Tag Archives: Lobo

A Justice League of America: Rebirth #1 Review – What’s Our Motivation?

Justice League of America: Rebirth #1, 2017, Ivan ReisTITLE: Justice League of America #1
AUTHOR: Steve Orlando
PENCILLER: Ivan Reis
PUBLISHER: DC Comics
PRICE: $2.99
RELEASED: February 8, 2016

By Rob Siebert
Editor, Fanboy Wonder

This book is a little confusing. Historically, when DC has put out an alternate Justice League title, the group typically has a distinct mission or commonality that separates it from the traditional League. For instance, Justice League Dark had an obvious paranormal theme. The 2012 Justice League of America book was about the team serving America’s interests.

This new Justice League of America title is either about giving people “mortal” heroes they can relate to, or giving its team members a chance at a fresh start. Maybe both. The problem is neither of those concepts are sufficiently fleshed out to the point that they make sense. So there’s not enough there to get us invested in our heroes and make us care.

After the events of Justice League vs. Suicide Squad, Batman has recruited former Squad members Killer Frost and Lobo to be part of a new incarnation of the Justice League. He also recruits Black Canary, Vixen, the Ray, and Ryan Choi (protege of the Atom, Ray Palmer). He sets the team up at the Justice League’s original base at Happy Harbor. That’s about it in terms of what this issue gives us. Granted, that’s assuming you haven’t read any of the character one-shots that have come out. But there’s no looming threat, villain, or indicator of what the plot might be going forward. We get a Geoff Johns style page at the end that previews stories to come, but it’s nothing specific. That’s not to say the first issue of every team book needs such things. But without them, this one feels flat.

Justice League of America: Rebirth #1, Killer Frost, Batman, Ivan ReisThere are a few lines in this book about the new JLA not being “gods,” which presumably means they’re not as ultra-powerful as Superman, Wonder Woman, or the Flash. I like that idea. The problem is, this team doesn’t really fit with that M.O. In Justice League vs. Suicide Squad, Batman literally blew Lobo’s head off. He proceeded to grow it back. We also saw Killer Frost use her powers to incapacitate the League’s most powerful members. I’m not very familiar with this version of the Ray, but in the past he’s been virtually invincible. As for Vixen, we’ve seen her fly like a bird, harness the speed of a cheetah, and do any number of things that humans aren’t meant to do. So if the goal is to show people heroes that are “like them,” Batman and Ryan Choi are the only ones on this team who really belong. You can add Canary to the list if you’re a little more liberal about it. But most of these characters would be more than capable of holding their own against a Superman or Wonder Woman.

Then there’s the whole second-chance/rebuild-yourself idea. I understand that approach with Lobo and Killer Frost. He’s a killer and she’s a villain. But Vixen wants more of an image rebranding than anything else.Black Canary is seemingly there just to help supervise. And why exactly do the Ray and Ryan Choi need a fresh start, anyway?

In a first issue like this, there’s nothing wrong with strictly doing team-member introductions like this. But there’s a lack of consistency here that’s frustrating. These characters are all so different, which is a good thing. But when that’s the case, you usually need a strong commonality to justify putting them together. Justice League of America: Rebirth #1 doesn’t give us that. And without an intriguing enemy or opposing force, the premise of the series falls apart before it really begins.

justice-league-of-america_-rebirth #1, group shot, Ivan ReisOn the plus side, the use of the Secret Sanctuary, i.e. the “original” Justice League base in Happy Harbor is a great use of classic DC continuity. We get a nice full-page shot of the inside, showing us it hasn’t been used in some time. Batman calls it “a remnant of a bygone era.” I find that a little funny, considering when the New 52 started, superheroes had only been around for about five or six years. With this “Rebirth” initiative, the timeline is even more vague. So exactly how long ago was this bygone era?

Ivan Reis is no stranger to the Justice League, and he’s always going to turn in quality work. He’s complimented wonderfully here by inkers Joe Prado and Oclair Albert, and colorist Marcelo Maolo. What I found particularly striking here was Reis’ rendering of Vixen. She’s very much the stunning supermodel the story calls for. But Reis also gives her a nice edge. She’s gorgeous, but also hardened. In certain panels you can see that wild, animalistic side lingering behind her eyes. Simply put, it’s one of the best takes on her I’ve ever seen.

It’s just a shame it had to be in this book. Justice League of America: Rebirth #1 needed to hook us. It didn’t. We could have a great series coming our way. But JLA now has to work that much harder to win me back. Because as of now, I have no clue why I should be shelling out money to read it.

Follow Primary Ignition on Twitter @PrimaryIgnition, or at Facebook.com/PrimaryIgnition.

