Tag Archives: lightsaber

A Star Wars #15 Review – The Next Chapter

Star Wars #15, 2016TITLE: Star Wars #15
AUTHOR: Jason Aaron
PENCILLER: Mike Mayhew
PUBLISHER: Marvel
PRICE: $3.99
RELEASED: January 20, 2016

***For the last chapter in Obi-Wan’s Journal, check out Star Wars #7.***

By Rob Siebert
Editor, Fanboy Wonder

Mike Mayhew drawing actual characters in the Star Wars universe? Yes please!

Star Wars #15 brings us a new chapter in the journal of Obi-Wan Kenobi. A year has passed since the events of Star Wars #7, and the former Jedi Master continues to look after young Luke Skywalker from afar. When Luke is in a minor flying accident, and his Uncle Owen grounds him (literally), Obi-Wan goes to great lengths to get Luke back in the air. Meanwhile, Jabba the Hutt continues to search for the one who foiled his plans during the drought. Obi-Wan may not stay hidden for long.

Star Wars fans may remember Mike Mayhew as the artist on The Star Wars, the comic book adaptation of one of George Lucas’ early drafts in the ’70s. Mayhew’s photorealistic style is beautiful. He made the characters, who were ultimately never meant to be seen, come to life as if we were somehow watching an alternate version of the original movie. The only major flaw I find in his work is that his characters can go over the top with their expressions, and venture into cartoony territory. We get some of that here. But it almost doesn’t matter, considering how gorgeous things are.

Star Wars #16 (2016), Mike Mayhew, Young Luke SkywalkerFor instance, there’s a panel on page 5 that shows us Luke in the cockpit of his family’s T-16 Skyhopper. The sheer joy on his face, along with the superficial similarities to Mark Hamill in A New Hope, are enough to make you buy this kid as a young Luke Skywalker. As such, you’re immediately draw into the issue. I can’t understate how important this one panel is to the integrity of the entire story. You’re invested in him instantly. And as a bonus, we get a shot of a young Biggs Darklighter.

But just two pages later, things get cartoony in a shot of Owen getting angry with his nephew, and Luke crossing his arms in defiance. It’s an interesting trade off, but the upside makes it worthwhile.

Mayhew’s Obi-Wan Kenobi doesn’t look like Ewan McGregor or Alec Guinness, but still manages to evoke the charm of the former, and the wisdom of the latter. As such, he’s believable. As was the case last time, we only get one lightsaber shot, and it’s used toward the end. This is appreciated, not just because of creators relying too heavily on the lightsaber, but because this issue presents an ample opportunity to utilize it. At about the halfway point, we get a gorgeous two-page spread depicting a fight between Obi-Wan and a bunch of Tusken Raiders. If ever there was a good excuse to whip out the lightsaber, this is it. Instead, our creators show restraint, and show us Obi-Wan doesn’t need the lightsaber to be a formidable opponent. I wish we saw this kind of thing more often. It beats the hell out of the lightsaber frenzy we saw in issue #12.

Star Wars #16, Mike Mayhew, Obi-Wan KenobiI’ve had my share of bones to pick with Jason Aaron’s choices in this series. But these Obi-Wan journal issues have been fantastic. There’s so much potential for great storytelling here. Aaron uses this issue to give us a firsthand look at the dynamic between Obi-Wan and Owen Lars. It’s a fine supplement to A New Hope, and is consistent with what we saw from both characters in the film.

As evidenced by how we close this issue, this won’t be the last time we open the journal. As for Mike Mayhew, here’s hoping he comes back to Star Wars again in the near future. He’s got an entire galaxy left to explore.

Images from author’s collection.

Follow Primary Ignition on Twitter @PrimaryIgnition, or at Facebook.com/PrimaryIgnition/

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A Star Wars: Obi-Wan and Anakin #1 Review – The Lost Years

Star Wars: Obi-Wan & Anakin #1TITLE: Star Wars: Obi-Wan and Anakin #1
AUTHOR: Charles Soule
PENCILLER: Marco Checchetto
PUBLISHER: Marvel
PRICE: $3.99
RELEASED: January 7, 2016

By Rob Siebert
Editor, Fanboy Wonder

I’m not necessarily surprised Marvel chose Obi-Wan & Anakin as their latest Star Wars miniseries. What’s rather curious though, is the time in which it’s set. This story comes to us just a few years after The Phantom Menace, so they’re not tapping in to any of that Clone Wars stuff. There’s a definite downside to that, but the upside might just be worth it.

