Weekly Comic 100s: Friday, Swamp Thing X-Ray Robot, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Talking about Friday on a Wednesday

Well how about that. Not only is this train still runnin’ despite weekly comics not hitting shelves, but we got two out in one week!

I highly encourage everybody to go over to Panel Syndicate and check out not only Friday, but all the stuff available there. It’s all pay-as-you-wish, i.e. if you want to pay $3.99 for an issue, you can do that. If you want to pay nothing for an issue you can do that too. Heck, if you want to be super generous and pay $100 for an issue, knock yourself out! Right now the comic book industry needs all the help it can get.

TITLE: Friday #1
AUTHOR: Ed Brubaker
ARTISTS:
Marcos Martin, Muntsa Vincente
RELEASED:
April 2020

Courtesy of Panel Syndicate comes Friday, a “post-young-adult” story about two kid detectives (think Encyclopedia Brown or Harriet the Spy) who’ve hit adolescence. But when Friday Fitzhugh comes back from college, discovers she has at least one more mystery to solve with Lancelot Jones.

Lancelot Jones. Now that is a character name.

Thus far, Friday is your standard grounded and gritty Brubaker story. But I’m in love with the idea of child detectives grown up. The “glory days” of a certain innocence are over and now these kids, these former super-sleuths, have to face the real world.

TITLE: X-Ray Robot #1
AUTHOR: Mike Allred
ARTISTS:
Allred, Laura Allred (Colorist), Nate Piekos (Letterer).
RELEASED:
March 18, 2020

Holy crap. Anybody got any weed?

By the time you close this issue, X-Ray Robot #1 manages to be a trippy experience. It’s part superhero comic, part B-movie, part psychedelic freak-out.

Apparently part of Mike Allred’s Madman Universe, X-Ray Robot is about a scientist who uses a robot to explore new dimensions. But an unexpected twist leaves him with a dilemma he never dreamed of.

I’m a casual Mike Allred fan, so I’ll have my eye out for this book once comics are hitting the stands again. It’s an…experience, to say the least.

TITLE: Capable #1
AUTHOR: Jonathan Hedrick
ARTISTS: Gino Kasmyanto, Periya Pillai (Colorist), Steve Ekstrom (Letterer)
RELEASED: April 22, 2020

Capable #1 is very much a low-level indie comic. It certainly reads like one in terms of dialogue. I understand high-schoolers have potty mouths. But being profane for profanity’s sake is obnoxious.

That said, the concept is compelling. Some kind of otherworldly occurrence gives disabled people around the world superpowers. Naturally some, like our main character Derik Davidson, use these abilities for good. Others for evil.

I’m inclined to give issue #2 a look. I want this book to live up to its potential. The only thing holding it back right now is some needlessly bush-league language.

TITLE: Space Is Awful #1
AUTHOR: Derek Moreland
ARTIST:
Derrick Fleece
RELEASED:
April 22, 2020

A black and white comic about a fat convenience store janitor in an outer space arena fighting a giant baboon and a robot that makes awful puns?

Sure. Why not?

Space is Awful reads like Clerks meets Coneheads meets a Simpsons Halloween special. It’s a comic that’s happy to bask in its own ridiculousness. I wish more comics could have the sense of unabashed fun that this one does. Very curious to see how they try to up the ante with issue #2.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Panels of Awesomeness: Catwoman #1

By Rob Siebert
Fanboy Wonder

CREATORS: Joelle Jones (Pencils, Inks), Laura Allred (Colors). Josh Reed (Letters)

THE SCENE: In Villa Hermosa, Mexico, Raina Creel, the governor’s wife, removes her gorgeous facade to reveal her true self. Presumably the brains of the outfit, she uses her resources to target Catwoman.

WHY IT’S AWESOME: Last week, the “DC Nation” portion of all the new issues was dedicated to this page, and Joelle Jones’ creative process. One of the things she said was: “Most of the female villains at DC are really sexy, so I wanted my bad guy to be someone who was really grotesque, who had ruined herself with surgery and drugs.”

Mission accomplished.

I’m not sure how much Jones intended to use Raina as a good ol’ fashioned commentary device for our brutally superficial culture. But this page alone speaks volumes in that respect. Grotesque is indeed the word. Not just because of what she’s doing, but the specific snapshots Jones uses. The fake eyelashes pulling at the skin. The saliva dragging from her false teeth. The pinching of the contact lens. And that damn nose. As far as introductions to a new villain are concerned, this is the best I’ve seen in years.

Email Rob at PrimaryIgnition@yahoo.com, or follow Primary Ignition on Twitter.