Posted in Comic Books/Graphic Novels, Micro-Reviews

A Superman ’78 #4 Micro-Review – The Superman III That Could Have Been…

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

Superman 78 cover, 2021, Brad WalkerTITLE: Superman ’78 #4

AUTHOR: Robert Venditti
ARTISTS: Wilfredo Torres, Jordie Bellaire (Colorist), Dave Lanphear (Letterer). Cover by Brad Walker & Nathan Fairbairn.

RELEASED: November 23, 2021

Superman ’78 feels very much in line with Superman II. Specifically, the Richard Donner cut. In both stories, Clark gets a taste of a different sort of life. In the movie, it’s life without super powers. Here, it’s life as a member of a Kryptonian society. In that sense, Venditti’s script offers us a great consistency.

Take that, along with Torres’ excellent renderings of the characters, and Venditti’s spot-on takes on Lois Lane and Lex Luthor, and Superman ’78 feels like it could have been Superman III. All things considered, that’s probably the best compliment it can receive.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Comic Books/Graphic Novels, Micro-Reviews

A Superman ’78 #3 Micro-Review – Margot’s Moment

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

Superman 78 3, cover, 2021, Amy ReederTITLE: Superman ’78 #3
AUTHOR: Robert Venditti
ARTISTS: Wilfredo Torres, Jordie Bellaire (Colorist), Dave Lanphear (Letterer). Cover by Amy Reeder.
RELEASED: November 2, 2021

I came away from this issue thinking not about Jor-El and Lara (as you’d think based on the cover), but Margot Kidder and Lois Lane. Venditti and Torres do Kidder’s portrayal of the character a lot of justice in this issue, and deliver writing and art perfectly in line with her performance. It’s the best of Superman ’78 thus far.

I can’t decide if I want this book to line up with special effects from the ’70s or the modern era. I’m inclined to say the ’70s, but this issue seems to present both.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Television

Superman & Lois, “Haywire” Review

SERIES: Superman & Lois
TITLE: S1:E4 – “Haywire”
STARRING: Tyler Hoechlin, Bitsie Tulloch, Jordan Elsass, Alexander Garfin, Dylan Walsh
WRITER: Michael Narducci
DIRECTOR:
James Bamford
ORIGINAL AIR DATE:
March 16, 2021
SYNOPSIS: Lois continues to clash with Morgan Edge. Clark struggles to balance family life with his Superman duties.

By Rob Siebert
Fanboy Wonder

Dylan Walsh plays Lois’ father, General Sam Lane. It wouldn’t shock me to see him kick the bucket at some point. As I recall, he’s died more than once in the comics.

You know what I’d like to see at some point? Flashbacks to Clark and Lois raising Jonathan and Jordan as toddlers. Maybe it’s because I have a toddler myself. I just think it would be interesting to see them in that context.

Bitsie Tulloch is slowly growing on me as Lois Lane. She’s not natural in the role the way someone like Margot Kidder was. But I liked the tenacity she showed in this episode. She’s coming along well.

Shuster Mines. As in Joe Shuster, co-creator of Superman, Lois Lane, etc. I see you, show. I see you.

I’ll say it again: Jonathan is a good brother. He’s starting to really get jealous of Jordan’s success with football. Rightfully so, by the way, given that Jordan has friggin’ super powers. But he’s letting him have it. He’s not making too much of a stink.

So Superman picks up this super-powered kid who’s wigging out, flies him high up in the sky and says, “The air’s thin up here. It’ll help calm you down.” Is that how that works? And is that really what happened? I don’t think so. The kid passed out. Call a spade a spade, Big Blue.

One thing I’m immensely grateful we don’t have in this series? The Superman spit curl. That occurred to me when I saw the shot of Superman rocketing up into the sky. No stupid cartoony spit curl.

There’s a special school for kids with super powers? That wouldn’t happen to be the Teen Titans Academy, would it? Nah. That’d be just a little too awesome…

That attempt at a date by Clark and Lois was really charming, in my book. Establishing romantic chemistry between those two is important. In a lot of ways it’s at the heart of the series. Superman & Lois hasn’t quite got it down yet. But they’re working toward it.