When we open the issue, Obi-Wan Kenobi and Anakin Skywalker (now presumably about 12) crash land on the planet Carnelian IV. Master and apprentice are responding to a distress signal requesting Jedi aid. But Carnelian IV is a world that was thought to be dead. What exactly have our heroes wandered into…?

While Obi-Wan & Anakin may not have a lot of the stuff that made The Clone Wars or portions of the prequels fun. But it does have the potential to provide. something the prequels sorely lacked: Character depth.

Star Wars: Obi-Wan & Anakin, lightsaberOur opening crawl tells us that both characters have begun to “question their roles in the destiny of The Force.” We later learn that Anakin has apparently talked to Obi-Wan about leaving the Jedi Order. This subject has been touched on, both in Attack of the Clones and the Revenge of the Sith novelization. But this is the first time I’ve seen the subject brought up when Anakin is this young. It’s also the first time I’ve seen it used without any sort of connection to Anakin and Padme’s relationship. That enriches the concept, from where I’m sitting. It shows us Anakin actually has conviction, and his morality doesn’t completely revolve around Padme.

So what would prompt Anakin to abandon his Jedi training at such a young age? If what we see in this issue is any indication, it’s because he’s dissatisfied with the way the Republic and the Jedi Order function. But I wouldn’t be surprised to learn it also has something to do with his mother. He was obviously still thinking about her in Attack of the Clones.

Of course, it’s not an accident that they made a point to focus in on Anakin’s lightsaber (shown above). We even get a flashback to “before,” and see a scene with him practicing with other students. How and if the lightsaber will play into the story, outside of Anakin simply using it, isn’t clear. But I wouldn’t be surprised if it gets more special attention, given the role it played in The Force Awakens.

Star Wars: Obi-Wan & Anakin #1, Marco ChecchettoMarco Checchetto is no stranger to Star Wars, having drawn Shattered Empire. He and colorist Andres Mossa have a knack for creating gorgeous environments, vehicles, settings you very much believe could exist in this universe. The airships in this issue would have been cool even without the big crash (shown right). We don’t often see those kind of craft in Star Wars, and will hopefully see more before the story is over.

But Checchetto can run into trouble when it comes to people. It’s not that his figure work is bad. His characters just seem a bit lifeless on the page at times. They lack a certain energy, which in turn can rob the story of energy.

The success of Obi-Wan & Anakin relies heavily on what it can tell us about the relationship between these two characters that we didn’t know before. You know what else it relies heavily on? Us not seeing Jar Jar. We’re between Episodes I and II here, people. This is Jar Jar territory. We must be cautious…

Images from author’s collection. 

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A Darth Vader #14 Review – Familiar Faces

Darth Vader #14 (2015)TITLE: Darth Vader #14
AUTHOR: Kieron Gillen
PENCILLER: Salvador Larroca. Cover by Mark Brooks.
PUBLISHER: Marvel
PRICE: $3.99
RELEASED: December 23, 2015

By Rob Siebert
Editor, Fanboy Wonder

This is the first issue of Darth Vader where Salvador Larroca’s art has disappointed me. That’s really saying something, as his art has been tremendous up to this point, and a huge factor in getting me to come back month after month.

Continuing the big Vader Down crossover, this issue finds the Dark Lord face-to-face with Princess Leia, as Rebel forces continue to hunt the stranded Sith. But they aren’t the only ones hunting. Vader’s obsession with finding Luke Skywalker has driven him to face the Rebels head on. And he’s winning.

