Tag Archives: lightsaber

Weekly Comic 100s: Star Wars #1, I Can Sell You A Body #1

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Nothing too in-depth here. Just straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

You know what sucks? When your favorite comic shop closes down.

Here’s to Rockhead’s Comics and Games in Kenosha, WI, for feeding my weekly comic fix for the last two years or so. You guys were awesome. I’m truly sad to see you go…

TITLE: Star Wars #1
AUTHOR: Charles Soule
ARTISTS: Jesus Saiz, Arif Prianto (Co-Colorist), Clayton Cowles (Letterer). Cover by R.B. Silva and GURU-eFX.
RELEASED:
January 1, 2020

This debut of Marvel’s post-Empire Strikes Back title is pretty much what you’d expect, with the characters reeling from what happened on Bespin.

But interestingly, this issue actually takes places during the events of Empire. A certain amount of time passes between the Star Destroyer escape and the closing scene. But how much time? When we open this book the Rebels don’t trust Lando, and Luke isn’t even sure he wants to be a Jedi any longer.

I’m hoping Luke doesn’t get a lightsaber in this series. The green one doesn’t come along until the next film, after all.

TITLE: I Can Sell You A Body #1 (of 4)
AUTHOR: Ryan Ferrier
ARTISTS: George Kambadais, Ferrier (Letterer)
RELEASED: January 1, 2020

What we have here is a mini about “reverse exorcisms,” i.e. spirits of the dead being found new bodies by our main character, Denny Little.  But things go awry when he gets mixed up with the mob. Y’know, the way you always do when you gain the power to communicate with the dead…

Ferrier and Kambadais don’t waste an inch of space here, putting out a really dense issue. But the story has promise, and the art has a nice charm to it. I can see myself following Denny for four issues.

TITLE: Action Comics #1018
AUTHOR: Brian Michael Bendis
ARTISTS: John Romita Jr., Klaus Janson (Inker), Brad Anderson (Colorist), Dave Sharpe (Letterer)
RELEASED: January 1, 2020

I was actually dreading this issue. Simply because of John Romita Jr’s art.

Romita can be hit-or-miss as it is. But Action Comics #1018 has a rushed quality, as if the deadline was breathing down his neck. As such, the end product often looks awkward. Or worse, bush league.

Case in point, the way Superman is posed on the cover. What is that stance, exactly?

As this issue is partially about the Justice League fighting the Legion of Doom in the middle of Metropolis, this was a particularly bad time for a performance like this. Bad form, JRJR.

TITLE: Detective Comics #1018
AUTHOR: Peter Tomasi
ARTISTS: Scott Godlewski, David Baron (Colorist), Rob Leigh (Letterer). Cover by Rafael Sandoval, Jordi Tarragona, and John Kalisz.
RELEASED: January 1, 2020

This dialogue in this issue is really awkward at times, which is not a problem Tomasi usually (if ever) has. For some reason, Batman is uncharacteristically chatty.

Case in point, he leaves a crime scene and says to the cops, “Got what I needed. Scene is immaculate. Left behind only my boot prints. Merry Christmas.”

Um…thanks?

On the plus side, Tomasi tugs at our heartstrings in his own special way by showing us Bruce spending his first holiday season without Alfred. Very reminiscent of the stuff he did on Batman and Robin all those years ago.

TITLE: Lois Lane #7 (of 12)
AUTHOR: Greg Rucka
ARTISTS: Mike Perkins, Gabe Eltaeb (Colorist), Simon Bowland (Letterer)
RELEASED: January 1, 2019

While I continue to love simply having that Greg Rucka, street-level aesthetic back at DC, I’m losing interest in the mystery of who’s trying to kill Lois Lane and why. Frankly, the subplot about the public believing she’s having an affair with Superman is far more interesting. I’m curious to see how Clark revealing his identity to the world will effect this story, if in fact they cross over.

The back and forth between Lois and Renee Montoya is fun. It’s obvious Rucka is happy to be working on his version of the Question once again.