General Lane establishes “Project 7734” at the end of this episode. Long story short, in the comics Project 7734 is a designation for a series of efforts made by Lane and the US military to keep the Earth safe from alien threats. Most notably Kryptonians. It dates back to the New Krypton storyline in the comics from about 10 years ago.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Television

Superman & Lois, “The Perks of Not Being a Wallflower” Review

SERIES: Superman & Lois
TITLE: S1:E3 – “The Perks of Not Being a Wallflower”
STARRING: Tyler Hoechlin, Bitsie Tulloch, Jordan Elsass, Alexander Garfin, Inde Navarrette
WRITER: Brent Fletcher
DIRECTOR:
Gregory Smith
ORIGINAL AIR DATE:
March 9, 2021
SYNOPSIS: Jordan tries out for the football team, while Sarah clashes with Lana.

By Rob Siebert
Fanboy Wonder

Here’s what I liked about that “Kent family plays with paint” sequence: Right after Clark races off to do Superman stuff and everything has stopped, there’s that half-second before we cut to the next scene where Lois goes back to playing with the boys. It sends the message that Clark dashing off is something that happens all the time, and she’s used to it by now even if the boys aren’t.

Three episodes in, and I’m not really feeling social anxiety from Jordan, as the show’s premise suggested. Based on my experience with social phobia, he’s not so much anxious as he is angsty. And that’s more or less any teenager at some point, right?

Tyler Hoechlin is giving off serious dad vibes as Clark. Maybe it’s the hokey, “Aw shucks” nature of the Clark Kent character. But Hoechlin is making it work. 

How much you wanna bet that Lana’s husband, Kyle, becomes a supervillain at some point? Or maybe Sarah? Maybe both?

“Everything you do is a mistake,” said the teenage brat to friggin’ Superman.

When she got attacked during this episode, I was initially inclined to say Lois should carry a weapon of some kind. Then I realized, what better weapon could you have than a direct line to Superman? Sure as hell beats a gun, or a knife, or whatever the hell she could be carrying.

Jonathan is a good brother. That’s refreshing to see. It would be easy to pit the two brothers against each other constantly. But the show makes him a lot like his dad. That’s good writing, in my book.

This was a good parenting episode, and a good episode for Lana in particular. It provided her with some much-needed depth as a quietly suffering wife and mother.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.


Posted in Uncategorized

Superman & Lois, “Heritage” Review

SERIES: Superman & Lois
TITLE: S1:E2 – “Heritage”
STARRING: Tyler Hoechlin, Bitsie Tulloch, Jordan Elsass, Alexander Garfin, Emmanuelle Chriqui
WRITER: Todd Helbing
DIRECTOR:
Lee Toland Krieger
ORIGINAL AIR DATE:
March 2, 2021
SYNOPSIS: As the family adjusts to life in Smallville, Clark teaches Jordan about his Kryptonian heritage.

By Rob Siebert
Fanboy Wonder

I do need to make a correction from last week’s post. The “first” Superman costume from the premiere did not make its debut in The New Frontier (although that’s primarily the work I associate it with). It’s from all the way back in the Max Fleischer Superman cartoons of the ’40s. Whoops. Hey, what do you expect? I’m not Superman, y’know…

Captain Luthor says, “We need to stop Kal-El before he does to this world what he did to mine.” It looks, then, like Captain Luthor is an alternate-universe Lex Luthor. In the comics, the most prominent alt-universe Lex is the one from Crisis on Infinite Earths. Alexander Luthor, as he’s known, is that world’s only hero, fighting against an evil version of the Justice League. Is that what we’ve got here?

There’s a city on Krypton named “Kryptonopolis?” That’s pretty dumb, actually. I wonder where the city of “Earthopolis” would be…?

