francesco Mattina.
RELEASED: February 19, 2020
In essence what we’re getting here is a follow-up to Death of the Family. Definitely a hell of a way to start Tynion’s run. But Scott Snyder, Greg Capullo, and that whole crew did a masterful job of putting that genie back in the bottle. How do you do that again? Or do you?
There’s a panel in this issue where Lucius Fox refers to the Joker, the Riddler, and the Penguin as members of Batman’s “Classic Rogues Gallery.” *thud* Yeesh. Did somebody from marketing slip that in?
Loving the perspective on this variant cover.
TITLE: Teenage Mutant Ninja Turtles #103
AUTHORS: Kevin Eastman (Consultant), Tom Waltz (Consultant), Sophie Campbell (Script)
ARTISTS: Campbell. Ronda Pattison (Colorist). Shawn Lee (Letterer). Variant cover by Eastman.
RELEASED: February 19, 2020
Quite the emotional issue this month. They really try to yank at our heartstrings.
I came away from this issue thinking about Sophie Campbell. She turned in a highly impactful script, and her drawing the issue obviously allows her to accentuate and emphasize certain things.
Campbell also does a tremendous job getting the Turtles to emote, sometimes without any dialogue to support her art. Case in point: The Raphael/Jennika argument. Look at the anger in Raph’s bulging eyes and clenched teeth, or the quiet defiance from Jennika.
Um, are they giving Michelangelo depression? If so, that’s…really cool, actually.
I’m not in love with this book. The texture of the art is “sketchier” than I tend to like. But the haunted small-town setting keeps me coming back. I’m finding myself wanting to meet more people from the aptly yet ridiculously named Shudder-to-Think, Pennsylvania.
For instance, we meet a thousand-year-old witch in this issue. But she has the body of a young girl. Then we unpack the revelation from issue #1, and things get really weird.
In this case, weird is good.
It’s James Bond meets Doctor Who. I can’t tell you how without spoiling the issue. But you’ll get it.
BANG! is apparently connected to one of Matt Kindt’s previous works, Revolver. I’ve heard of it, but never read it. How it’s connected to BANG! isn’t immediately apparent. But it’s perfectly accessible on its own.
Like The Low Low Woods, I didn’t expect this story to hook me the way it has. As is often the case, issue #2 will be the clincher.
TITLE: Go Go Power Rangers #29
AUTHORS: Ryan Parrott, Sina Grace
ARTISTS: Francesco Mortarino, Raul Angulo (Co-Colorist), Eleonora Bruni (Co-Colorist), Ed Dukeshire (Letterer). Cover by Eleonora Carlini.
RELEASED: February 12, 2020
There’s an opening battle sequence in this issue where Tommy, who is now the team leader, freezes up. Jason, the former leader, quickly yet briefly steps back into his old role. I like that. By this point, Tommy had been in positions to lead. But he’d never been the leader. There should be some growing pains there.
Jason also has a conversation with Zordon that I’ve wanted to see for over two damn decades. They talk about why Jason was replaced as leader, and whether or not he wants the job back. Some great character work in this one.
You’ll never hear me complain about Burnham and Shoening doing more Ghostbusters comics. Ever.
While I wouldn’t count this issue among their best work, there is one bit that I love. We’re looking at Winston’s first year on the job, and he only gets a few minutes of training, shooting a single proton stream before he’s shoved on to a job. That’s perfect. Despite the Ghostbusters being established and experienced, Winston still gets the same seat-of-his-pants training they did. It obviously lends itself to this being a comedy at heart.
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