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Weekly Comic 100s: Star Wars Stuff, Batman/Superman,

*”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Nothing too in-depth here. Just straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

Tacked an extra one down on the end here. The most recent issue of Superman. But of course, in the spirit of the Rise of Skywalker hype, we begin with Allegiance

TITLE: Star Wars: Allegiance #3
AUTHOR: Ethan Sacks
ARTISTS:
Luke Ross, Lee Loughridge (Colorist), Clayton Cowles (Letterer). Cover by Marco Checchetto.
RELEASED:
October 23, 2019

Leia, Rey, and some of the Resistance are still on Mon Cala in this issue. Because it’s largely an underwater planet, Leia has to wear the equivalent of a scuba suit. Imagining an older Carrie Fisher in an outfit like that is…weird.

The “B story” in Allegiance has been about Finn, Poe, and BB-8 stealing weapons for the Resistance. Sacks writes their chemistry very well. Well enough, in fact, that I felt a pang of sadness that they didn’t end up being romantically involved. Yeah, I was on that team.

No Kylo Ren in this issue. Bummer.

TITLE: Star Wars #73
AUTHOR: Greg Pak
ARTISTS: Phil Noto, Clayton Cowles (Letterer)
RELEASED: October 16, 2019

This volume of Star Wars is going out strong as we head toward its issue #75 finale. Greg Pak knows how to weave the multi-strand rip-roaring adventure, as all of our main heroes fight for their lives.

But for yours truly, the star of this “Rebels and Rogues” storyline has been Phil Noto. He’s been one of my favorite Star Wars artists dating back to the build-up to The Force Awakens. His “sketchy” style is a lot of fun, and he nails all the likenesses. As far as I’m concerned, he’s welcome in this galaxy any time.

TITLE: Batman/Superman #3
AUTHOR: Joshua Williamson
ARTISTS: David Marquez, Alejandro Sanchez (Colorist), John J. Hill (Letterer)
RELEASED: October 23, 2019

Unlike many, I’m not really into the Batman Who Laughs, or much of the Metal stuff. But the premise of that character “infecting” six characters across the DCU, and our two heroes having to solve the mystery of who they are was enough to draw me in.

But the way Williamson has executed it thus far, it’s not so much a mystery as it is them happening upon each victim. It’s still a cool idea. I just wish they’d dig a little deeper into it. On the upside, it’s great to see Marquez drawing the World’s Finest.

TITLE: Action Comics #1016
AUTHOR: Brian Michael Bendis
ARTISTS: Szymon Kudranski, Brad Anderson (Colorist), Dave Sharpe (Letterer). Cover by Jamal Campbell.
RELEASED: October 23, 2019

I absolutely adore the framing device for this issue. A Daily Planet reporter does man-on-the-street interviews to recap a fight between Superman and the Red Cloud. Bendis is as good as almost anyone at playing up the journalism element in Superman’s world.

A Szymon Kudranski comic that’s this colorful takes some getting used to. There’s nothing wrong with it. But his M.O. is typically on the dark and gritty side. Type his name into Google Images. You’ll see what I mean.

TITLE: Superman #16
AUTHOR: Brian Michael Bendis
ARTISTS:
David LaFuente, Paul Mounts (Colorist), Dave Sharpe (Letterer). Cover by Ivan Reis.
RELEASED:
October 9, 2019

I’m not sure I’ve ever seen Superman look quite so…blocky. I know LaFuente’s style is more on the cartoonish side, and generally I like what he turns in. But the Superman we see here looks more like a Superman action figure than the Man of Steel himself.

This issue gives us the inevitable reunion between Superboy and Robin after Jon Kent’s trip into space, which aged him a few years older than Damian. Bendis gives us what you’d hope to see here. The initial awkwardness, some hijinks and a feel-good exit. A strong issue, blockiness notwithstanding.

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Astonishing Art: Star Wars by Eric Tan

By Rob Siebert
Fanboy Wonder

I’m a sucker for a good Star Wars poster. So when I came across this set from Disney artist/designer Eric Tan, I fell head-over-heels very quickly. For a time, the posters based on the original trilogy were actually sold at the Disney store for hundreds of dollars. While that places them firmly outside of my price range, from a quality perspective I understand it. These things are friggin’ gorgeous…

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Rian Johnson on The Last Jedi: Luke’s Exile

***Lots of people have lots of opinions about Star Wars: The Last Jedi. You have one. I have one. But you know whose opinion I want to hear? Rian Johnson’s. He wrote it. He directed it. Now let’s hear what he has to say about it. That’s what this space is for. This is “Rian Johnson on The Last Jedi.“***

By Rob Siebert
Fanboy Wonder

The Scene: Picking right up from the ending of The Force Awakens, Rey has arrived on the planet Ahch-To to seek out Luke Skywalker. She brings him his father’s lightsaber, the same one he lost on Bespin decades ago. Luke tosses the weapon over the cliff, refusing to help Rey.

