Weekly Comic 100s: Year Zero, Disaster Inc, DCeased, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

It seems like this is more or less the last “COVID-19 comic book week” we’ll be having, as next week things start shipping from Diamond again. (DC is a notable exception. But that’s another story.) Planned comics on the docket next week include Justice League, Suicide Squad, Alienated, and Frankenstein Undone. And of course, more X-Men back issues.

But in the meantime…

TITLE: Year Zero #1
AUTHOR: Benjamin Percy
ARTISTS: Ramon Rosanas, Lee Loughridge (Colorist), Sal Cipriano (Letterer). Cover by Kaare Andrews.
RELEASED:
May 20, 2020

I’ve always wanted to see a story like The Walking Dead, or a similar zombie apocalypse story take this route. It’s even more relevant now that the COVID-19 pandemic has happened. How does a zombie apocalypse effect different parts of the world in different ways? This story is seemingly going to show us via characters in the U.S., Mexico, Japan, Afghanistan, and a polar research base.

I think we’ll get a sense if this book fulfills its potential in about six issues. Which is unusual, for me it usually takes only one or two.

TITLE: Disaster Inc. #1
AUTHOR: Joe Harris
ARTISTS: Sebastian Piriz, Carlos M. Mangual (Letterer).
RELEASED:
May 20, 2020

I’ll credit Disaster Inc. for being educational. I’d forgotten all about the Fukushima power plant disaster of 2011. Just goes to show you how screwed up things are nowadays. I certainly didn’t know about the “nuclear samurai.” (Google it. It’s worth the read.)

Disaster Inc. is a delicious horror/mystery/ghost story that, thus far, is packed with intrigue and just the right amount of truth. It’s also got a highly unsettling butterfly theme going for it.  I’ll definitely be back for more.

TITLE: DCeased: Hope at World’s End #1
AUTHOR: Tom Taylor
ARTISTS: Dustin Nguyen, Rex Locus (Colorist), Saida Temofonte (Colorist). Cover by Ben Oliver.
RELEASED:
May 20, 2020

I’ve mostly stayed away from DCeased. Nothing personal. It’s just not my thing. This issue didn’t change that. But I appreciate a few little things about it. Perry White finally saying how proud he is of Jimmy Olsen. What appears to be a brief appearance by Stephanie Brown in her Robin costume. There’s also Dinah Lance as a Green Lantern. Didn’t realize that was a thing.

It’s always great to see Dustin Nguyen’s work. He’s great with content for young readers. But if this issue shows us anything, it’s that his style is versatile enough to handle more mature content.

TITLE: Batman: The Adventures Continue #4
AUTHORS: Alan Burnett, Paul Dini
ARTISTS: Ty Templeton, Monica Cubina (Colorist), Joshua Reed (Letterer).

We continue with the Deathstroke story here. I’d previously thought he’d have some kind of previous connection with Dick Grayson, given he’s widely known for being the New Teen Titans’ arch nemesis. But as it turns out Tim Drake, the Robin from The New Batman Adventures, is an ill-advised admirer of Deathstroke’s. That’s a cool little twist.

Another cool twist? This issue also makes Firefly is an exotic bug collector, as well as a pyromaniac.

TITLE: Star Wars: The Clone Wars – Battle Tales #1
AUTHOR: Michael Moreci
ARTISTS: Derek Charm, Arianna Florean & Mario Del Pennino, Luis Delgado (Colorist), Valentina Taddeo (Colorist), Jake M. Wood (Letterer).
RELEASED:
May 20, 2020

Nothing super special here. But nothing bad either. A flashback from Captain Rex about Anakin being a hero.

Florean and Del Pennino handle the flashback, while Charm handles things in the present. I’m partial to Charm’s work as his style is a little closer to the cartoon. As well as, incidentally, Ty Templeton’s style. But Florean and Del Pennino do just fine.

TITLE: X-Men #4
AUTHOR: Jonathan Hickman
ARTISTS: Leinil Yu, Gerry Alanguilan (Co-Inker), Sunny Gho (Colorist), Clayton Cowles (Letterer)
RELEASED: January 1, 2020

Magneto at the World Economic Forum. That’s really all you need to know about this issue.