We see the artificial intelligence Jor-El, played by Angus Macfadyen. I imagine it’s more daunting for an actor to play that role than we imagine. After all, a large portion of the audience associates that role with Marlon friggin’ Brando. No pressure there.

Question: Clark takes Jordan to the Fortress of Solitude to learn about his Kryptonian heritage, but not Jonathan. Why? Odds are Jonathan is manifesting powers too, right? They’re just different than his brother’s. So why sew the seeds for jealousy by taking one brother and not the other? Also, they couldn’t have waited until after school to take Jordan to the fortress? What, are they worried about him missing dinner or something?

I’m finding myself wanting to see more personality from Bitsie Tulloch’s Lois Lane. It feels like she’s missing a certain spunk, or killer instinct. I suppose you can argue this is an older, more subdued version of Lois. But I’m not sure I buy that. Granted, it could also just be Tulloch growing into the role.

So now we’ve had another episode to let this Social Anxiety Disorder thing with Jordan sink in. Much like I’m wishing Lois had a little more spunk, I’m wanting to see Jordan be more socially isolated. After all, he kissed a girl in the show’s very first episode. That’s not to see everyone experiences social anxiety the same way, or that it should be portrayed uniformly. But if you’re going to say the kid has Social Anxiety Disorder, why not really dive in and explore it?

Lana not knowing Clark’s secret takes some getting used to. It’s not necessarily a bad thing. But she’s almost always portrayed as having been in on it since Clark was a teenager. And even having a cunning nature to rival Lois’ at times. Thus far, Superman & Lois has portrayed her more like a ditzy homemaker.

That shot of Superman standing with the American flag in the background was a nice touch. I’m a sucker for cheesy stuff like that. 

Lois quits The Daily Planet after an editor re-writes a story of hers, and joins The Smallville Gazette. I’ve always been a fan of the journalism-oriented side of Superman’s world. So seeing Lois empowering a small community newspaper is pretty cool. I’m also liking the Chrissy Beppo character. Here’s wondering what she and Lois can learn from each other.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Television

Superman & Lois Season Premiere Review – Family Matters

SERIES: Superman & Lois
TITLE: S1:E1 – “Pilot”
STARRING: Tyler Hoechlin, Bitsie Tulloch, Jordan Elsass, Alexander Garfin, Emmanuelle Chriqui
WRITERS: Greg Berlanti, Todd Helbing
DIRECTOR:
Lee Toland Krieger
ORIGINAL AIR DATE:
February 23, 2021

By Rob Siebert
Fanboy Wonder

Looking at the Superman costume they used for his debut in Metropolis, my initial instinct was go shout: “They made it to match his original suit in Action Comics #1!” Because, of course, I’m a huge geek.

That’s not what they did, however. It took me a minute to realize where I’d seen that suit. It was Darwyn Cooke’s DC: The New Frontier. The costume’s vintage look threw me off.

So the kid says to Superman, “Thanks. Cool Costume.” He replies, “Thanks. My mom made it for me.” That line is plucked directly from Jeph Loeb and Tim Sale’s Superman For All Seasons.

This show went out of its way to establish geek cred right away.

Jordan, one of Clark and Lois’ twin sons, has Social Anxiety Disorder. As someone who’s struggled with social anxiety, that hits home for me. I’m sure it hits home for a lot of the people watching a comic-book-inspired TV show like this. From that standpoint, it has the potential to be a very smart move. But as with anything, it’s all about how they execute it…

I’m a staunch Superman defender. But watching this episode’s expository opening sequence, I can understand why some people don’t like him. Especially when he talks about being married to the most famous journalist in the world, raising two teenage boys, and then we see him on TV doing Superman stuff. As he’s presented here he has, in many ways, the perfect American life and family. In that moment, he comes off like the most popular football player in high school who grew up to become president of the United States. Personally, I love that Rockwellian Superman. But I can see the drawback. The hard truth is that when he’s at his truest and best form, Superman isn’t for everybody.