Rian Johnson Says (Via The Last Jedi Commentary Track): “This moment of Mark [Hamill] tossing the saber, that was always just something that made a lot of sense to me … The first thing I had to do as I was writing the script was figure out, why was Luke on this island? … So he knows his friends are fighting this good fight, he knows there’s peril out there in the galaxy, and he’s exiled himself way out here and taken himself out of it. So I had to figure out why. And I knew because it was Luke Skywalker, who I grew up with as a hero, I knew the answer couldn’t be cowardice. So I knew the answer had to be something active, he couldn’t just be hiding. It had to be something positive. He thinks he’s doing the right thing.

“And that kind of led to…the notion that he’s come to the conclusion from all the given evidence that the Jedi are not helping. They’re just perpetuating this kind of cycle. They need to go away so that the light can rise from a more worthy source. So suddenly that turned his exile from something where he’s hiding and avoiding responsibility to him kind of taking the weight of the world on his shoulders and bearing this huge burden of know his friends are suffering. And because he thinks its the bigger and better thing for the galaxy, he’s choosing to not engage with it.”

I Say: The notion that they handed this series off to Johnson without a plan, or answers to certain questions, is flabbergasting to me. Supposedly, that is indeed what happened. He sat down and wrote this movie with no idea why Luke had exiled himself, who Rey’s family was, who Snoke was, or any of that. He had to create his own answers. So I can sympathize with the position he was apparently put in.

The reason he came up with for Luke’s exile was fine. I like it a lot, in fact. I can certainly appreciate that it wasn’t simply cowardice. What I, and certainly numerous others, did not appreciate was the comedic chucking of the lightsaber over the cliff. That moment between Luke and Rey at the end of The Force Awakens had so much weight to it. It was the first time we’d seen Luke since Return of the Jedi. He was shocked to see this new person who’d discovered him, and Rey was vulnerable, silently asking for his guidance. It was a cliffhanger suitable to end the movie, and one we waited two damn years to get the payoff for…

It’s not Luke’s rejection of the weapon, and thus Rey’s question, that irks me. It’s the tonality of it. Instead of having Luke toss it, why not just let it drop to his feet? It’s less heavy-handed (no pun intended), and subtly speaks to his refusal to take on the responsibility of being a hero. Instead, he just tosses the weapon away like a discarded soda can or something. To do it the way they did was almost disrespectful to The Force Awakens

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Toy Chest Theater: Star Wars by Marcel Eisele

By Rob Siebert
Fanboy Wonder

“Holy sh*t, this guy’s good!”

Did I say those words out loud when I saw Marcel Eisele’s images for the first time? No. But it almost happened. That’s got to count for something.

I’ve selected aside six shots for display, and narrowing the field was not easy. I opted to stick to Star Wars stuff, as that’s the arena he spends most of his time in. But on Eisele’s Instagram page, you’ll also see characters from Marvel, Planet of the Apes, The Walking Dead, IT, among others. Honestly, some shots were downright painful to leave out. So don’t be surprised if you see him in this space again down the road…

What I find so amazing about Eisele’s work is that he’s able to do so much with so little. Or at least what seems like so little. Take this shot of Mace Windu. It’s really just a tight shot with a lighting effect. But given the face sculpt, and Eisele using just the right amount of lighting to keep half the figure’s face in the shadow, the end result has so much gravity. Imagine walking into this guy on the dark end of the street. Yeesh. A little bit of pee just came out.

In a write-up done by BanthaSkull.com about a year ago, Eisele mentions taking a lot of shots in his backyard. I can only assume that’s where this was taken. It’s tough to go wrong with a silhouette. Don’t discount the timing element here. It feels like sunsets go by really fast when you’re trying to beat the clock.

Again, seemingly very simple. What we have here is basically a superhero shot of Luke on Ahch-To. You get the right angle, and the cape and the background do most of the work. But what is the right angle? How far back go you go? How much of the terrain do you show? How do you nail the figure’s positioning? Somehow, Eisele answered all these questions correctly. Because what he gave us here is damn near iconic.