Yes, Xavier, Apocalypse, Cyclops, and Gorgon are there too. But Magneto does most of the talking. And yes, there’s violence. But it’s not necessarily what you think it’ll be.

Credit to Yu, Alanguilan, and Gho for spending most of the issue drawing a dinner conversation. That’s not necessarily what people will ask for in their superhero comics. But they make it work. The novelty of Apocalypse is sitting there in a suit certainly helps.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Lost on Planet Earth, Justice League, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Lost on Planet…Wait…This is Earth, Right?

A special thanks goes out to Superfan Promotions this week for an advance review copy of Lost on Planet Earth #2.

If you’re an independent creator who’d like to have their work spotlighted in “Weekly Comic 100s,” please feel free to reach out to yours truly at PrimaryIgnition@yahoo.com. I’m (almost) always happy to lend a helping hand!

TITLE: Lost on Planet Earth #2
AUTHOR:
Magdalene Visaggio
ARTISTS:
Claudia Aguirre, Zakk Saam (Letterer)
RELEASED:
May 20, 2020

When you take away all the space age dressings, Lost on Planet Earth is about a quarter-life crisis. The concept that translates surprisingly well into this medium. But this book still needs to earn its sci-fi elements. In other words, convince me why this story needed to happen in a space environment. Because thus far it seems rather needless.

On the plus side, despite a touch of overacting, Claudia Aguirre delivers the goods artistically. Lost on Planet Earth is a fun read, despite being a bit of an underachiever thus far.

TITLE: Justice League #44
AUTHOR:
Robert Venditti
ARTISTS: Xermanico, Romulo Fajardo Jr. (Colorist), Tom Napolitano (Letterer). Cover by Francis Manapul.
RELEASED: May 12, 2020

I haven’t looked at Justice League in quite awhile. I tagged out early in Scott Snyder’s run. Don’t @ me.

Venditti’s doing some great work on Superman: Man of Tomorrow, and this issue is very much in the same vein. Things are written and drawn very simply and are easy to digest.

As our team faces mythological beasts released from Tartarus, I was surprised to see John Stewart is now the team leader. I like that. It reminds me of when Brad Meltzer made Black Canary the leader back in the day.

TITLE: Lois Lane #10
AUTHOR: Greg Rucka
ARTISTS: Mike Perkins, Andy Troy (Colorist), Simon Bowland (Letterer)
RELEASED:
May 12, 2020

Christopher Reeve and Margot Kidder got snuck into this issue. Look at the first two-page spread where Montoya talks about the multiverse. They’re near the top. Perkins gives Lois some great facials in this issue as well.

Maybe it’s just been too long since issue #9, but I got lost when they brought the multiverse into things. To the point that I got a little frustrated. I’m waiting to see how Rucka starts to tie things together. But despite my love for him, my enthusiasm is waning.

TITLE: Bruno Sammartino #1
AUTHOR: John E. Crowther
ARTISTS:
Rich Perotta, Vito Potenza (Colorist). Cover by Nathan Smith.
RELEASED:
May 13, 2020

This Patreon-sponsored biography of Bruno Sammartino from Squared Circle Press looks very much like an indie comic. But as a wrestling fan who appreciates was Sammartino meant to the business, I can very much appreciate where this issue’s heart is.

We start during Bruno’s childhood in (*stops to count the syllables*) Pizzoferrato, Italy. I can only assume the book will take us up to his death in 2018.

The amateuer-ish look of this issue would normally be enough to get me to drop it. But the subject matter is strong enough to bring me back for another issue.

TITLE: X-Men #3
AUTHOR:
Jonathan Hickman
ARTISTS:
Leinil Yu, Gerry Alanguilan (Co-Inker), Sunny Gho & Rain Beredo (Colorists), Clayton Cowles (Letterer).
RELEASED: December 4, 2019

This series has a habit of slapping in big text pages filled with exposition. It’s unorthodox and a little off-putting. But I, for one, am just happy the exposition is there to begin with.

Emma Frost has a fantastic issue here. First a really fun little exchange between Jean Grey, then an encounter with a villain who’s more than a little honest about her costume. The art by Yu and the team compliments that moment brilliantly.

The villainous Hordeculture group returns for this issue. They’re botanists and terrorists. God, I love comics.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: X-Men #1 For the Heck of It, Plus DC Digitals

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Calls it Soda. Not Pop.