Question: I know that as comic book characters Superman and Lois Lane don’t age. But how old are they supposed to be in this show? Late 30s? Early to mid 40s? For what it’s worth, Tyler Hoechlin is 33 and Bitsie Tulloch is 40. Mrs. Primary Ignition, by the way, thinks that age difference makes them look weird. I’ll admit, it is a little weird. But I imagine that’s one of those things that’ll wear off with time.

After discovering the rocket in the barn, Jonathan (Can we just call him Jon?) and Jordan come right out and accuse Clark of lying.  I like that. Superman supposedly never lies. But as a parent, Clark Kent does. What that says about being parent is up for interpretation.

“Your life falling apart doesn’t mean you’re special. It means you’re human.” That’s a good line from Lois.

Fun fact: Alexander Garfin, who plays Jordan, was the voice of Linus in The Peanuts Movie. Am I weird for thinking that’s kind of perfect, considering Jordan has social anxiety? It matches up with the whole Linus and the blanket thing, right?

On the subject of Jordan, for me it’s always a fine line with how moody and angsty certain teenage characters are. At what point does it cross the line and get too moody or angsty? I don’t think there’s a right or wrong answer to that. It just depends on the character and the story…

Clark Kent’s signature glasses disguise always requires a huge leap in terms of suspending disbelief. It’s comic book science at its least practical. But disbelief really stretches thin when you try to sell us that Clark’s own children didn’t recognize him without his glasses on.

Simply put, when we get to the scene where Clark takes his glasses off and it’s this big revelation, Jonathan and Jordan look like idiots. It’s just that simple.

What are the odds that as the series progresses we get a good twin/bad twin situation? Does one become a superhero, and the other a supervillain, thus tearing the Kent family apart? Seems like the probable way to go…

So the bad guy in this episode turns out to be someone named “Captain Luthor.” I can only assume this isn’t Lex Luthor, as the CWverse Lex is played by Jon Cryer. (Right? It’s been awhile since I’ve been plugged into the CWverse.) But apparently it’s not a Superman show unless you have a bad guy named Luthor. So…cousin? Someone unrelated who adopted the name?

Overall, not a bad premiere. I can’t say I was blown away. But Superman & Lois shows a lot of promise. Tyler Hoechlin was, and is, a great Superman. Possibly the best performance in the role since Christopher Reeve, and I don’t say that lightly.

If you’re into the concept of Clark and Lois as parents, there are two book’s I’d highly recommend. The first is Superman: Lois and Clark (which has nothing to do with the ’90s TV show). The second is Son of Superman by Peter Tomasi and Patrick Gleason, and all the subsequent books in that series. For my money, this series owes a debt to these creators and those titles.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Comic Books/Graphic Novels

Best of Batman & Superman: The Original Switcheroo

***It’s easy to put Batman and Superman against one another, as they’re so different. But those who truly understand them know that the Dark Knight and the Man of Steel are better together! “Best of Batman & Superman” celebrates their best moments as a team!***

TITLE: World’s Finest Comics #77
AUTHOR: Edmond Hamilton
ARTISTS: Curt Swan, Stan Kaye (Inker)
PUBLISHER: DC Comics
ORIGINAL COVER PRICE: 10 cents
RELEASED: 1955

By Rob Siebert
Fanboy Wonder

A few years back I spotlighted a story called “Super/Bat,” in which Batman gains Superman’s powers and the Man of Steel winds up powerless. It’s one of the more obvious stories you can do with these two heroes. But “Super/Bat” was hardly the first time it happened. For that, you’ve got to go back to 1955.

“The Super Bat-Man” is an oddity for this space, as it’s not what I would call a great work. At times it’s hardly even good. But it’s got a winning premise, and there’s some nice creativity on display here. It’s an intriguing “What if…?” story if nothing else.

Once again we’re with Edmond Hamilton and Curt Swan as the evil Professor Pender’s “de-charging ray” robs Superman of his powers. And of course, he’s got a “super-charging ray” that grants someone super powers for a day. Within five pages, Batman is converting the Batmobile into a Supermobile, and turning the Batcave into the Supercave. Silly? Sure. Obvious? Probably. But why the hell not? Also, the guy can’t fly anymore! He’s gonna need a car.

