Weekly Comic 100s: Darth Vader, Batman, X-Men/Fantastic Four, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Darth Vader #1
AUTHOR: Greg Pak
ARTISTS: Raffaele Ienco, Neeraj Menon (Colorist), Joe Caramagna (Letterer). Variant cover by Chris Sprouse.
RELEASED: February 5, 2020

After the events of Empire, Darth Vader starts investigating Luke’s birth/origins. He journeys back to Tatooine (again). He then goes to Padme’s old apartment on Coruscant, which remains more or less preserved after 20 years. As if it’s a crime scene or something. Based on the ending, I assume we’ll learn more next issue.

I understand it from a storytelling perspective. But in-universe, it’s always a little too convenient that these landmark places all essentially look the same no matter when we see them. That Lars Homestead will still be standing 30 years later

TITLE: Batman #88
AUTHOR:
James Tynion IV
ARTISTS: Guillem March, Tomeu Morey (Colorist), Clayton Cowles (Letterer). Cover by Tony Daniel.
RELEASED: February 5, 2020

I wasn’t very nice to Guillem March last time. In fact, I’m rarely depict his work positively. But to his credit, he won me over with this issue. At least a little bit. His rendering of Catwoman in a graveyard on a rainy night is damn near beautiful. The scene with Batman, Penguin, Deathstroke, and the others is also very strong.

At more than one point, it seemed to me like this issue was laying the groundwork for the long-awaited Three Jokers book. Remember, we’re building toward a story in the pages of Batman called “Joker War.”

TITLE: X-Men/Fantastic Four #1 (of 4)
AUTHOR: Chip Zdarsky
ARTISTS: Terry Dodson, Rachel Dodson (Inker), Dexter Vines (Inking Assistant), Karl Story (Inking Assistant), Laura Martin (Colorist), Joe Caramagna (Letterer)
RELEASED: February 5, 2020

I’m terrified of X-Men comics. Specifically, the decades worth of continuity and characters. But to this book’s credit, it’s fairly accessible.

Franklin Richards, the mutant teenage son of Reed Richards and Sue Storm, is summoned by Charles Xavier to live with Earth’s mutants on the island nation of Krakoa. This doesn’t sit well with Reed. Naturally, conflict and teen angst ensue.

I’ve been looking for a bridge back into the Marvel Universe. X-Men/Fantastic Four #1 might be it, as it does a nice job setting up both teams, and giving us a compelling main character in Franklin.

TITLE: Mighty Morphin Power Rangers/Teenage Mutant Ninja Turtles #3
AUTHOR: Ryan Parrott
ARTISTS: Simone di Meo, Alessio Zonno, Walter Baiamonte (Colorist), Igor Monti (Color Assistant), Ed Dukeshire (Letterer). Cover by Dan Mora.
RELEASED: February 5, 2020

We get a fight between Rita and Shredder in this issue. It’s a relatively lengthy battle. And you know what? I’m just going to come out and say it: I wanted this to be one of those fights where the guy and girl hook up at the end. You know how it goes. The passion overcomes them, etc. These two have a lot in common, after all.

What that says about me and these characters from my childhood, I’ll let you decide.

Oh my God. What if Shredder, not Zedd, was actually Thrax‘s father?!?!? Mind blown!!!

TITLE: Young Justice #13
AUTHOR: Brian Michael Bendis, David Walker
ARTISTS: Michael Avon Oeming, Mike Grell, John Timms, Gabe Eltaeb (Colorist), Wes Abbott (Letterer)
RELEASED: February 5, 2020

Well hey there, Mike Grell! It’s been too long! What’s more, Grell gets to once again draw a character he created in Warlord. Warlord and Superboy actually have a pretty nice dynamic in this issue. The experienced elder statesman offering calm words of wisdom to an upset Superboy.

For the moment at least, the Young Justice cast has expanded greatly. If these additional characters stick around, it’s a lot to balance. But it’s still damn good to see a couple of them.

TITLE: Lois Lane #8
AUTHOR: Greg Rucka
ARTISTS: Mike Perkins, Gabe Eltaeb (Colorist), Simon Bowland (Letterer)
RELEASED: February 5, 2020

As much as I’m enjoying having Greg Rucka back at DC, I’m wondering if this needed to be a 12-issue maxi-series. This entire issue felt mostly like filler.