When an artist is working on a Star Wars book, it’s stands to reason that they’ll study the movies, and perhaps even work off of stills or screen caps to depict the characters. That’s likely how Larroca has been able to get the Darth Vader mask down so well. As we see in this issue, he also draws a hell of a C-3PO. But when it comes to drawing Luke, Han, and Leia, it’s evident Larroca is working off of specific moments from the movies, and it takes you out of the book. He changes certain things to he’s not blatantly pulling things from them, but they’re similar enough that you notice. I don’t so much oppose this practice. I just wish Larroca had made it a little less obvious. I pulled some images to illustrate. This first one took me out of the issue entirely.

star-wars5-movie-screencaps.com-9439

Han Solo, Salvador Larroca, Darth Vader #14

 

 

 

 

 

star-wars5-movie-screencaps.com-1254Leia, Salvador Larroca, Darth Vader #14

 

 

 

 

I have an issue with the way Luke’s hands are positioned on Mark Brooks’ cover. Typically, when someone is holding a lightsaber, their hands are together so they can have a strong hold, but also so their wrists can have an optimal range of motion. As much of a nit pick as this may be, I don’t like how Luke’s hands are spread apart. We’re so used to seeing them together that it makes the image look awkward.

Vader Down is having its share of fun being a crossover. We’ve already seen Han Solo match wits with Doctor Aphra, which was really entertaining. This issue sees Triple-Zero cross paths with C-3PO, in a meeting that pretty much goes how you’d imagine. Our old friend Krrsantan even pops in. That gives us an amusing moment where Han thinks the bounty hunter is looking to collect Jabba the Hutt’s bounty on him. But as we know from earlier issues, he’s actually after Luke. Based on the cover for Star Wars #14 (the next installment in Vader Down), this Krrsantan’s involvement could lead to a pretty cool fight.

Darth Vader, Princess Leia, Darth Vader #14, Salvador LarroaNot surprisingly, the star of the issue is Leia. When confronted by Darth Vader, a helpless and undoubtedly terrified Leia stands her moral ground. In the highlight of the issue (shown left), she tells Vader that he’ll pay for what he’s done, and that he can kill her, but not what she stands for. It’s a terrific character moment, as we’ve come to expect from Kieron Gillen. Later, we learn just how far Leia is willing to go to eliminate Darth Vader. It’s such an extreme that Luke and Han actually try to stop her, even if that means Vader survives.

Vader Down has been a fairly worthwhile crossover, with fresh character interactions, and a central story that holds it all together. Darth Vader #14 is hardly the story’s best chapter. It has artistic flaws, and Vader himself doesn’t do much. But it gave Leia an awesome character moment, and offers a bridge to what will hopefully be a strong next chapter. So while this is unquestionably one of Gillen and Larroca’s less successful outings, in the context of the Vader Down story, it’s still a worthwhile read.

For more Star Wars, check out our review of Star Wars: The Force Awakens

Issues images from author’s collection. Screencaps from starwarsscreencaps.com.

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A Darth Vader Annual #1 Review – The Dark Lord Doesn’t Dance

Darth Vader Annual #1 (2015)TITLE: Darth Vader Annual #1
AUTHOR: Kieron Gillen
PENCILLER: Leinil Yu
PUBLISHER: Marvel
PRICE: $4.99
RELEASED: December 16, 2015

By Rob Siebert
Editor, Fanboy Wonder

Leinil Yu drawing Star Wars? That’s definitely worth a look. This particular issue might not be worth paying five bucks for, but it’s at leas worth a look.

Darth Vader Annual #1 deviates from the ongoing Vader Down storyline to give us a peek into the Dark Lord’s work as a political enforcer of sorts. Vader is dispatched to the volcanic planet of Shu-torun to reinforce their governments cooperation in the production of valuable ores. Little does he know he’s walking into a trap. But is it even possible to get the jump on Darth Vader?

Having Leinil Yu work on Darth Vader was a legitimate drawing factor for this issue. But surprisingly, Yu’s renderings of the titular character tend to be either misproportioned or awkward. There’s a panel where Vader is talking about the Empire “always building” where the angle of the headpiece on his mask doesn’t work. There are also several shots where Vader’s head looks too small for his body (below). It’s not a consistent thing, but it does pull you out of the issue.

Darth Vader Annual #1, Leinil Yu, 2015Despite this flaw, Yu does pretty well otherwise. I’ve always liked the sketchy manner in which he draws faces. Vader spends the issue with a young woman named Trio, and he depicts her very well.

I also find his renderings of angry old men very amusing. There’s a scene where duke demands Vader dance with his daughter at a celebration. The piss and vinegar in his face as he’s looking at Darth damn Vader is awesome. Even more awesome? When Vader levitates him 20 feet in the air and drops him. He then accents the moment with a line tailor-made for a Schwarzenegger movie: “Do any others wish to be my partner?”