As one might expect from a ’50s comic, this super-powered switcheroo becomes the fodder for campy comedy. Batman may be a martial arts master and the world’s greatest detective, but he apparently doesn’t know his own super strength. Complete with Robin under his arm, his landing in the Batcave shakes not only the cave, but all of Wayne Manor. He also breaks some household stuff. Again, silly and obvious.

There’s also an awkward panel in which Swan seemingly wasn’t sure whether he was drawing a Wayne Manor or a Batcave interior. We wind up with a bizarre backdrop that’s half of each (shown above).

What I appreciate more than anything about this story is the psychological effect it has on both characters. Because of their new situation, they now have to play by different rules, and have completely different mindsets. We see them do things they’d previously never have to do. Case in point: Superman technically has to lie by omission. To stop a pair of goons stealing a fur truck (Just go with it…), he bluffs by simply standing in the middle of the road. The crooks obviously think Superman can “wreck our truck — and maybe ourselves too!” But of course, Superman isn’t wrecking anything in his current state. It’s a clever, if not a little underhanded, way of getting Superman out of a bad situation.

Incidentally, I’m fascinated by how some of these stories treat Lois Lane. She’s portrayed as cunning and clever, which she should be. But Batman, and more notably Superman, either underestimate her or flat out treat her like an idiot. After Superman busts the fur bandits, Lois quite naturally asks him why he’s driving a car. His brilliant response (shown above)? “Just an — er — idea of mine! I’ll explain later! Bye Lois!” Yeah, because that could have worked.

Moving on to Batman, he uses his new powers as an opportunity to build on his image as an agent of terror by going to the next level with his bat iconography! Well…sort of. He uses two big pieces of metal to put out a gigantic fire. But of course, they just happen to be blue and shaped like Batarangs. So if it looks like a bat and flies like a bat…

So how does Superman get his powers back? Comic book science at it’s finest, folks. It turns out Pender’s de-charging ray sprayed fine Kryptonite dust on to Superman’s costume. So a quick costume change, and we’ve got our Man of Steel back. A hastily thrown together solution. But hey, they’ve only got 12 pages. They did what they could with what they had. And for what it’s worth, fine Kryptonite dust isn’t the worst route to take under the circumstances. It’s easy to explain and easy to do away with. Just fine for a short story like this.

I do, however, have to call BS on something Batman says on the final page. Once the day has been saved, he tells Superman he’s not sorry to lose his powers, as “being a Super-Batman is too much for me!” Nope. Not a chance he says that. Even Silver Age boy scout Batman would recognize how much good he could do with Superman’s abilities. He’d understand the need to let them go, but would quietly wish he could stay super.

The story ends on a really bizarre note, even by ’50s standards. Lois “deduces” that the entire power switcheroo was a hoax, and that our heroes simply switched costumes. No matter how you slice it, that just doesn’t make sense. If Superman and Batman switch costumes, that means Bruce Wayne is walking around without his mask on, and his double-life is over. Or is she saying that Clark was switching back and forth between the Superman costume and the Batsuit? If so…why? Why would he do that? What purpose would that serve?

Lois may be cunning and clever, but even she doesn’t get them all right…

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Comic Books/Graphic Novels

Best of Batman & Superman: The Cruise of a Lifetime

***It’s easy to put Batman and Superman against one another, as they’re so different. But those who truly understand them know that the Dark Knight and the Man of Steel are better together! “Best of Batman & Superman” celebrates their best moments as a team!***

TITLE: Superman #76
AUTHOR: Edmond Hamilton
ARTISTS: Curt Swan, John Fischetti (Inker). Cover by Win Mortimer.
PUBLISHER: DC Comics
ORIGINAL COVER PRICE: 10 cents
RELEASED: 1952

By Rob Siebert
Fanboy Wonder

Published in 1952, Superman #76 is generally considered to be the first “proper” meeting of Batman and Superman. Granted, they’d been appearing on comic book covers together since the 40s. They’d also appeared together with the Justice Society in the pages of All-Star Comics. Batman and Robin had also made guest appearances on The Adventures of Superman radio show. But often, when historians are asked, “When did Batman and Superman meet in the comics?”, they point to this issue.