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A Justice League vs. Suicide Squad #1 Review – The 2016 Playbook

Justice League vs. Suicide Squad #1, cover, Jason FabokTITLE: Justice League vs. Suicide Squad #1
AUTHOR: Josh WIlliamson
PENCILLER: Jason Fabok
PUBLISHER: DC Comics
PRICE: $3.99
RELEASED: December 21, 2016

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

It’s fitting that Justice League vs. Suicide Squad is DC’s last big release of the year. This is essentially a snapshot of the Warner Bros/DC movie playbook for 2016. Of course, it’s a also hook for new readers who’ve seen the movies.

And in a very pleasant development, Justice League vs. Suicide Squad is pretty damn good. At least, so far.

When the Justice League learns of Amanda Waller’s Task Force X program, they interrupt a the Suicide Squad’s latest mission to bring them in. Naturally, Deadshot, Harley Quinn, and the team aren’t coming without a fight. Meanwhile, several prisoners have been broken out of the Catacombs, “the most top secret prison in the world.” A threat is emerging that may give the Justice League and the Suicide Squad a mutual enemy.

Justice League vs. Suicide Squad #1, two-page spread, Jason FabokI think one of the reasons this story works so well is that there isn’t an exorbitant amount of exposition to get through. Yes, we have the typical captions that introduce the characters (i.e. “Deadshot. Expert marksman. Has a death wish.” We also have a two-page scene where the League finds out about the Squad, and we go over why they don’t like them. But other than that, we’re mostly doing the business of the plot. It’s easy to understand why these two groups wouldn’t get along. You don’t need all of the build-up and the layers you would for, say, Civil War or Avengers vs. X-Men. The mere knowledge of the Squad’s existence is enough to prompt a fight.

The only downside to that additional time for character moments is that Williamson’s use of Captain Boomerang for comic relief comes off grating. One thing this book hammers home as much as anything is that ol’ Digger is horny as hell. I guess it makes sense, given he’s in prison. Plus, whenever he goes out he’s got the over-sexualized Harley Quinn with him. But he doesn’t need to be Captain Innuendo. We also have a little exchange where Simon Baz asks, “Aren’t boomerangs a little lame?” Not nearly as lame as that line. Way to go, Simon. Antagonize the murderer who Flash just told you was no joke.

Justice League vs. Suicide Squad, team shot, Jason FabokThe larger story Williamson is setting up involves a third team, led by our mystery prison breaker…the returning Maxwell Lord, dressed in his Omac Project and Justice League: Generation Lost era garb. Per usual, Lord is hardly a mustache-twirling villain. He’s out to save the world. What that means exactly remains to be seen. But the team he’s assembled (shown below) consists of Lobo, Dr. Polaris, Emerald Empress, Johnny Sorrow, and Rustam. Certainly an…eclectic crew. But they all have one thing in common: They hate Amanda Waller. Considering how expansive the cast of this book already is, we can’t guarantee all these characters will get a chance to shine. But I can definitely appreciate Williams putting a renewed spotlight on some of the company’s more obscure characters.

Jason Fabok is in top form here. As I’ve said previously, his is art has an undeniably epic quality to it. So he’ll always be a solid fit for big event stories like this, or Darkseid War. I compare him to Jim Lee, Andy Kubert, or Ivan Reis in that sense. He’s very much like Lee in the way he makes use of splash pages and two-page spreads that are either explosive, or have a lot of intrigue. His characters also tend to be very charismatic and expressive. Particularly Harley Quinn, despite the over-sexualization. There’s also a really nice splash page where Superman catches Deadshot in mid-air. Those two characters are such a great contrast. That image almost sells the premise by itself.

Justice League vs. Suicide Squad #1, Jason Fabok, two-page spreadBy the way, the country that the big confrontation takes place in is called Badhnisia. I was blown away when I typed that into the ol’ Google machine, and found out it’s actually a long standing country in the DC Universe. A little on the nose, don’t you think?

Lending a certain subtle consistency with other big DC event comics are Alex Sinclair’s colors. Sinclair has worked on big books like Batman: Hush, Infinite Crisis, Blackest Night, Flashpoint, Justice League: Origin, etc. Sinclair’s work is always quality, and he’s a tremendous asset.

Based on the solicitations, it looks like the artistic teams on this book will fluctuate as the weeks go by. We’ll see names like Fernando Pasarin, Robson Rocha, and Howard Porter tag in. I can’t say I’m looking forward to those transitions, especially given the quality of what Fabok and his cohorts gave us here. But from a plot perspective, Justice League vs. Suicide Squad starts out strong. Now it becomes a matter of telling a compelling story while balancing all these different characters, and not letting it all become a mess.

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