Gillen remains fantastic at incorporating a very appropriate dark humor into these stories. This is embodied in Triple-Zero and BT-1. They’re perfect evil versions of C-3PO and R2-D2, to the point where I can hear Threepio’s voice when I read Triple-Zero’s dialogue. The droids tag along with Vader on this little mission to serve as a surprise of sorts to the royal family on Shu-torun. They have a lot of great little one-liners in this book. I won’t spoil them for you. But I will say my favorite involves the term “mass heart attacks!”

One might say Gillen gives us a glimpse of Anakin Skywalker in this issue. As Vader gets to know Trio, he learns about her relationship with her father, and starts to see things in her that her father doesn’t. As such, Vader offers her a little praise, including telling her that her father should appreciate her. Mind you, it doesn’t exactly end well for one of them. But that moment is still notable, considering Vader’s mindset at this point in his life.

Darth Vader Annual #1, Leinil YuThis issue does a nice job of spotlighting the key element that makes this series work: Its inverted view of the Star Wars universe. It casts Darth Vader, arguably the main villain of the entire saga, as the protagonist. Not the hero, mind you. He’s the protagonist, meaning our main character working toward accomplishing something. As such, we find ourselves rooting for Darth Vader, even though he’s often trying to do something terrible. In this story, for instance, he’s trying to impose the Empire’s will on an entire planet. And he indeed does awful things in an attempt to accomplish that goal. But we find ourselves rooting for him, even if it’s just on a subconscious level.

I’ve said something to this effect before, but it bears repeating: Darth Vader has consistently offered us the best Star Wars content Marvel has put out since they regained the license. I’m not interested in seeing anyone but Kieron Gillen write this book anytime soon. And for that matter, I missed Salvador Larroca on this issue too. They’ve got a really good thing going with this series, and I keep wanting more.

Images from author’s collection.

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A Star Wars: The Force Awakens Review – Spoiler-Free For Your Protection

Star Wars: The Force Awakens, posterTITLE: Star Wars: The Force Awakens
STARRING: Daisy Ridley, John Boyega, Harrison Ford, Adam Driver, Oscar Issaac
DIRECTOR: J.J. Abrams
STUDIOS: Walt Disney Pictures, Lucasfilm Ltd, Bad Robot Productions
RATED: PG-13
RUN-TIME: 135 min
RELEASED: December 18, 2015

By Rob Siebert
Editor, Fanboy Wonder

This week, The Los Angeles Times ran article about John Williams composing the music for The Force Awakens. The famous film score composer said he felt “a renewed energy, and a vitality, and a freshness that did not estrange any of the characters or material from the texture and fabric of [George] Lucas’ creation — but revivified it.”

That’s pretty much been the energy surrounding The Force Awakens as a whole. We’ve all felt it. This film represents a new dawn for the Star Wars franchise. And the box office figures indicate, we’re ready to greet the day.

The plot for this movie has been delightfully shrouded in mystery from the get-go, and I see no reason to go into detail now. But here are the basics. Thirty years after Return of the Jedi, the First Order has risen from the ashes of the Empire. Near the top of their ranks is Kylo Ren, a mysterious warrior following in the footsteps of Darth Vader. But new heroes will rise, such as Rey, a scavenger on the planet Jakku. At her side is Finn, a defected stormtrooper whose conscious led him away from the violent First Order. This duo will fight alongside none other than Han Solo and Chewbacca, heroes of the Galactic Civil War. All the while, the Resistance, led by General Leia Organa, searches for the one hero missing amidst the conflict: Luke Skywalker.

Rey, Finn, BB-8, Star Wars: The Force AwakensAs a life-long Star Wars fan, I can indeed confirm that The Force Awakens is good. But it’s a different kind of Star Wars movie. Not drastically so, but Star Wars die-hards may notice. Certain portions have dimmer lighting, which leads to a darker vibe. There’s also a little more blood than we’re used to seeing from Star Wars. It’s still a scarce amount in the grand scheme of things, but it’s noticeable. I attribute this to the absence of George Lucas, who wasn’t there to micromanage things in his own…ehem…unique way.