Put on your writer/editor hat for a moment: You want to have Superman and Batman, the two biggest and most popular superheroes in the world, meet for the “first time.” Where and how does it happen? In Metropolis? Gotham City? During a battle against Lex Luthor? The Joker? How did they discover one another’s identities? Did Superman use his x-ray vision? Did Batman brilliantly deduce that Clark Kent is Superman? There are a litany of possibilities. So what did they go with…?

Superman and Batman met on a cruise ship.

That’s right, folks. They met and even discovered one another’s identities aboard a goddamn cruise ship. What’s more, in it’s own little way, it worked. It was kind of a genius move, actually.

Written by Edmond Hamilton and drawn by Curt Swan, “The Mightiest Team in the World” kicks off with Batman and Robin doing something unthinkable by today’s standards: Taking a vacation. As Dick Grayson prepares to visit relatives upstate, Bruce Wayne is about to take “a real vacation, on a coastal cruise! I’ll just relax and forget crime for a change!”

Clearly pre-Silver Age heroes knew how to balance business and pleasure, as Clark Kent is about to vacation on the same cruise. And wouldn’t you know it, he winds up sharing a room with Bruce Wayne!

Then, via the magical serendipity of fiction, a jewel thief blows up a nearby tanker truck and uses the diversion to make off with a shipment of diamonds. Naturally, our heroes are keen to jump into action. Feigning fatigue, Bruce kills the lights, prompting both men to do their superhero quick-change.

But low and behold, the light from the flames shines through the window, revealing Bruce Wayne to be Batman and Clark Kent as Superman!

I used to balk at what, in hindsight, is a pretty historic moment. But I’ve found the more years go by, the more I soften on it. As a 30-something adult, I’ve actually come to appreciate it quite a bit.

One of the cardinal sins of a Superman/Batman story, for my money, is making one hero look superior to the other. These two men should stand on equal footing. If you can’t manage that, then you shouldn’t be writing the two characters together.

With this issue, the revelation is pure happenstance. We don’t have Superman peeking under Batman’s cowl with his x-ray vision. Batman doesn’t concoct some conniving scheme to discover Clark’s secret. It’s simply fate that they discover one another’s identities by accident in a moment of heroism. In that sense, it’s kind of perfect…

What’s more, they don’t spend a lot of time digesting it or brooding over it. They recognize they still have work to do, and they get to it.

Obviously our villain is meant to be the jewel thief, who has stowed away on the cruise ship. But I’d argue another character is perhaps inadvertently placed in an opposing role: Lois Lane. After seeing Superman and Batman on board the ship, Lois comes aboard looking for the story. Our heroes now have to keep her at bay while searching for the jewel thief.

After giving Clark Kent and Bruce Wayne a sea-sickness alibi, our heroes try pawning Batman off on Lois. The idea is that if Superman pretends to be jealous, “she’d be too occupied for amateur detective work!” But Lois is on to them. She pretends to actually be enamored with the Caped Crusader, which in turn actually does make the Man of Steel jealous.

Considering some of the stories we’d later get in books like Superman’s Girlfriend Lois Lane, it’s not necessarily surprising to see them lean into a jealousy angle between Superman and Lois. But on the other hand, it’s nice to see Lois portrayed as a force to be reckoned with among the heroes. Batman may be the world’s greatest detective, but contrary to what Superman says here, Lois is hardly an amateur detective herself.

C’mon Superman. It’s not amateur detective work. It’s called investigative journalism.