The other day I said I wanted to feature the X-Men a little more. So this week I tossed in X-Men #1 from back in November. Along with DC’s digital-first stuff, of course.

TITLE: X-Men #1
AUTHOR: Jonathan Hickman
ARTISTS: Leinil Yu, Gerry Alanguilan (Inker), Sunny Gho (Colorist), Clayton Cowles (Letterer).
RELEASED: November 14, 2019

Jonathan Hickman intimidates me. He tends to go a little too far out of this world, and I get lost.

Thankfully, X-Men #1 is relatively straightforward. Mutants have established their own nation on the island of Krakoa. And of course, there’s a group of humans that don’t like mutants that are trying to destroy them.

Had do to a Marvel Wiki search on Cyclops to see how the hell he could be leading the team again. He’s a more interesting character than most casual fans give him credit for.

TITLE: The Flash: Fastest Man Alive #2
AUTHOR:
Gail Simone
ARTISTS:
Clayton Henry, Marcelo Maiolo (Colorist), Rob Leigh (Letterer). Cover by Cully Hamner and Dave McCaig.
RELEASED:
May 1, 2020

Clayton Henry’s style, let’s call it moderately cartoony, is a perfect fit for Flash. When Barry’s zipping around in the costume, Henry stretches his body just a bit for effect. But at the same time, all the scenes about his civilian life have the weight they need. He can exaggerate, but he doesn’t overdo it.

Once again Simone gives us a scene that’s unintentionally poignant given the times, as Flash saves a pair of kids whose mom is a nurse.

Cool time-travel shenanigans make this the highlight of DC’s digital releases this week. (Or at least the ones here.)

TITLE: Aquaman: Deep Dives #2
AUTHOR:
Michael Grey
ARTISTS:
Aaron Lopresti, Matt Ryan (Inker), Hi-Fi (Colors), Wes Abbott (Letters). Cover by Philip Tan and Elmer Santos.
RELEASED:
April 30, 2020

Aquaman vs. Russian Mobsters? Not a pairing I expected, I’ll give you that. But it works.

The Sea Devils make an appearance in this issue. If you have no idea who they are, I was right there with you. Somehow they’re in one of the few corners of the DCU I haven’t explored yet.

Not an amazing issue from a story perspective. But mad respect to Aaron Lopresti, who’s low key one of my favorites, for drawing fish deformed by poison dumped into the sea. Legit creepy.

TITLE: Wonder Woman: Agent of Peace #2
AUTHORS: Amanda Conner, Jimmy Palmiotti
ARTISTS: Daniel Sampere, Juan Albarran (Inker), Hi-Fi (Colors), Travis Lanham (Letterer). Cover by Conner and Paul Mounts.
RELEASED: April 29, 2020

So here we have Diana in another team-up issue, this time with Lois Lane. I’m curious if this is just a coincidence, of if they wanted to throw another big name character in there to help support her. With the Gal Gadot movie under her belt, and another one coming out in the near future, I’m not sure Wondie needs it right now.

We get a really nice fight sequence between her and what basically amounts to a demonic abominable snowman who spouts textbook supervillain speak. (“Give up impudent morsel! Death awaits!”) Steve Orlando gets Wonder Woman and knows how to write her. But from a story perspective, I haven’t been overly impressed by these last two outings.

TITLE: Batman: Gotham Nights #2
AUTHOR: Michael Grey
ARTISTS: Ryan Benjamin, Richard Friend (Inker), Alex Sinclair (Colorist), Troy Peteri (Letterer). Cover by Eddy Barrows, Eber Ferreira, and Lucas.
RELEASED: April 28, 2020

Pretty standard Batman stuff here. It’s not bad, but it’s not overly remarkable either. Crime involving an old theater, theater lead traces back to…well, you can probably guess based on the cover.

My favorite line in this issue: “Who was it that said every villain is the hero of their own story? Probably a villain.”

TITLE: Superman: Man of Tomorrow #2
AUTHOR: Robert Venditti
ARTISTS:
Paul Pelletier, Andrew Hennessy (Inker), Adriano Lucas (Colorist), Clayton Cowles (Letterer). Cover by Rafa Sandoval, Jordi Tarragona and Tomeu Morey.
RELEASED:
April 27, 2020

Another great issue from Venditti, Pelletier, and the crew as our Man of Steel faces off against a new villain called the Gambler.