I’m not complaining, mind you. I’m a George Lucas fan. But if The Force Awakens proves anything, it’s that Star Wars needed to get away from him. The man who wrote and directed the prequels could not have created a movie like this. This movie gives us new heroes we can invest in and care about. While it doesn’t shy away from nostalgiac winks here and there, it doesn’t need to be propped up by original trilogy elements the way the prequels did. It’s a thrill ride very much worthy of the Star Wars legacy.

Kylo Ren, Star Wars: The Force AwakensThe original trilogy character we spend the most time with is Han Solo, who is as charming and witty as ever. Harrison Ford essentially gives us exactly what we wanted to see from that character. He’s not necessarily the same daring rogue. But he’s still Han Solo. We also see a good amount of Carrie Fisher as General Leia Organa. It’s especially cathartic to see her in the role again. It’s such an iconic character, and she deserved that renewed spotlight. As for Mark Hamill’s portrayal of Luke Skywalker…that would be a spoiler.

Most of the new characters we meet are intriguing. But for my money, none are more interesting than Kylo Ren. It’s encouraging that he’s not simply a Darth Vader clone. He’s very much his own man, with his own demons. Some may argue that makes him less threatening than Vader, or other Star Wars villains. But without saying too much, there’s a level of instability there that should make for an entertaining journey.

Captain Phasma, Star Wars: The Force AwakensA fair complaint about The Force Awakens is that it’s simply the original Star Wars film done over again. The similarities are undeniable. We have our hero on a desert planet who gets a call-to-action from a droid, and is quickly swept into a galactic war against a Nazi-like organization with a base that has the power to destroy planets. Sound familiar? At one point, they even do a side-by-side comparison of Starkiller Base and the Death Star. The inside of the base is also clearly modeled after the Death Star!

Given what we’d seen from our most recent Star Wars movies, I’d argue a throwback isn’t the worst thing in the world. This movie gives people the Star Wars they want to see. Good and evil, the Rebellion and the Empire, Jedi and Sith. Some of the names have changed, but at their core, they’re the same. As a bonus, we even get to see some of the faces we fell in love with from the original trilogy.

131416_ori The Force Awakens is designed to jump-start the Star Wars franchise, getting us to remember what we loved about the originals while introducing new faces to carry the brand into the future. It accomplishes that goal, easily giving us the best installment in the series since Return of the Jedi. Lingering questions do remain, but I expect they’ll be resolved in future films. It’s fun to watch The Force Awakens, and if there’s anything that’s been missing from Star Wars in recent years, it’s that sense of fun and adventure. J.J. Abrams, Lawrence Kasdan, and everybody else involved with this movie deserve credit for living up to the hype, and restoring something that was lost.

So rejoice Jedi, wookies, droids, and even you damn gungans! Star Wars is fun again!

RATING: 9/10

Images from rottentomatoes.com.

Follow Primary Ignition on Twitter @PrimaryIgnition, or at Facebook.com/PrimaryIgnition.

A Star Wars, Vol. 2 Review – Mrs. Han Solo???

Star Wars, Vol. 2: Showdown on the Smuggler's MoonTITLE: Star Wars, Vol. 2: Showdown on the Smuggler’s Moon
AUTHOR: Jason Aaron
PENCILLERS: Stuart Immonen, SImon Bianchi.
COLLECTS: Star Wars #7-12
FORMAT: Softcover
PUBLISHER: Marvel
PRICE: $19.99
RELEASE DATE: January 9, 2016

For further reading, check out our reviews of issue 7 and issue 8

By Rob Siebert
Editor, Fanboy Wonder

Since getting the keys to Marvel’s Star Wars ongoing series, Jason Aaron’s writing has been fairly inconsistent in terms of quality. He’ll be great for an issue or two, then suddenly give us an eye-roller. Still, Aaron has definitely put together a book that delivers on the trademark Star Wars action and adventure that we love. So despite the eye-rollers, we still come back for more.

After a glimpse into the journal of Obi-Wan Kenobi, Luke Skywalker sets out for the smuggler’s moon of Nar Shaddaa, hoping he’ll find someone who can get him on Coruscant and into the Jedi Temple discreetly. Unfortunately, Luke becomes the prisoner of a Hutt who fancies himself a collector of all things Jedi. Meanwhile, Sana Solo, the alleged wife of Han Solo, intends to collect the bounty on Princess Leia’s head. But first, they must survive a bombardment from the Empire. Plus, who’s going to rescue Luke?