One of the classic Superman/Batman tricks is having the two disguise as one another. Superman dresses as Batman, Batman dresses as Superman, etc. Tom King and Clay Mann put a nice spin on this trope in Batman not long ago. We see an early version of it here, as after our heroes inevitably catch the bad guy, Bruce Wayne masquerades as Clark Kent while standing next to Superman to throw Lois off the scent of Clark’s true identity.

She gets the last laugh, though. Lois does indeed get a date with a hero by the end of the issue: Robin. (“Isn’t he the cutest little chap?”) How’d they get in touch, as Dick is supposed to be upstate, and we’re long before the age of cell phones? Why, that’s not important…

“The Mightiest Team in the World” is filled to the brim with pre-Silver-Age charm. What’s more, it does right by its characters. Superman and Batman come out of it looking like the world’s finest heroes. Lois Lane stands out as a clever go-getter, and not simply a brainless damsel. Even Robin gets a date by the end. Truly a red letter issue for all parties.

A cruise ship. Who’da thunk it?

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Comic Books/Graphic Novels

Weekly Comic 100s: Go Go Power Rangers Finale, Batman, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

A slightly abbreviated version this week. I wouldn’t expect that to become a trend. As we continue to get back in the swing of things, they’ll get consistently bigger.

TITLE: Go Go Power Rangers #32
AUTHORS: Ryan Parrott, Sina Grace
ARTISTS: Francesco Mortarino, Simona Di Gianfelice (Inking Assist), Raul Angulo (Colorist), Ed Dukeshire (Letterer). Cover by Eleonora Carlini and Angulo.
RELEASED: June 10, 2020

Fracesco Mortarino draws Rocky with a mullet in this issue. That was most certainly not how he looked on the show…

While I’m very sad to see Go Go Power Rangers…uh…go, the series does end on a satisfactory note. We close with Jason, Zack, and Trini giving up their powers to take on a secret mission in space as the Omega Rangers. But it’s less about the original team splitting up, and more about the growth into two teams. It’s like we’ve gained four new Rangers instead of losing three.

TITLE: Batman Secret Files #3
AUTHORS: Vita Ayala, Phillip Kennedy Johnson, Mariko Tamaki, Dan Watters, James Tynion IV.
ARTISTS: Andie Tong, Victor Ibanez, Riley Rossmo, John Paul Leon, Sumit Kumar. Cover by Guillem March and Tomeu Morey.
COLORISTS: Alejandro Sanchez, Jordie Bellaire, Ivan Plascencia, Leon, FCO Plascencia
LETTERERS: Rob Leigh, Troy Peteri, Tom Napolitano, Deron Bennett Carlos M. Mangual
RELEASED: June 9, 2020

This issue spotlights the various assassins sent to kill Batman in the latest story in the titular series. Obviously this includes Deathstroke. Batman scribe James Tynion IV gives us a story about the Joker pitching Slade a plan that will presumably come to pass in the upcoming Joker War story.

From an overall quality standpoint, the story about Mr. Teeth is probably leading the pack, followed by a story featuring Merlyn and Green Arrow. All in all, some great character spotlights make this an issue that’s definitely worth picking up.

TITLE: Something is Killing the Children #7
AUTHOR: James Tynion IV
ARTISTS: Werther Dell’Edera, Miquel Muerto (Colorist), Andworld Design (Letters)
RELEASED:
June 10, 2020

Tynion is slowly peeling back the layers in terms of what the monsters are, and who this group fighting against them is.

For instance, in this book we learn Erica Slaughter belongs to the “Slaughter House,” and that there’s some kind of hierarchy to it. But of course, we don’t find out what that is or how it works. The approach is effective.

We also get an important bit of info as to why Erica kept young James at her side in the first story. It doesn’t paint her in the best light. But it does make sense.

TITLE: Lois Lane #11
AUTHOR:
Greg Rucka
ARTISTS: Mike Perkins, Andy Troy (Colorist), Simon Bowland (Letterer)
RELEASED: June 9, 2020

This thing was disjointed before the COVID interruption. Sadly, things haven’t changed in that regard. I love Greg Rucka, and Mike Perkins gives us some awesome art. But what the hell is going on in this story???