Here’s one that hits you right in the damn feels. We never did get to see Luke and Han on screen together one last time. It might have a Grumpy Old Men vibe to it. But who cares? It’s Luke and Han.

Eisele also does some customization, as is the case with these next two shots. I appreciate this one because it sneaks up on you. When you’re scrolling by, it’s easy to assume that’s Luke behind Rey. But when you actually look at it, you’re surprised to see it’s an alt-universe Han Solo. Rocking the Jedi Master beard, no less.

Then there’s this last one, which I absolutely love the imagination behind. A custom-made “Dark Side Obi-Wan Kenobi.” There’s also a shot of this figure with a red lightsaber, thus unofficially classifying him as an evil Sith. But I like this image better, as I’m not in love with the idea of an evil Obi-Wan. By not drawing focus with the lightsaber, this pic allows us to take in all the differences between this character and the one we knew from A New Hope. The bald head, the longer beard, the bare feet, the tattered and dirty robes. I like to imagine this figure as Obi-Wan from a darker timeline, as opposed to being on the dark side himself. Perhaps not Old Ben Kenobi, but Older Ben Kenobi.

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Toy Chest Theater: Luke Skywalker by Scoundrels Stock

By Rob Siebert
Fanboy Wonder

Up to this point, “Toy Chest Theater” has been mostly about creating scenes, as opposed to custom characters. But this take on Luke Skywalker from Scoundrels Stock changed that. This thing deserves to be in the spotlight.

This figure is apparently inspired by the Star Wars expanded universe, i.e. the franchise’s seemingly endless litany of novels, comic books, video games, etc. Having consumed a lot of that stuff, I can definitely see it. This seems to be what Luke might look like 10 to 15 years after Return of the Jedi. I can respect keeping him mostly in black, too. As a more mature Jedi, it’s modest, yet imposing.

One of the reasons this struck me so much is because I think this is the Luke Skywalker people wanted to see in The Last Jedi. The whole redemption story was interesting, partially because people didn’t expect that to be what happened to our great hero from the original trilogy. But this was the guy we were expecting. And perhaps in hindsight, should have gotten.

Scoundrels Stock can be found on Instagram and Facebook.

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Weekly Comic Haul, May 9, 2018: Venom, Justice League: No Justice

By Rob Siebert
Fanboy Wonder

I’m Rob, and these are the comics I spent my hard-earned money on this week…

(And shame on me, there are no indie comics in my haul this week. Unless you count The Walking Dead as an indie comic. I do not.)

Venom #1
I’m not much of a Venom guy, so normally I wouldn’t have picked this one up. But Donny Cates’ name attracted me to it. He writes Babyteeth over at Aftershock, which I’ve really enjoyed. So I’m giving this one a whirl for him.

Justice League: No Justice #1
I’m not the world’s biggest Scott Snyder fan. He’s hit or miss with me. But the Justice League portion of DC Nation #0 piqued my interest. Plus, James Tynion IV and Joshua Williamson are attached, and I dig both of them. Francis Manapul is also an artistic deity. This has been proven.

Detective Comics #980
James Tynion IV is my favorite modern Batman writer. The fact that he’s bringing back all this ’90s and early ’00s stuff is a just a bonus.

Star Wars: The Last Jedi #1
I don’t normally pick up these Star Wars movie adaptations from Marvel. But the preview for this one caught my eye. A portion of it is done through Luke’s point of view, which is a nice little added hook.

The Walking Dead #178 and #179
In recent months, I’ve slept on The Walking Dead a little bit. It was partially intentional, and partially cost-related. I’m intrigued by the new direction they’ve taken things, but they obviously didn’t grab me hard enough to keep me buying month to month. Here’s hoping the combined effort of these two issues will change that.

Darth Vader #15
I’ve had to hold back on Darth Vader as well. This one was strictly a cost thing. Like issue #14, this one might be a candidate for “Epic Covers.” For some reason, part of me is always surprised when someone uses a lightsaber underwater. Luke just did that in Star Wars #48. Did they work that way in the “Legends” continuity?

Email Rob at PrimaryIgnition@yahoo.com, or follow Primary Ignition on Twitter.