For instance, there’s a scene in this issue where Superman shows up after an attempt on Lois’ life. We take four pages to see husband and wife re-united, and then to see the attention the Man of Steel gets from the local police.

Am I missing something? Why are we seeing this?

On the upside, the assassin that comes after Lois has a pretty cool look.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

A Star Wars #4 Review – The Unlikely Alliance

Star Wars #4 (2015)TITLE: Star Wars #1
AUTHOR:
Jason Aaron
PENCILLER:
John Cassaday
PUBLISHER:
Marvel
PRICE:
$3.99
RELEASED:
April 22, 2015

***WARNING: Minor spoilers for Star Wars #4 ahead.***

By Rob Siebert
Editor, Fanboy Wonder

Jason Aaron and John Cassaday’s Star Wars is finally starting to pick up a bit of steam. And go figure, it’s the issue that’s most interwoven with the far superior Darth Vader title that made it happen.

When we open issue #4, Luke Skywalker and the others have escaped the clutches of the Empire yet again. But where does either side go from here? Oddly enough, the answer for both Luke and Darth Vader is Tatooine. With some of the Empire’s resources depleted, Vader seeks help from none other than Jabba the Hutt. Meanwhile, Luke realizes that to become the warrior the Rebel Alliance needs him to be, he’ll need to find some answers at home.

I’ve picked on this book previously for relying too heavily on classic Star Wars imagery and dialogue to carry it. Granted, it’s almost impossible to have a Star Wars comic book without that factor being there to some extent. Thankfully, we see less of that here. But there are still needless pieces of it here. Hell, this issue’s biggest offense is right on the opening page via dialogue from Darth Vader and Jabba’s lackey, Bib Fortuna…

Star Wars #4, Darth Vader, John Cassaday– “The Illustrious Jabba bids you welcome to the humble sands of Tattooine…”

– “You may dispense with the pleasantries.”

Those are two lines plucked directly from Return of the Jedi. And why? What’s the point? You’ve got an iconic Star Wars character standing in an iconic Star Wars setting. Even if you’re not a Star Wars junkie like so many of us are, the visuals are enough to take you where you need to be. Peppering in dialogue like that only cheapens things, especially when you’ve already been pretty cheap thus far.

On the flip side, the SW junkie in me did highly appreciate one piece of dialogue in this issue very much. During a scene where Han Solo and Chewbacca are working on the Millennium Falcon (as Han has a somewhat comedic bandage wrapped around his head), Solo references Darth Vader using his lightsaber. The exact line is: “It was Vader. Him and his…whatever you call it. Laser sword.” I loved that. It’s very much fitting with Han’s irreverence for the Jedi culture, which we saw in A New Hope.

Star Wars #4, Luke Skywalker, John CassadayOn the subject of Jedi culture, we see a frustrated Luke trying to do the blind remote exercise again, this time with two robots instead of one. Cassaday strikes an interesting balance between pre and post-plastic surgery Mark Hamill here. The character’s frustration feels very natural. Why exactly he feels the need to go back to Tatooine is unclear, though based on the cover I assume it’s to go back to Obi-Wan’s home and look for clues. What kind of clues those might be, I’m not sure. But given what we’ve seen so far in this book, I’d be very surprised if we didn’t get a bunch of verbal and artistic references to A New Hope and Return of the Jedi.

While Cassaday draws a great Ralph McQuarrie-inspired Darth Vader, the sequences between Jabba and Vader in this book draw inevitable comparisons to the ones in the Kieron Gillen/Salvador Larroca Vader book. For this issue’s sake, that’s not a good comparison. Obviously Cassaday’s no slouch, but Larroca’s got him beat here. On the plus side, he and colorist Laura Martin are a solid combination. Their renderings of the Tatooine landscape reflecting off the Darth Vader death mask are really nice.

Still, I continue to be underwhelmed with this title at best. I’m willing to hang on for at least another month, as I still enjoy Cassaday’s art. Plus I’ve got some money to spare, as DC’s Convergence stunt has left a huge hole in my pull list. But c’mon, guys. You’re doing a Star Wars comic for Marvel! You HAVE to do better than this!

Image 1 from comicbook.com. Image 2 from kotaku.com.

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