STar Wars #7, Simone Bianchi, Ben KenobiThis book has a really strong start, as Aaron and Simone Bianchi give us a glimpse of Obi-Wan Kenobi’s maddening seclusion on Tatooine. Put plainly, it’s the best issue the Star Wars team has put out thus far. I’ve talked extensively about issue #7 before, but it bears a little repetition. Simone Bianchi’s art is haunting at times. Particularly memorable is a sequence in which Obi-Wan is meditating, and in his frustration, ends up lifting the bones of a long-dead creature out of the sand. There’s also a lone panel in which he’s sitting in his home alone in the dark, with nothing but agonizing time on his hands. I’m hoping we get more issues like this down the road.

We then get into the main story, which deals largely with Sana Solo, Han’s alleged wife. Han spends much of the story in a state of fluster, saying things like: “Sana. Where did you…how…how did you…?” and ““Leia, don’t listen to her. It was never like that…She’s not my wife!” That gets old after awhile. But on the plus side, it is interesting to see Han get the tables turned on him like that.

Han Solo, Sana Solo, Stuart ImmonenThe downside of a story like this is that the end is fairly obvious. From her reveal in issue #6, we knew the chances of her actually being Han’s wife were pretty slim. Even if she was his wife, shenanigans were likely involved. So we knew that by the end of the story she’d be gone. As such, it’s tough to fully get invested in her. But it is interesting when we finally hear her backstory. Her ship is also pretty cool. It looks like a cousin of sorts to the Millennium Falcon.

This book plays the lightsaber card pretty heavily. I’ve talked about the downside of what I call Frequent Lightsaber Activation (FLA) before, and it’s present in this book. It’s not entirely unjustified, because Luke does spend a lot of time in a combat scenario. But there’s a scene where Luke goes into a cantina on Nar Shaddaa, and his lightsaber makes him a target. The story then starts to revolve around Luke protecting the weapon, then retrieving it, then being confronted by a Hutt with a bunch of lightsabers strung around his neck. Then at the end, we get a stunt involving our main characters and a bunch of lightsabers. It’s all a bit much for my tastes. I don’t doubt there’s some sort of editorial mandate to play up Anakin Skywalker’s lightsaber, as it will appear in The Force Awakens. But there’s something to be said for not overdoing it.

Star Wars #11, Chewbacca, Dengar, C-3POOn the plus side, Aaron writes an excellent C-3PO. In Showdown on the Smuggler’s Moon, Threepio travels with Chewbacca to Nar Shaddaa in an attempt to rescue Luke. But the duo go on a hunt for information before runing into Dengar, one of the bounty hunters seen in The Empire Strikes Back. Threepio’s dialogue in issues #10 and #11 is fantastic. I loved the line, “Oh, why do I always have to be the hero?” Aaron’s portrayal of Threepio is one thing he’s been consistent with from the start. The fact that I’m a sucker for ol’ goldenrod doesn’t hurt either.

Stuart Immonen does fantastic work here. The passion he’s putting into these pages is evident. He’s got the faces and mannerisms of the characters down pretty well. Immonen, inker Wade Von Grawbadger, and colorist Justin Ponsor do an excellent job with Nar Shaddaa as a whole. The sky is a gorgeous (relatively speaking) mix of browns, yellows, greens, and even light oranges to portray the pollution. They also give us a really good Chewbacca. A lot of artists forget that Chewie’s arms are relatively skinny. He wasn’t this big, muscled up gorilla, so much as he was really tall. Kudos to this team for giving us a pretty fair representation of Peter Mayhew in that costume.

Star Wars #9, 2015, Grakkus the HuttThis crew also does most of the covers, and give us a fantastic one for issue #12.

Our artists have definitely proven their worth as far as the Star Wars universe is concerned. As for Aaron, this volume shows definite improvement. He’ll be spending his next few issues on the Vader Down crossover. But he’s managed to keep my interest, and I’ll be sticking around to see what he does next.

RATING: 7/10

For more from Stuart Immonen, Wade Von Grawbadger, and Justin Ponsor, check out Ultimate Comics Spider-Man, Vol. 1: The World According to Peter Parker.