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Comic Books/Graphic Novels

Weekly Comic 100s: Lost on Planet Earth, Justice League, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Lost on Planet…Wait…This is Earth, Right?

A special thanks goes out to Superfan Promotions this week for an advance review copy of Lost on Planet Earth #2.

If you’re an independent creator who’d like to have their work spotlighted in “Weekly Comic 100s,” please feel free to reach out to yours truly at PrimaryIgnition@yahoo.com. I’m (almost) always happy to lend a helping hand!

TITLE: Lost on Planet Earth #2
AUTHOR:
Magdalene Visaggio
ARTISTS:
Claudia Aguirre, Zakk Saam (Letterer)
RELEASED:
May 20, 2020

When you take away all the space age dressings, Lost on Planet Earth is about a quarter-life crisis. The concept that translates surprisingly well into this medium. But this book still needs to earn its sci-fi elements. In other words, convince me why this story needed to happen in a space environment. Because thus far it seems rather needless.

On the plus side, despite a touch of overacting, Claudia Aguirre delivers the goods artistically. Lost on Planet Earth is a fun read, despite being a bit of an underachiever thus far.

TITLE: Justice League #44
AUTHOR:
Robert Venditti
ARTISTS: Xermanico, Romulo Fajardo Jr. (Colorist), Tom Napolitano (Letterer). Cover by Francis Manapul.
RELEASED: May 12, 2020

I haven’t looked at Justice League in quite awhile. I tagged out early in Scott Snyder’s run. Don’t @ me.

Venditti’s doing some great work on Superman: Man of Tomorrow, and this issue is very much in the same vein. Things are written and drawn very simply and are easy to digest.

As our team faces mythological beasts released from Tartarus, I was surprised to see John Stewart is now the team leader. I like that. It reminds me of when Brad Meltzer made Black Canary the leader back in the day.

TITLE: Lois Lane #10
AUTHOR: Greg Rucka
ARTISTS: Mike Perkins, Andy Troy (Colorist), Simon Bowland (Letterer)
RELEASED:
May 12, 2020

Christopher Reeve and Margot Kidder got snuck into this issue. Look at the first two-page spread where Montoya talks about the multiverse. They’re near the top. Perkins gives Lois some great facials in this issue as well.

Maybe it’s just been too long since issue #9, but I got lost when they brought the multiverse into things. To the point that I got a little frustrated. I’m waiting to see how Rucka starts to tie things together. But despite my love for him, my enthusiasm is waning.

TITLE: Bruno Sammartino #1
AUTHOR: John E. Crowther
ARTISTS:
Rich Perotta, Vito Potenza (Colorist). Cover by Nathan Smith.
RELEASED:
May 13, 2020

This Patreon-sponsored biography of Bruno Sammartino from Squared Circle Press looks very much like an indie comic. But as a wrestling fan who appreciates was Sammartino meant to the business, I can very much appreciate where this issue’s heart is.

We start during Bruno’s childhood in (*stops to count the syllables*) Pizzoferrato, Italy. I can only assume the book will take us up to his death in 2018.

The amateuer-ish look of this issue would normally be enough to get me to drop it. But the subject matter is strong enough to bring me back for another issue.

TITLE: X-Men #3
AUTHOR:
Jonathan Hickman
ARTISTS:
Leinil Yu, Gerry Alanguilan (Co-Inker), Sunny Gho & Rain Beredo (Colorists), Clayton Cowles (Letterer).
RELEASED: December 4, 2019

This series has a habit of slapping in big text pages filled with exposition. It’s unorthodox and a little off-putting. But I, for one, am just happy the exposition is there to begin with.

Emma Frost has a fantastic issue here. First a really fun little exchange between Jean Grey, then an encounter with a villain who’s more than a little honest about her costume. The art by Yu and the team compliments that moment brilliantly.

The villainous Hordeculture group returns for this issue. They’re botanists and terrorists. God, I love comics.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.