In addition to a great “shirt opening” sequence, this issue contains a panel reminiscent of a famous Alex Ross painting where Superman is sitting in a chair with his shoulders slumped a bit. Like he can feel the weight of the world on his shoulders. Only in this issue, he’s holding what looks like a beer bottle. It’s soda, of course. I love that.

He’s got a few great one-liners too. “Don’t bet on it, Gambler!”

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A Darth Vader Annual #1 Review – The Dark Lord Doesn’t Dance

Darth Vader Annual #1 (2015)TITLE: Darth Vader Annual #1
AUTHOR: Kieron Gillen
PENCILLER: Leinil Yu
PUBLISHER: Marvel
PRICE: $4.99
RELEASED: December 16, 2015

By Rob Siebert
Editor, Fanboy Wonder

Leinil Yu drawing Star Wars? That’s definitely worth a look. This particular issue might not be worth paying five bucks for, but it’s at leas worth a look.

Darth Vader Annual #1 deviates from the ongoing Vader Down storyline to give us a peek into the Dark Lord’s work as a political enforcer of sorts. Vader is dispatched to the volcanic planet of Shu-torun to reinforce their governments cooperation in the production of valuable ores. Little does he know he’s walking into a trap. But is it even possible to get the jump on Darth Vader?

Having Leinil Yu work on Darth Vader was a legitimate drawing factor for this issue. But surprisingly, Yu’s renderings of the titular character tend to be either misproportioned or awkward. There’s a panel where Vader is talking about the Empire “always building” where the angle of the headpiece on his mask doesn’t work. There are also several shots where Vader’s head looks too small for his body (below). It’s not a consistent thing, but it does pull you out of the issue.

Darth Vader Annual #1, Leinil Yu, 2015Despite this flaw, Yu does pretty well otherwise. I’ve always liked the sketchy manner in which he draws faces. Vader spends the issue with a young woman named Trio, and he depicts her very well.

I also find his renderings of angry old men very amusing. There’s a scene where duke demands Vader dance with his daughter at a celebration. The piss and vinegar in his face as he’s looking at Darth damn Vader is awesome. Even more awesome? When Vader levitates him 20 feet in the air and drops him. He then accents the moment with a line tailor-made for a Schwarzenegger movie: “Do any others wish to be my partner?”

Gillen remains fantastic at incorporating a very appropriate dark humor into these stories. This is embodied in Triple-Zero and BT-1. They’re perfect evil versions of C-3PO and R2-D2, to the point where I can hear Threepio’s voice when I read Triple-Zero’s dialogue. The droids tag along with Vader on this little mission to serve as a surprise of sorts to the royal family on Shu-torun. They have a lot of great little one-liners in this book. I won’t spoil them for you. But I will say my favorite involves the term “mass heart attacks!”

One might say Gillen gives us a glimpse of Anakin Skywalker in this issue. As Vader gets to know Trio, he learns about her relationship with her father, and starts to see things in her that her father doesn’t. As such, Vader offers her a little praise, including telling her that her father should appreciate her. Mind you, it doesn’t exactly end well for one of them. But that moment is still notable, considering Vader’s mindset at this point in his life.

Darth Vader Annual #1, Leinil YuThis issue does a nice job of spotlighting the key element that makes this series work: Its inverted view of the Star Wars universe. It casts Darth Vader, arguably the main villain of the entire saga, as the protagonist. Not the hero, mind you. He’s the protagonist, meaning our main character working toward accomplishing something. As such, we find ourselves rooting for Darth Vader, even though he’s often trying to do something terrible. In this story, for instance, he’s trying to impose the Empire’s will on an entire planet. And he indeed does awful things in an attempt to accomplish that goal. But we find ourselves rooting for him, even if it’s just on a subconscious level.

I’ve said something to this effect before, but it bears repeating: Darth Vader has consistently offered us the best Star Wars content Marvel has put out since they regained the license. I’m not interested in seeing anyone but Kieron Gillen write this book anytime soon. And for that matter, I missed Salvador Larroca on this issue too. They’ve got a really good thing going with this series, and I keep wanting more.