Images from author’s collection.

Follow Primary Ignition on Twitter @PrimaryIgnition, or at Facebook.com/PrimaryIgnition.

A Star Wars #8 Review – Whiny Luke Skywalker Returns

Star Wars #8, 2015, Stuart ImmonenTITLE: Star Wars #8
AUTHOR: Jason Aaron
PENCILLER: Stuart Immonen
PUBLISHER: Marvel
PRICE: $3.99
RELEASED: August 19, 2015

By Rob Siebert
Editor, Fanboy Wonder

After last issue’s awesome glimpse into the journals of Obi-Wan Kenobi, there was a decent amount of hype heading into Star Wars #8. How would Luke use what he had learned from Obi-Wan’s writings? And what of Sana Solo, Han’s apparently estranged wife? What does the fall out from such an incredible revelation look like? And by the way, the Empire’s about to unleash Hell from on high, threatening to blow Han, Leia, and Sana to smithereens! After a prolonged wait, we were ready to see what happened next…

Damn it, Jason Aaron. Damn it, damn it, damn it.

Let’s go to Han, Leia and Sana first. The big revelation from issue #6 is followed up with what basically amounts to a teenage boy being confronted by his ex while he’s with his new girlfriend. Han says a lot of the clumsy dialogue you’d expect from such a scene.

  • “Sana. Where did you…how…how did you…?”Star-Wars-8-Han-Leia-Sana
  • “She’s not my wife! Leia, wait…”
  • “Leia, don’t listen to her. It was never like that…She’s not my wife!”
  • “Sana, stop this! What do you think you’re doing?”

And blah, blah, blah. We don’t learn much about Sana’s origins, here. Or how she came to be “married” to Han. She essentially comes off like a crazy scorned lover who’s out to o away with Leia and take Han back for herself. This motivation is fine. But what’s frustrating is that we learn so little about who this person is. She’s apparently a bounty hunter, and she allegedly has documents to back up her marriage claims. But we don’t get any hints about her history with Han. How they met, where she wants to take him back to, etc. We don’t need the whole story, obviously. But give us something to hold us over until we do get more definitive answers.

When we jump to Luke, he’s in his X-Wing with Artoo, which is where we left him at the end of issue #8. The vibe I got from that final page was that Obi-Wan’s journal gave him sort of a warm, fuzzy feeling about his mentor. But when we see him in this book, he’s almost whining about how the journal only contains stories, and nothing about “fighting with a lightsaber or using the force.” So at what point did he go from warm to whiny?

Star Wars #8, Nar ShaadaaLuke lands on Nar Shaddaa, a.k.a. “The Smuggler’s Moon,” in hopes of gaining transport to…well, I won’t spoil it. But it’s somewhere rich in Jedi history. So he walks into what he describes as the worst-looking bar around, totally outmatched. He winds up breaking out the lightsaber, which only serves to draw more unwanted attention. All in all, Luke comes off looking downright stupid, and in WAY over his head.

This book has been good about showing how young and inexperienced Luke is at this point in his life. We’ve seen him foolishly try to take on Darth Vader, blindly swing a lightsaber at Boba Fett (though that was pretty cool), and now this. Aaron needs to find the line between inexperienced and just plain stupid. After all, this guy is the main hero of the original trilogy. Even at a young age, Luke is at least competent, isn’t he? He had it together during the Battle of Yavin, as I recall.

This is Stuart Immonen’s first outing on Star Wars, and not surprisingly, he does fine. His more animated style takes some getting used to after six issues with John Cassaday, and last issue’s outing with Simone Bianchi. The best work he does with inker Wade Von Grawbadger and colorist Justin Ponsor occur when Luke breaks out the lightsaber in the bar, and we see the bar’s shadowy atmosphere contrast with the brightness of the blade. He’ll likely get even better once he’s had time to get used to this universe.

Compared to what Kieron Gillen and Salvador Larroca are turning in on Darth Vader, Star Wars continues to be the inferior book in terms of both consistency and quality. But it’s still worth picking up. Jason Aaron continues to get a lot wrong. But there’s also quite a bit he gets right.

Image 1 from dorksideoftheforce.com. Image 2 from marvel.com.

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