Images from author’s collection.

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An Indestructible Hulk: Agent of SHIELD Review – Fading Strength

Indestructible Hulk, Vol. 1: Agent of SHIELDTITLE: Indestructible Hulk: Agent of S.H.I.E.L.D.
AUTHOR: Mark Waid
PENCILLER: Leinil Yu
COLLECTS: Indestructible Hulk #1-5
FORMAT: Hardcover
PUBLISHER: Marvel
PRICE: $24.99
RELEASED: May 15, 2013

By Rob Siebert
Editor, Fanboy Wonder

Indestructible Hulk had a lot going for it before it even hit stands, what with Mark Waid and Leinil Yu reuniting. Throw in a hell of a premise with Hulk working for S.H.I.E.L.D., and you’ve got one of the hottest tickets in all of comics.

Then a trip to Atlantis watered it all down…no pun intended.

Frustrated at the idea of being remembered only as the Hulk, with very few contributions actually having been made to science, Bruce Banner strikes a deal with S.H.I.E.L.D. director Maria Hill. In exchange for a state-of-the-art lab facility and a staff of researchers, S.H.I.E.L.D. gets to use Hulk as its personal cannon, to aim at whichever battle or crisis it sees fit to. This new arrangement will see Hulk battle supervillains, Atlanteans, and even Iron Man.

Indestructible Hulk #1, Bruce Banner, Maria HillIn terms of superhero comics, Mark Waid is truly one of the modern-day greats, and he shows us why in the very first issue of Indestructible Hulk. Banner and Hill are simply sitting in a diner, with emphasis placed on a ticking clock. “Tick…tick…tick.” The idea is that Hulk is a ticking time bomb which could explode at any moment. Waid also has a few clumsy diner patrons poke the sleeping giant to up the tension. It’s a fantastic scene, possibly my favorite since the start of Marvel NOW!.

Waid does some really good character work with Bruce in the first half of this book. Much of it is actually pretty funny. For instance, the first time Banner meets his new staff, he tests their mettle with a scream of: “What do you mean there’s no internet connection?!?” There are a couple of moments with a would-be robot companion (who we see on the cover) which are amusing as well.

Waid also explores a really intriguing idea in the first two issues: Banner is jealous of Tony Stark, as he always gets to use his brilliance to save the day. Banner, meanwhile, has been stuck trying to “cure” himself of the Hulk. This factors in to his more proactive “manage what exists” approach. The second issue, which culminates in a fight between Hulk and Iron Man, actually represents a lot of what I’ve been missing from DC since the New 52. When Tony Stark and Bruce Banner have a conversation, they feel like old friends, because the audience knows there’s so much history there. Compare that to the conversation we recently saw between Superman and Batman in Justice League #20. We know the characters, but we don’t know them like we do Stark and Banner in this book.

Indestructible Hulk #3, Maria Hill, Iron ManFor the most part, Leinil Yu draws a kick ass book here. He has some issues with his layouts early on, most notably in the first issue, in an instance where a diner patron inexplicably appears to be stroking Maria Hill’s forehead. But he’s so good at the action side of things, and his Hulk seems to be positively pulsating with explosive ferocity and rage, it’s easy to forgive him.

Sadly, the book loses a huge chunk of its momentum in the second half of the fourth issue, when a mission sends Hulk to Atlantis. Simply put, when the emphasis shifted toward the Atlantean conflict, I stopped caring. We’d spent the majority of the book on the Banner/S.H.I.E.L.D. dichotomy, growing more and more invested in this new found balance struck between the two. So when we leave it in favor of Atlantis, the result is just…meh. I suffered through issue five (despite Yu’s stellar art), because it seemed like such a departure from everything I’d been reading up to that point. It’s been awhile since I’ve read a book which started with such a bang, but ended with such a whimper.

Sadly, Waid and Yu’s reunion began and ended with this book. But so long as Waid is still on board, Indestructible Hulk will no doubt continue to be worth keeping an eye on. My feelings of Agent of S.H.I.E.L.D. are positive, given how wonderfully it started. I only with this Hulk book had been able to maintain some of its awesome strength.

RATING: 7/10

Image 1 from mindofshadow.com. Image 2 from blogdesuperheroes.es.

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